“In those days I learned that nothing is more frightening than a hero who lives to tell his story, to tell what all those who fell at his side will never be able to tell.”
― Carlos Ruiz Zafón, The Shadow of the Wind
“If I had my way we’d sleep every night all wrapped around each other like hibernating rattlesnakes.”
― William S. Burroughs
“The first time I saw my father-in-law’s cotton, I though of the Original Sin, gardening being the root of the South’s downfall.”
― Michael Lee West, She Flew the Coop: A Novel Concerning Life, Death, Sex and Recipes in Limoges, Louisiana
“By being published, any author’s words cease to be his own, but rather belong to his reader.”
― Andrew Crumey, D’Alembert’s Principle: A Novel in Three Panels
Spirit of Communication (Golden Boy), Dallas, Texas
Spirit of Communication is the formal name for the statue by Evelyn Beatrice Longman originally called Genius of Telegraphy. The statue has been the symbol of AT&T (and also the former Western Electric) since their commission was completed in 1916. It is also known informally as the Golden Boy statue and formerly as Genius of Electricity.
Commissioned for 195 Broadway in New York City. the sculpture has followed AT&T to other sites in New York and New Jersey over the years. In 2009, the statue was relocated to AT&T’s current corporate headquarters in downtown Dallas, Texas, U.S. As of 2022, the statue is located outside in the AT&T Discovery District in Downtown Dallas.
“After our negotiations were completed, the dome would be imploded and launched toward the nearest black hole, so that none of its atoms would ever contaminate this particular universe again. I thought that last part was overkill.”
― John Scalzi, Old Man’s War
“By three methods we may learn wisdom: First, by reflection, which is noblest; Second, by imitation, which is easiest; and third by experience, which is the bitterest.”
“We have annexed the future into the present, as merely one of those manifold alternatives open to us. Options multiply around us, and we live in an almost infantile world where any demand, any possibility, whether for life-styles, travel, sexual roles and identities, can be satisfied instantly.”
― J.G. Ballard, Crash
Last weekend there was a local bike ride to three different local breweries. Both my sons wanted to go – and I was tasked with showing up to the starting point with all three bicycles.
I drive a tiny piece of junk Toyota Matrix – which is classified as a sub-miniature-station-wagon. I can get one bike in the back with ease (with the back seats folded, of course). I didn’t know if I could cram three in there – but after removing the wheels they all went it there with no room to spare. The resulting mess had a post-modern complex ridiculous sculpture look to it.
It was difficult getting everything out and reassembled – it was all tangled up. But, in the end, it was all good.
“When we think about the present, we veer wildly between the belief in chance and the evidence in favour of determinism. When we think about the past, however, it seems obvious that everything happened in the way that it was intended.”
― Michel Houellebecq, The Elementary Particles
“Miraculously, smoke curled out of his own mouth, his nose, his ears, his eyes, as if his soul had been extinguished within his lungs at the very moment the sweet pumpkin gave up its incensed ghost.”
― Ray Bradbury, The Halloween Tree
“What could I say? Maybe this: the man hunched over his motorcycle can focus only on the present instant of his flight; he is caught in a fragment of time cut off from both the past and the future; he is wrenched from the continuity of time; he is outside time; in other words, he is in a state of ecstasy; in that state he is unaware of his age, his wife, his children, his worries, and so he has no fear, because the source of fear is in the future, and a person freed of the future has nothing to fear.”
― Milan Kundera, Slowness