Trinity River Bottoms

Trinity River Bottoms, Dallas, Texas. Taken from the Santa Fe Trestle Trail, near the Dallas Wave.

Trinity River, Dallas, Texas (click to enlarge)

Trinity River, Dallas, Texas
(click to enlarge)

Dallas Contemporary Street Art Bike Tour

First, let me tell a little story. It’s a story I’ve told too many times before, and if you know me, you’ve probably heard it more than once. But if I type it out here, maybe I can get it out of the way, and quit repeating myself.

When I first moved to Dallas, in 1981, I had no money (and I have no money now… how does that work?) and lived with some friends in Oak Cliff until I saved enough to get an apartment. I rode the bus down Sylvan and then across the Trinity River on Commerce into Downtown, where I worked in the Kirby Building (now converted into condominiums). The bus would go past the Belmont Hotel every day – I think it was abandoned at the time. It was a very nasty area in those years – if you stood on that corner very long you would probably get your throat cut.

I would tell people, “That Belmont property is so cool. Someone needs to buy it and fix it up. It sits up on a hill with a great view of downtown – wonderful Dallas Art Deco architecture. It’s a shame, somebody needs to do something.”

They would reply, “You are crazy. You’ll get your throat cut down there.”

Now, thirty years later, the Belmont is restored into a cute little boutique hotel, it boasts a famous restaurant, and the area around it is booming with cool hipness. I was thirty years ahead of my time… but then again, a stopped watch is right twice a day.

Thats out of the way….

Saturday the Dallas Contemporary was celebrating their thirty-fifth anniversary and they contacted Amanda Popken of Dallas Cycle Style to set up a bike ride from their location to look at a series of murals that they had commissioned/sponsored/managed in a few different spots. This looked like a lot of fun.

I decided to ride my vintage Technium instead of my commuter bike – in my constant efforts to keep the thing working I have rebuilt the rear wheel, lacing new spokes around a new hub and cassette and truing the thing – so I wanted to give it a try. I rode my bike to the train station for the ride downtown and, as always, right after I bought my ticket for the DART train at the Arapaho station, the train pulled in. You have to cross a street through a tunnel to get to the platform, so I usually miss my train and am therefore late for whatever I have planned. This time I hauled ass down the tunnel and caught it right as it was pulling out. The transit gods smiled on me that day.

There was a good bunch of bicyclists and we headed out from the Dallas Contemporary down to Commerce and across the river to the Belmont – following the bus route I remembered from thirty years ago. Along the side of the cliff up to the hotel three murals were painted. The first by Shepard Fairey (he’s best known for the Obama poster), the second by JM Rizzi, known as JMR, and the third by local artists Sour Grapes.

Bike tour group in front of the Belmont Hotel murals. (click to enlarge)

Bike tour group in front of the Belmont Hotel murals.
(click to enlarge)

Shepard Fairey mural at the Belmont Hotel, Dallas, Texas.

Shepard Fairey mural at the Belmont Hotel, Dallas, Texas.

Sour Grapes mural at the Belmont Hotel, Dallas, Texas. (click to enlarge)

Sour Grapes mural at the Belmont Hotel, Dallas, Texas.

Closeup of the Sour Grapes mural at the Belmont Hotel, Dallas, Texas. (click to enlarge)

Closeup of the Sour Grapes mural at the Belmont Hotel, Dallas, Texas.
(click to enlarge)

One really cool part of the ride was that each stop had a talk by a docent – Erin Cluley from Dallas Contemporary who talked about the process of setting up the murals and getting the artists into town and working. I was particularly interested in how the out-of-town artists adapted their work to the more conservative attitudes here and what they thought of the city in general.

Docent giving a talk on the murals in front of the Belmont Hotel

Erin Cluley, the docent giving a talk on the murals in front of the Belmont Hotel

From the Belmont, we went down the street and around the corner to Trinity Groves – a very interesting area of restaurant incubation. There were more murals by Shepard Fairey and JMR, plus some work by FAILE – a pair of Brooklyn based artists that had an amazing exhibition back at the Contemporary.

The murals from  Trinity Groves.

The murals from
Trinity Groves.

Shepard Fairey mural at Trinity Groves.

Shepard Fairey mural at Trinity Groves.

FAILE mural at Trinity Groves.

FAILE mural at Trinity Groves.

FAILE uses the year 1986 in their work - the year of the Challenger Disaster.

FAILE uses the year 1986 in their work – the year of the Challenger Disaster.

Murals by FAILE and Shepard Fairey, Trinity Groves, Dallas, Texas.

Murals by FAILE and Shepard Fairey, Trinity Groves, Dallas, Texas.

Bike tour stopping to look at a mural by JMR. The Margaret Hunt Hill Bridge and Downtown Dallas in the background.

Bike tour stopping to look at a mural by JMR. The Margaret Hunt Hill Bridge and Downtown Dallas in the background.

It was time to ride back to the Contemporary, where there are murals by Fairey and JMR.

Back at the Dallas Contemporary.

Back at the Dallas Contemporary.
(click to enlarge)

Shepard Fairey mural at the Dallas Contemporary.

Shepard Fairey mural at the Dallas Contemporary.

JMR mural at the Dallas Contemporary.

JMR mural at the Dallas Contemporary.

The ride was a lot of fun and very educational – now I’m going to be looking for murals all over the city.

Dallas Wave

The Dallas Wave from the Santa Fe Trestle Trail

Dallas Wave (click to enlarge)

Dallas Wave
(click to enlarge)

The Dallas Eye

In downtown Dallas, across Main Street from the Joule Hotel – the hotel with the cool pool, a giant eye has appeared – like a monster from a horror movie – mysterious – it just sits there, thirty feet high… staring. The thing is a sculpture by Tony Tasset. It really is big… and pretty odd to look at – especially at night.

Giant Eye Sculpture, Main Street, Dallas, Texas (click to enlarge)

Giant Eye Sculpture, Main Street, Dallas, Texas
(click to enlarge)

Giant Eye Sculpture, Main Street, Dallas, Texas (click to enlarge)

Giant Eye Sculpture, Main Street, Dallas, Texas
(click to enlarge)

GMO OMG WTF

I still have some photographs left over from Aurora. An amazing thing.

North Texas Light Brigade – in front of the Symphony Hall.

Aurora 2013, Dallas, Texas

Aurora 2013, Dallas, Texas

Aurora 2013, Dallas, Texas

Aurora 2013, Dallas, Texas

Carrollton Collages

To get to the Carrollton Festival at the Switchyard I rode my bike to the Arapaho Red Line DART station – hung my bike on the transit hook and rode downtown (as always, I was a minute late, missed my train, and was twenty minutes late downtown – I need to cut that crap out), met a friend, and we then rode the Green line out to Carrollton. It would have been quicker to drive my car down Beltline (to get anywhere in Dallas you start out driving down Beltline Road) – but then I would have had to find a place to park, plus there is a lot of freedom and flexibility in having a bicycle. With a bicycle and a DART pass – I can go anywhere.

At any rate, heading back downtown, waiting for the train, I had the time to look around at the artwork on the Carrollton station. To my uneducated, ignorant, and untrained eye, DART has done an admirable job of adding artwork to its train stations – at least as far as a giant government bureaucracy can be expected to go. Maybe I should do some blog entries on some of my favorites….

At the Carrollton station – elevated high in the air (cool view from up there) over where I suppose the old switching yard might have been, I noticed all these little windows cut into the concrete pillars supporting the roof structure. In each window was an old photograph combined with, or framed by, pieces of found metal. It made for a series of interesting and entertaining collages. The time spent waiting for the train was reduced by me dashing up and down, looking into the little windows at the parade of aged faces and arranged fragments of history.

Later, at home, an internet search led me quickly to the artist, James Michael Starr. Although, he seems to be unhappy with the initial installation – everything seems to have worked out and his collages are there for the enjoyment of the unwashed masses. The bits of metal seem to be mostly artifacts that the artist was able to dig up around the area, now on display, high in the air… forever waiting for the next train.

Collage by James Michael Starr, Carrollton DART station.

Collage by James Michael Starr, Carrollton DART station.

Collage by James Michael Starr, Carrollton DART station.

Collage by James Michael Starr, Carrollton DART station.

Collage by James Michael Starr, Carrollton DART station.

Collage by James Michael Starr, Carrollton DART station.

Collage by James Michael Starr, Carrollton DART station.

Collage by James Michael Starr, Carrollton DART station.

SWAT

Top of a SWAT assault vehicle – on display at the Carrollton Festival at the Switchyard.

SWAT assault vehicle, Carrollton, Texas

SWAT assault vehicle, Carrollton, Texas
(Click to Enlarge)

Bethan

Thursday, at the last Patio Sessions of the season, warming up for Home by Hovercraft, was a local group, Bethan (facebook). They were very good and very mellow.

The sun had set behind the giant buildings, but a bit of light was still filtering through – so I was able to get some better photos of them.

Bethan, Patio Sessions, Arts District, Dallas, Texas

Bethan, Patio Sessions, Arts District, Dallas, Texas

Bethan, Patio Sessions, Arts District, Dallas, Texas

Bethan, Patio Sessions, Arts District, Dallas, Texas

Bethan, Patio Sessions, Arts District, Dallas, Texas

Bethan, Patio Sessions, Arts District, Dallas, Texas

Hovercraft Halloween

Last Thursday, Halloween, was the last Patio Sessions of the season. These are really nice little free concerts held down in the Dallas Arts District – I’ve been going to as many of these as I can. It’s tough to get down there on time after work, but I rush out and grab a train and usually get there with no problems.

I had circled this one on the calendar because Home by Hovercraft was performing. I am a big fan – have seen them in Klyde Warren Park and in Deep Ellum and enjoyed their theatrical performances, music that doesn’t really fit into any genre that I’m aware of. Their concerts will be on hold for a bit as they prepare for another run of their musical, On The Eve, this time at Theater Three (I am really looking forward to this).

In Halloween style, they were in costume, as were more than a few of the folks present. By the end of the concert, there was a clot of folks decked out in bizarre outfits dancing along the edge of the reflecting pool (sorry, no photos – it was too dark by then). Pretty surreal and a lot of fun.

Home by Hovercraft, at the ATT Patio Sessions, Dallas, Texas

Home by Hovercraft, at the ATT Patio Sessions, Dallas, Texas

Home by Hovercraft, at the ATT Patio Sessions, Dallas, Texas

Home by Hovercraft, at the ATT Patio Sessions, Dallas, Texas

Best step-dancing, xylophone playing horse I've seen in awhile.

Best step-dancing, xylophone playing horse I’ve seen in awhile.

Home by Hovercraft, at the ATT Patio Sessions, Dallas, Texas

Home by Hovercraft, at the ATT Patio Sessions, Dallas, Texas

My Curves Are Not Mad

The vertical is in my spirit. It helps me to define precisely the direction of lines, and in quick sketches I never indicate a curve, that of a branch in landscape for example, without being aware of its relationship to the vertical.
My curves are not mad.

La verticale est dans mon esprit. Elle m’aide à préciser la direction des lignes, et dans mes dessins rapides je n’indique pas une courbe, par exemple, celle d’une branche dans un paysage, sans avoir conscience de son rapport avec la verticale.
Mes courbes ne sont pas folles.

—-Henri Matisse from Jazz

Boy looking at his shadow on Richard Serra's My Curves Are Not Mad - Nasher Sculpture Center, Dallas, Texas

Boy looking at his shadow on Richard Serra’s My Curves Are Not Mad – Nasher Sculpture Center, Dallas, Texas

Walking around Nasher garden, I spotted this child walking up to Richard Serra’s massive Cor-Ten walk-through sculpture, My Curves Are Not Mad – he stopped and stared at his shadow on the steel. I barely had time to raise my camera and squeeze off this shot.

Earlier in the day, we had listened to a discussion of public art and the way it relates to the current Nasher Xchange exhibition that is taking place in various public locations all over the city of Dallas. A lot of the discussion touched on the controversy over Richard Serra’s Tilted Arc and how the public’s attitude toward public sculpture has changed in the time since that disaster. It was a very interesting discussion.

Everybody seems to like My Curves Are Not Mad – but then again, it wasn’t installed by the government.

And certainly the history of public sculpture has been disastrous but that doesn’t mean it ought not to continue and the only way it even has a chance to continue is if the work gets out into the public.
—-Richard Serra