“In this world of ours, the sparrow must live like a hawk if he is to fly at all.”
Eric, when you found me, what else was there?
What do you mean, ‘What else?’
—-from The Screaming Skull
As I learn to adjust to a life without cable television, I explored the nether regions of the hundreds of free streaming channels available on the Roku. I haven’t researched it – but it looks like anyone can cobble their own Roku channel together – and there are lots of them. Unfortunately (but unsurprisingly) these are mostly poorly done and colossal time sucks.
I did stumble across a collection of old, bad, out-of-copyright horror films. These always bring back memories of when I was in sixth grade or so and discovered what that odd round wire antenna-thing that came in the box with new televisions was used for. I had discovered the UHF channels that my parents knew nothing about. I would crawl out of bed after the family was asleep and creep into the darkened kitchen and tune in what I could find on the little portable TV. This included channels dedicated at night to grade Z horror films.
Now, a half-century later, I like to look for these horrid memories from long ago. I thought I remembered one called The Screaming Skull and chose it. Turn’s out I had never seen it – and my life isn’t enriched by seeing it now.
I’m not going to review The Screaming Skull… take my word for it – it’s bad.
You know it’s bad from the first scene… a cheap plastic skull rises from a bucket of water bubbling with dry ice and you get:
“The Screaming Skull” is a motion picture that reaches its climax in shocking horror. It’s impact is so terrifying that it may have an unforeseen effect. It may *kill* you! Therefore it’s producers feel they must assure free burial services to anyone that dies of fright while seeing The Screaming Skull.
I’m sure they didn’t have to pay out… ever. The movie is simply not scary.
The only good thing is that the main character, despite being poor, drives a seriously cool car, a mid-’50s Mercedes-Benz 190SL Gullwing. The movie brightens every time this car appears. I would love to learn the story about how such an exquisite expensive hunk of steel made in into such a low-budget film.
And that’s about it. All the rest sucks.
Looking up information on the film – I didn’t realize that it was satirized on Mystery Science Theater 3000. Going to have to watch that… when I have a lot of free time.
Oh, and it is very loosely based on a short story. I found it online here. Not sure if the story is any better than the film….
“Thus, when I say about myself that I am a genius, it is not self-praise, but a statement to describe a type of mind that: whatever it does in any field, it does well. A mind that peruses in many fields will comprehend better, and many things more, than one that is absorbed in only one. It becomes a universal mind.”
We cut the cord today. Bye Bye to cable television. Good riddance. I have watched the Boob Tube… the Idiot Box too much all my life.
I still watched too much – there is still Netflix… and Amazon Prime Video…. and Sling… and a multitude of crazy channels available through the Roku … and even the antenna. I finished off an episode of Doctor Who (I have a strange yet slight crush on the New Doctor, as long as I don’t watch too much) and an episode of The Alienist.
Then, checking the documentary section of Netflix, I chose a Netflix Original Documentary, Struggle: The Life and Lost Art of Szukalski.
Holy Moly… what a rabbit hole.
Stanislav Szukalski was a sculptural prodigy born in Poland in the late eighteen hundreds who showed great promise even though he was partially blind from staring at the sun. At 12 he moved with his family to Chicago.
This began a bifurcated life – of an eccentric artist in the United States and a fervent nationalist in Poland. He developed an unfortunate streak of racism and anti-antisemitism in Poland in the 1930’s. He became well known and successful until everything was destroyed in the German bombing of Warsaw in 1939. Other than a few small sculptures in American hands – his entire body of work, thousands of sculptures, drawings, and other artworks – was destroyed. He and his wife escaped at the last minute with only two suitcases and moved to Los Angeles.
Penniless, he survived on doing odd jobs for the film industry, and became friends with famous screenwriter Ben Hecht and the family of George DiCaprio, Leonardo DiCaprio‘s father. In 1971 Glenn Bray, a publisher and collector of oddball art, became fascinated with the story and work of Szukalski and was stunned to find out he was not only still alive but living 5 miles away from him. They became fast friends, Bray introduced him to a circle of artists, mostly underground comics illustrators, and began to film extensive, lengthy interviews with him.
And now, all this has led to Leonardo DiCaprio producing this Netflix Documentary using a lot of Bray’s interview footage. It’s a wild and woolly tale, with references all the way from the Nazis to Zap Comics to The Church of the Subgenius to DiCaprio to Easter Island.
Yeah, Szukalski thought that all human civilization originated in Easter Island and that all evil was the result of interbreeding with the Yeti. Really.
Not a big fan of his ideas here – but I love his art. There isn’t much out there – one bronze has been recently cast, but so much of his work was destroyed in the destruction of Warsaw. He whole life, ideas, and artistic output was warped beyond recognition by the terrors of the twentieth century.
Shame really – there is real talent there… eccentric talent, to be sure… but enough artistic genius to go around. I would like to see his work. Maybe a trip to Chicago – there is some stuff at the Polish Museum of America there.
“The most beautiful experience we can have is the mysterious. It is the fundamental emotion that stands at the cradle of true art and true science.”
― Albert Einstein, The World as I See It
As we were transporting one son to the other’s apartment we were forced by cruel geography to drive down US 75 – Central Expressway. I have lived in Dallas a long time and have many memories of traffic jams on this long strip of concrete. Today was no different.
We saw a column of white smoke drifting up miles ahead and I knew it was going to be bad. So we settled in for the wait – about an hour, which is really not as bad as it could be. We chatted, listened to music, and stared at the back of the cargo trailer in front of us. I know it’s not a big deal, but I was forced to look at it for over an hour.
What the hell is that?
It’s obviously the remmnants of a sign or a painted ad of some sort – heavily weathered or purposely mostly removed. You can see the white circles where the rivets are. There are two URLs on the design, I looked them up. One is a manufacturer of trailers, another is a local dealer that sells used trailers. No clue there. But the URLs overlay the design. Does that mean that it is supposed to look like that? Did they sell it that way?
As I stared at it – I wondered… What is that in the upper right? A dancer? Is that a skull in the upper left quarter? A lot of random shit ends up looking like a skull. One the bottom, those look like artistic shapes of some sort – but what?
I stuck my phone out of the window and snapped a photo right as we passed the charred carcass of a big burned out SUV (hope nobody was hurt) and the traffic began to speed up.
What the hell is that?
“It is a damn poor mind that can think of only one way to spell a word.”
― Andrew Jackson
Tremendous thunderstorms rattled the Metroplex with pelting rain and shattering lighting late last night. Unfortunately, all flights going east were canceled from Love Field and our son Lee couldn’t get home to New Orleans. I drove through the weather to the airport to pick him up and bring him home late last night.
So we had another day with him for the holidays. We decided to go eat at Noodle Wave, one of our favorite places to eat – fantastic Thai food, along with great service in a surprisingly artistic and comfortable decor. It is located in an unfortunate strip of lower end shops and restaurants inspired by the cuisine from five different countries (including Thailand).
I have gone to Noodle Wave often and parked in that lot many times and I’m sure I’ve stared at the sign of the LOW PRIZE FOOD MART more than once without realizing that they meant PRICE. I did a quick internet search and all the text referring to the place is LOW PRICE. The only pages that LOW PRIZE FOOD MART is mentioned in in their applications and renewal for their liquor license.
I can’t believe that someone would make a mistake like this in a sign so big and in a busy location – I prefer to think of it as a clever, ironic, and hipster statement about the inevitable failure of consumer culture.
But I know I’m wrong.
Everyone has their Christmas traditions. I’ve been keeping this incarnation of a blog since 2011 and we went to Bistro B for Christmas that year, so it’s been at least seven years. I think this is the first year we actually received what we ordered.
Nothing much has changed, so I’ll copy what I wrote then. The only difference is this year I ordered #33 Special Pho with Sunny Egg, and #395, Vietnamese Iced Coffee – in addition to a shared double order of #9 – Vietnamese Spring Rolls.
The wrapping paper has been rent and Santa has been sated. The day now stretches sleepily on – sports on television, fudge on the kitchen table, a cold, gray spitting rain day outside. What is there to do other than lounge around in a mouldering Snuggie® and watch the entropy increase?
For my dollar, there is no better way to spend a few hours on the Christmas Holiday than to go for an afternoon lunch at Bistro B. Actually, I like the pho at Pho Pasteur near our house (the broth is just right) but Bistro B is such a hopping place, even on a holiday, that is impossible to pass up. Plus, Pho Pasteur isn’t open on Christmas Day.
The place, as always, was packed. We waited for a few minutes, which I enjoyed. I stood by the little altar with the burning incense spiral, the electric-powered prayer wheels, and the little shrines decorated with offerings of change. I looked around at the tables to see what other folks were ordering. There were a lot of butane portable table burners heating hot pots that were being shared by a whole family – three generations or more – packed around the big round tables. I love watching a family eat, the heads bent, concentrating on the food, with a ballet of chopsticks dancing in a circular chorus while everyone picks up their food, talks, and laughs.
Its a noisy, happy place, with an army of black-clad waiters rushing, cleanup crews pushing a big square cart, a thick crowd at the registers – some clutching inscrutable bills, but most there for take-out. Some odd genre of electronic dance music pulses… loud but barely audible over the conversations, and a phalanx of flat-screen televisions incongruously simultaneously shine out an NFL documentary. The kids reported that the restroom was, “Like a nightclub.”
It didn’t take long before we were seated and began to attack the menu. There are too many choices at Bistro B – the menu is a little spiral bound plastic laminated book, with page after page of wonders, many with photographs of the food. It is intimidating. Lee recommended shutting my eyes, thumbing through the menu blindly, and then picking something at random. He said he did that a couple of times – once he had something good, but the second time the waiter had told him, “No, you don’t want to order that.” I tried it and came up with Chicken Curry… no, too tame.
The menu items are numbered and the numbers go up 523 – though there seems to be some gaps here and there.
It was cold outside so I thought about some hot soup. I ordered the #43, Special Bistro B Noodle Soup. The waiter asked what type of noodles and I asked for rice. The kids had smoothies and Candy and I hot tea. Nick had Pho, Candy and Lee had chicken. We sent for a couple orders of spring rolls… it was too much food.
But it was delicious. My Special Bistro B Noodle Soup didn’t have the perfect simple balance of subtle flavors that I like in Pho – but it was like eating a Forest Gump box o’ chocolates – you never know what you are going to get. Every time my chopsticks would dive into the spice-murked liquid they would emerge with a new surprise. After eating whatever came to the surface – I was able to figure out more or less what it was about half of the time.
Like all Pho – serving places, the table was equipped with a bounty of condiments and additions. Plates of bean sprouts, sliced jalapeño, Thai basil, and cilantro. Bottles of soy sauce, fish sauce, rooster sauce, hoisin, and two unlabeled bottles of mysterious somethings. Plus little containers of chopped garlic, pepper oil, and the most flavorful (and hot) chili paste I’ve had in a long time. I spent some time working on the flavor balance of hot and sweet, salty and savory, in my broth. Then I used the hoisin and rooster sauce to draw a bright red and dark caramel ying-yang symbol (for good luck in the coming year) in one of the little plates they supply and used my chopsticks to dip various morsels in there before I ate them.
I ate ’till I was full and then I ate some more. And it was good.
There was a separate menu on our table that outlined the group meals. We thought about the dinner for four – but there were too many fish items on it for Candy. They had a dinner for ten that looked fabulous. I need to get ten people together to go down and do it. That sounds like a plan. Drop me an email if you want in.
“I say it must have been great to grow up when men were men. He says men have always been what the are now, namely incapable of coping with life without the intervention of God the Almighty. Then in the oven behind him my pizza starts smoking and he says case in point.”
― George Saunders, CivilWarLand in Bad Decline
East Dallas is a confusing web of intercrossing diagonal streets – impossible to keep north, south, east and west straight. It’s a neighborhood of constant change, mixed wealth, and diversity. It’s a favorite part of town to me.
Last night, as a Christmas present the kids bought all of us tickets to the Dallas Stars hockey game and because it was four of us, it was late, and I know of a good place to park I drove downtown rather than take the train or Uber. The game was fun even though the home team lost in a futile flurry of razor sharp blades, sticks, and ice.
One cool thing was that, at the very end when all seemed lost, right before the Stars pulled their goalie the stadium played the “Horn of Helm Hammerhand” clip from “The Two Towers” on the big video boards.
It was inspirational and Lee stood up and yelled, “I’ll follow you anywhere Aragorn!” Unfortunately, right after that the visiting team pushed in an empty net goal – it was all for naught.
After the game, we wanted to eat, and we wanted pizza. It was late and a lot of spots downtown were closing, but Nick knew of a place open really late so we drove down Fitzhugh to Za*Lat Pizza. They had a very impressive list of crazy pizzas – but we weren’t in an overly adventurous mood and settled on a large pepperoni.
I’m going to have to go back, maybe ride my bicycle there, and try the Pho Shizzle Pizza…. and maybe the Elote Pizza… or maybe a bunch more.
Za*Lat is designed for take-out, but there is a Vietnamese place next door and they said we could take our pizza there, sit at the bar, eat it and get something to drink. The place is called DaLat. I asked the bartender if the same person owned both places and he said, “Did the fact that the two names only differ by one letter give you a hint?”
A very nice evening. I love that stretch of Fitzhugh in East Dallas – even if it is rapidly gentrifying (there are new upscale apartment blocks going up willy-nilly) – it still has an old lived-in feel with plenty of cheap places to eat (taquerias on every block) – Jimmy’s Food Store is a few blocks on down the road – it’s all very bike friendly. I do get lost on all those diagonal streets, though. But lost in a neighborhood on a bike is a great way to find new stuff, maybe a new adventure.