Carmen at the Winspear

Lobby of the Winspear Opera House

Lobby of the Winspear Opera House – taken during the opening festivities three years ago.

Winspear

The interior of the Winspear, taken when it first opened.

Ever since we stumbled into the unexpected awesomeness that was Turandot at the Death Star – I have been jonesin’ for some more opera. I managed to take in a couple of Met Simulcasts at local movie theaters – which was extra cool – but there is no substitute for the real thing.

Despite our poverty at the moment, I splurged and bought tickets to the Dallas Opera’s production of Carmen at the Winspear. Wanting to enjoy the show with the minimum of folderol I chose the Sunday matinee. The tickets have been magneted on the refrigerator for months… finally, today was the day. I was psyched.

I have always loved the music of Carmen – I have had an album of the orchesteral suite on my own personal heavy rotation for thirty years. It is a treat to hear the familiar melodies on their home turf, so to speak.

The only problem I have with Carmen is one of those stubborn stray childhood memories. Implanted like an intractable splinter is the remembrance of a particular episode of Gilligan’s Island… where the castaways produce a homegrown play of their own device. It is a musical version of Hamlet, set to well known opera themes – in particular a couple of the more famous melodies from Carmen.

The combination of the serious genius of Shakespeare and the classic musical stylings of Bizet mixed with the silly sitcom technique caused a rift in the time-space continuum and a permanent spot of damage in my young brain. The corruption persists to this day. Unfortunately, I can’t listen to The Toreador Song without hearing the Skipper singing, “Neither a borrower nor a lender be….”

And then, Gilligan singing “To be or not to be,” to the tune of Habanera… Oh, man, I wish I had never heard that….

But, other than that, I love the music.

And hearing it live was especially special. So much of the music we hear today (all of it, really) is electronically amplified. Even live music is miked and boomed out over speakers. To hear the complexity and delicacy of the orchestra and the voices within the exquisite acoustics of a place like the Winspear with no intermediary between the instruments and performers and your eardrums is a pure treat… something to be treasured and remembered, experienced whenever possible.

Now, because I am poor, we could only afford nosebleed seats – way up in the top, only three rows down from the ceiling (though, since I bought them on the first day, they were in the center). It wasn’t bad at all. The sound was still perfect and, although we couldn’t make out the emotion in the faces of the performers, the staring-down-on the relatively narrow staging gave the production a three-dimensional look that staring straight through the proscenium from a floor seat doesn’t boast.

As we went to the elevator before the performance the attending woman said, “Sixth Floor – Now at the intermission, go down to the fifth floor if you want to buy something. That’s actually a great place because there is a balcony outside.” So that’s what we did. I really enjoyed the few minutes out on the balcony, looking down onto the familiar reflecting pool and across the arts district… you could even see past the highways on to Fair Park – a beautiful view. The massive aluminum grid of the sunscreen was only a few feet over our heads.

Trammell Crow Center and the Winspear Sunscreen

Trammell Crow Center and the Winspear Sunscreen

The aluminum grid of the Winspear Opera House sunshade - very high overhead, reflected in the pool.

The aluminum grid of the Winspear Opera House sunshade – very high overhead, reflected in the pool.

The opera is not a quick thing – it takes up the whole day (though for me, the actual performance goes by all too quickly). But it is an experience that I have come to treasure – a special form of entertainment. The history of it, the people watching at the performance, and especially the industry and expertise of everyone associated with the show makes is so worth the effort and expense.

Now I have to look ahead… what to see next? Maybe Death and the Powers? It looks like it will be simulcast all over the world, maybe you can join me?

Sunday Snippet – A Thousand Unnatural Shocks

Here’s a little thing I wrote the other day. It’s not very good – I know I won’t use it in my book. So I’ll put it up here for your amusement and ridicule.

The germ of the idea for this came from two places. One, a piece of fiction I read more than thirty years ago – One Ordinary Day, With Peanuts, by Shirley Jackson. The story left an impression on me and I always wanted to write something in a similar vein.

The other inspiration came from a book I stumbled across. I won’t mention the name – but it was a popular new-agey book of spirituality and such. I found it stumbling upon a blog written by a person that lived by its tenets. One chapter of the book recommended an experiment. It said that you should give the world forty eight hours to do something wonderful for you. It said that if you opened your mind, within two days the universe would prove to you that it was dominated by a beneficent force that would give you a sign, some unexpected positive event, to prove that it existed.

Well, this isn’t my usual cup of tea – but I was attracted to the scientific aspect. Also, forty eight hours is such a short period of time. I decided to give it a shot. And I did it right, I wrote down a commitment on a piece of paper, I was positive about the whole thing, I was optimistic. I can say I was even excited and curious about what boon the universe was going to deliver to me in the next couple of days.

I think you know what happened next. Almost immediately I had such bad luck – nothing I couldn’t deal with – but again and again unexpected disasters – frustrating, expensive, uncomfortable stuff kept coming at me from every direction. The few good things that occurred over those two days were the inevitable, expected result of hard work that I had done previously – not the unexpected wonder the book promised.

So the book failed for me. You could say that nothing happened that I couldn’t deal with – that things could have been worse… but that’s not what the book promised.

I guess the only good thing that came out of this disastrous two days is the idea for a story… even if it isn’t a very good one.

A Thousand Unnatural Shocks

by Bill Chance

Buford knew it was going to be a bad day but he didn’t think it would be this bad.

When he woke up it was cloudy and he couldn’t tell what time it was. His wife was nowhere to be found and the alarm clock was flashing twelves. By the time he dressed, the thunderstorm that had cut the power while he slept kicked in again and he ran through the rain to find his front left tire flat. Buford had to stretch out in the dirty cold water in the gutter to slip the jack underneath and was soaked by the time he had the tire changed.

At work, his badge didn’t operate the rotary door and he had to stand in the cold drizzle while the security guard called human resources. He knew something especially awful was happening when the HR woman had the guard escort him to an obscure conference room after letting him in. On the table was a cardboard box with all the personal stuff from his cubicle.

Apparently, they had found the irregularities in his petty cash account.

On the way home, someone turned left in front of him and made him swerve. He hit a light pole with his right fender. Buford was able to back out and continue on, but a cop gave him a ticket a block farther for his broken headlight and expired inspection sticker.

Back home, he discovered that the dog had pulled over the trash can and spread garbage throughout the house. The dog also fished out and ate last night’s leftovers and vomited them up on the couch. After cleaning the mess as best he could he put his dirty, wet clothes into the washing machine. On the rinse cycle, the hot water hose burst, flooding the utility room and kitchen and scalding Buford as he had to use a big wrench and wedge his foot against the wall to get the leverage he needed to shut off the balky valve.

Deciding he had better not try and do anything else for the rest of the day, Buford turned on the television and settled in his easy chair to watch television. He was admiring the vase of fresh flowers his wife had placed above the set when the dog chased the cat into the living room. The cat leaped on top of the television, knocking the vase over. The water spilled and trickled into the circuitry. With a sharp spark and a bang, it went dark. A column of rancid smoke rose from the back, a breaker tripped and the room went dark.

Buford did not dare budge; he sat there in the gloom, motionless, until Camille, his wife, came home.

————————————

He heard the keys jangling merrily in the lock.

“Why is it so dark in here?” Camille asked as she walked briskly through the room.

“Blown breaker.”

“Well, I’ll reset it then.” Buford cringed and he heard the click and the lights came on, expecting a fire or explosion. But it was his wife, after all, that threw the switch, so nothing bad happened.

“How was your day, dear?” she asked. “Not too horrible, I hope?”

“Worse than ever,” he replied. “For one thing, I lost my job.”

“No worries.” Camille answered. “I bought a lottery ticket on the way out this morning. Ten grand scratch-off winner.” She tossed a thick envelope on the coffee table. “If we need more, I’ll buy another.”

“So your day was good?” asked Buford.

“Of course it was; you know the drill.”

Camille reached into her pocket and removed a small object. It was a crude statue, made from some mottled mudstone, of a distorted human figure of extreme ugliness. The troll-like character was leering into space and holding a large, crimson, translucent jewel – clutching it with both arms wrapped around the gleaming gem like its life depended on it. Camille carefully placed the sculpture onto a sturdy wooden stand on the mantelpiece. Though diminutive and unattractive, it had a quality about it that commanded attention. Both Buford and Camille, husband and wife, stood for a minute or two, as they did most days when the charm was replaced back in its place, and thought about the day they had acquired it.

They were on the Mayan Coast of Mexico, on a bargain package vacation Camille had won at a company bingo game. Their cut-rate guide had been drinking and became lost; then his rattle-trap jeep broke down in an isolated village. The pair ventured out through the thick air – sweating so much in the tropical heat that it was painful.

“I can’t believe you got us into this,” Buford said to Camille, his voice thick with reproach and misery.

“Hey, all I did was win a contest. You are the one that jumped on it. You’re too cheap to pay for a trip on your own.Don’t blame this on me.”

They continued to snipe at each other as they walked down the muddy street between ragged huts made of crude sticks, reeds, and rusty corrugated steel. The village was strangely devoid of the usual beggars and con-men and they kept walking hoping to find some establishment that looked like it might have clean ice. They were ready to give up anything for something cold to drink when a strange old man approached them and spoke in almost perfect English.

“Ah, we don’t get so many tourists in our little town.”

“Well, you’re a long way off the beaten track,” Buford said to the man as his wife glared.

“That’s true, not so many are as lucky as you.”

“I wouldn’t say we were lucky. Not at all.”

The old man stared at them for a minute, and then continued.

“Well, I have something here for you, and I guarantee that your luck is going to change.”

Now that he thought about it, Buford realized that the old man didn’t say their luck would change for the better, only that it would change. And he had not been lying.

The old man offered up the little statue, the strange charm. Buford wanted to walk away, but Camille took the charm in her hand and stared into its jewel. From that point, they had no choice, she had to have it. The price was not too high and Buford peeled some bills off the roll he kept hidden in a pocket sewn into his waistband.

But the old man wasn’t finished. He talked about the charm and how it would bring good luck to whoever carried it.

“But, there’s a catch,” he said.

“Isn’t there always,” replied Buford. He was doubtful, but there was something about that ugly little statue that commanded interest. “This isn’t some sort of Monkey’s Paw or anything, is it?”

“No not at all.” Buford was surprised the old man knew the reference. “It works, but you have to remember that the amount of luck in the world is finite. The charm gives out good luck, but it takes it from other places, usually nearby.”

And that is how it worked. It didn’t take long to figure out that whichever one of them would carry the charm would have fantastic things happen to them. But it would always be at the expense of the second. The better that one did, the worse the other.

They tried switching every day, but that was too ragged… the bad luck would overtake the good. They had settled on three days. Camille would get it for three days, placing it in the stand on the mantle every night (they were afraid what the charm might do while they slept) and then Buford would get it for the same length of time.

It worked out for a while, but now everything seemed to be spinning out of control. The charm was working better and better, but the downsides were getting worse and worse.

————————————

“Why do you get the charm tomorrow?” asked Buford. “It isn’t fair. It was horrible today.”

“You need to do what I do, dear. When you have the charm, I stay in bed all day. Not too much bad can happen that way.”

“You know I can’t do that. I can’t lie still all day; I have to do something… anything. I’ll go crazy otherwise… what’s the use of the thing if you have to spend half your life in bed…. I think I should have it…. I really need it tomorrow.”

“Now, you know that’s not what we agreed on.”

“But it’s not fair!”

“Come on dear, “ Camille said, ending the discussion, “It’s time for bed. Don’t be so upset, tomorrow’s another day.”

————————————

At three in the morning, after hours of tossing and turning and being awakened from a restless half-sleep by Camille’s incessant snoring, Buford gave up, climbed out of bed and walked into the living room. There he looked at the charm on the mantelpiece and how it seemed to glow with a faint unearthly aura in the moonlight.

“There is no way I can get through another day like today,” Buford said to himself.

He knew he needed all the advantages he could get so he took the charm down and slipped it into his pocket. Then he opened the small metal safe at the bottom of the hall closet and carefully loaded the handgun. Holding it out in front, he returned to the bedroom and the uneven drone of Camille’s snores.

“I’m sorry dear, but this is not going to be your lucky day,” he said to his wife’s sleeping form as he raised the weapon.

Bending Compressed Wood

In the same building complex that I visited Bowman Hot Glass we found another sculptor, Rick Maxwell that works mainly in wood.

He had some beautiful bent wood work in progress – large pieces that had been bent around forms and were in the process of being finished. I took a close look, expecting to see laminations and was surprised to see that the wood was solid. I asked the sculptor about his technique and he explained that these were done with a special product, compressed wood.

A process takes wood and compresses it lengthwise under extreme force. This will reduce a ten foot board down to about eight feet – but more importantly, disturb the fibers in such a way as to make the wood extremely flexible.

It can be used for extreme wood bending.

Sources:
Pure Timber LLC
Compwood Products

He said it comes wrapped in plastic and that once the wrapping is removed the piece is bent using forms and clamps. Then it is allowed to dry and the wood takes the shape in a permanent basis.

I was fascinated by this process and impressed by his sculptures – it was really cool to visit his studio and talk with him.

Bent wood sculpture in progress, by Clark Maxwell. (click to enlarge)

Bent wood sculpture in progress, by Clark Maxwell.
(click to enlarge)

He uses large pieces to make the big sculptures and then makes small ones out of the leftover trimmings (you can see those hanging on the wall behind the bent wood). Scrap left over from the small sculptures is burned to charcoal and he uses those for drawings, like the one on the left. He said, “I used to be cheap, but now I’m sustainable.”

Bent wood sculpture in progress, by Rick Maxwell.  (click to enlarge)

Bent wood sculpture in progress, by Rick Maxwell.
(click to enlarge)

This piece has been dyed and coated with polyurethane – almost ready to go. The artist said he has a recent piece hanging in the Omni – I need to stop by and see it.

Bowman Hot Glass

Bowman Hot Glass

Bowman Hot Glass

After leaving the bicycle swap meet at Community Beer, a friend and I rode our bikes up out of the Dallas Design District, along Lamar through Downtown, and into The Cedars. It was an artists open gallery tour for some of the artists in the Cedars – an event I had been looking forward to.

The showroom at Bowman Hot Glass. A lot of beautiful work here. (click to enlarge)

The showroom at Bowman Hot Glass. A lot of beautiful work here.
(click to enlarge)

Our first stop was at Bowman Hot Glass – a glass studio, showroom, and workshop. The place has a very artistic… almost Santa Fe feel to it. But it is obviously a hard working studio – dedicated to the art of blowing glass. While we visited a two man team were making glass pumpkins.

Bowman Hot Glass offers glass blowing classes – which looks more than a little interesting… more hard work than fun. But that’s a good thing.

Drawing fresh glass. (click to enlarge)

Drawing fresh glass.
(click to enlarge)

Bowman Hot Glass

Bowman Hot Glass

Blowing Glass (click to enlarge)

Blowing Glass
(click to enlarge)

Making a pumpkin at Bowman Hot Glass

Making a pumpkin at Bowman Hot Glass

Putting the stem on the pumpkin. Bowman Hot Glass

Putting the stem on the pumpkin. Bowman Hot Glass

Afternoon Cocktails at the Nasher

Cyclists at the Nasher (click to enlarge)

Cyclists at the Nasher
(click to enlarge)

Sunday was the fourth day in a row that I did the same thing – left my house on my bicycle and bought a ticket on the DART train for downtown Dallas.
Thursday-Patio Sessions with the Dallas String Quartet (and bonus dancers)
Friday-Aurora
Saturday-Community Beer Company Swap Meet (and more)

Today the good folks at Dallas Cycle Style had organized a ride to the Afternoon Cocktails at the Nasher. The sculpture center downtown has installed new bike racks out front and in honor of the cyclists would be holding a happy hour for the folks with pedals and two wheels.

As always, I futzed and dutzed and spent too much time packing my bike and getting ready. Still, I had a few minutes to spare as I rode up to the Arapaho train station. Unfortunately, it was a beautiful day… and the last day of the State Fair of Texas… and only one ticket machine was working. I have bought a thousand tickets from those machines – I know what buttons to push by heart and know that a credit card is the quickest way to go. Unfortunately, the folks in line ahead of me (damn rookies) had no clue. I stood stoically in line, clutching my already-out method of payment, while they fumbled and bumbled with the confusing buttons and hard-to-see screen. I kept hearing, “OK, push that and we’ll start over again” and other such time-wasting phrases.

So the God of mass transit strikes again and as I rode up the ramp to the platform, my Red Train was pulling out. I had to wait for the next, which was an orange line, which meant I had to ride a bit farther to get to Oak Cliff, which meant I would probably be late, which meant I had to haul ass and sweat like a pig to try and get where I was going in time.

Which I did. We met up in Bishop Arts with enough time for me to catch my breath and then ride across the Jefferson Viaduct back into downtown in amazingly beautiful weather. There is nothing better than that.

At the Nasher, we attended a lecture on the ten sculptures that have gone up around the city in the exhibition called Nasher Xchange. It was very cool – I am going to have to work on riding my bike to each of these over the next few months.

Riding my bike to the sculptures is appropriate. The panel constantly referred to Dallas as a giant car-choked metropolis – which isn’t untrue… but it isn’t the whole story. You can get around the city without a car… you have to simply want to do it.

There was a lot going on at the museum. It is the Nasher’s ten year anniversary. I couldn’t help but think of the excitement when the museum first arrived.

It hadn’t been open very long when I took Lee down there and shot some photographs of him with the sculptures. Then we went back six years later and took the shots again. I’ve put these up before, but I wanted to see them again.

Eve, by Rodin, 2004

Eve, by Rodin, 2004

Eve, by Rodin

Eve, by Rodin, 2011

My Curves are Not Mad - Richard Serra, 2004

My Curves are Not Mad – Richard Serra, 2004

Richard Serra - My Curves are Not Mad

Richard Serra – My Curves are Not Mad – 2011
Look at how much the trees in the garden have grown.

Lee sitting by Night, 2004

Lee sitting by Night, 2004

Night (La Nuit)

Night (La Nuit) – 2011 (they had moved the sculpture)

Tending (blue)

Lee standing in Tending (blue) in 2004.

The opening in the ceiling if the installation Tending (blue). A photograph does not do justice.

The opening in the ceiling if the installation Tending (blue). A photograph does not do justice.

It’s sad that the sculpture/installation Tending(Blue) by James Turrell is gone – closed off because of the condo tower next door. It was always one of my favorite spots in the city and is sorely missed.

The sun began to set quickly so we took off across downtown. I knew the train would be crowded with folks coming back from the State Fair so I boarded at the Union Station, hanging my bike up on the little hook and sitting back behind it. I had the car to myself through downtown but, sure enough, at the Pearl/Arts District Station the crowd coming from the fair (via the Green Line) packed their way onto the train. About a third of the folks couldn’t get on.

I sat there, steadying my bike against the surge of the crowd. I was pinned and couldn’t even give up my seat. One woman, leaning against my bicycle, was obviously very drunk and exhausted and came close to collapsing – only the press of the thick crowd kept her upright all the way to her stop.

It was a relief to get off the train and pump my pedals the last few miles to my house. A very good day.

I have an early meeting at work on Monday, so I’ll drive my car in. That’s a good idea – but it seems like a shame.

What a great looking bunch of folks.

What a great looking bunch of folks.
(click to enlarge)

Community Beer Bicycle Swap Meet

October in Texas is a special time. With the killer summer heat broken – we have a short time of pleasant, comfortable weather… no more than a few weeks before the violent swings of winter set in. There is so much crammed into this sliver of time – there is a desperate feeling of having to gulp it all down – do everything possible before it is too late.

That’s especially true of bicycling events. October is Bicycle Friendly Oak Cliff’s Cyclesomatic – a month long series of rides and events. I’m trying to do as many as I can.

So on Saturday I loaded my bike onto the DART line and headed downtown – then wound through the traffic under I35 and on to the Community Beer Company for a Mosaic IPA and a swap meet. Thinking about it, I’ve never driven a car to Community – but have been there for a couple of brewery bike rides… in February and a couple weeks ago.

I am a sucker for bicycle swap meets. I’ve been to a few, here, here and here. Sometimes you find something beautiful. My combination of a lack of pride and dire poverty means that I’m able to get by with old gear that is too worn out for the original owner.

Today, I didn’t buy too much – two dollars for a seat bag for my Technium and ten bucks for a new mini frame pump…. Still, it was cool seeing the bike stuff, talking to folks, and having a bit of brew. A nice day… getting while the getting is good.

Live Music at Community Beer

Live Music at Community Beer

The good folks from Oak Cliff Cargo Bicycles

The good folks from Oak Cliff Cargo Bicycles

Nothing better than vintage bikes.

Nothing better than vintage bikes.

Bicycle Swap Meet

Bicycle Swap Meet

Bicycle Swap Meet

Bicycle Swap Meet

A Pair of Dancers

Two dancers on the reflecting pool in front of the Winspear in the Dallas Arts District. They were part of the high school class that stopped by for a quick gambol on the watermirrored surface while the Dallas String Quartet was performing. The whole bunch was on the way to a little rehearsal for their performance at Aurora the next night.

I have some more photos I’m working on. I know it wasn’t a big deal… especially for the kids – only a little temporary hoot. But to see their enthusiasm, unbridled youth, skill, and passion in such a special and unexpected treat – I don’t know what it was, but it was something.

Two dancers from the Repertory Dance Company II, Booker T. Washington High School for the Performing and Visual Arts - Arts District, Dallas, Texas

Two dancers from the Repertory Dance Company II, Booker T. Washington High School for the Performing and Visual Arts – Arts District, Dallas, Texas

Two dancers from the Repertory Dance Company II, Booker T. Washington High School for the Performing and Visual Arts - Arts District, Dallas, Texas

Two dancers from the Repertory Dance Company II, Booker T. Washington High School for the Performing and Visual Arts – Arts District, Dallas, Texas

Two dancers from the Repertory Dance Company II, Booker T. Washington High School for the Performing and Visual Arts - Arts District, Dallas, Texas

Two dancers from the Repertory Dance Company II, Booker T. Washington High School for the Performing and Visual Arts – Arts District, Dallas, Texas

“There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open. … No artist is pleased. [There is] no satisfaction whatever at any time. There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others”
― Martha Graham

Aurora Dallas

I first heard about Aurora last time it happened, but was out of town that weekend and couldn’t make it. Then, on the way to a play at the Wyly theater, I saw a preview of Aurora – specifically an installation of giant red floating jellyfish.

So, as Aurora 2013 approached, I circled my calendar. Then, I found that Bike Friendly Cedars, along with other Dallas cycling groups, had a a ride planned. The idea was to put lights on your bicycle, then meet up at Main Street Gardens Park and ride down together.

The last few weeks have been very busy and stressful for me and I didn’t have time (or money) to properly decorate my bike. This sort of thing is, especially right now, beyond my abilities or resources. It was stressing me out a little bit. The only thing I could do is to go to the Dollar Store with a five and a one clutched in my sweaty fist. I bought a couple LED lightsabers, a little lighted pumpkin, and some packages of glowy bracelets.

I gathered up everything in my house with a battery powered light and roll of duct tape, and, after work rode down to Lee Harvey’s – where I taped everything to my bike in a pretty much random fashion. I felt like an idiot – but it worked. Especially the lightsabers. I might try and find a way to more permanently hold those on my bike – they would be useful to increase the visibility for night rides.

Nothing like big, glowing, flashing, green cylinders to get the attention of motorists after dark.

Lighted Bicycles at Aurora Ciclovia

Lighted Bicycles at Aurora Ciclovia

Lighted Bicycles at Aurora Ciclovia

Lighted Bicycles at Aurora Ciclovia

Everybody met up and we set off in a glowing, flashing mass – down around downtown
Dallas, into Deep Ellum, then back into the Arts District.

I was immediately surprised and shocked by the crowds. The original idea was to ride through Aurora as a group, but the streets were packed with thick throngs of people and we were immediately split up. I locked my bike up and began to explore.

Aurora was amazing. I kept thinking, “Is this really Dallas?” There were hundreds of artists and installations covering the entire spectrum spread across the vast area from One Arts Plaza, down Flora Street past and including the concert halls and museums, across to Klyde Warren Park and even down towards the Perot. That’s about two square miles of area.

Aurora Dallas 2013

Aurora Dallas 2013

Klyde Warren Park, Aurora Dallas 2013

Klyde Warren Park, Aurora Dallas 2013

Aurora Dallas 2013

Aurora Dallas 2013

Aurora Dallas 2013

Aurora Dallas 2013

Not all the exhibits were big - tiny men climbing a column at the Symphony Hall

Not all the exhibits were big – tiny men climbing a column at the Symphony Hall

The crowd was huge. I was so glad I had ridden in on a bike and had a DART pass in my pocket. People were calling in on cell phones – the traffic across the city was at a standstill and there was no parking to be found anywhere.

I spent hours walking around. There is no way to see even a fraction of everything that was offered up, but there were a few items I really wanted to take in.

First, the dancers that I had seen at the Patio Sessions on Thursday were performing on a little grass patch between the Opera House and the Symphony Hall. Through dumb luck I arrived a couple minutes before they started and talked to a parent of one – I told him of their enthusiasm and skill that I had seen the evening before.

The description of their performance:

Ruddy Udder Dance by Claire Ashley
This performance uses a large-scale, painted inflatable sculpture as a prop worn by twelve dancers. A choreographed sequence unfolds. Ashley is interested in both the high-brow aesthetic pleasure found in the painterly abstraction and monumentality of the object itself, and the absurdly low-brow, playful, high-energy, ecstatic dancing experience and pop culture references that ensue as the object moves in space. Directed by Linda James and Kate Walker and performed by the Repertory Dance Company II from Booker T. Washington High School for the Performing and Visual Arts.

Dancers and Inflatable Cow.

Dancers and Inflatable Cow.

The dancers were arranged as the “feet” or maybe the “udders” of a stylized giant inflatable cow-balloon and danced to a country music tune – throwing the enormous bovine around as handlers held guy ropes and a bank of black lights made the scene glow. It was pretty cool.

Next, I wanted to see the Wyly Theater. I had seen a preview and knew I had to check out the real thing. Several banks of incredibly powerful video projectors were trained on the wall of the Borg Cube – shaped Wyly. The genius is that the program started with an image of the Wyly projected on itself, which then was moved, shifted, deconstructed, and modified until the thing was transformed into a giant 2001-style cube monolith – “It’s full of Stars.”

I found a spot and sat and watched the cycle. Then I realized that viewing it at an oblique angle was even better, so I watched it again. Really cool stuff.

Finally, I wanted to see something inside the Dallas City Performance Hall. Shane Pennington is a local artist that I have been a huge fan of ever since I spent a few days going down to the arts district to watch his ice sculptural exhibition melt into nothingness, releasing the stones contained within. I had read about the screen, a transparent curtain, he made for the Performance Hall – with consists of a grid of computer controlled lights that illustrate shapes moving across the mouth of the theater.

Inside the theater they had the screen up and running. People walking, riding bikes, or pushing carts moved across the screen in a ghostly crowd. Behind the screen a jazz trio performed retro music – a beautiful contrast to the high-tech images they were immersed in.

Shane Pennington's screen inside the Dallas City Performance Hall, with Jazz Trio.

Shane Pennington’s screen inside the Dallas City Performance Hall, with Jazz Trio.

Midnight approached, and I had to leave – I was a long way from home and I didn’t want to miss the last train.

I did have one last discovery. I didn’t do enough research before Aurora about the nature of the Ciclovia that I was a part of. I didn’t realize that the lighted bike ride was actually a part of the Aurora itself and the ride even had a plaque that spelled that out.

Seeing Aurora, I wondered what it would be like… how cool would that be?.. to actually be a part of it – to be an artist in the event itself, no matter how small or insignificant. Until I found that plaque, I didn’t realize that for the small effort of six bucks and a trip to the dollar store – I was one.

Bike Friendly Cedars and Aurora Ciclovia

Bike Friendly Cedars and Aurora Ciclovia

Aurora Dallas 2013

Aurora Dallas 2013

Aurora Dallas 2013

Aurora Dallas 2013

The reflecting pool by the Winspear. Aurora Dallas 2013

The reflecting pool by the Winspear. Aurora Dallas 2013

Ninety Nine Percent

Subtle Graffiti

Dallas, Texas, Deep Ellum Art Park

NinetyNinePercent

NinetyNinePercent

“I have a foreboding of an America in my children’s or grandchildren’s time — when the United States is a service and information economy; when nearly all the manufacturing industries have slipped away to other countries; when awesome technological powers are in the hands of a very few, and no one representing the public interest can even grasp the issues; when the people have lost the ability to set their own agendas or knowledgeably question those in authority; when, clutching our crystals and nervously consulting our horoscopes, our critical faculties in decline, unable to distinguish between what feels good and what’s true, we slide, almost without noticing, back into superstition and darkness…

The dumbing down of American is most evident in the slow decay of substantive content in the enormously influential media, the 30 second sound bites (now down to 10 seconds or less), lowest common denominator programming, credulous presentations on pseudoscience and superstition, but especially a kind of celebration of ignorance”
― Carl Sagan, The Demon-Haunted World: Science as a Candle in the Dark

Nice quote – but let’s face it, Carl Sagan is a…. well, let someone else explain it.

“I have spent my whole life scared, frightened of things that could happen, might happen, might not happen, 50-years I spent like that. Finding myself awake at three in the morning. But you know what? Ever since my diagnosis, I sleep just fine. What I came to realize is that fear, that’s the worst of it. That’s the real enemy. So, get up, get out in the real world and you kick that bastard as hard you can right in the teeth.”
– Walter White

Sculptures by Colleen Madamombe

Sculptures by Colleen Madamombe – Frisco, Texas

The Grandmother, by Colleen Madamombe, Zimbabwe

The Grandmother, by Colleen Madamombe, Zimbabwe

Sculpture by Colleen Madamombe

Sculpture by Colleen Madamombe

Sculpture by Colleen Madamombe

Sculpture by Colleen Madamombe

Sculpture by Colleen Madamombe

Sculpture by Colleen Madamombe