“For God’s sake, let us be men
not monkeys minding machines
or sitting with our tails curled
while the machine amuses us, the radio or film or gramophone.Monkeys with a bland grin on our faces.”
― D.H. Lawrence, Selected Letters
Deep Ellum
Texas
“I couldn’t forgive him or like him, but I saw that what he had done was, to him, entirely justified. It was all very careless and confused. They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made.”
― F. Scott Fitzgerald, The Great Gatsby
Polo Sculpture
Plano, Texas
“Strange how one person can saturate a room with vitality, with excitement. Then there are others, and this dame was one of them, who can drain off energy and joy, can suck pleasure dry and get no sustenance from it. Such people spread a grayness in the air about them.”
― John Steinbeck, Travels with Charley: In Search of America
Plano, Texas
Sometimes you can find interest, maybe beauty, in the simplest and most ordinary of things.
“Ask not what you can do for your country. Ask what’s for lunch.”
― Orson Welles
Main Street Garden Park
Dallas, Texas
“When I was out on the battlements it was cool and I could hardly hear them. I sat there quietly. I don’t know how long I sat. Then I turned round and saw the sky. It was red and all my life was in it.”
― Jean Rhys, Wide Sargasso Sea
Main Street Garden
Dallas, Texas
“I have said that Texas is a state of mind, but I think it is more than that. It is a mystique closely approximating a religion. And this is true to the extent that people either passionately love Texas or passionately hate it and, as in other religions, few people dare to inspect it for fear of losing their bearings in mystery or paradox. But I think there will be little quarrel with my feeling that Texas is one thing. For all its enormous range of space, climate, and physical appearance, and for all the internal squabbles, contentions, and strivings, Texas has a tight cohesiveness perhaps stronger than any other section of America. Rich, poor, Panhandle, Gulf, city, country, Texas is the obsession, the proper study, and the passionate possession of all Texans.”
― John Steinbeck, Travels with Charley: In Search of America
Memorial Park
Plano, Texas
“Her face was made of angular planes, the shape of her mouth clear-cut, a sensual mouth held closed with inflexible precision. She kept her hands in the coat pockets, her posture taut, as if she resented immobility…”
― Ayn Rand, Atlas Shrugged
Klyde Warren Park
Dallas, Texas
“They rode on and the sun in the east flushed pale streaks of light and then a deeper run of color like blood seeping up in sudden reaches flaring planewise and where the earth drained up into the sky at the edge of creation the top of the sun rose out of nothing like the head of a great red phallus until it cleared the unseen rim and sat squat and pulsing and malevolent behind them.”
― Cormac McCarthy, Blood Meridian, or the Evening Redness in the West
Rising Sun
Adolph Alexander Weinman
American
Bronze
Houston Museum of Fine Arts
“A giant octopus living way down deep at the bottom of the ocean. It has this tremendously powerful life force, a bunch of long, undulating legs, and it’s heading somewhere, moving through the darkness of the ocean… It takes on all kinds of different shapes—sometimes it’s ‘the nation,’ and sometimes it’s ‘the law,’ and sometimes it takes on shapes that are more difficult and dangerous than that. You can try cutting off its legs, but they just keep growing back. Nobody can kill it. It’s too strong, and it lives too far down in the ocean. Nobody knows where its heart is. What I felt then was a deep terror. And a kind of hopelessness, a feeling that I could never run away from this thing, no matter how far I went. And this creature, this thing doesn’t give a damn that I’m me or you’re you. In its presence, all human beings lose their names and their faces. We all turn into signs, into numbers.”
― Haruki Murakami, After Dark
Untitled (Sprawling Octopus Man), by Thomas Houseago
Nasher Sculpture Center
Dallas, Texas
“Irene is a name for a city in the distance, and if you approach, it changes. For those who pass it without entering, the city is one thing; it is another for those who are trapped by it and never leave. There is the city where you arrive for the first time; and there is another city which you leave never to return. Each deserves a different name; perhaps I have already spoken of Irene under other names; perhaps I have spoken only of Irene.
― Italo Calvino, Invisible Cities
Arts District, Dallas, Texas
Bill Chance 