The Flat Plane Of the Temporal Experience

“If your reduce sculpture to the flat plane of the temporal experience of the work. (…) the experience of the work is inseparable from the place in which the work resides. Apart from that condition, any experience of the work is a deception.”
― Richard Serra

Hall Texas Sculpture Walk with the Wyly Theater, Dallas Arts District

Mosaic – Sonia King – VisionShift

HALL Texas Sculpture Walk

Wyly Theater

 

Perched Upon A Bust Of Pallas

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door –
Perched upon a bust of Pallas just above my chamber door –
Perched, and sat, and nothing more.
—-Edgar Allen Poe, The Raven

Arts District, Dallas, Texas

Arts District,
Dallas, Texas

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
`Though thy crest be shorn and shaven, thou,’ I said, `art sure no craven.
Ghastly grim and ancient raven wandering from the nightly shore –
Tell me what thy lordly name is on the Night’s Plutonian shore!’
Quoth the raven, `Nevermore.’
—-Edgar Allen Poe, The Raven

Let’s Do the Time Warp Again

During intermission I was talking to a guy about my age standing in our row at the Wyly – he was standing because the saxophone player was sitting in his seat and refusing to budge until the second act started and I was standing to be polite to him. We were wondering about when The Rocky Horror Show premiered in London – we guessed 1974, and were off by a year (it was born in 1973). The more well-known movie The Rocky Horror Picture Show was made in 1975.

The film famously (and truth be told, deservedly) bombed at the box office upon it initial, conventional release. I saw it about a year later, late ’76 or early ’77, at a special showing at college. It hadn’t hit its big, cult status yet – but it was on the cusp and there was a lot of buzz about it. I barely remember seeing it for the first time – the projection was bad and the sound was worse – it didn’t make much of an impression.

That changed soon enough. I was the right age to fall into the habit of going to midnight movie showings and saw The Rocky Horror Picture Show maybe fifty times. It began to be a habit, like watching the six o’clock news after work.

Then, in the early eighties, I saw a stage production here in Dallas in the West End. That production was specifically designed to mirror the movie as much as possible. It was in a small theater and for one show I was able to get front-row seats (I saw it twice). Dr. Frankenfurter sat in my lap and sang a song – I remember his leather jacket reeked.

The live play was a blast – especially in a small venue. We actually were able to go to a bar with the cast afterward.

I’ve always said that live is the way to see it.

So a while back I was excited to see that the Dallas Theater Center was doing a production of The Rocky Horror Show at the Wyly – and we bought tickets for tonight.

Wow, what a lot of fun!

One nice thing was that they weren’t afraid to stray from the familiar film tropes. Rocky, for example had dark hair. The actor playing Dr. Frankenfurter had the good sense to not channel Tim Curry’s iconic performance and to make the good doctor his own. He was kind of a Texas Frankenfurter… maybe a little, maybe – a bit different at any rate. But really, really good.

The show was not afraid to be quite a bit raunchier that the film. For example (I’ll try to avoid overt spoilers) there is one quick scene involving the Doctor, Brad Majors, a hand-powered egg beater, and the line, “Well, we just lost the Baptists.”

The best thing about the show was the pure action – especially of the first act. There is so much going on – the music is underrated and comes across powerfully live – with dancing, costumes, lights, and rolls of toilet paper being flung from the crowd through the flashing lights like a shower of tissue comets. At the intermission a woman sitting next to me stumbled around a little dizzy, “Oh, I’m having a fangirl moment,” she said.

The Wyly is a perfect venue for this – the flexible space was arranged so that there was no clear demarcation between audience and stage – the performers spent most of their time in the crowd and more than a few spectators ended up dancing with the stars.

Dallas Theater Center Wyly Theater Dallas, Texas

Dallas Theater Center
Wyly Theater
Dallas, Texas

So if you find yourself in Dallas in late September through mid October, see if you can get down to the Wyly for some slightly guilty fun. And if you are a devout Baptist… well, good luck with all that.

Watchmen of the World’s Edge

What have the watchmen of the world’s edge come tonight to look for? Deepening on now, monumental beings stoical, on toward slag, toward ash the colour the night will stabilize at, tonight… what is there grandiose enough to witness?
—-Thomas Pynchon, Gravity’s Rainbow

Wyly Theater and rebar from the demolition of a parking garage
Dallas Arts District
Dallas, Texas

Construction and Destruction

Construction and Destruction

Year of the Rooster

Year of the Rooster Dallas Theater Center Upstart Productions

Year of the Rooster
Dallas Theater Center
Upstart Productions

I’ve been a fan of the Dallas Theater Center’s Wyly Theater ever since it first opened. I’ve seen a double handful of plays there, and enjoyed every one.

I was excited when I heard about the Center’s new initiative, the Elevator Project. This gives six local theater groups: African American Repertory Theater, Cara Mia Theatre Co., Dallas Actor’s Lab, DGDG: The Danielle Georgiou Dance Group, Second Thought Theatre and Upstart Productions – an opportunity to stage one play each in the Wyly over the next year.

These plays won’t be in the large main auditorium, but in smaller spaces on the sixth and ninth floors of the giant Borg-Cube like building. And yes, you do ride an elevator from the below-grade lobby to reach the shows.

Dallas Theater Center Wyly Theater Dallas, Texas

Dallas Theater Center
Wyly Theater
Dallas, Texas

I had seen one show, Red, in the ninth floor space (completely redone – you had no idea where you were – it felt like a New York artists’ studio). While it was running on the ninth floor, King Lear was going on downstairs.

The first production in the Elevator Series is done by Upstart Productions and is a work called Year of the Rooster. It is presented in the sixth-floor black box theater area – where I had never been. I wanted to go on one of the first nights, but work has been kicking my ass and I wasn’t able to get there until today, for a Sunday Matinee performance. I thought about riding my bike down there, but it was too hot (and ungodly humid) so I settled for a train ride.

I made a particular effort to not read anything about the play beforehand – to leave an element of surprise. I only knew that it involved at least one chicken.

The play was crackerjack. It was a harrowing tale of a struggling McDonald’s clerk, trying to keep his elderly mother supplied with stolen honey mustard packets without getting fired – who has only one chance at success, escape, and redemption – his fighting cock, Odysseus Rex.

The protagonist chicken is played by Joey Folsom as a spring-steel tight PED drugged bundle of avian rage and hate flashing a folding knife like it is his only hope in the world. Steph Garrett plays dual roles as an over-ambitious McDonald’s manager and as Odysseus Rex’s love interest – an overweight, cage-raised, soon-to-be-fried hen.

It’s not always a pleasant tale – full of salty language and Oklahoma doom. The fight scenes are exciting and a bit frightening in the small space of the sixth floor black box. In the end it’s an unforgettable entertainment – you can’t make an omelet without breaking a couple of eggs.

There are a few performances left – so if you are in the North Texas area, get your tickets before they are sold out.

The odd thing about a matinee performance is that you emerge from the darkness of the play into the unexpected and almost forgotten fiery light and withering heat of the late afternoon. The world is still there – though somehow always changed by the entertainment you have sat through. And that’s the mark of a good play – because of what you have seen – what you have lived through – you now see the world a little differently. You know something you didn’t before.

What I learned this week, August 01, 2014

The Wyly Theater in the Dallas Arts District

The Wyly Theater in the Dallas Arts District

Finally! Small, Local Theater Companies to Perform in the Dallas Arts District


Outlook grim for orbiting Russian zero-G sex geckos

Gecko in a Watering Can

Gecko in a Watering Can

Thank God – The world is saved!!!

All systems “go” as control restored to beleaguered sex gecko satellite


Amanda Popken on the Dallas Cycle Style Seersucker Ride

Amanda Popken on the Dallas Cycle Style Seersucker Ride

These 53 Colorized Photos From The Past Will Blow You Away.


Lawsuit Filed To Prove Happy Birthday Is In The Public Domain; Demands Warner Pay Back Millions Of License Fees

Happy Birthday remains the most profitable song ever. Every year, it is the song that earns the highest royalty rates, sent to Warner/Chappell Music (which makes millions per year from “licensing” the song). However, as we’ve been pointing out for years, the song is almost certainly in the public domain.


This Ultra-Foldable Commuter Bike Is Also Ultra-Spendy

A five thousand dollar Dahon folding bike… wow. I don’t feel so bad about the cash I spent on my Xootr.

Stock Xootr Swift - I only added the seat bag and bottle cage (click to enlarge)

Stock Xootr Swift – I only added the seat bag and bottle cage
(click to enlarge)

The basic fold on the Xootr Swift. It basically folds in half - and it only takes a few sconds. Not a tiny package - but small enough to make the bike more practical to transport or store.

The basic fold on the Xootr Swift. It basically folds in half – and it only takes a few sconds. Not a tiny package – but small enough to make the bike more practical to transport or store.

I drive a tiny car - a Toyota Matrix. I always liked it because I could fold the rear seats down and get a bike (barely) into the back of the car (never liked exterior bike racks).  I ways surprised at how small the Xootr Swift folded down. I was able to fit it easily in the small space behind the rear seat. Now I have a four-passenger car again.

I drive a tiny car – a Toyota Matrix. I always liked it because I could fold the rear seats down and get a bike (barely) into the back of the car (never liked exterior bike racks). I ways surprised at how small the Xootr Swift folded down. I was able to fit it easily in the small space behind the rear seat. Now I have a four-passenger car again.

My Xootr Swift bike with picnic supplies loaded in the pannier.

My Xootr Swift bike with picnic supplies loaded in the pannier.


10 Quotes from Tarantino-directed Films


Dallas Leaders Walked Arm-in-Arm with John Wiley Price in the Betrayal of Southern Dallas | Dallas Observer


Eggs Florentine at Smoke

Eggs Florentine at Smoke

The porch and entrance at Smoke

The porch and entrance at Smoke

A really useful list of local restaurants… tied to a map. Of course, there are plenty worthwhile that aren’t on here, but I’ve been to about half of them and they are all deserving.

The 38 Essential Dallas Restaurants, July 2014

Jimmy's Italian

Jimmy’s Italian

Meat Case - Italian Sausage and more

Meat Case at Jimmy’s – Italian Sausage and more

Babe's Chicken Dinner House

Babe’s Chicken Dinner House

The odd fire pit outside at Babe's Chicken Dinner House in Carrollton, Texas.

The odd fire pit outside at Babe’s Chicken Dinner House in Carrollton, Texas.


Magnolia Hotel (Pegasus) and Joule Hotel (pool) Dallas, Texas

Magnolia Hotel (Pegasus) and Joule Hotel (pool)
Dallas, Texas

The coolest coffee place in Dallas that you have never heard of.


My secretary setup

One place where the magic happens

Clutter is Killing Your Creativity

Sherlock Holmes: The Final Adventure

The Wyly Theater in the Dallas Arts District

The Wyly Theater in the Dallas Arts District

THE STORY: The world’s greatest detective has seemingly reached the end of his remarkable career when a case presents itself that is too tempting to ignore: The King of Bohemia is about to be blackmailed by a notorious photograph, and the woman at the heart of this crime is the famous opera singer, Irene Adler. With his trusted companion, Doctor Watson, at his side, Sherlock Holmes pursues first the case, and then the affections of Miss Adler—and in doing so, marches right into the lair of his longtime adversary, that malevolent genius of crime: Professor Moriarty. In this spirited, fast-moving and thoroughly theatrical adaptation, Steven Dietz presents Holmes at the height of his powers—surrounded by all the elements that fans of his exploits have come to expect: danger, intrigue, wit, humor and surprise. “The game is afoot, Watson—and it is a dangerous one!”

As I have said before, I remember watching the enormous Borg Cube of the Wyly Theater going up in the shiny new Dallas Arts District and thinking, “What a cool place! Such a shame I’ll never be able to afford to go to a play there.”

The Wyly Theater.

The Wyly Theater.

I was wrong. By judicious actions and careful attention to the Internet – I have been able to find a series of bargains and go to a play down at the Wyly on a fairly regular basis. My most reliable source for affordable seats is the Dallas Theater Center’s Pay What You Can performances. As each play opens, the first performance is open to anyone and the price is what you think you can afford. I guess one way to look at it is that it’s a bargain admission to what really is a final dress rehearsal – but I have really enjoyed all the performances I’ve seen.

This time around it was Sherlock Holmes: The Final Adventure. I logged in exactly at ten – when the tickets went on sale – and I’m glad I did. The show sold out in eight minutes. I managed to snag tickets for myself and a couple friends from my writing group.

The play was a lot of fun. It was nice to see a straight play – nothing special (although the moving sets were ingenious and effective) except a handful of actors standing out there delivering the classic Arthur Conan Doyle lines.

I won’t give away any secrets – although this isn’t so much a whodunit as much as it is a chess game between Holmes and his greatest enemy, Moriarty. The play is faithful, with a little bit of updating (a modern love story, a very strong female character, and an emphasis on Holmes’ drug use) to make it engaging to a 21st century audience, but it keeps the quaint style and innocent entertainment.

Opening night, there were a few hiccups. The opening was delayed by a few minutes with sound board problems, but the crowd entertained itself with the start of a wave. But all was forgiven and a lot of smiles came out at the end.

Now, the next play at the Wyly is Le Mis. I’ll have to have fast fingers, I’m sure it’ll sell out even faster.