Taken at the Deep Ellum Arts Festival
A Bird in the Hand
Taken at the Deep Ellum Arts Festival
Taken at the Deep Ellum Arts Festival
The night before we went down to the Deep Ellum Festival of the Arts, Music, Food, and Bad Tattoos, I pulled a little wad of bills out of a hiding spot and carefully counted. This was what was left of my stash of savings that I had scraped together and held aside for non-essential purchases. I was glad when I found out I had enough to buy another sculpture from an artist that haunts the Deep Ellum Festival, David Pound of twentyheads.com.
He makes little monster heads in wooden boxes out of sculpey polymer clay and found objects. I’m a big fan. He always brings a big inventory to Dallas and it’s hard to choose only one.
I found his booth right after we arrived and I gave everything a once over, then left to think about my decision. We walked down to the other side of the festival and as we were coming back I could see a huge Texas violent spring thunderstorm rising up on the west side of the gleaming towers of downtown. I knew that time was suddenly short so I walked quickly back down to David’s booth to make up my mind.
They all look so cool. Some have backgrounds I especially like, some have more interesting found objects (I particularly liked one with a roadkill rat’s desiccated hand sticking up from his head – I asked about preservation and David said, “A couple days in the sun and it’s like jerky”) and others have facial expressions I like.
I narrowed it down to two – then picked one named “Burrow.” I liked his earth tones, electronic parts, and snarky expression.
Now “Burrow” sits on a shelf next to his buddy that I bought last year, “Persuasion.”
Last year, for mother’s day, I had David Pound make a pair of earrings for Candy. For the commission, I sent him a photo of our dog, Rusty, and he made her earrings to match.
Every year, in the spring, Dallas is host to the three day Deep Ellum Art Festival. We try to go every year. I like to refer to it as the Deep Ellum Festival of the Arts, Music, Food, and Bad Tattoos.
I wasn’t able to get down there on Friday or Saturday, but managed to carve out a couple hours around noon on Sunday. The sky started to spit on the ride down and the clouds off to the west were looking ominous, so I had to scurry through the throng a little faster than usual.
There were a lot of artists there – more than usual. I was a little disappointed, though. Usually the Deep Ellum Festival of the Arts, Music, Food, and Bad Tattoos has a healthy selection of oddball, interesting, and edgy art for sale – but it seems to have been taken over by the usual selection of folks that haunt springtime festivals all across the heartland. There is one sculptor that I look for and he was there with his usual flair (tomorrow’s entry) but otherwise, there wasn’t much to catch my eye for sale.
Now, as far as the folks walking around, that was another story. That was fun.

The festival stretches in a double line of canvas booths lining Main Street for about a mile. It is now growing down a handful of side streets too.

At each end of the main drag were large stages. This guy was drawing a band - though they had already finished.
I have been a huge fan of the Nasher Sculpture Center since it was built. I go there all the time. It is truly one of the most comfortable, wonderful, and amazing public spaces I’ve ever seen. Family friendly , educational, beautiful, and a marvelous host to public gatherings – it was a thoughtful and generous gift from Raymond Nasher to the people of the city.
One of the goals of creating the Dallas Arts District, of which the Nasher is a linchpin, was to attract the high-end buzz of the wealthy clientele that enjoy throwing their millions around in order to wallow in the coolness of timeless art. These folks are hard to pry away from the coasts or the ancient alleyways of Europe but a roadfull of expensive venues and billions of dollars of paintings and sculptures was the lure. And so they come. The first habitat for these rare birds is the shiny new Museum Tower, reaching skyward from an odd oval of property where a Woodall Rogers Freeway ramp arced up and around.
Now I have no problem with that. I’m not a wealthy person and will never be. I have to beg and save just to buy a pen, for example. Most of the art scene I enjoy comes on Free Thursdays and Half-Price weekend and such as that, when the upper crust retreats and allows the hoi polloi to enter and tread their hallowed halls. I depend on the charity or at least the indifference of the wealthy patrons – I exist on their scraps – like a roach under the cabinets I scurry out when they aren’t looking for any crumbs that might be left behind.
So if someone wants to build a tower and charge millions of dollars for a two bedroom apartment – so be it. I applaud their industry, toast their imagination, and do not begrudge them their profits. If they want to call their property The Museum Tower – in order to capitalize on its location right next to the Nasher, fine. If they want to charge an extra million dollars per unit simply so the residents can use the museum garden as their side yard – complete with landscaping and a billion in modern sculpture – great. There is plenty of room and if you don’t mind standing next to me, I don’t mind standing next to you.
But don’t forget what side of the bread you’re putting the butter on. Without the museum there is no Museum Tower. Without the arts, there is no Arts District. Do not roast the goose that lays the golden eggs.
It started out with Tending (blue). The high rise stuck it’s ugly head right up into the viewport of James Turrell’s skyspace sculpture, my favorite spot at the Nasher and the best place to watch the sunset in the Metroplex. But, I’ve written about that before. (go read it)
An oversight, perhaps… pretty damn sloppy, though, if you ask me. You spend that much money on a building, make that much profit, can’t you figure out ahead of time that it’s going to ruin a great work of art? Or do you realize it and simply not say anything until it’s too late. Turrell can fix it, maybe, but when? He’s got other things to do.
And now, it’s happened again. And it’s a lot more serious this time.
They have put the mirrored cladding on the building and it is reflecting so much extra sunlight into the building at the Nasher that they are having to install shades simply to allow the newest sculptures in the room. Sunlight destroys art – but is necessary for art and the Nasher has always been very proud of it’s carefully engineered sunscreen roof. The architect spent a lot of time and effort designing a structure that allowed light for viewing in while blocking the damaging direct rays of the Texas sun. It was a brilliant triumph of design and construction and made for a world-famous light and airy museum that was a strong point of pride for the entire city.
It was a brilliant triumph until a few weeks ago when someone installed a giant mirror reaching five hundred feet into the sky right next door that shot laser beams of killer sunlight into the Nasher from an entirely unexpected direction.
Read the articles:
Nasher to Museum Tower: Watch Your Glass, It’s Frying Us
Watch Your Glass, It’s Frying Us, Continued
Museum Tower Reflected Light Study
Nasher Sculpture Center says glare from Museum Tower is causing harm
Museum Tower Begins Visual Assault on James Turrell’s Tending, (Blue)
Mayor wades into uproar over Museum Tower’s glare
Museum Tower Glare Threatens Nasher Art
Nobody ever clicks on links, so here’s the skinny from the Dallas Morning News:
Officials at the Nasher Sculpture Center say that reflective glass recently installed on the exterior of Museum Tower, its new, 42-story neighbor in the Arts District, is compromising its indoor galleries, destroying its outdoor garden and threatening its future as a Dallas landmark.
Now under construction at the corner of Olive Street and Woodall Rodgers Freeway, Museum Tower heralds its proximity to the “tranquil garden” of the Nasher as a prime selling point for its residential units, which cost between $1 million and $5.4 million.
This makes me so angry I could spit. There is a city code that says, “A person shall not conduct a use that has a visible source of illumination that produces glare of direct illumination across a property line of an intensity that creates a nuisance or detracts from the use or enjoyment of the adjacent property.” For years I have had city inspectors quote much more obscure bits of code than this and made places I work do all sorts of crazy stuff.
But then again, the places I have worked have only employed thousands of ordinary people. They haven’t been home to a handful folks that can afford five million dollar apartments. They haven’t been owned by the Dallas Police and Fire Pension System (that’s who bought the tower).
When the Nasher was built, there was an agreement with Raymond Nasher, part of the covenant that helped him agree to build the museum and give his personal collection to the people of Dallas that stated the building next door would be a maximum of 21 stories and have a maximum reflectivity of 15. Now it is 42 stories with a reflectivity of 44.
So here we have a story of corporate greed and hidden scandal. Men like Raymond Nasher are no more. I notice that mere months after he passed away – a new LA based architect was brought in to fuck things up and the tower doubled in size and reflectivity, causing all these problems -, about the time the City Pension System decided to make its purchase. I guess they knew then the city would not put up a fight. Mary Suhm, the Dallas City Manager says, “It’s not something we have jurisdiction over.” Well, she certainly knows which side of her bread is buttered.
Meanwhile, the art continues to bake and the goose that lays the golden egg is cooked. At least they are using green solar energy to do it.
I was really struggling to come up with a birthday present for Candy. I was going to get her a Keurig single cup coffee machine, but right before I went out and bought it she developed some stomach problems related to coffee and told me she would have to quit drinking it. So I was back at square one.
Surfing around the web and checking facebook I came across an upcoming event here in Dallas that I, frankly, had never heard of. It was called Savor Dallas – and it is a multi-day, multi-location, celebration of food and wine and stuff like that. One event was called the Arts District Wine Stroll.
The Stroll was billed as:
The popular “Arts District Stroll” sets the stage for the two-day festival on Friday, March 30th, 5-7pm, where guests can enjoy wine and food tastings in the Dallas Museum of Art, the Nasher Sculpture Center, the Meyerson Symphony Center, and the Winspear Opera House. A group of the popular new Food Trucks will be selling their goodies along Flora Street during the Stroll.
So I guess it is something like a pre-paid pub crawl, except with a little more class.
Well, it looks like we might be on to something here. Walking around the Dallas Arts District, visiting four beautiful public buildings, all designed by Pritzker Prize winning architects, while sampling food and wine along the way. Meanwhile the usual flotilla of Food Trucks waits along the route in case you don’t get enough along the way.
That sounded like a plan to me – so I logged in and bought a pair of tickets online (good thing I didn’t wait – the event sold out a few days later).
The event ran from five to seven – only two hours long. We didn’t want to waste any time, so I took a half-day of vacation from work and we decided to take the DART train down there to avoid any traffic or parking hassles. We arrived at the Winspear Opera house right at five o’clock, had our tickets scanned, received a green wristband and a wine glass, and we were off.
The thing was great. There were over fifty spots pouring out samples of wine spread among the four locations and a healthy handful of food spots. We hit the Winspear Opera house first (an excellent sake there, in addition to the wine), then moved next door to the Meyerson Symphony Hall. These were crowded, but the lines moved quickly and we were able to sample a good selection of wine and some excellent food.
I carried my camera and a small Moleskine Notebook with a matching fountain pen. I tried not to take too many pictures – it was really hard to hold a wine glass, little tray of food, and steady the camera enough to take decent photographs. I was going to take notes on particularly good wines – wines that Candy liked – I’m not a good judge, I like everything,… but it wasn’t really necessary, we simply picked up brochures and business cards from stuff we liked.
After the Meyerson we walked down to the Dallas Museum of Art. I liked it the best. Because it was down on the end and a longer stroll than the others, it was by far the least crowded and there weren’t any lines at all.
Best of all, though, they had a Tequila Sampling station. There were two attractive young girls in white skintight spandex minidresses mixing various tequilla concoctions and pouring out trayfulls of shot glasses for us to snatch up and sample. Some of the mixes (coconut and grapefruit juice) were a little off – I much preferred the straight, smooth tequila – but it was all pretty damn good. I could have parked myself in front of the tequilla sampling place, while waiters kept coming by with strange little hors d’ oeuvres – like lamb on plantain chips or oysters in tiny ice cream cones – all night long.
But it was time to move on and we walked next door to the Nasher for the final half-hour of the festivities. The Nasher garden is a perfect spot for something like this – a healthy crowd milling about the grass lawn of the garden, sheltered by the groves of perfectly groomed trees, sipping wine and eating food while about a billion dollars of modern sculpture looks on.
I slowed down on my alcohol consumption there – only trying a couple of wines – but there was some really good food. I had never had tuna tartare tacos before – and they were very good. I hate to say it, but with all the fancy top-shelf restaurants demonstrating their wares, I think the best thing I had was the tomato basil soup with mini croissant from La Madeleine. It was exactly what I wanted right then.
Everybody seemed to be having a blast. It hit just the right note – fancy enough to enjoy a special night out, but not too upper crust to be unpleasant or stressful. Candy made some new friends and I enjoyed the very diverse and interesting crowd. I even liked the fact that at two hours it was fairly short. It seemed to end right at the right time, we had all had our fill but didn’t get too worn out yet.
I’m definitely going to give this a shot next year. I’ll have to remember to get tickets early again – I’m sure it’ll sell out. It would be nasty if the weather was bad – you wouldn’t want to stroll around in the rain or a storm…. but if that happens I could simply find the tequila place and stay right there.

In the Winspear Opera House - the wine folks would only pour a taste, but the beer people, like these Stella Artois reps, would give you a whole bottle poured into a big cup. Yeah!

One of the nice things at the Museum of Art is they had some semi-live music - a guitar player using some pre-recorded backing. It was very relaxing and everyone hung around and talked.
Bronze Crowd, by Magdalena Abakanowicz
I can’t say we tried everything they had on the Stroll – but I know we tried most of it.
Wines at the Savor Dallas Wine Stroll:
14 Hands Winery
Abbazia
Alexjandro Fernández
Apothic
Becker Vineyards
Black Oak
Bridlewood
Cambria
Carmel Road
Chateau Ste. Michelle
Columbia Crest
Comenge
Concannon Vineyard
Condado de Haza
Cupcake
Darcie Kent
Dow’s
Edmeades
Edna Valley
Emilio Moro
Fall Creek Vineyards
Farrier
Flip Flop Wines
Frei Brothers
García Figuero
Ghost Pines
J. Lohr Vineyards
J Vineyards
Lapostolle Winery
LeBaron Ranch
Les Cadrans de Lassegue
Louis M. Martini
MacMurray Ranch
Matarromera
Montecastro
Murphy Goode
Neige
Ortega Fournier
Prats + Symington
Protos
Red Diamond
Ritual
Santa Cristina
Selección de Torres
Sequoia Grove
Twin Springs
Veramonte
Viña Arnáiz
Vizcarra
Water Supplied by:
FIJI Water
The Tequila
1800 Tequila
Sake:
TY-KU Sake
Beer:
GreatBrewers.com
Hoegaarden Beer
Leffe Blonde
Shock Top
Stella Artois Beer
Food:
Meso Maya
La Madeleine
Texas Spice
Jorges Tex-Mex Cafe
Garlic Expressions
Pho Colonial
In his defense of Obamacare, the Solicitor General quoted from the Preamble to the Constitution. I’m sorry, but I wasn’t immediately familiar with the exact wording of the Preamble – but I found this video that explains it all.
Abundance Is Our Future (and We All Know It)
A Museum on the Streets of Rome
The odd and amazing story of Sealand
Sealand is a small country located off the British coast on an abandoned WWII artillery platform in the North Sea.
Things I want to do in Dallas (coming up)
Candy and I have tickets to the SavorDallas Wine and Food Stroll tonight down in the Arts District. I bought them for her birthday.
The Deep Ellum Arts Festival is coming up April 6-8th. My favorite band, Brave Combo will be there. I’m trying to save enough cash to buy another sculpture by David Pound.
April 14th is Ciclovia de Dallas – where the Houston Street Viaduct will be closed to traffic and open only to bicycles. Looks like fun – another bridge party.
Free concerts in the Dallas Arts District. Unfortunately, these are on Thursdays and my writing group meets then – but I might be able to work something out.
Any other ideas? What am I missing?
For all of you Mad Men fans out there:
Seven Things I Wish I’d Have Known When I First Became A Photographer
Sorry, I’m sure this is more interesting to me than it is to you….
The other day I had a little bit of time so I decided to head out with my camera and take some photographs. I made a little list of places to go – the rugby games near White Rock Lake, maybe a walk along the lake, a return to the Farmer’s Market, a stroll around Deep Ellum (I have some photographs from there, but wanted to supplement them before putting together an entry) and an arts and crafts market in Deep Ellum.
So I drove down to White Rock and discovered the Rugby games were delayed, so I wandered the streets down into Deep Ellum. I found a place to park, pulled my camera out, and walked to the market. I strolled the aisles, looking at the wares, and noticed there was a food truck set up.
It was a truck I’ve never tried before, Rock and Roll Tacos. I ordered some fish tacos and set about getting some pictures. I shot the truck, the market, some folks strolling around, and my food before I gobbled it down. I wasn’t really looking at my camera, simply pointing and shooting, having a fun time.
It seemed to be shooting too quickly so I checked the display. That’s when I realized that I had forgotten to put the memory card back in after sucking the old photographs off the night before. So I’m sorry – no pictures for you today. Well,….. the truck looked like a truck, the tacos looked like tacos, and the art market looked like an art market.
After a few seconds of frustration I felt better. It was a beautiful day, the fish tacos were good, and the art interesting. Without the camera I could simply look and enjoy.
Sometimes the world is better when not looked at through a viewfinder.
Working Model for Three Piece No. 3: Vertebrae, by Henry Moore
My Curves Are Not Mad, by Richard Serra
Eve, by Auguste Rodin
There’s a nice stone bench behind the Henry Moore sculpture in the Nasher Sculpture Garden, where you can take a load off of your feet and look out at all the folks wandering around. It’s one of my favorite spots.
“There is also the story about Tyrone Slothrop, who was sent into the Zone to be present as his own assembly–perhaps heavily paranoid voices whisper, ‘his time’s assembly’–and there ought to be a punchline to it, but there isn’t. The plan went wrong. He is being broken down instead and being scattered. His cards have been laid down, Celtic style, in the order suggested by Mr. A.E. Waite, laid out and read, but they are the cards of a tanker and feeb: they point only to a long and scuffling future, to mediocrity…-to no clear happiness or redeeming cataclysm.”
― Thomas Pynchon, Gravity’s Rainbow