“I thought climbing the Devil’s Thumb would fix all that was wrong with my life. In the end, of course, it changed almost nothing. But I came to appreciate that mountains make poor receptacles for dreams.”
― Jon Krakauer, Into the Wild
“It is almost startling to hear this warning of departed time sounding among the tombs, and telling the lapse of the hour, which, like a billow, has rolled us onward towards the grave.”
― Washington Irving, The Sketch Book
From the Crow Museum Website:
Large bells such as this were common in the Edo period to mark time for communities. They were often paid for by collecting coins from parishes and locales, and then melted down for the metal. These bells are clapper-less and were struck with a large wooden beam. With the introduction of Western clocks into Japan, fewer large bells, like this one, were needed. Modernity also called for replacing the traditional calendar based on the zodiac with a January to December year. Bells continued to be made, but their use was more commemorative and ceremonial than practical.
“The nights are filled with explosion and motor transport, and wind that brings them up over the downs a last smack of the sea. Day begins with a hot cup and a cigarette over a little table with a weak leg that Roger has repaired, provisionally, with brown twine. There’s never much talk but touches and looks, smiles together, curses for parting. It is marginal, hungry, chilly – most times they’re too paranoid to risk a fire – but it’s something they want to keep, so much that to keep it they will take on more than propaganda has ever asked them for. They are in love. Fuck the war.”
― Thomas Pynchon, Gravity’s Rainbow
“It’s creepy, but here we are, the Pilgrims, the crackpots of our time, trying to establish our own alternate reality. To build a world out of rocks and chaos.
What it’s going to be, I don’t know.
Even after all that rushing around, where we’ve ended up is the middle of nowhere in the middle of the night.
And maybe knowing isn’t the point.
Where we’re standing right now, in the ruins in the dark, what we build could be anything.”
― Chuck Palahniuk, Choke
“Getting to the top has an unfortunate tendency to persuade people that the system is OK after all.”
― Alain de Botton
“Each time I see the Upside-Down Man
Standing in the water,
I look at him and start to laugh,
Although I shouldn’t oughtter.
For maybe in another world
Maybe HE is right side up
And I am upside down”
“If your reduce sculpture to the flat plane of the temporal experience of the work. (…) the experience of the work is inseparable from the place in which the work resides. Apart from that condition, any experience of the work is a deception.”
― Richard Serra
Mosaic – Sonia King – VisionShift