Everything Worth Fighting For Unbalances Your Life

“There is no such thing as work-life balance. Everything worth fighting for unbalances your life.”
― Alain de Botton

VisionShift, Sonia King, Mosaic, Arts District, Dallas, Texas

VisionShift – Sonia King

Oblique Strategy: You don’t have to be ashamed of using your own ideas

Every year, going into the holidays, I am stressed at work and looking forward to getting away, doing some of my own stuff, and getting everything teed up for next year.

But the hits just keep on coming. Everybody is in a hurry, they want their problems solved, and they seem to think I’m the only one to solve them. I’m sure everybody feels this way.

On another note – I have become re-fascinated by this wonderful piece of music. I keep listening to it over and over. It’s a shame it was used as a cigarette commercial jingle for so many years, and that’s how so many remember it.


A-Hole in One

“Golf is a game whose aim is to hit a very small ball into an ever smaller hole, with weapons singularly ill-designed for the purpose”
― Winston S. Churchill

Oblique Strategy: Always give yourself credit for having more than personality

On our bicycle tour of The Cedars Open Studios we stopped at the McKinney Avenue Contemporary, The MAC. The gallery is undergoing extensive construction after its move from McKinney Avenue to The Cedars. But outside, there was a very interesting, fun, and cool installation, an interactive performance – A-Hole in One. The artist, Angel Cabrales, had set up a number of large carpeted outlines of various strategic countries across a vacant lot. The participant/observer would then take a wooden sculpture of a gun, equipped with a battery powered fan, and shoot golf balls out at the targets/countries.

From the artist:

A-Hole in One examines current political events and perceived societal norms through a consumable and familiar format: golf.

In a time when executive decisions regarding the fate of global politics appear to be determined on the golf course, Cabrales invites the viewer to hold this very power in their own hands. The MAC’s outdoor space will be staged as Cabrales’ ‘global’ golfing green, complete with golf greens and golf holes, where viewers can ‘play a round’ and inform the world of important decisions by way of random tweets. Golf equipment is provided, but participants are encouraged to bring their mobile phones and download the Twitter app.

A-Hole in One, The MAC

A-Hole in One, The MAC, if you look closely, you can see the blue golf ball travelling dowrange

A-Hole in One, The MAC

Collage #1

Stressed and strained by constant drilling of ultrasonic beams, the concrete face of the dam cracks and falls. Ten million tons of pressure build towards ultimate collapse…
—-Control Voice, The Outer Limits, Tourist Attraction [1.13]

Oblique Strategy: Use `unqualified’ people

Collage #1
(Click to Enlarge)

For a reason, I was out walking all over the neighborhood last night, really late. It was amazingly quiet. I only saw two people – one man was in his back yard, still sitting and staring at the sparking remains of a fire pit. That house usually holds large sports-watching parties, I don’t know why he alone was still out there. There was another man running laps around the track at the middle school across the street and down the block a bit. I don’t know why he was running so late – but it was a pleasant time to get in some laps – if you didn’t have to get up early.

Getting a Ross

“Sergeant Spearman, you are positively glutinous with self-approbation. You might as well speak out.”

—-Alfred Hitchcock, Frenzy

For several years now, each February or so, I have travelled down to the Kettle Art Gallery in Deep Ellum for their For the Love of Kettle affair. This is a “competitive shopping event” where two hundred or so works of art, all 8×11, are displayed on the walls. About three hundred people are unleashed through the opening doors at once and grab the paintings they want. If you desire something by a particular artist, you have to be quick, decisive, and efficient. I wrote about it three years ago – you can read about it here.

One of the artists that I have always wanted to get at the show was Richard Ross. He is a very well-known local artist, with a distinctive personal style. His murals are found on walls in Deep Ellum and other spots.

Richard Ross mural in the Deep Ellum Art Park (detail)

Richard Ross mural in the Deep Ellum Art Park (detail)

Richard Ross Column Deep Ellum Art Park, Dallas, Texas (Click to Enlarge)

Richard Ross Column
Deep Ellum Art Park, Dallas, Texas
(Click to Enlarge)

In the years past, I was always too late to get a Ross, even though he usually donated a handful of works to the show. I always wait in line for an hour before the opening (I’m usually fifth in line or so) but I get overexcited and confused and fail to grab the good work fast (it’s OK, everything at the show is cool – I probably should buy something at random). His stuff always sells immediately and I took too much time (around thirty seconds) making up my mind. By the time I made it to the table with my list of numbers his were gone. This year I was extra quick and decisive – at my turn only two of his three were purchased. So I bought his Tethered to an Upside Down Giant.

Tethered to an Upside Down Giant by Richard Ross

Tethered to an Upside Down Giant
by Richard Ross

I like the little drawing on the back of my painting.

I like the little drawing on the back of my painting.

Now, months later, I saw that the Kettle Arts Gallery was having a show, Hireath, of paintings by Richard Ross and Jessie Sierra Hernandez. The opening was on Thursday night, which is really tough for me. I’m exhausted at the end of each work day, but I try to do what I can – life is too short. I finished up at work and caught the DART train downtown. I fortified myself with a cold wheat beer at Braindead Brewing and walked across Main Street to Kettle Art.

Dry Hopped Wheat beer from Braindead Brewing in Deep Ellum

Dry Hopped Wheat beer from Braindead Brewing in Deep Ellum

The show was positively glutinous. Kettle Art is such a crackerjack place.

I talked to Richard Ross for a minute, he said the characters in his painting are “Keyholes” – I suppose that is a term that can represent a limited view into their souls.

From the Internet: The “keyhole” figures represent the locked inner conscience we have in our public appearance. Basically the “keyhole” says that there’s more inside than just the facade, and it’s protected. Some of these figures will appear two faced to show more complexity in the character.

Richard Ross and some of his work, Kettle Art Gallery

Richard Ross and some of his work, Kettle Art Gallery

I shuffled around the gallery several times, ogling the art. I am usually good with my lifelong poverty, except when I’m visiting art galleries. I have this fantasy where I strut around with a big douchebag expression on my face braying, “I’ll take this… and this… and this.” Alas, it is not to be.

In addition to the paintings in his familiar style he also had some interesting early works and some smaller paintings.

The little ones were really nice – the ink lines gave them a strong graphical emphasis.

But what I really liked was a series of 12 medium-sized artworks, arranged in a grid. These were framed by random smears of painted color – precious views into a hidden world or a different dimension. They shared the strong lines of the small works, but the extra bit of size allowed them additional layers of complexity. Each one told a little bizarre story. Actually each one tells hundreds of little stories – different for every person that sees them.

Does this make sense? I’m afraid you’ll have to go down there and see for yourself (the show is open until September 17). I wished I could slide out the cash and buy the lot of those mediums – display them on my humble wall like they were at the gallery.

I didn’t stay long – it had been a long day and I was fading fast. It was a short walk through the dark to the train station and the ride back home.

Accept the Inferno and Become Part of It

“The inferno of the living is not something that will be; if there is one, it is what is already here, the inferno where we live every day, that we form by being together. There are two ways to escape suffering it. The first is easy for many: accept the inferno and become such a part of it that you can no longer see it. The second is risky and demands constant vigilance and apprehension: seek and learn to recognize who and what, in the midst of inferno, are not inferno, then make them endure, give them space.”
― Italo Calvino, Invisible Cities

Mural Deep Ellum Dallas, Texas

Deep Ellum
Dallas, Texas

Infinity In the Palm Of Your Hand

To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand
And Eternity in an hour.
—-William Blake, Auguries of Innocence

Mural, Deep Ellum Dallas, Texas

Mural, Deep Ellum
Dallas, Texas

Every Night and every Morn
Some to Misery are Born.
Every Morn and every Night
Some are Born to sweet delight.
Some are Born to sweet delight,
Some are Born to Endless Night.
—-William Blake, Auguries of Innocence