Spokes and Seersucker

People from the Seersucker Ride at Klyde Warren Park, Dallas, Texas

People from the Seersucker Ride at Klyde Warren Park, Dallas, Texas

A tradition in Dallas in the bicycling community is the fall/winter Tweed Ride. Last December’s ride was a lot of fun, though bitterly cold. As a bookend to that ride, the great folks at Dallas Cycle Style organized a springtime/warm weather ride, and called it the Seersucker Ride. It looked like a blast.

But I needed something seersucker to wear. I am the most fashion-challenged person in the world – but I knew what seersucker is. The only reason I knew was because once, a few years back, I had actually looked it up after seeing this scene in Sophie’s Choice.

Right now we are as broke as broke can be, so I couldn’t spend any money on clothes. Also, I futzed and dutzed, as always, around and waited too long – so ebay was out of the question. I did a circuit of the various thrift stores and actually found some seersucker (mostly pants) here and there – but none of it came even close to fitting me. It appears that only undernourished men wear seersucker.

So I was left with a journey into the heart of the beast. I actually went to a mall. Other than a trip to NorthPark for the Nasher Exchange Sculpture (and I wasn’t going to buy anything) I haven’t been inside a mall in decades. Collin Creek Mall is only a tiny jump up the freeway from where I live. I remember driving there from Oak Cliff in 1981 when it first opened – it seemed like driving forever – and how shiny, lavish, and sumptuous the enormous multi-lobed two story shopping extravaganza seemed – like a brave new world. Now, not that long later, the mall is on its last legs, barely hanging on for dear life, coasting on past glories. To walk the corridors is borderline depressing.

I found a shirt that was seersucker-like on a clearance rack for four dollars. The only open checkout was in the shoe department where I had to wait behind a woman trying to get a discount because the pair she was looking at had a tiny blemish.

“Look on my works, ye Mighty, and despair! Nothing beside remains. Round the decay Of that colossal wreck, boundless and bare The lone and level sands stretch far away.”
—-Shelley

So I had my seersucker. On Saturday morning I packed my Xootr Swift bicycle with food, drink, and a blanket, put a fresh battery in my camera, and rode the DART train downtown to meet everyone at Klyde Warren Park.

My Xootr Swift bike with picnic supplies loaded in the pannier.

My Xootr Swift bike with picnic supplies loaded in the pannier.

The park was a hive of activity – S.E. Hinton was on her way to grace the presence of the Dallas Reads One Book celebration of The Outsiders. They gave us all paperback copies and took photos of everyone in period outfits reading the tome. We would like to have seen the author (and seen the movie they would show later) but we had a picnic to do so we all rode off across Uptown to Lee Park.

Posing with an S. E. Hinton paperback.

Posing with an S. E. Hinton paperback.

It was a beautiful spot – along Turtle Creek with a fountain in the center and a wave of purple/pink Azaleas blooming across the water. We parked the bikes, spread out the blankets, and unloaded the vittles – a veritable moveable feast. A volunteer had driven in to deliver items too bulky to bike – coolers of ice, extra water, a croquet set. Not content with pitiful portable picnic players, he brought in a generator, amp, and speakers and we had vintage music all proper – angel trumpets and devil trombones.

Seersucker Ride and Picnic, Lee Park, Dallas, Texas

Seersucker Ride and Picnic, Lee Park, Dallas, Texas

Seersucker Ride and Picnic, Lee Park, Dallas, Texas

Seersucker Ride and Picnic, Lee Park, Dallas, Texas

Seersucker Ride and Picnic, Lee Park, Dallas, Texas

Seersucker Ride and Picnic, Lee Park, Dallas, Texas

Seersucker Ride and Picnic, Lee Park, Dallas, Texas

Seersucker Ride and Picnic, Lee Park, Dallas, Texas

Such a great day. The weather was warm with a bit of a breeze. A beautiful park with a lot of cool people. There is something about wearing silly clothing and riding together through a big city on ridiculous bicycles that is relaxing and disarming. Such fun.

There were a lot of photos taken – I tried not to spend too much time shooting, but everything and everybody around was too freakishly photogenic to resist. I have a nice collection I’ll post here for journal entries over the next few days.

Shooting photographs at the Seersucker Ride and Picnic, Lee Park, Dallas, Texas

Shooting photographs at the Seersucker Ride and Picnic, Lee Park, Dallas, Texas

All good things must come to an end and we packed up and headed out. Three of us rode back downtown, cutting west on the Katy Trail which ends at the American Airlines Center. As we passed next to the building the Dallas Mavericks basketball playoff game ended, spilling an enormous throng of blue-T shirted fans out all around us – flowing like a rabid river as we worked our way through on our bicycles. It was surreal.

Luckily, the home team had won on a last second three point shot right before we arrived, so everyone was in a great mood. Everyone was yelling, “Vince Carter!, Vince Carter!”

It wouldn’t have been any fun to ride through that crowd if the home team had lost.

I rode back to Klyde Warren Park and rested for a bit. I knew the trains would be full of Maverick fans on their way home, plus I needed to decompress for a few minutes. Next to me a young couple sat playing chess – she was much better, but he liked to win, so he kept buying her wine until he prevailed. The inflatable movie screen for the showing of The Outsiders went up – but I didn’t want to stay downtown that long after dark, so I caught my train and went home.

Sometimes I Do As I Am Told

Deep Ellum
Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Post No Bills

Deep Ellum
Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Sherlock Holmes: The Final Adventure

The Wyly Theater in the Dallas Arts District

The Wyly Theater in the Dallas Arts District

THE STORY: The world’s greatest detective has seemingly reached the end of his remarkable career when a case presents itself that is too tempting to ignore: The King of Bohemia is about to be blackmailed by a notorious photograph, and the woman at the heart of this crime is the famous opera singer, Irene Adler. With his trusted companion, Doctor Watson, at his side, Sherlock Holmes pursues first the case, and then the affections of Miss Adler—and in doing so, marches right into the lair of his longtime adversary, that malevolent genius of crime: Professor Moriarty. In this spirited, fast-moving and thoroughly theatrical adaptation, Steven Dietz presents Holmes at the height of his powers—surrounded by all the elements that fans of his exploits have come to expect: danger, intrigue, wit, humor and surprise. “The game is afoot, Watson—and it is a dangerous one!”

As I have said before, I remember watching the enormous Borg Cube of the Wyly Theater going up in the shiny new Dallas Arts District and thinking, “What a cool place! Such a shame I’ll never be able to afford to go to a play there.”

The Wyly Theater.

The Wyly Theater.

I was wrong. By judicious actions and careful attention to the Internet – I have been able to find a series of bargains and go to a play down at the Wyly on a fairly regular basis. My most reliable source for affordable seats is the Dallas Theater Center’s Pay What You Can performances. As each play opens, the first performance is open to anyone and the price is what you think you can afford. I guess one way to look at it is that it’s a bargain admission to what really is a final dress rehearsal – but I have really enjoyed all the performances I’ve seen.

This time around it was Sherlock Holmes: The Final Adventure. I logged in exactly at ten – when the tickets went on sale – and I’m glad I did. The show sold out in eight minutes. I managed to snag tickets for myself and a couple friends from my writing group.

The play was a lot of fun. It was nice to see a straight play – nothing special (although the moving sets were ingenious and effective) except a handful of actors standing out there delivering the classic Arthur Conan Doyle lines.

I won’t give away any secrets – although this isn’t so much a whodunit as much as it is a chess game between Holmes and his greatest enemy, Moriarty. The play is faithful, with a little bit of updating (a modern love story, a very strong female character, and an emphasis on Holmes’ drug use) to make it engaging to a 21st century audience, but it keeps the quaint style and innocent entertainment.

Opening night, there were a few hiccups. The opening was delayed by a few minutes with sound board problems, but the crowd entertained itself with the start of a wave. But all was forgiven and a lot of smiles came out at the end.

Now, the next play at the Wyly is Le Mis. I’ll have to have fast fingers, I’m sure it’ll sell out even faster.

More Murals

Artists at work
More entries in the Tunnelvisions mural contest
Deep Ellum Arts Festival
Dallas, Texas

Deep Ellum Arts Festival, Dallas, Texas (click to enlarge)

Deep Ellum Arts Festival, Dallas, Texas
(click to enlarge)

Deep Ellum Arts Festival, Dallas, Texas

Deep Ellum Arts Festival, Dallas, Texas

Tintype

This last weekend, at the Cobra Brewing Company event, there was a complex apparatus set up in one corner of the brewery. Scott M Hilton of Camera~Absurda was there taking tintype photographs on-site of the contestants in the beard contest.

The process was interesting to everyone – but to me; professional chemist, wannabee photog, enthusiast of the obsolescent, devotee of the unusual, and aficionado of the useless – it was irresistible. What an amazing collection of toxic chemicals, explosive reagents, antiquated equipment, and bright lights.

We were there early enough to be able to talk about the process before the crowd became too thick (though I’m guessing here about the exact chemicals used). They start out with a small aluminum plate and coat it with a collodion (basically gun cotton dissolved in ether – not too safe) solution and silver nitrate. That is exposed with a bright light in a camera.

They were using a powerful electronic strobe. I asked him why he didn’t go whole-hog authentic and use a tray full of flash powder. The reply was, “There are plenty of dangerous chemicals involved already, no need to add more hazard.”

Some magic is done inside a light-proof booth and then the print is developed in an acid solution. That’s the most amazing part, watching the image appear from a frosty cloud. In the age when this process was current, it would have appeared to be magic. Today, it’s still pretty damn amazing. The image is fixed (probably in a cyanide solution of some kind) coated and done.

The image is a prime positive on a metal plate – the image is therefore reversed. The tonality of the print is amazing. There is something about the contrast, tint, the detail, and the lack of grain that gives it an aura of primordial beauty. The portraits have that ancient dignity that you always see in historical photographs. I always assumed that people have changed – but it seems that is is only their snapshots.

There is no dignity in digital.

Here are the photos they took at the Cobra Brewing Event.

A guy standing next to me happened to work at Texas Instruments (on the same campus where I work for… somebody else) and we discussed the similarity of what the photographers were doing and modern semiconductor manufacturing. We speculated what we could do with metal plates and some sophisticated photoetch solutions.

One interesting thing was that the photographers were having the beard contestants sign a model release so that they could use their images in their projects. Instead of ink on paper they were signing an electronic release by swiping across an iPhone screen. If someone wanted to buy a print – they used a Square to swipe a credit card. Here you were using the most modern of wireless portable e-commerce machinery to facilitate the work of taking tintype photographs with technology out-of-date a hundred years ago.

The contrast was palpable.

The camera is focused with the ground glass

The camera is focused with the ground glass

A big electronic flash is used for the exposure.

A big electronic flash is used for the exposure.

Adjusting everything takes a lot of work.

Adjusting everything takes a lot of work.

Some sort of photographic chemical wizardry - kept from mortal eyes.

Some sort of photographic chemical wizardry – kept from mortal eyes.

The plate goes into the acid bath.

The plate goes into the acid bath.

Everything goes cloudy.

Everything goes cloudy.

And the final image emerges. Notice that it is reversed.

And the final image emerges. Notice that it is reversed.

Blur

There is more to life than increasing its speed.

—-Mahatma Gandhi

Superdrome, Frisco, Texas

Superdrome, Frisco, Texas

Maybe there is, maybe there isn’t. At least there is the fact that once you increase its speed past a certain point, all is a blur. There is a comforting mystery in a blur. Like a hummingbird’s wing – you can forget the delicacy and fragility… seduced and confused by the motion.

An object in motion tends to move out of the frame. Unless you manage to move the frame. Maybe the world deserves to be smeared across the concrete. It is softened but also obscured. Detail disappear; unseen patterns emerge. Is the truth better seen unfocused?

But who wants a clouded truth?

Procrastination with Google Maps

I have been suffering from a terrible case of writer’s block and have been spending too much time staring at a blank screen, waiting in vain for some sort of a useful idea to come bubbling up from… well, from wherever useful ideas bubble up from. Of course, the staring doesn’t last very long until it is replaced by silly web-surfing. You know how that goes.

So I was wasting time by GoogleMap StreetViewing (I’m no fan of the current fashion of converting tech nouns into verbs, such as in the phrase of “Netflixing through Mad Men,” but this is what life is in this best of all possible worlds with) places that I used to live and I came up with this shot:

Live Oak in back of the house I used to live in.

Live Oak in back of the house I used to live in.

First, it’s interesting that in my old neighborhood they even have GoogleMaps StreetView in the alley. Let that sink in for a minute. Not only did the Google car drive down the street taking photos willy-nilly to post for all to see, but then it proceeded to creep down the alley in back of the houses, doing the same thing. The alleys there were extra-wide (the kids used to cone them off at the end of the block and play roller hockey on the concrete) but… just sayin’.

What I thought was cool is that tree there. The big one in the corner of what used to be my yard.

My son Nick (now in his final classes at Duke University) was a toddler. He was born in East Dallas, a few miles north of this spot, and we moved before our second son, Lee (now a financial analyst in New Orleans) was born eighteen months later. I’m pretty sure the tree was planted before Lee was born, so Nick would have been about a year old.

I took Nick down to the Dallas Arboreteum for a Saturday afternoon. When we arrived, I discovered they were giving out free trees. I picked up a Live Oak planted in a recycled coffee can and brought it home, intending to plant it in the yard of our then-new-to-us home.

It looked substantial in the can, but after digging the hole and getting rid of the container the tree was only about an inch and a half high. It was dwarfed by the weeds that surrounded it. Everybody thought it was ridiculous and that I was an idiot for planting such a tiny sprig.

Still, despite the ridicule (probably because of the ridicule) I stuck it out. I carefully marked out the area around the twig to make sure it wasn’t mowed over or trampled upon. I watered it faithfully and tended it as best I could.

And, wonder of wonders, it grew. Fast. It grew like a weed. I talked to a friend that is a landscape architect and he said, “The smaller a tree is when you plant it, the bigger it will be in ten years.” Something that small doesn’t suffer the shock of transplantation, which sets a tree way back.

A few years later, it was already as high as my head. Putting in a new fence, the wind caught a panel and yanked it out of my hands. It landed on the tall, but still thin tree, smashing it flat. I was horrified.

I carefully raised the reedy trunk back up and staked the tree in position. I expected it to die, but, surprise, it didn’t miss a beat.

And now look at it. It’s one of the largest trees in the neighborhood. When we moved in, the block was thick with fast-growing “junk” trees – put in by the original developer to give quick green. Those have all now (mostly) succumbed to disease and are either gone or skeletal ghosts.

The sturdy oak is still growing.

I’m proud of the fact that I planted that tree (also proud that I got it for free). We moved out about ten years ago, when our kids were in Middle School. Nobody in the neighborhood knows this story, but I do, and that’s what’s important.

It’s also cool that the tree is the same age as my kids. If you have little ones – go out and plant a tree in your yard, or a park, or somewhere that needs one. The decades go by faster than you imagine is possible and a sturdy oak will rise to mark the passage of time with some welcome shade.

Dead End

Frisco, Texas

“Quite possibly there’s nothing as fine as a big freight train starting across country in early summer, Hardesty thought. That’s when you learn that the tragedy of plants is that they have roots.”
― Mark Helprin, Winter’s Tale

(click to enlarge)

(click to enlarge)

“Swerve me? ye cannot swerve me, else ye swerve yourselves! man has ye there. Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents’ beds, unerringly I rush! Naught’s an obstacle, naught’s an angle to the iron way!”
-Herman Melville, Moby Dick

(click to enlarge)

(click to enlarge)

“The train bore me away, through the monstrous scenery of slag-heaps, chimneys, piled scrap-iron, foul canals, paths of cindery mud criss-crossed by the prints of clogs. This was March, but the weather had been horribly cold and everywhere there were mounds of blackened snow. As we moved slowly through the outskirts of the town we passed row after row of little grey slum houses running at right angles to the embankment. At the back of one of the houses a young woman was kneeling on the stones, poking a stick up the leaden waste-pipe which ran from the sink inside and which I suppose was blocked. I had time to see everything about her—her sacking apron, her clumsy clogs, her arms reddened by the cold. She looked up as the train passed, and I was almost near enough to catch her eye. She had a round pale face, the usual exhausted face of the slum girl who is twenty-five and looks forty, thanks to miscarriages and drudgery; and it wore, for the second in which I saw it, the most desolate, hopeless expression I have ever-seen. It struck me then that we are mistaken when we say that ‘It isn’t the same for them as it would be for us,’ and that people bred in the slums can imagine nothing but the slums. For what I saw in her face was not the ignorant suffering of an animal. She knew well enough what was happening to her—understood as well as I did how dreadful a destiny it was to be kneeling there in the bitter cold, on the slimy stones of a slum backyard, poking a stick up a foul drain-pipe.”
― George Orwell, The Road to Wigan Pier