“Faeries, come take me out of this dull world,
For I would ride with you upon the wind,
Run on the top of the dishevelled tide,
And dance upon the mountains like a flame.”
“There is a tree in California, a Great Basin bristlecone pine that was found, after an intensive ring count, to be five thousand and sixty-five years old.
Even to me, that pine seems old. In recent years, whenever I have despaired of my condition and needed to feel a bit more mortal and ordinary, I think of that tree in California. It has been alive since the Pharaohs. It has been alive since the found of Troy. Since the start of the Bronze Age. Since the start of yoga. Since mammoths.
And it has stayed there, calmly in its spot, growing slowly, producing leaves, losing leaves, producing more, as those mammoths became extinct,… the tree had always been the tree.”
“We should consider every day lost on which we have not danced at least once.”
Despite the warning sign at the Ervay Theater during the performance by Euphonic Autonomy (and I didn’t hear anything that would warrant such warning) there were two young kids dancing in the dark at the back of the theater. They were having a blast. The low-light capability of modern digital cameras is amazing.
“I believe when life gives you lemons, you should make lemonade…and try to find someone whose life has given them vodka, and have a party.”
“The glance of women resembles certain combinations of wheels, which are tranquil in appearance yet formidable. You pass close to them every day, peaceably and with impunity, and without a suspicion of anything. A moment arrives when you forget that the thing is there. You go and come, dream, speak, laugh. All at once you feel yourself clutched; all is over. The wheels hold you fast, the glance has ensnared you. It has caught you, no matter where or how, by some portion of your thought which is fluttering loose, by some distraction which had attacked you. You are lost. The whole of you passes into it. A chain of mysterious forces takes possession of you. You struggle in vain; no more human succor is possible. You go on falling from gearing to gearing, from agony to agony, from torture to torture, you, your mind, your fortune, your future, your soul; and, according to whether you are in the power of a wicked creature, or of a noble heart, you will not escape from this terrifying machine otherwise than disfigured with shame, or transfigured by passion.”
“He told me that in 1886 he had invented an original system of numbering and that in a very few days he had gone beyond the twenty-four-thousand mark. He had not written it down, since anything he thought of once would never be lost to him. His first stimulus was, I think, his discomfort at the fact that the famous thirty-three gauchos of Uruguayan history should require two signs and two words, in place of a single word and a single sign. He then applied this absurd principle to the other numbers. In place of seven thousand thirteen he would say (for example) Maximo Pérez; in place of seven thousand fourteen, The Railroad; other numbers were Luis Melián Lafinur, Olimar, sulphur, the reins, the whale, the gas, the caldron, Napoleon, Agustin de Vedia. In place of five hundred, he would say nine. Each word had a particular sign, a kind of mark; the last in the series were very complicated…”
Oblique Strategy: Revaluation (a warm feeling)
Everybody has their Christmas traditions. Ours is to have lunch at Bistro B. I checked my blog archives, and I wrote about Christmas at Bistro B six years ago. You can read it here. It hasn’t changed much and my 2011 description is still good:
The place, as always, was packed. We waited for a few minutes, which I enjoyed. I stood by the little altar with the burning incense spiral, the electric-powered prayer wheels, and the little shrines decorated with offerings of change. I looked around at the tables to see what other folks were ordering. There were a lot of butane portable table burners heating hot pots that were being shared by a whole family – three generations or more – packed around the big round tables. I love watching a family eat, the heads bent, concentrating on the food, with a ballet of chopsticks dancing in a circular chorus while everyone picks up their food, talks, and laughs.
Its a noisy, happy place, with an army of black-clad waiters rushing, cleanup crews pushing a big square cart, a thick crowd at the registers – some clutching inscrutable bills, but most there for take-out. Some odd genre of electronic dance music pulses… loud but barely audible over the conversations, and a phalanx of flat-screen televisions incongruously simultaneously shine out an NFL documentary. The kids reported that the restroom was, “Like a nightclub.”
We were earlier than we usually were – so the place wasn’t completely packed. The menus were new – the numbers only going up to 494. And in the last six years the restroom extravaganza has been toned down more than a bit.
As always, the Christmas-day service was a little rough. There is a new “Taco” section in the menu – Candy ordered one of those. “Oh, I’m sorry, that’s new, we haven’t learned how to cook those yet,” was the answer from the waiter. Candy ordered chicken, Nick, Lee, and I ordered Pho. The chicken arrived quickly, but no Pho. A while later, the waiter came by and asked how everything was. “No pho,” we answered. He looked flustered and our three enormous bowls of soup came out in a minute. That’s cool – usually we don’t even get what we order – a busy place with a book for a menu and 494 items – you have to chill a bit.
After our food we drove across the city for our second Christmas Tradition – to see a movie. It’s getting so that we will only see films at the Alamo Drafthouse (their no phone-no talking-no arriving late or you will be thrown out is a game-changer) and we took in I,Tonya at the Alamo in the Cedars. They have a nice bar upstairs with a killer view of downtown Dallas.
A nice way to wile away a Christmas day.