“The glance of women resembles certain combinations of wheels, which are tranquil in appearance yet formidable. You pass close to them every day, peaceably and with impunity, and without a suspicion of anything. A moment arrives when you forget that the thing is there. You go and come, dream, speak, laugh. All at once you feel yourself clutched; all is over. The wheels hold you fast, the glance has ensnared you. It has caught you, no matter where or how, by some portion of your thought which is fluttering loose, by some distraction which had attacked you. You are lost. The whole of you passes into it. A chain of mysterious forces takes possession of you. You struggle in vain; no more human succor is possible. You go on falling from gearing to gearing, from agony to agony, from torture to torture, you, your mind, your fortune, your future, your soul; and, according to whether you are in the power of a wicked creature, or of a noble heart, you will not escape from this terrifying machine otherwise than disfigured with shame, or transfigured by passion.”
“He told me that in 1886 he had invented an original system of numbering and that in a very few days he had gone beyond the twenty-four-thousand mark. He had not written it down, since anything he thought of once would never be lost to him. His first stimulus was, I think, his discomfort at the fact that the famous thirty-three gauchos of Uruguayan history should require two signs and two words, in place of a single word and a single sign. He then applied this absurd principle to the other numbers. In place of seven thousand thirteen he would say (for example) Maximo Pérez; in place of seven thousand fourteen, The Railroad; other numbers were Luis Melián Lafinur, Olimar, sulphur, the reins, the whale, the gas, the caldron, Napoleon, Agustin de Vedia. In place of five hundred, he would say nine. Each word had a particular sign, a kind of mark; the last in the series were very complicated…”
Oblique Strategy: Revaluation (a warm feeling)
Everybody has their Christmas traditions. Ours is to have lunch at Bistro B. I checked my blog archives, and I wrote about Christmas at Bistro B six years ago. You can read it here. It hasn’t changed much and my 2011 description is still good:
The place, as always, was packed. We waited for a few minutes, which I enjoyed. I stood by the little altar with the burning incense spiral, the electric-powered prayer wheels, and the little shrines decorated with offerings of change. I looked around at the tables to see what other folks were ordering. There were a lot of butane portable table burners heating hot pots that were being shared by a whole family – three generations or more – packed around the big round tables. I love watching a family eat, the heads bent, concentrating on the food, with a ballet of chopsticks dancing in a circular chorus while everyone picks up their food, talks, and laughs.
Its a noisy, happy place, with an army of black-clad waiters rushing, cleanup crews pushing a big square cart, a thick crowd at the registers – some clutching inscrutable bills, but most there for take-out. Some odd genre of electronic dance music pulses… loud but barely audible over the conversations, and a phalanx of flat-screen televisions incongruously simultaneously shine out an NFL documentary. The kids reported that the restroom was, “Like a nightclub.”
We were earlier than we usually were – so the place wasn’t completely packed. The menus were new – the numbers only going up to 494. And in the last six years the restroom extravaganza has been toned down more than a bit.
As always, the Christmas-day service was a little rough. There is a new “Taco” section in the menu – Candy ordered one of those. “Oh, I’m sorry, that’s new, we haven’t learned how to cook those yet,” was the answer from the waiter. Candy ordered chicken, Nick, Lee, and I ordered Pho. The chicken arrived quickly, but no Pho. A while later, the waiter came by and asked how everything was. “No pho,” we answered. He looked flustered and our three enormous bowls of soup came out in a minute. That’s cool – usually we don’t even get what we order – a busy place with a book for a menu and 494 items – you have to chill a bit.
After our food we drove across the city for our second Christmas Tradition – to see a movie. It’s getting so that we will only see films at the Alamo Drafthouse (their no phone-no talking-no arriving late or you will be thrown out is a game-changer) and we took in I,Tonya at the Alamo in the Cedars. They have a nice bar upstairs with a killer view of downtown Dallas.
A nice way to wile away a Christmas day.
“I’m simply saying that there is a way to be sane. I’m saying that you can get rid of all this insanity created by the past in you. Just by being a simple witness of your thought processes.
It is simply sitting silently, witnessing the thoughts, passing before you. Just witnessing, not interfering not even judging, because the moment you judge you have lost the pure witness. The moment you say “this is good, this is bad,” you have already jumped onto the thought process.
It takes a little time to create a gap between the witness and the mind. Once the gap is there, you are in for a great surprise, that you are not the mind, that you are the witness, a watcher.
And this process of watching is the very alchemy of real religion. Because as you become more and more deeply rooted in witnessing, thoughts start disappearing. You are, but the mind is utterly empty.
That’s the moment of enlightenment. That is the moment that you become for the first time an unconditioned, sane, really free human being.”
Oblique Strategy: Mechanicalize something idiosyncratic
I am fascinated and have been studying the intersection of Self Hypnosis, Meditation, and Mindfulness. They are related, of course, but different. I think there is an especial power when the three come together.
If anyone has any thoughts – think them pure and strong, and maybe I’ll pick up some vibrations.
Or better yet, send me an email or leave a comment.
I guess there’s just two kinds of people, Miss Sandstone, my kind of people, and assholes. It’s rather obvious which category you fit into.
—-Connie Marble, Pink Flamingos
“Life doesn’t imitate art, it imitates bad television.”
― Woody Allen
On the hidden art bicycle tour, everyone else was looking at a mural behind a building, but I found this ad for a new album. Art is where you find it.
One of my favorite events of the Holiday Season is the Cedars Open Studios Tour. The Cedars is a neighborhood of Dallas south of downtown and is an up-and-coming area. It still has some relatively low cost space and a lot of artists use the neighborhood as studio space (we’ll see how long this lasts – gentrification is a bitch).
In November, the studios open up on one evening for the Cedars Open Studios Tour – Facebook Link. It’s a fun event and a great way to get some unique Christmas Presents. I always do the tour with some friends on a bicycle, but I guess it would be OK to drive a vehicle, park, and walk. Look for it next year.
The final stop is always Bowman Art Glass (a way-cool place). They have a tree-shaped armature out front. After sunset, they do a skit or two, then, in the dark, the workers bring ladles of hot glass out from the ovens inside and pour the molten liquid over the armature. This makes a glass Christmas Tree.
There is always some wood and paper in the armature so the hot glass starts fires.
The only problem is that is is almost impossible to take good photos – the darkness and the contrast of the bright hot glass, plus the large crowd gathered around. But it is a blast and fun to watch. Next year… bet there or be square.