Until Salma turned thirteen the house was just a house. It was too big for the two of them, an up-and-down warren of rooms neither of them had the compulsion to fill. She did not have friends to invite round, did not like those girls at school, their careful observations of one another, the way they moved and talked. Sometimes she wondered why her father did not bring back dates, long-legged women filling the house with the smell of bacon and eggs, wearing her father’s dressing gown and slippers, their thin lips purple from the cold. She liked to think it was because he could not imagine there being anybody other than her mother. She liked to think he thought of her by the minute, her dark hair wrapped around his fist, her angry words in the crevices of his mouth.
—-Daily Johnson, A Bruise the Size and Shape of a Door Handle
House Being Remodeled, The Cedars, Dallas, Texas
from American Short Fiction
About the Author:
A British novelist and short story writer. Her debut novel, Everything Under, was shortlisted for the 2018 Man Booker Prize, and is the youngest nominee in the prize’s history. For her short-stories, she has won three awards since 2014.
About the Story:
This short coming of age tale does not end like you think it will, although you are warned… you don’t pay attention. Delicately written, fine turns of phrase conceal the evil and power beneath.
It reminds me of one of my favorite (even if it is unnecessarily twee and gimmicky) novels – House of Leaves. One of the interwoven stories is about a man that discovers that the house he lives in is a few centimeters larger on the inside than on the outside. Then all hell breaks loose.
A section of the book is used in the Poe song “Hey Pretty” (the author, Mark Z. Danielewski, is the singer, Poe’s brother).
Kyrie suggested we go for a drive in her new 2-door BMW coupe In the parking lot, we slipped into her bucket seats, Kyrie took over from there.
At nearly 90 miles per hour she zipped us up to that windy edge Known to some as Mullholland, that sinuous road running the ridge of the Santa Monica Mountains Where she then proceeded to pump her vehicle in and out of turns Sometimes dropping down to 50 miles per hour, only to immediately gun it back up to 90 again Fast, slow, fast fast slow Sometime a wide turn sometimes a quick one she preferred the tighter ones The sharp controlled jerks, swinging left to right before driving back to the right
Only so she could do it all over again until after enough speed, and enough wind, and more distance than I had been prepared to expect Taking me to parts of the city I rarely think of and never visit…
I can’t remember the inane things I started babbling about then, I know it didn’t really matter, she wasn’t listening She just yanked up on the emergency brake, dropped her seat back, and told me to lie on top of her On top of those leather pants of hers, extremely expensive leather pants mind you, her hands immediately guiding mine over those soft, slightly oily folds
Positioning my fingers on the shiny metal tab, small and round, like a tear Then murmuring a murmur so inaudible that even though I could feel her lips tremble against my ear, she seemed far, far away Pinch it, she said, which I did, lightly, until she also said pull it, which I also did, gently parting the teeth, one at a time, down under and beneath, the longest unzipping of my life…
We never even kissed, or looked into each other’s eyes, our lips just Trespassed on those inner labyrinths hidden deep within our ears, Filled them with the private music of wicked words Hers in many languages, mine in the off-color of my only tongue, until as our tones shifted and our consonants spun and squealed, rabbled faster, hesitated, raced harder Syllables soon melting into groans or moans, finding purchase in new words, or old words, or made-up words Until we gathered up our heat and refused to release it, enjoying too much the dark lane which we had suddenly stumbled upon
Prayed to, carved to, not a communication really, but a channeling of our rumored desires, hers for all I know gone to black forests and wolves, mine banging back to the familiar form, that great revenant mystery I still could only hear the shape of Which in spite of our separate lusts and individual prize, still continued to drive us deeper into stranger tones, our mutual desire to keep gripping the burn Fueled by sound, hers screeching, mine… I didn’t hear mine, only hers, probably counter-pointing mine A high pitched cry, then a whisper dropping unexpectedly, to practically a bark, a grunt, whatever, no sense anymore, and suddenly no more curves either, just the straightaway
Too bad dark languages rarely survive…