The Neon Bible

“If you were different from anybody in town, you had to get out. That’s why everybody was so much alike. The way they talked, what they did, what they liked, what they hated. If somebody got to hate something and he was the right person, everybody had to hate it too, or people began to hate the ones who didn’t hate it. They used to tell us in school to think for yourself, but you couldn’t do that in the town. You had to think what your father thought all his life, and that was what everybody thought.”
― John Kennedy Toole, The Neon Bible

Ignatius J. Reilly

Ignatius J. Reilly, sculpture on Canal Street.

Oblique Strategy: Always first steps

Six down, ninety-four to go.

While working on my goals for 2018 I decided to set a goal of reading a hundred books in the year. Thinking about it, I decided the only way to pull this off was to read short books. I made a list of 66 short novels and wrote about it. Thinking more about it, I was excited enough to jump the gun and start the 100 books immediately.

Next up is The Neon Bible, the first, and next to last novel by John Kennedy Toole. He is the author that wrote the famous A Confederacy of Dunces and created the amazing character, Ignatius J. Reilly.

It is not as well known as Confederacy of Dunces, and the author didn’t even seem to think much of it. He said, “In 1954, when I was 16, I wrote a book called The Neon Bible, a grim, adolescent, sociological attack upon the hatreds caused by the various Calvinist religions in the South—and the fundamentalist mentality is one of the roots of what was happening in Alabama, etc. The book, of course, was bad, but I sent it off a couple of times anyway.”

So I picked up the book, with low expectations, but it had a slim page count, and I loved A Confederacy of Dunces – so I was sure it would be worth the effort and time.

And it was – not entirely successful as a novel, even as a bildungsroman, but it contains some amazing scenes and descriptions of life in a hell-hole little city in a beautiful Mississippi valley. It’s pretty observant and socially aware for something written by a sixteen year old.

Advertisements

Right Round Like a Record, Baby

All I know is that to me
You look like you’re having fun
Open up your lovin’ arms
Watch out here I come
You spin me right round, baby
Right round like a record, baby
Right round round round
—-Dead or Alive, You Spin Me Round

Carnival, Tulane Campus, New Orleans

Oblique Strategy: What wouldn’t you do?

I remember getting sick at a carnival. The rides can’t be designed to do anything but make you sick, really. The fear doesn’t come, like it does in a huge roller coaster at a big theme park, from the stretching of the bounds of physics. The fear comes from the rickety old equipment, dripping grease, and the dirty meth addict running the ride. You assume he put the thing together, did the safety checks.

The smell of a small carnival – popcorn, rancid grease, and ozone. The sound of the rides, the screaming of kids, the pops of the rifles shooting at paper targets.

It is all a relic of a bygone age. A carnival – I think it’s a predecessor to the video game, without the score. The lights, the sounds, the movement… everything just slightly surreal. I’m surprised that there are any left.

I think I need to try and track one down.

Standing on the Pedals

“Likewise—now don’t laugh—cars and trucks should view the bike lanes as if they are sacrosanct. A driver would never think of riding up on a sidewalk. Most drivers, anyway. Hell, there are strollers and little old ladies up there! It would be unthinkable, except in action movies. A driver would get a serious fine or maybe even get locked up. Everyone around would wonder who that asshole was. Well, bike lanes should be treated the same way. You wouldn’t park your car or pull over for a stop on the sidewalk, would you? Well then, don’t park in the bike lanes either—that forces cyclists into traffic where poor little meat puppets don’t stand a chance.”
― David Byrne, Bicycle Diaries

New Orleans

Simplicity, Patience, Compassion

“Simplicity, patience, compassion.
These three are your greatest treasures.
Simple in actions and thoughts, you return to the source of being.
Patient with both friends and enemies,
you accord with the way things are.
Compassionate toward yourself,
you reconcile all beings in the world.”
― Lao Tzu, Tao Te Ching

New Orleans

Fear Cannot Save Us. Rage Cannot Help Us.

The planet Earth is a speck of dust, remote and alone in the void. There are powers in the universe inscrutable and profound. Fear cannot save us. Rage cannot help us. We must see the stranger in a new light-the light of understanding. And to achieve this, we must begin to understand ourselves, and each other.
—-The Outer Limits, Control Voice, ending narration, The Galaxy Being

Tower, Downtown New Orleans, Processed in Photoshop(twice) and Illustrator

Dancing With the Dead

“He was in Guanajuato, Mexico, he was a writer, and tonight was the Day of the Dead ceremony. He was in a little room on the second floor of a hotel, a room with wide windows and a balcony that overlooked the plaza where the children ran and yelled each morning. He heard them shouting now. And this was Mexico’s Death Day. There was a smell of death all through Mexico you never got away from, no matter how far you went. No matter what you said or did, not even if you laughed or drank, did you ever get away from death in Mexico. No car went fast enough. No drink was strong enough.”

—- Ray Bradbury, The Candy Skull

Molly’s at the Market, Decatur Street, French Quarter, New Orleans

Molly’s at the Market, Decatur Street, French Quarter, New Orleans