A Love Episode

“It was always the same; other people gave up loving before she did. They got spoilt, or else they went away; in any case, they were partly to blame. Why did it happen so? She herself never changed; when she loved anyone, it was for life. She could not understand desertion; it was something so huge, so monstrous that the notion of it made her little heart break.”
Émile Zola, Une Page d’amour

A Love Episode, Emile Zola

 

I am now a good chunk into Emile Zola’s twenty volume Rougon Macquat series of novels. Attacking this pile of books in the recommended reading order:

  • La Fortune des Rougon (1871) (The Fortune of the Rougons)
  • Son Excellence Eugène Rougon (1876) (His Excellency Eugene Rougon/ His Excellency)
  • La Curée (1871-2) (The Kill)
  • L’Argent (1891) (Money)
  • Le Rêve (1888) (The Dream)
  • La Conquête de Plassans (1874) (The Conquest of Plassans/A Priest in the House)
  • Pot-Bouille (1882) (Pot Luck/Restless House/Piping Hot)
  • Au Bonheur des Dames (1883) (The Ladies’ Paradise/Shop Girls of Paris/Ladies’ Delight)
  • La Faute de l’Abbé Mouret (1875) (The Sin of Father Mouret/Abbe Mouret’s Transgression)
  • Une Page d’amour (1878) (A Lesson in Love/A Love Episode/A Page of Love/A Love Affair)
  • Le Ventre de Paris (1873) (The Belly of Paris/The Fat and the Thin/Savage Paris/The Markets of Paris)
  • La Joie de Vivre (1884) (The Joys of Living/Joy of Life/How Jolly Life Is/Zest for Life)
  • L’Assommoir (1877) (The Dram Shop/The Gin Palace/Drink/Drunkard)
  • L’Œuvre (1886) (The Masterpiece/A Masterpiece/His Masterpiece)
  • La Bête Humaine (1890) (The Beast in the Man/The Human Beast/The Monomaniac)
  • Germinal (1885)
  • Nana (1880)
  • La Terre (1887) (The Earth/The Soil)
  • La Débâcle (1892) (The Downfall/The Smash-up/The Debacle)
  • Le Docteur Pascal (1893) (Doctor Pascal)

The next one up was A Love Episode.

At this point I have finished the last of the books from the Mouret section of the Rougon Macquat books. The Rougon section dwelt mostly on the upper classes, especially on the mad ruthless speculation in L’Argent. Then came the Mouret branch of the family – middle class workers fighting to get ahead – and not always succeeding.  Now, after A Love Episode I will move into the Macquat  books – where poverty, drunkeness, and madness await. I’ve read four of these already – will have to decide whether to re-read them or not.

One characteristic of the last few books has been elaborate, extensive, florid, and detailed description. In A Love Episode this mostly consists of pages of description of the appearance of Paris out of the window of the protagonists suburban apartment. The changes in weather and light over the magnificent city reflect the inner turmoil that the main characters are experiencing.

It’s a short book, the easiest so far to read, that details… as the title suggests, a romance. The love story is between a beautiful young widow and the doctor that lives next door. He comes to her aid when her daughter falls ill. This is Paris, so the fact he is married is not an immovable obstacle, even though she is of sound moral character. The daughter, however, is sickly and very jealous, which leads to complications and, this being a Zola novel, an ultimate disaster.

A quick, fun, read… with a nice bunch of interesting characters – folks like those that you will still meet today.

If you look hard enough

The Thud of a Great Beast Stamping

“The waves broke and spread their waters swiftly over the shore. One after another they massed themselves and fell; the spray tossed itself back with the energy of their fall. The waves were steeped deep-blue save for a pattern of diamond-pointed light on their backs which rippled as the backs of great horses ripple with muscles as they move. The waves fell; withdrew and fell again, like the thud of a great beast stamping.”
― Virginia Woolf, The Waves

Children’s Waterpark, Waxahachie, Texas

Oblique Strategy: Would anybody want it?

There’s a button on a stand. The button doesn’t do anything at first – but then the water, a little bit at first, then more and more and more until torrents are spewing from pipes and nozzles. A plastic bucket fills, tilts, and dumps it’s cargo of dihydrogen monoxide out in a foamy amoeba into the hot Texas sun.

In the Cathedral

New Orleans Writing Marathon

Day Three, Wednesday, July 12, 2017

Walking around the French Quarter we decided to stop off at the iconic (and beautiful) St. Louis Cathedral as a peaceful respite from the heat and a nice place to write for a bit. This is some of what I wrote there.

Saint Louis Cathedral from across the Mississippi River

The Devotion Machine

The Cathedral was designed – as all were – to draw the eyes upward, the attention and ultimately, the soul, toward heaven.

At first the peasants felt their rough clothes, callused hands, and freshly scrubbed skin acutely – feeling out of place, uneasy, and embarrassed at their poverty and the effects of a difficult and dangerous life. But the calm and quiet reverence would wear away their feelings of unease and they would accept the fact the opulent gilt statuary, soaring columns, and ceiling frescoes of Saints and the Christ peering down, magnanimous, as if through gaps in the clouds, were all intended for them. Each individual worker feeling as if this vast impressive building – this Machine for Devotion – was designed, constructed, and decorated for him and him alone. A personal miracle that helped him forget the world and dream of a higher place.

At least for a few precious seconds.

Children in the Cathedral

Down the center aisle two children – a small boy and his younger sister, almost a toddler – hopped along, playing a game of leaping contrasting floor tiles in a complicated very personal and mysterious children’s pattern. Their feet clomped and echoed through the vast silent space. All the supplicants stared in vexation.

“They think they own the place,” everyone thought to themselves – some daring to mumble out loud.

And that’s the horror of growing up, isn’t it. At that young age everyone owns the world. Over the next years those kids will come the slow horrifying realization that they own nothing.

A Month of Short Stories 2015, Day Seventeen – The Veldt

The last two years, for the month of June, I wrote about a short story that was available online each day of the month… you can see the list for 2014 and 2015 in the comments for this page. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day seventeen – The Veldt, by Ray Bradbury
Read it online here:

The Veldt

Today’s is a story I have read before – but it was so long ago I don’t remember it – so it counts as fresh. “The Veldt” was first published as “The World the Children Made” in 1950 – but it was later included in the anthology “The Illustrated Man” in 1951. I read that book as a child (and saw the movie – which “The Veldt” is in also) – so I know I’ve read it before. I do have a memory of the movie version – maybe that wiped out the written word.

At any rate, even though the story is almost seventy years old (wow!) it could be written today. The only thing that dates it are the prices – a state of the art luxury automated home cost thirty thousand dollars – the author obviously intended that to seem like a lot of money.

The story is about the evils that can befall you if you buy into luxury too much and lose sight of the real world. For these parents, the real world gets in through the artificial luxury and bites them on the ass (literally). Oh, and it’s no coincidence that the kid’s names are Peter and Wendy (as in Pan and Darling).

“Everything. Where before they had a Santa Claus now they have a Scrooge. Children prefer Santas. You’ve let this room and this house replace you and your wife in your children’s affections. This room is their mother and father, far more important in their lives than their real parents. And now you come along and want to shut it off. No wonder there’s hatred here. You can feel it coming out of the sky. Feel that sun. George, you’ll have to change your life. Like too many others, you’ve built it around creature comforts. Why, you’d starve tomorrow if something went wrong in your kitchen. You wouldn’t know how to tap an egg. Nevertheless, turn everything off. Start new. It’ll take time. But we’ll make good children out of bad in a year, wait and see.”

It’s interesting to compare and contrast this story to the one from day six, The Semplica-Girl Diaries. Both are the stories of parents trying to give their children the best the world has to offer, and failing terribly. Both are brought down by their children (one set on purpose, the other as an unintended consequence) as a result of an extravagant purchase – a present – done with the best of intentions.

And we all know what road those pave.

There Was Something About Clowns That Was Worse Than Zombies

“There was something about clowns that was worse than zombies. (Or maybe something that was the same. When you see a zombie, you want to laugh at first. When you see a clown, most people get a little nervous. There’s the pallor and the cakey mortician-style makeup, the shuffling and the untidy hair. But clowns were probably malicious, and they moved fast on those little bicycles and in those little crammed cars. Zombies weren’t much of anything. They didn’t carry musical instruments and they didn’t care whether or not you laughed at them. You always knew what zombies wanted.”
― Kelly Link, The Living Dead

Klyde Warren Park, Dallas, Texas

Klyde Warren Park,
Dallas, Texas