A-Hole in One

“Golf is a game whose aim is to hit a very small ball into an ever smaller hole, with weapons singularly ill-designed for the purpose”
― Winston S. Churchill

Oblique Strategy: Always give yourself credit for having more than personality

On our bicycle tour of The Cedars Open Studios we stopped at the McKinney Avenue Contemporary, The MAC. The gallery is undergoing extensive construction after its move from McKinney Avenue to The Cedars. But outside, there was a very interesting, fun, and cool installation, an interactive performance – A-Hole in One. The artist, Angel Cabrales, had set up a number of large carpeted outlines of various strategic countries across a vacant lot. The participant/observer would then take a wooden sculpture of a gun, equipped with a battery powered fan, and shoot golf balls out at the targets/countries.

From the artist:

A-Hole in One examines current political events and perceived societal norms through a consumable and familiar format: golf.

In a time when executive decisions regarding the fate of global politics appear to be determined on the golf course, Cabrales invites the viewer to hold this very power in their own hands. The MAC’s outdoor space will be staged as Cabrales’ ‘global’ golfing green, complete with golf greens and golf holes, where viewers can ‘play a round’ and inform the world of important decisions by way of random tweets. Golf equipment is provided, but participants are encouraged to bring their mobile phones and download the Twitter app.

A-Hole in One, The MAC

A-Hole in One, The MAC, if you look closely, you can see the blue golf ball travelling dowrange

A-Hole in One, The MAC

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Stone Sculpture on the Riverbank

“Leaving New Orleans also frightened me considerably. Outside of the city limits the heart of darkness, the true wasteland begins.”
― John Kennedy Toole, A Confederacy of Dunces

I was walking along the strip of concrete along the top of the Mississippi levee that separates the French Quarter from the vast moisture of the Big Muddy. There was the path, a narrow strip of weedy grass, a band of riparian riprap rock used for erosion control and then the water itself.

I noticed a pile of rock in a peculiar arrangement, down right next to the water. At first I thought someone had simply piled them up, but as I looked closer, it seemed that they would not hold together in that formation by themselves. Gravity would pull them asunder. Someone had gone down there with some industrial adhesive or quick-set epoxy and glued the stones together. It was a sculpture, a work of art.

An Internet search failed to reveal any information about this impromptu pile of granite.

Who knows how long they will hold together under the assault of the elements, but if you want to check – it’s right there near the entrance to Jackson Square.

Riverbank Sculpture, Mississippi River, French Quarter, New Orleans

Seated Woman

“Every so often, a painter has to destroy painting. Cezanne did it, Picasso did it with Cubism. Then Pollock did it. He busted our idea of a picture all to hell. Then there could be new paintings again.”
― Willem De Kooning

Willem de Kooning “Seated Woman”
Nasher Sculpture Center

The Sun In the East Flushed Pale Streaks Of Light

“They rode on and the sun in the east flushed pale streaks of light and then a deeper run of color like blood seeping up in sudden reaches flaring planewise and where the earth drained up into the sky at the edge of creation the top of the sun rose out of nothing like the head of a great red phallus until it cleared the unseen rim and sat squat and pulsing and malevolent behind them.”
― Cormac McCarthy, Blood Meridian, or the Evening Redness in the West

Rising Sun Adolph Alexander Weinman American Bronze Houston Museum of Fine Arts

Rising Sun
Adolph Alexander Weinman
American
Bronze
Houston Museum of Fine Arts

The Soft Wind Carried the Moment Away

Over the hill and across the ford and down by the meadow gate
May her days be many, her days be few,
The dream of the maiden will never come true.
For the soft wind carried the moment away,
And the birds they sang, but they would not stay
By the meadow gate.
—-Kate Chopin, By The Meadow Gate, last stanza

By The Meadow Gate

Again In The Meadow James Surls 2002, Steel, Paint Hall Sculpture Garden Dallas, Texas

Again In The Meadow
James Surls
2002, Steel, Paint
Hall Sculpture Garden
Dallas, Texas

Unthinkable Complexity

“Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation, by children being taught mathematical concepts… A graphic representation of data abstracted from banks of every computer in the human system. Unthinkable complexity. Lines of light ranged in the nonspace of the mind, clusters and constellations of data. Like city lights, receding…”
― William Gibson, Neuromancer

One of the nice things about travelling around the… well, around… looking at sculptures is when you find stuff by sculptors you’ve seen before – and especially when you’ve done entries on them.

At the new Hall Sculpture Garden at the side of the new KMPG Plaza Building in the Arts District I found Stainless Internet by George Tobolowsky. His work is scattered around the Metroplex – including two at the Irving Arts Center:
It’s a Slam Dunk
and
Square Deal #2
Take a look at them – compare and contrast.

The Stainless Internet George Tobolowsky 2015, Stainless Steel Hall Sculpture Garden Dallas, Texas

The Stainless Internet
George Tobolowsky
2015, Stainless Steel
Hall Sculpture Garden
Dallas, Texas

The Stainless Internet (Detail) George Tobolowsky 2015, Stainless Steel Hall Sculpture Garden Dallas, Texas

The Stainless Internet (Detail)
George Tobolowsky
2015, Stainless Steel
Hall Sculpture Garden
Dallas, Texas

If You Try And Lose

“If you try and lose then it isn’t your fault. But if you don’t try and we lose, then it’s all your fault.”
― Orson Scott Card, Ender’s Game

Munger & Gaston Streets, Dallas, Texas

Munger & Gaston Streets, Dallas, Texas

I was planning on riding my bicycle down to The Lot to meet Nick for his birthday. At first, I was going to ride the train downtown, then out the Santa Fe Trail, but the people on the train were getting on my last nerve, so I took that as an omen and left the train early, from the underground station at Cityplace. After riding the two extensive escalators to the surface, I had to work my way through East Dallas to the lake. That part of town is a confusing maze of angled streets, and more difficult on a bicycle than a car. You have to avoid some busy streets, some killer hills, and a mistake can put you miles out of your way.

However, I’ve been there a few times recently and was able to find my way without any real problems – with an occasional Googlemaps look on my phone.

I did make a little side trip to the intersection of Gaston & Munger. There’s a sculpture there – on the corner of a redone apartment complex of a man and woman pushing a mirrored sphere. I had seen it before, but never able to stop and get a good look.

My camera was in my pack this time, so I took a quick photo of it. I don’t know anything about its title or sculptor or backstory – but I’ll try to get back and get a better shot.

It’s in an unexpected spot – and looks really cool.