“The artist must create a spark before he can make a fire and before art is born, the artist must be ready to be consumed by the fire of his own creation.”
― Auguste Rodin
“Art washes away from the soul the dust of everyday life.”
― Pablo Picasso
The raw material for bronze in antiquity was copper ore that, unknown to the metalworkers of the day, contained enough tin to make the alloy. In many place, bronze and copper must have been thought of as distinct metals. There was no quest for the elements and no incentive to try to separate bronze into ingredients since it was already the superior metal for so many purposes. In a few places, pure tin was smelted from its own ore, cassiterite, and, too soft for weapons and utensils, wsa formed into ornaments. Where tin and copper were obtained from separate ores, it was naturally not long before bronze was being made purposely by putting the two metals together. Once it was known that bronze could be made in this way rather than relying on ores that happened to contain the right proportions of copper and tin, the hunt was on for the miraculous metal which had the power to make copper both more useful and more beautiful.
—-Periodic Tales: A Cultural History of the Elements, from Arsenic to Zinc – Hugh Aldersey-Williams
Auguste Rodin, “Eve”
Willem de Kooning “Seated Woman”
Nasher Sculpture Center
Working Model for Three Piece No. 3: Vertebrae, by Henry Moore
My Curves Are Not Mad, by Richard Serra
Eve, by Auguste Rodin
There’s a nice stone bench behind the Henry Moore sculpture in the Nasher Sculpture Garden, where you can take a load off of your feet and look out at all the folks wandering around. It’s one of my favorite spots.