To get to the Carrollton Festival at the Switchyard I rode my bike to the Arapaho Red Line DART station – hung my bike on the transit hook and rode downtown (as always, I was a minute late, missed my train, and was twenty minutes late downtown – I need to cut that crap out), met a friend, and we then rode the Green line out to Carrollton. It would have been quicker to drive my car down Beltline (to get anywhere in Dallas you start out driving down Beltline Road) – but then I would have had to find a place to park, plus there is a lot of freedom and flexibility in having a bicycle. With a bicycle and a DART pass – I can go anywhere.
At any rate, heading back downtown, waiting for the train, I had the time to look around at the artwork on the Carrollton station. To my uneducated, ignorant, and untrained eye, DART has done an admirable job of adding artwork to its train stations – at least as far as a giant government bureaucracy can be expected to go. Maybe I should do some blog entries on some of my favorites….
At the Carrollton station – elevated high in the air (cool view from up there) over where I suppose the old switching yard might have been, I noticed all these little windows cut into the concrete pillars supporting the roof structure. In each window was an old photograph combined with, or framed by, pieces of found metal. It made for a series of interesting and entertaining collages. The time spent waiting for the train was reduced by me dashing up and down, looking into the little windows at the parade of aged faces and arranged fragments of history.
Later, at home, an internet search led me quickly to the artist, James Michael Starr. Although, he seems to be unhappy with the initial installation – everything seems to have worked out and his collages are there for the enjoyment of the unwashed masses. The bits of metal seem to be mostly artifacts that the artist was able to dig up around the area, now on display, high in the air… forever waiting for the next train.