The Creature from Cleveland Depths

“Who’s kidding?”
“You are. Computers simply aren’t alive.”
“What’s alive? A word. I think computers are conscious, at least while they’re operating. They’ve got that inner glow of awareness. They sort of … well … meditate.”
“Gussy, computers haven’t got any circuits for meditating. They’re not programmed for mystical lucubrations. They’ve just got circuits for solving the problems they’re on.”
“Okay, you admit they’ve got problem-solving circuits—like a man has. I say if they’ve got the equipment for being conscious, they’re conscious. What has wings, flies.”
—–Fritz Leiber, The Creature from Cleveland Depths

Artwork for The Creature from Cleveland Depths, Galaxy Magazine, December 1962 Artwork by Wally Woods

Artwork for The Creature from Cleveland Depths, Galaxy Magazine, December 1962
Artwork by Wally Woods

For me, one of the pleasures of being my age is recalling literature, especially short stories, that I read long ago, when I was only a sprout. For the life of me, I can’t remember my bank PIN or my work password on Monday mornings, but short stories I read, only once, more than a half-century ago are epoxy-stuck in my rapidly petrifying cabeza neurons. The plots are there, sometimes a little hazy or changed, as are the characters – but the authors and titles have long dissolved into the mist. That makes it a challenge to find the darn things when the fancy strikes me to revisit the fiction of my youth.

The internet, of course, is a vast and mind-boggling resource for idiotic flights of nostalgia. It is a never-ending maze of rabbit holes and time sinks – even if you can sometimes find what you are looking for.

But you already know all that.

I have written before about a story I read once about giant killer snails. In the years since I wrote that blog entry, a number of folks have emailed me that they had read the same story back in the day, and had been searching for it. I wrote a sequel and am thinking about a sequel to my sequel.

But there was one story that I remembered clearly (though, again, not the author or the title) from long, long ago. It kept coming back to my mind because it had been so prescient. The story, written long, long, before its time, concerned the invention of the Personal Digital Assistant and the smart phone… and, I guess, SIRI. There was this inventor that was having trouble remembering his appointments. So he developed a device, attached to his shoulder that contained a magnetic wire on reels (I remembered the magnetic wire in particular) and as the wire unwound, it would give the wearer a reminder at the appropriate time through a voice in an earpiece.

Things spun out of control rather quickly, however. The company that designed these devices made them more and more sophisticated, adding bigger and better features, and then connecting them together in a sort of internet. But as they became more refined and ingrained into everybody’s daily life the machines became self-aware and began to take over the world. The human race were reduced to slaves to their own machines.

Obviously, this story, as I remembered it, has more than a little applicability to our lives today. I thought about the tale the other evening as I tried to maneuver my bicycle through the park next to my house (I have to go through the park to reach the trails that lead to the West – to my work and to the DART train lines). It was a Saturday evening and all the parking lots associated with the park and the associated elementary school were full – cars were filing up along our street and the other neighborhood feeder roads.

The trails themselves were packed with throngs of people wandering in seemingly random routes. They were all oblivious to the world around them, walking zombie-like, staring into their phones. I had to dismount and walk my bike through the park. It was simply too dangerous to ride as the human automatons would cross the path at unpredictable intervals and stride into my path without warning. I don’t understand how they managed to avoid hitting each other.

They were, of course all playing Pokemon Go. There must be some valuable virtual critters in the park next to my house, because at peak times there might be a thousand folks there (though it is already dying down, of course). I don’t want to sound critical – I love that these people are getting out and using the park. But I do wish they would look where they are going… at least a little.

And the sight of all these people lost in their virtual world couldn’t help but remind me of this ancient story… where the same thing happened, more or less, and then went horribly wrong.

So back to the internet, where I ran search after search (PDA, computer, shoulder, wire recorder, short story, science fiction, on and on) to no avail. I could not find any reference to the story.

Then, when I wasn’t thinking about it, a word popped into my head. The word was, “Tickler.” That was what they called the machines, the reminder units with the wire recorder, “ticklers.” It is amazing that that word was still hiding back there in the cobwebs of my head, and that it finaly came back out.

Adding “tickler” to my searches brought immediate success. The story was written by Fritz Leiber in 1962, and was called “The Creature from Cleveland Depths.” Not only did I find out the author and title, but I found that they had let the copyright expire, and the story (actually more of a novela) was available, free of charge, on Gutenberg.org.

So I downloaded the Mobi version and read it again on my Kindle. I had remembered the main plot points pretty well. I had forgotten the semi-humorous style and some of the sociological aspects (probably over my head) but the rest was spot-on.

Artwork for The Creature from Cleveland Depths, Galaxy Magazine, December 1962 Artwork by Wally Woods

Artwork for The Creature from Cleveland Depths, Galaxy Magazine, December 1962
Artwork by Wally Woods

Artwork for The Creature from Cleveland Depths, Galaxy Magazine, December 1962 Artwork by Wally Woods

Artwork for The Creature from Cleveland Depths, Galaxy Magazine, December 1962
Artwork by Wally Woods

I looked at the publication history and found the original version in the December, 1962 Galaxy Magazine (with cool illustrations from Wally Wood). I was only five in 1962 – which is a bit young – so I must have read it years later. It was in a 1966 Fritz Leiber collection called “The Night of the Wolf” and that cover looks familiar to me… that must be where I read it.

So, I’m sure you are asking… How did the hero inventor defeat the evil “tickler” that had taken over society and the world? You really want to know? You should, it’s a crackerjack ending.

I’m afraid I’m not going to tell. You’ll have to download the ebook, or read it here, or, listen to it here.

It is a bit dated, but extremely up to date too. Read it, you’ll like it. It’s amazing that the story, which foreshadows so much of today’s technology was written in 1962. This is what computers looked like in 1962.

Artwork for The Creature from Cleveland Depths, Galaxy Magazine, December 1962 Artwork by Wally Woods

Artwork for The Creature from Cleveland Depths, Galaxy Magazine, December 1962
Artwork by Wally Woods

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Interstellar Bait Shop

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Van Taurus examined the planet below as he orbited, trying to determine the best place to land. He knew that through his planet’s research and his extensive personal surgical procedures he would be able to superficially mix with the inhabitants of the planet below – even speak a few rudimentary phrases of their languages. But he had to pick the proper place to land. He didn’t want to set down in a densely populated city – it would create too much attention – or even a panic that would overwhelm him and make his mission of study impossible. Likewise, he didn’t want to settle in an isolated spot – that would make his intention of personally interacting with the natives difficult or impossible.

He knew his predecessors had made a policy of seeking out tracts of small, portable rectangular identical dwellings clustered in rural areas – thinking that such simple folk would be more accepting and malleable – but their missions had all been abject failures, so he rejected that plan.

He noticed the layout of some cities of what looked like more modern construction – a spoke and wheel arrangement. The dense central urban area that had strips of some smooth material radiating out – most connecting with other population centers some distance away. He decided to land somewhere along one of these connections, thinking that would be a spot little noticed but one that would give him eventual access to the population of the planet.

Van Taurus selected a large – but not too huge – urban area, then a spoke radiating out, and finally he found a vacant area next to the smooth strip. During the dark period he maneuvered his ship through the atmosphere and set it down in the center of the vacant area, about five ship-widths from the transportation corridor.

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Location of the landing

He knew from the research on the planet’s electromagnetic communication that the people were very familiar with the shape of his ship – obviously learned from the many failed missions that had preceded him. The circular ship, oval in cross-section – and lined with viewing ports had become a symbol of his planet’s visits – yet the population didn’t seem to take it all that seriously. It was almost treated in their entertainment communications as a subject of strange humor, rather than the momentous discovery it really was.

This was another in a long string of curious mysteries that Van Taurus had intended to solve when he volunteered for the dangerous mission – one that no fellow explorer had ever returned.

So it was with trepidation that Van Taurus peered from his viewports as the planet’s single star rose above the horizon. He expected to see a large, agitated crowd of the planet’s population, possibly afraid, possibly hostile.

Instead, he saw no one. The only activity was a steady stream of transportation modules along the smooth strip of prepared surface. There were a wide variety of metal capsules moving at a high speed, most containing only a single individual. They sped along without any visible means of power or guidance, and Van Taurus used his remote spectrograph to discover that each was spewing a mixture of toxic gasses out the small pipe in their tail. Why? He couldn’t imagine.

Another mystery.

After a few diurnal cycles without anyone paying any attention to his ship, Van Taurus felt confident and bored enough to venture forth, walking along the transportation strip in the direction he knew the distant city to be located.

He didn’t have to travel far before he came upon a small, colorful structure that seemed to offer for trade a selection of foodstuffs and other small items. He entered and moved in front of an individual that stood at the front of the room. He had carefully prepared his statement.

“My name is Van Taurus and I am an alien on your planet. I mean you no harm.”

“An alien? Well hell, what’s one more? Let me tell where the folks around here go for labor”

Van Taurus didn’t know exactly what the word “labor” meant, but the man seemed to understand that he was an alien and didn’t seem too disturbed about the fact. Perhaps this civilization had expected someone like him and prepared a location to communicate with aliens and he was being directed to it. He allowed himself a bit of praise in his choice of landing spot – so close to the alien gathering place.

When he reached the location described to him he found a group standing around. Metal capsules, larger than most, would arrive and the occupant would gesture at a small number of the group, and these individuals would climb into a large open box on the back of the capsule. They would then speed away.

He was confused by this, but one gestured at him from a capsule, and, almost reflexively, he climbed in with the others. He was transported to a spot where the group spent the day picking up blocks of artificial stone and carrying them from one location to another. At the end of the period, they each were handed a small bundle of flexible sheets.

On the return trip, his crude knowledge of at least three of the planet’s languages allowed him to learn from the others in the back of the capsule that these sheets could be exchanged for food and other goods from locations such as the one he had visited earlier.

He stopped on the walk back to the spaceship and the man seemed glad to see him, once he displayed his collection of sheets. He exchanged a few for various foodstuffs. Van Taurus found the food to be palatable though strange, and oddly unfulfilling.

He settled into a routine of walking to the gathering spot, going off to do some strange, meaningless task, often involving killing and removing harmless vegetation, and afterwards purchasing food at the small building.

Some days he would spend in the space around his ship, doing scientific research. He was fascinated by the small, long, wriggling eyeless creatures that lived in the soil where he had landed. He traded for a tool from the building and had dug out a pile of these animals when he was surprised by a capsule stopping and the occupants offering him a small stack of sheets for the creatures.

He asked his fellow laborers about that and they explained about “fishing” and helped him make a sign of cardboard that said, “Van Taurus Bait Shop.” It wasn’t long before he was collecting enough sheets in exchange for the creatures that he didn’t have to go on the trips with the laborers again, though he did miss the companionship.

Van Taurus was alarmed when he began to exhaust the supply of creatures around his ship. But the man in the colorful building explained that he had collected enough of the exchange sheets to move to a location a distance away that had a structure made of some sort of cut and assembled vegetative matter. It was at the intersection of two transportation paths and was thus, as the man explained “A Prime Location.” More importantly, the space behind it had a terrible odor and was always wet with excess water – Van Taurus suspected that is was used for the disposal of waste products from various creatures. However, it did contain the wriggling creatures in a tremendous, virtually endless, supply. They were larger and more vigorous also, and brought in more exchange sheets.

Van Taurus was able to trade these for another, larger flat communication display that said, “Van Taurus Baits – Best Wigglers West of the Mississippi!” The man from the building had recommended that – even though it confused Van Taurus, he was able to exchange more of the creatures than ever before.

Over time, he forgot about his mission and concentrated on activities that accumulated more and increasingly valuable exchange sheets. His spaceship was neglected and eventually vandalized by the younger local inhabitants. Finally, it was reduced to an ignored shell sitting along the transportation corridor.

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A Month of Short Stories 2015, Day 3 – They’re Made out of Meat

The last two years, for the month of June, I wrote about a short story that was available online each day of the month… you can see the list for 2014 and 2015 in the comments for this page. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day Three – They’re Made out of Meat, by Terry Bisson

Read it online here:

They’re Made out of Meat

So today we have something short, something funny – a bit of a palate cleanser if you will.

It’s Science Fiction, or Speculative Fiction… if you prefer. Like all good speculative stories, it attempts to posit a possible answer to a Big Science question – a cosmic conundrum. It’s called the Drake Equation.

Up until a few years ago, mankind didn’t know if there were any other planets out there. Now, thanks to tremendous advancements in telescopes, space based observatories, and innovative software, we now know that there are planets everywhere… trillions upon trillions of them. And they are of all sorts of sizes and distances – plus there is no reason to think there aren’t even more moons out there, orbiting all those planets.

So you take the equation – what percentage of planets are Earth-like – or at least how many have an atmosphere and at least a little bit of water. Even if those conditions are only fulfilled by, say, one in a billion – that means there are at least thousands of earth-like planets out there – most likely millions. And it isn’t a stretch to look at life here and come to the conclusion that if extraterrestrial life is possible – then it is inevitable.

So, I think that maybe we can say that we are probably not alone in the universe. But there is one problem with this line of thinking.

Where is everybody?

This story gives one possible answer to the question.

Go ahead and click over and read the thing – it will only take you about five minutes. It will be worth it, I promise.

Red and White

(click to enlarge)

(click to enlarge)

The aliens of Altair Six developed an interstellar drive – but it required such immense amounts of energy that the probe sent through the time/space vortex could be no larger than a mote of dust and the temporal rift so unstable that only one blurry image could be sent back.

They had established Earth as a good candidate for life and the high priests had blessed the probe (they had long ago abandoned the difference between science and religion – both relied on faith) and were confident that if life existed on the distant rock, it would show up in the image.

They were right. The single image returned showed an ordered collection of what were undoubtedly life forms. But exactly what were they looking at? Why were the individuals on one side all bedecked in bright white, while the others shone blazing red?

The debate raged on Altair Six. The accepted theory is one of racism – the photo showed a border with the white-lighted denizens restricted on one side, the red on the other. There is obviously no mixing of the two races – the apartheid is complete.

Others believed the dichotomy was age-based. Noting that the white creatures shone brighter than the red, the theory was advanced that the red were larval forms, while the white were full-grown. It was thought that they were separated to keep the developed individuals from eating the fry.

One controversial idea, put forth by Professor Yo’rin Cake of the University of Vultur Volans that the objects in the image aren’t actually life forms, but some sort of dwelling. The color of the lighting, red or white, is merely a marker to help delineate different neighborhoods.

This was dismissed by the learned councils out of hand. It was considered impossible to have that many dwellings in the image without capturing any of the life forms themselves.

Still, the debate between these and many other factions, some completely ridiculous, others more studied and mainstream, continued and only grew in intensity and cacophony. In an attempt to find an answer to this question an enormous portion of Altair Six’s economy was dedicated to building a huge power facility and a corresponding time/space vortex generator. The plans were laid to send a larger probe with a better camera and more sensors to finally answer the mysteries of the rock called Earth.

Unfortunately, their reach exceeded their grasp and the interstellar probe complex broke down and exploded. It was a terrible planet-wide disaster and set the society back by millennia. They were reduced to a level of advancement only slightly higher than ours.

How to Live Safely in a Science Fictional Universe

 “Desire is suffering. A simple equation, and a nice catchphrase. But flipped around, it is more troubling: suffering is desire.”

—- Charles Yu, “How to Live Safely in a Science Fictional Universe”

I was looking for something fun and not too heavy to read so I paged through the books I’d bought (mostly during Amazon sales) for my Kindle and settled the cursor over “How to Live Safely in a Science Fictional Universe” by Charles Yu – clicking it into my “READING” folder.

It’s an odd, postmodern bit of strangeness. You know, right away, when you find out that the protagonist’s name is Charles Yu, the same as the author. You suspect that the protagonist claims to have written the book that you are reading… and you would be right… sort of.

Yu (the protagonist) works as a time machine repairman. For the last ten years he has lived in his own time machine, a TM-31 Recreational Time Travel Device. Though there isn’t any extra space in the thing, he does have two companions – TAMMY, his love interest – an attractive bit of programming, and Ed, his non-existent, ontologically valid dog.

He works in Minor Universe 31 (not a coincidence that it has the same model number as his machine) – which is a pretty grim stretch of time-space continuum. It is broken, never really finished, and cobbled together from New York and Los Angeles scrunched together, with half of Tokyo thrown in for leavening.

Protagonist Yu gets himself in a real jam. He returns to his time machine after it gets some needed maintenance and sees himself climbing out of it. He panics, shoots himself, then jumps into the time machine and escapes into the past.

He is now stuck in a time loop. His only hope is to write a book that will tell his future self how to escape from the trap. The book that he is writing is “How to Live Safely in a Science Fictional Universe,” and you are reading it.

There are, obviously, many twists and turns of space and time and many turns of phrase and twists of fate. Physics enters into it too. And hypertext.

The book has links in it – including a link to a YouTube video on the famous Libet experiment on free will.

So I don’t know if I really decided to read this book… or simply went along with the flow when I discovered that I had already moved it into my READING folder on my Kindle – then fooled myself into believing that I had chosen it – and now am lying to y’all about deciding…. or something like that.

So, all well and good. Food for thought. But, the big question is, do you give a damn?

And the answer is, surprisingly, yes. The beating heart of the book is the relationship between Charles Yu and his father. I can say with pretty strong confidence that the grip of emotion is present in both the author and his eponymous protagonist. The story is the search for his father, who has also become lost in time, and an examination of the father and son’s life together. This is the meat of the story. There are a few passages that will rip your heart out… and that is the reason to read the book.

The science fictional pyrotechnics are just added dessert.

 “I don’t miss him anymore. Most of the time, anyway. I want to. I wish I could but unfortunately, it’s true: time does heal. It will do so whether you like it or not, and there’s nothing anyone can do about it. If you’re not careful, time will take away everything that ever hurt you, everything you have lost, and replace it with knowledge. Time is a machine: it will convert your pain into experience… It will force you to move on and you will not have a choice in the matter.”

—- Charles Yu, “How to Live Safely in a Science Fictional Universe”

Oh, and this book sure feels unstageable and unfilmable… but it’s been adapted into a one-man play and Chris Columbus has optioned it for a film.

“There must be some kind of internal time distortion effect in here, because when I look at myself in the little mirror above my sink, what I see is my father’s face, my face turning into his. I am beginning to feel how the man looked, especially how he looked on those nights he came home so tired he couldn’t even make it through dinner without nodding off, sitting there with his bowl of soup cooling in front of him, a rich pork-and-winter-melon-saturated broth that, moment by moment, was losing – or giving up – its tiny quantum of heat into the vast average temperature of the universe.”

—- Charles Yu, “How to Live Safely in a Science Fictional Universe “

Never Let Me Go

After slogging through the seven Harry Potter tomes I wanted to read something completely different – so I decided to read the novel, “Never Let Me Go,” by Kazuo Ishiguro, the author best known for “Remains of the Day.” It was one of Time Magazine’s Top 100 novels of all time.

It is a subtle story, told in three parts. The first is set in Hailsham, a boarding school in England. The story is told as a memory by Kathy and concentrates on her and two other children at the school, Tommy and Ruth. The three are followed through the short time they stay together after they leave school and then their fate as adults.

I’m not sure how to describe the genre of the novel. It is usually described as a Dystopian Science Fiction Novel – or even as a “Sci-fi Thriller” – but that does the story short shrift. It is not set in a distant future, but in an alternate recent past, one shaped by fictional postwar scientific advances that are by no means beyond probability or comprehension to readers of today. I won’t discuss exactly what these are in order to not spoil the novel, in case you want to read it (and you should). If you want to know, you can read here.

But it is not a typical Science Fiction novel. It is told in Kathy’s voice, and is full of her concerns. She concentrates on the small, everyday interactions between her and the people that she loves, while the terrible truths lie sleeping, just off screen, ready to wake at any moment. She knows, but does not know. As one of the teachers at Hailsham says, “You are told, but not told.”

In the end it is a romance. Kathy loves… but she doesn’t have enough time.

Neither do any of us.


Now, after finishing, I realize that, even though my intention was to read something completely different than Harry Potter, there are a lot of similarities. The style and intent are opposites – Never Let Me Go is an elegiac postmodern literary tour-de-force while the Harry Potter books are, for all their sound and fury, children’s stories.

Yet they both start in exclusive British boarding schools for very special children. There isn’t much difference, really, between Hailsham and Hogwarts. The students are cut off from normal society – hidden from and shunned by ordinary people. The theme of children trying to find their way without parents is central to both, as are the issues of fate, duty, and sacrifice.

Both feature childhood love triangles – in Never Let Me Go it is two girls and a boy – and the difficulties of navigating the riptides of love as the three move from being children to adults.

Oh, and finally, both have been made into films… though not very many people saw the cinematic version of Never Let Me Go. I picked it up from the library and it is good – though without Kathy’s hopeful voice narrating things it is terribly sad. Somehow, actually seeing the awful fate that awaits these doomed children from Hailsham is so much harder to take.


The title of the book and film is from a song on a cassette tape that Kathy picks up at a school swap meet. For the film, they had to come up with the actual music of the fictional Judy Bridgewater.

These two songs have nothing to do with the book or film… but I like them anyway.

NEVER LET ME GO Featurette – Working Together

Official Trailer (possible spoilers)

Finally Finished

Well, one thing about writing this thing is that I can get dates. Let’s see here it is, September 17, 2011 is when I started reading the Complete Stories of J. G. Ballard. I finished it this week… so it took me about ten months to get through the whole thing.

By no means is that the only thing I’ve read in the last year. I’d read a few stories and then jump to something else… only to return when that was done. The last week or so, though, I made a concentrated push to get through to the end.

It is a massive tome. Ninety Eight short stories, novellas, and novelettes, ending up one short of one thousand two hundred pages. The paper version weighs about four pounds and would be a real pain to carry around. Inside my Kindle, though, the weight of all those bytes is barely noticeable.

I had read a lot of these stories before. In high school, in the 1970’s I discovered his short fiction and gobbled up what I could get my paws on. What was cool about reading this now is that the stories were arranged in chronological order – so I revisited what I remembered and then continued to cruise right on past, on into the future (which now is the relatively recent past). I would look at the dates on the later stories and think of myself sitting there in 1973, and realizing what I was reading wouldn’t be written for another decade.

Since this is his complete body of work, in order, you can’t help but notice the continuing themes. The lonely, wealthy woman living alone in a crumbling estate, exerting an inexorable influence on the protagonist and the people living around him. The abandoned decadent tourist destination. The desiccated sea with dry sand waves and coral canyons. Empty swimming pools. Nature, time, and technology intersecting and reacting in unexpected, beautiful, and horrific ways…. And many more.

Near the end there are three longer works: News from the Sun, Memories of the Space Age, and Myths of the Near Future. These three, read consecutively, are fascinating companions to each other. They are essentially the same story, told with tiny shifts in attitude and points of view. They deal with the theory that man’s ventures into outer space have set loose a change in the very nature of time itself and the entire human race, in a series of events centered on the now long-abandoned Florida NASA launch sites is becoming unstuck in time. It is never clear whether this is a disaster – a punishment for shaking off our bonds, or a further leap in evolution where the human race is able to exist within and without time itself. The strong impression is that it is both.

Fascinating. Especially powerful in that, within these vast movements of irresistible forces the central theme of the stories remains the human relationships of the protagonists and how they struggle to maintain their place, their loves, their very lives.

Ballard writes:

I just tend to write whatever comes mentally to hand, and what I find interesting at a particular time. These decisions as to what one’s going to write tend to be made somewhere at the back of one’s mind, so one can’t consciously say: ‘that’s what I’m going to write’. It doesn’t work out like that! (interview in ‘J. G. Ballard: The First Twenty Years’, 1976).

I’m barely aware of what is going on. Recurrent ideas assemble themselves, obsessions solidify themselves … (interview in ‘The Paris Review’, 1984).

I feel that the writer of fantasy has a marked tendency to select images and ideas which directly reflect the internal landscapes of his mind, and the reader of fantasy must interpret them on this level, distinguishing between the manifest content, which may seen obscure, meaningless or nightmarish, and the latent content, the private vocabulary of symbols drawn by the narrative from the writer’s mind (‘Time, Memory and Inner Space’, 1963).

Some of the stories, especially some of the later ones are more experimental pieces… a skilled author showing off what he can do – pushing the boundaries of fiction. Some of these work better than others.

Vermilion Sands

Vermilion Sands

Still, I think my favorite are the Vermilion Sands stores – especially The Cloud-Sculptors of Coral D. Something about that decadent vacation spot really gets to me.

Now, the tough question. What to read next?

  • 1 • Prima Belladonna • [Vermilion Sands] • (1956) • shortstory
  • 12 • Escapement • (1956) • shortstory
  • 23 • The Concentration City • (1957) • shortstory (aka Build-Up)
  • 39 • Venus Smiles • [Vermilion Sands] • (1957) • shortstory
  • 50 • Manhole 69 • (1957) • shortstory
  • 68 • Track 12 • (1958) • shortstory
  • 72 • The Waiting Grounds • (1959) • novelette
  • 96 • Now: Zero • (1959) • shortstory
  • 106 • The Sound-Sweep • (1959) • novelette
  • 137 • Zone of Terror • (1960) • shortstory
  • 150 • Chronopolis • (1960) • novelette
  • 169 • The Voices of Time • (1960) • novelette
  • 196 • The Last World of Mr. Goddard • (1960) • shortstory
  • 208 • Studio 5, The Stars • [Vermilion Sands] • (1961) • novelette
  • 235 • Deep End • (1961) • shortstory
  • 244 • The Overloaded Man • (1961) • shortstory
  • 255 • Mr F. is Mr F. • (1961) • shortstory
  • 267 • Billennium • (1961) • shortstory
  • 279 • The Gentle Assassin • (1961) • shortstory
  • 289 • The Insane Ones • (1962) • shortstory
  • 298 • The Garden of Time • (1962) • shortstory
  • 305 • The Thousand Dreams of Stellavista • [Vermilion Sands] • (1962) • shortstory
  • 321 • Thirteen to Centaurus • (1962) • novelette
  • 339 • Passport to Eternity • (1962) • shortstory
  • 355 • The Cage of Sand • (1962) • novelette
  • 373 • The Watch-Towers • (1962) • novelette
  • 395 • The Singing Statues • [Vermilion Sands] • (1962) • shortstory
  • 405 • The Man on the 99th Floor • (1962) • shortstory
  • 412 • The Subliminal Man • (1963) • shortstory
  • 426 • The Reptile Enclosure • (1963) • shortstory
  • 435 • A Question of Re-Entry • (1963) • novelette
  • 459 • The Time-Tombs • (1963) • novelette
  • 472 • Now Wakes the Sea • (1963) • shortstory
  • 480 • The Venus Hunters • (1963) • novelette
  • 504 • End-Game • (1963) • novelette
  • 521 • Minus One • (1963) • shortstory
  • 530 • The Sudden Afternoon • (1963) • shortstory
  • 541 • The Screen Game • [Vermilion Sands] • (1963) • novelette
  • 559 • Time of Passage • (1964) • shortstory
  • 569 • Prisoner of the Coral Deep • (1964) • shortstory
  • 574 • The Lost Leonardo • (1964) • shortstory
  • 589 • The Terminal Beach • (1964) • novelette
  • 605 • The Illuminated Man • (1964) • novelette
  • 628 • The Delta at Sunset • (1964) • shortstory
  • 641 • The Drowned Giant • (1964) • shortstory
  • 650 • The Gioconda of the Twilight Noon • (1964) • shortstory
  • 658 • The Volcano Dances • (1964) • shortstory
  • 663 • The Beach Murders • (1969) • shortstory
  • 669 • The Day of Forever • (1966) • shortstory
  • 683 • The Impossible Man • (1966) • shortstory
  • 697 • Storm-Bird, Storm-Dreamer • (1966) • shortstory
  • 711 • Tomorrow is a Million Years • (1966) • shortstory
  • 720 • The Assassination of John Fitzgerald Kennedy Considered as a Downhill Motor Race • (1966) • shortstory
  • 722 • Cry Hope, Cry Fury! • [Vermilion Sands] • (1967) • shortstory
  • 735 • The Recognition • (1967) • shortstory
  • 755 • The Cloud-Sculptors of Coral D • [Vermilion Sands] • (1967) • shortstory
  • 757 • Why I Want to Fuck Ronald Reagan • (1968) • shortstory
  • 760 • The Dead Astronaut • (1968) • shortstory
  • 769 • The Comsat Angels • (1968) • shortstory
  • 781 • The Killing Ground • (1969) • shortstory
  • 788 • A Place and a Time to Die • (1969) • shortstory
  • 795 • Say Goodbye to the Wind • [Vermilion Sands] • (1970) • shortstory
  • 806 • The Greatest Television Show on Earth • (1972) • shortstory
  • 811 • My Dream of Flying to Wake Island • (1974) • shortstory
  • 820 • The Air Disaster • (1975) • shortstory
  • 828 • Low-Flying Aircraft • (1975) • shortstory
  • 841 • The Life and Death of God • (1976) • shortstory
  • 849 • Notes Towards a Mental Breakdown (1976 version) • (1976) • shortstory
  • 856 • The 60 Minute Zoom • (1976) • shortstory
  • 864 • The Smile • (1976) • shortstory
  • 873 • The Ultimate City • (1976) • novella
  • 925 • The Dead Time • (1977) • novelette
  • 940 • The Index • (1977) • shortstory
  • 946 • The Intensive Care Unit • (1977) • shortstory
  • 953 • Theatre of War • (1977) • novelette
  • 968 • Having a Wonderful Time • (1978) • shortstory
  • 972 • One Afternoon at Utah Beach • (1978) • shortstory
  • 982 • Zodiac 2000 • (1978) • shortstory
  • 989 • Motel Architecture • (1978) • shortstory
  • 1000 • A Host of Furious Fancies • (1980) • shortstory
  • 1010 • News from the Sun • (1981) • novelette
  • 1037 • Memories of the Space Age • (1982) • novelette
  • 1061 • Myths of the Near Future • (1982) • novelette
  • 1085 • Report on an Unidentified Space Station • (1982) • shortstory
  • 1090 • The Object of the Attack • (1984) • shortstory
  • 1101 • Answers to a Questionnaire • (1985) • shortstory
  • 1105 • The Man Who Walked on the Moon • (1985) • shortstory
  • 1116 • The Secret History of World War 3 • (1988) • shortstory
  • 1124 • Love in a Colder Climate • (1989) • shortstory
  • 1130 • The Enormous Space • (1989) • shortstory
  • 1139 • The Largest Theme Park in the World • (1989) • shortstory
  • 1145 • War Fever • (1989) • novelette
  • 1161 • Dream Cargoes • (1990) • shortstory
  • 1173 • A Guide to Virtual Death • (1992) • shortfiction
  • 1175 • The Message from Mars • (1992) • shortstory
  • 1184 • Report from an Obscure Planet • (1992) • shortstory
  • 1189 • The Secret Autobiography of J.G.B. • (1981) • shortstory (aka The Secret Autobiography of J. G. B******)
  • 1192 • The Dying Fall • (1996) • shortstory