“So generation after generation of men in love with pain and passivity serve out their time in the Zone, silent, redolent of faded sperm, terrified of dying, desperately addicted to the comforts others sell them, however useless, ugly or shallow, willing to have life defined for them by men whose only talent is for death.”
― Gravity’s Rainbow
Fabrication Yard, Dallas, Texas
“Scars have the strange power to remind us that our past is real.”
― All the Pretty Horses
Repaired cracked mural, Denton, Texas
Even artworks… no, especially works of art… develop cracks and hopefully will be repaired. Is the art lessened by this? Or does it add a greater dimension, one of time, pain, and disaster – if not avoided, refurbished.
“What’s really important here,” I whispered loudly to myself,”is not the big things other people have thought up, but the small things you, yourself have”
― Sputnik Sweetheart
Mural, Deep Ellum, Dallas, Texas
“Why is geometry often described as “”cold” and “”dry?” One reason lies in its inability to describe the shape of a cloud, a mountain, a coastline, or a tree. Clouds are not spheres, mountains are not cones, coastlines are not circles, and bark is not smooth, nor does lightning travel in a straight line.”
― Benoît B. Mandelbrot, The Fractal Geometry of Nature
Union Station, Dallas, Texas
Morty [to Summer]: Well then get your shit together, get it all together, and put it in a backpack, all your shit, so it’s together.
[pause]
And if you gotta take it somewhere, take it somewhere, you know. Take it to the shit store and sell it, or put it in the shit museum. I don’t care what you do, you just gotta get it together.
[pause]
Get your shit together.
—–Rick and Morty, Big Trouble in Little Sanchez
Deep Ellum, Dallas, Texas
“Then there is the tamarind. I thought tamarinds were made to eat, but that was probably not the idea. I ate several, and it seemed to me that they were rather sour that year. They pursed up my lips, till they resembled the stem-end of a tomato, and I had to take my sustenance through a quill for twenty-four hours. They sharpened my teeth till I could have shaved with them, and gave them a “wire edge” that I was afraid would stay; but a citizen said no, it will come off when the enamel does” – which was comforting, at any rate. I found, afterward, that only strangers eat tamarinds – but they only eat them once.”
― Mark Twain in Hawaii: Roughing It in the Sandwich Islands: Hawaii in the 1860s
Mural, Deep Ellum, Dallas, Texas
“My heart is warm with the friends I make,
And better friends I’ll not be knowing,
Yet there isn’t a train I wouldn’t take,
No matter where it’s going.”
― The Selected Poetry
Mural, Deep Ellum, Dallas, Texas
“There, at a depth to which divers would find it difficult to descend, are caverns, haunts, and dusky mazes, where monstrous creatures multiply and destroy each other. Huge crabs devour fish and are devoured in their turn. Hideous shapes of living things, not created to be seen by human eyes wander in this twilight. Vague forms of antennae, tentacles, fins, open jaws, scales, and claws, float about there, quivering, growing larger, or decomposing and perishing in the gloom, while horrible swarms of swimming things prowl about seeking their prey.
To gaze into the depths of the sea is, in the imagination, like beholding the vast unknown, and from its most terrible point of view. The submarine gulf is analogous to the realm of night and dreams. There also is sleep, unconsciousness, or at least apparent unconsciousness, of creation. There in the awful silence and darkness, the rude first forms of life, phantomlike, demoniacal, pursue their horrible instincts.”
― The Toilers of the Sea
Deep Ellum, Dallas, Texas
“Why does man kill? He kills for food. And not only food: Frequently there must be a beverage.”
― Without Feathers
Mural (detail), Deep Ellum, Dallas, Texas
“It’s so curious: one can resist tears and ‘behave’ very well in the hardest hours of grief. But then someone makes you a friendly sign behind a window, or one notices that a flower that was in bud only yesterday has suddenly blossomed, or a letter slips from a drawer… and everything collapses. ”
―
Mural (detail), Deep Ellum, Dallas, Texas
