Warning Of Departed Time

“It is almost startling to hear this warning of departed time sounding among the tombs, and telling the lapse of the hour, which, like a billow, has rolled us onward towards the grave.”
― Washington Irving, The Sketch Book

Large Bell, Edo Period, Crow Collection, Dallas, Texas

 

From the Crow Museum Website:

Large bells such as this were common in the Edo period to mark time for communities. They were often paid for by collecting coins from parishes and locales, and then melted down for the metal. These bells are clapper-less and were struck with a large wooden beam. With the introduction of Western clocks into Japan, fewer large bells, like this one, were needed. Modernity also called for replacing the traditional calendar based on the zodiac with a January to December year. Bells continued to be made, but their use was more commemorative and ceremonial than practical.

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They Are In Love. Fuck the War

“The nights are filled with explosion and motor transport, and wind that brings them up over the downs a last smack of the sea. Day begins with a hot cup and a cigarette over a little table with a weak leg that Roger has repaired, provisionally, with brown twine. There’s never much talk but touches and looks, smiles together, curses for parting. It is marginal, hungry, chilly – most times they’re too paranoid to risk a fire – but it’s something they want to keep, so much that to keep it they will take on more than propaganda has ever asked them for. They are in love. Fuck the war.”

― Thomas Pynchon, Gravity’s Rainbow

Arts District, Dallas, Texas

 

What We Build Could Be Anything

“It’s creepy, but here we are, the Pilgrims, the crackpots of our time, trying to establish our own alternate reality. To build a world out of rocks and chaos.
What it’s going to be, I don’t know.
Even after all that rushing around, where we’ve ended up is the middle of nowhere in the middle of the night.
And maybe knowing isn’t the point.
Where we’re standing right now, in the ruins in the dark, what we build could be anything.”
― Chuck Palahniuk, Choke

Arts District, Downtown Dallas, Texas

Upside Down

“Each time I see the Upside-Down Man
Standing in the water,
I look at him and start to laugh,
Although I shouldn’t oughtter.
For maybe in another world
Another time
Another town,
Maybe HE is right side up
And I am upside down”
—-Shel Silverstein

Reflecting Pool, Winspear Opera House, Arts District, Dallas, Texas

The Flat Plane Of the Temporal Experience

“If your reduce sculpture to the flat plane of the temporal experience of the work. (…) the experience of the work is inseparable from the place in which the work resides. Apart from that condition, any experience of the work is a deception.”
― Richard Serra

Hall Texas Sculpture Walk with the Wyly Theater, Dallas Arts District

Mosaic – Sonia King – VisionShift

HALL Texas Sculpture Walk

Wyly Theater

 

The Serial Number Of A Human

“The serial number of a human specimen is the face, that accidental and unrepeatable combination of features. It reflects neither character nor soul, nor what we call the self. The face is only the serial number of a specimen”
― Milan Kundera, Immortality

Reflection 'Series XI Deborah Ballard 2011, Cast Stone, Mixed Media Hall Sculpture Plaza Dallas, Texas

Reflection ‘Series XI
Deborah Ballard
2011, Cast Stone, Mixed Media
Hall Collection
Dallas, Texas