Santa Fe Trestle Trail, Dallas, Texas
Category Archives: Photography
Trinity River Bottoms
Trinity River Bottoms, Dallas, Texas. Taken from the Santa Fe Trestle Trail, near the Dallas Wave.
Dallas Contemporary Street Art Bike Tour
First, let me tell a little story. It’s a story I’ve told too many times before, and if you know me, you’ve probably heard it more than once. But if I type it out here, maybe I can get it out of the way, and quit repeating myself.
When I first moved to Dallas, in 1981, I had no money (and I have no money now… how does that work?) and lived with some friends in Oak Cliff until I saved enough to get an apartment. I rode the bus down Sylvan and then across the Trinity River on Commerce into Downtown, where I worked in the Kirby Building (now converted into condominiums). The bus would go past the Belmont Hotel every day – I think it was abandoned at the time. It was a very nasty area in those years – if you stood on that corner very long you would probably get your throat cut.
I would tell people, “That Belmont property is so cool. Someone needs to buy it and fix it up. It sits up on a hill with a great view of downtown – wonderful Dallas Art Deco architecture. It’s a shame, somebody needs to do something.”
They would reply, “You are crazy. You’ll get your throat cut down there.”
Now, thirty years later, the Belmont is restored into a cute little boutique hotel, it boasts a famous restaurant, and the area around it is booming with cool hipness. I was thirty years ahead of my time… but then again, a stopped watch is right twice a day.
Thats out of the way….
Saturday the Dallas Contemporary was celebrating their thirty-fifth anniversary and they contacted Amanda Popken of Dallas Cycle Style to set up a bike ride from their location to look at a series of murals that they had commissioned/sponsored/managed in a few different spots. This looked like a lot of fun.
I decided to ride my vintage Technium instead of my commuter bike – in my constant efforts to keep the thing working I have rebuilt the rear wheel, lacing new spokes around a new hub and cassette and truing the thing – so I wanted to give it a try. I rode my bike to the train station for the ride downtown and, as always, right after I bought my ticket for the DART train at the Arapaho station, the train pulled in. You have to cross a street through a tunnel to get to the platform, so I usually miss my train and am therefore late for whatever I have planned. This time I hauled ass down the tunnel and caught it right as it was pulling out. The transit gods smiled on me that day.
There was a good bunch of bicyclists and we headed out from the Dallas Contemporary down to Commerce and across the river to the Belmont – following the bus route I remembered from thirty years ago. Along the side of the cliff up to the hotel three murals were painted. The first by Shepard Fairey (he’s best known for the Obama poster), the second by JM Rizzi, known as JMR, and the third by local artists Sour Grapes.
One really cool part of the ride was that each stop had a talk by a docent – Erin Cluley from Dallas Contemporary who talked about the process of setting up the murals and getting the artists into town and working. I was particularly interested in how the out-of-town artists adapted their work to the more conservative attitudes here and what they thought of the city in general.
From the Belmont, we went down the street and around the corner to Trinity Groves – a very interesting area of restaurant incubation. There were more murals by Shepard Fairey and JMR, plus some work by FAILE – a pair of Brooklyn based artists that had an amazing exhibition back at the Contemporary.

Bike tour stopping to look at a mural by JMR. The Margaret Hunt Hill Bridge and Downtown Dallas in the background.
It was time to ride back to the Contemporary, where there are murals by Fairey and JMR.
The ride was a lot of fun and very educational – now I’m going to be looking for murals all over the city.
Dallas Wave
The Dallas Wave from the Santa Fe Trestle Trail
The Dallas Eye
In downtown Dallas, across Main Street from the Joule Hotel – the hotel with the cool pool, a giant eye has appeared – like a monster from a horror movie – mysterious – it just sits there, thirty feet high… staring. The thing is a sculpture by Tony Tasset. It really is big… and pretty odd to look at – especially at night.
GMO OMG WTF
I still have some photographs left over from Aurora. An amazing thing.
North Texas Light Brigade – in front of the Symphony Hall.
SWAT
Top of a SWAT assault vehicle – on display at the Carrollton Festival at the Switchyard.
My Curves Are Not Mad
The vertical is in my spirit. It helps me to define precisely the direction of lines, and in quick sketches I never indicate a curve, that of a branch in landscape for example, without being aware of its relationship to the vertical.
My curves are not mad.La verticale est dans mon esprit. Elle m’aide à préciser la direction des lignes, et dans mes dessins rapides je n’indique pas une courbe, par exemple, celle d’une branche dans un paysage, sans avoir conscience de son rapport avec la verticale.
Mes courbes ne sont pas folles.
—-Henri Matisse from Jazz

Boy looking at his shadow on Richard Serra’s My Curves Are Not Mad – Nasher Sculpture Center, Dallas, Texas
Walking around Nasher garden, I spotted this child walking up to Richard Serra’s massive Cor-Ten walk-through sculpture, My Curves Are Not Mad – he stopped and stared at his shadow on the steel. I barely had time to raise my camera and squeeze off this shot.
Earlier in the day, we had listened to a discussion of public art and the way it relates to the current Nasher Xchange exhibition that is taking place in various public locations all over the city of Dallas. A lot of the discussion touched on the controversy over Richard Serra’s Tilted Arc and how the public’s attitude toward public sculpture has changed in the time since that disaster. It was a very interesting discussion.
Everybody seems to like My Curves Are Not Mad – but then again, it wasn’t installed by the government.
And certainly the history of public sculpture has been disastrous but that doesn’t mean it ought not to continue and the only way it even has a chance to continue is if the work gets out into the public.
—-Richard Serra
Skyscraper and Clouds
“What about guns with sensors in the handles that could detect if you were angry, and if you were, they wouldn’t fire, even if you were a police officer?
What about skyscrapers made with moving parts, so they could rearrange themselves when they had to, and even open holes in their middles for planes to fly through?”
― Jonathan Safran Foer, Extremely Loud and Incredibly Close
“Aren’t the clouds beautiful? They look like big balls of cotton… I could just lie here all day, and watch them drift by… If you use your imagination, you can see lots of things in the cloud formations… What do you think you see, Linus?”
“Well, those clouds up there look like the map of the British Honduras on the Caribbean… That cloud up there looks a little like the profile of Thomas Eakins, the famous painter and sculptor… And that group of clouds over there gives me the impression of the stoning of Stephen… I can see the apostle Paul standing there to one side…”
“Uh huh… That’s very good… What do you see in the clouds, Charlie Brown?”
“Well, I was going to say I saw a ducky and a horsie, but I changed my mind!”
― Charles M. Schulz, The Complete Peanuts






















