Bending Compressed Wood

In the same building complex that I visited Bowman Hot Glass we found another sculptor, Rick Maxwell that works mainly in wood.

He had some beautiful bent wood work in progress – large pieces that had been bent around forms and were in the process of being finished. I took a close look, expecting to see laminations and was surprised to see that the wood was solid. I asked the sculptor about his technique and he explained that these were done with a special product, compressed wood.

A process takes wood and compresses it lengthwise under extreme force. This will reduce a ten foot board down to about eight feet – but more importantly, disturb the fibers in such a way as to make the wood extremely flexible.

It can be used for extreme wood bending.

Sources:
Pure Timber LLC
Compwood Products

He said it comes wrapped in plastic and that once the wrapping is removed the piece is bent using forms and clamps. Then it is allowed to dry and the wood takes the shape in a permanent basis.

I was fascinated by this process and impressed by his sculptures – it was really cool to visit his studio and talk with him.

Bent wood sculpture in progress, by Clark Maxwell. (click to enlarge)

Bent wood sculpture in progress, by Clark Maxwell.
(click to enlarge)

He uses large pieces to make the big sculptures and then makes small ones out of the leftover trimmings (you can see those hanging on the wall behind the bent wood). Scrap left over from the small sculptures is burned to charcoal and he uses those for drawings, like the one on the left. He said, “I used to be cheap, but now I’m sustainable.”

Bent wood sculpture in progress, by Rick Maxwell.  (click to enlarge)

Bent wood sculpture in progress, by Rick Maxwell.
(click to enlarge)

This piece has been dyed and coated with polyurethane – almost ready to go. The artist said he has a recent piece hanging in the Omni – I need to stop by and see it.

A Pair of Dancers

Two dancers on the reflecting pool in front of the Winspear in the Dallas Arts District. They were part of the high school class that stopped by for a quick gambol on the watermirrored surface while the Dallas String Quartet was performing. The whole bunch was on the way to a little rehearsal for their performance at Aurora the next night.

I have some more photos I’m working on. I know it wasn’t a big deal… especially for the kids – only a little temporary hoot. But to see their enthusiasm, unbridled youth, skill, and passion in such a special and unexpected treat – I don’t know what it was, but it was something.

Two dancers from the Repertory Dance Company II, Booker T. Washington High School for the Performing and Visual Arts - Arts District, Dallas, Texas

Two dancers from the Repertory Dance Company II, Booker T. Washington High School for the Performing and Visual Arts – Arts District, Dallas, Texas

Two dancers from the Repertory Dance Company II, Booker T. Washington High School for the Performing and Visual Arts - Arts District, Dallas, Texas

Two dancers from the Repertory Dance Company II, Booker T. Washington High School for the Performing and Visual Arts – Arts District, Dallas, Texas

Two dancers from the Repertory Dance Company II, Booker T. Washington High School for the Performing and Visual Arts - Arts District, Dallas, Texas

Two dancers from the Repertory Dance Company II, Booker T. Washington High School for the Performing and Visual Arts – Arts District, Dallas, Texas

“There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open. … No artist is pleased. [There is] no satisfaction whatever at any time. There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others”
― Martha Graham

Ninety Nine Percent

Subtle Graffiti

Dallas, Texas, Deep Ellum Art Park

NinetyNinePercent

NinetyNinePercent

“I have a foreboding of an America in my children’s or grandchildren’s time — when the United States is a service and information economy; when nearly all the manufacturing industries have slipped away to other countries; when awesome technological powers are in the hands of a very few, and no one representing the public interest can even grasp the issues; when the people have lost the ability to set their own agendas or knowledgeably question those in authority; when, clutching our crystals and nervously consulting our horoscopes, our critical faculties in decline, unable to distinguish between what feels good and what’s true, we slide, almost without noticing, back into superstition and darkness…

The dumbing down of American is most evident in the slow decay of substantive content in the enormously influential media, the 30 second sound bites (now down to 10 seconds or less), lowest common denominator programming, credulous presentations on pseudoscience and superstition, but especially a kind of celebration of ignorance”
― Carl Sagan, The Demon-Haunted World: Science as a Candle in the Dark

Nice quote – but let’s face it, Carl Sagan is a…. well, let someone else explain it.

“I have spent my whole life scared, frightened of things that could happen, might happen, might not happen, 50-years I spent like that. Finding myself awake at three in the morning. But you know what? Ever since my diagnosis, I sleep just fine. What I came to realize is that fear, that’s the worst of it. That’s the real enemy. So, get up, get out in the real world and you kick that bastard as hard you can right in the teeth.”
– Walter White

Sculptures by Colleen Madamombe

Sculptures by Colleen Madamombe – Frisco, Texas

The Grandmother, by Colleen Madamombe, Zimbabwe

The Grandmother, by Colleen Madamombe, Zimbabwe

Sculpture by Colleen Madamombe

Sculpture by Colleen Madamombe

Sculpture by Colleen Madamombe

Sculpture by Colleen Madamombe

Sculpture by Colleen Madamombe

Sculpture by Colleen Madamombe

Dallas String Quartet

It was Thursday, time for another Patio Sessions concert around the reflecting pool in front of the Winspear Opera House.

This week was the Dallas String Quartet (facebook). The weather was cool and beautiful, rare for North Texas. I hopped the DART train and made it down there right on time – bought dinner from a food truck and settled in. I knew nothing about the Dallas String Quartet – they are an eclectic electric ensemble. Amplified strings, a bass, a guitar, and a drum kit. They play original arrangements of modern, popular hits and are very, very good at it.

It was a lot of fun.

Dallas String Quartet

Dallas String Quartet
(click to enlarge)

Dallas String Quartet, in front of the reflecting pool in the Arts District

Dallas String Quartet, in front of the reflecting pool in the Arts District
(click to enlarge)

Dallas String Quartet

Dallas String Quartet

Dallas String Quartet

Dallas String Quartet

Dallas String Quartet

Dallas String Quartet
(click to enlarge)

Ever since I have been going to the Patio Sessions, I have been slightly aggravated by people that let their children run amok on the reflecting pool while the musicians are playing. The thin layer of moisture on the flat stone is irresistible to the little ones – so I can’t blame them. However, the shows are very mellow, and I wish the parents would control the kids while the band is on – they are very noisy and it’s very distracting.

I was worried about that tonight – a string quartet can be an especially quiet and introspective experience. It was no problem – there were only four kids or so running around and the Dallas String Quartet was well amplified. Plus, their upbeat, modern arrangements held their own against the kids, the rumblings of the food truck generators, and the tolling of the church bells.

And then, to show how wrong I can be… I noticed a crowd of teenagers rapidly gathering on the reflecting pool. It was a dance class from (I assume) the Dallas High School for the Performing Arts right next door. They were on their way somewhere and took the opportunity to dance for all of us.

In ones and twos… and then as an entire group they would run out and dance. They seemed to have a few set pieces memorized and would show off for each other – then dance for the fun of it. It was kinetic and athletic and flat out wonderful. The band said, “I don’t know who they are, but they are great. I’m sure you can do something with this next one,” and they belted out Michael Jackson’s Thriller.

I took a few photos (I’ll put some more up in a few days) but mostly I sat there and stared and laughed. It was a revelation and a surprise and a marvelous one at that. I’ll probably be able to figure out who the kids were, but I almost don’t want to know. Maybe it’s best they remain, to me, a beautiful mystery.

Young dancers on the reflecting pool at the Dallas String Quartet concert.

Young dancers on the reflecting pool at the Dallas String Quartet concert.
(click to enlarge)

Dancing at the Dallas String Quartet, Patio Sessions, Arts District, Dallas, Texa

Dancing at the Dallas String Quartet, Patio Sessions, Arts District, Dallas, Texas
(click to enlarge)

PS– Well, that didn’t take long. I found out who the dancers were. They were from the high school – there to rehearse for their work on the Aurora project on Friday, the 18th.

This is what they will be doing:

Ruddy Udder Dance by Claire Ashley
This performance uses a large-scale, painted inflatable sculpture as a prop worn by twelve dancers. A choreographed sequence unfolds. Ashley is interested in both the high-brow aesthetic pleasure found in the painterly abstraction and monumentality of the object itself, and the absurdly low-brow, playful, high-energy, ecstatic dancing experience and pop culture references that ensue as the object moves in space. Directed by Linda James and Kate Walker and performed by the Repertory Dance Company II from Booker T. Washington High School for the Performing and Visual Arts.

Tomorrow’s Legacy

Three more photographs I took as part of the Bicycle Friendly Richardsonbike photo scavenger hunt – Bicycle Ride and Seek.

This is Tomorrow’s Legacy by Jerry Sanders – located in the Palisades complex across highway 75 from Galatyn.

My bicycle parked next to "Tomorrow's Legacy" by Jerry Sanders, Richardson, Texas (click to enlarge)

My bicycle parked next to “Tomorrow’s Legacy” by Jerry Sanders, Richardson, Texas
(click to enlarge)

“Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. Knows remembers believes a corridor in a big long garbled cold echoing building of dark red brick sootbleakened by more chimneys than its own, set in a grassless cinderstrewnpacked compound surrounded by smoking factory purlieus and enclosed by ten food steel-and-wire fence like a penitentiary or a zoo, where in random erratic surges, with sparrowlike childtrebling, orphans in identical and uniform blue denim in and out of remembering but in knowing constant in the bleak walls, the bleak windows where in rain soot from the yearly adjacenting chimneys streaked like black tears.”
― William Faulkner, Light in August

My bicycle parked next to "Tomorrow's Legacy" by Jerry Sanders, Richardson, Texas

My bicycle parked next to “Tomorrow’s Legacy” by Jerry Sanders, Richardson, Texas

“Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents’ beds, unerringly I rush! Naught’s an obstacle, naught’s an angle to the iron way!”
– Herman Melville, Moby Dick

"Tomorrow's Legacy" by Jerry Sanders, Richardson, Texas

“Tomorrow’s Legacy” by Jerry Sanders, Richardson, Texas

Milk Crate Bicycle

I’m working on DIY solutions for storage on my bicycle. Looking around at useful stuff I see, one of the most common, hipster, useful, cheap, and crunchy things to do is to simply bungee a plastic milk crate on to your rear rack.

Milk Crate Bike in the reading area in Klyde Warren Park.

Milk Crate Bike in the reading area in Klyde Warren Park.
(click to enlarge)

The Dallas Morning News Reading & Games Room area in Klyde Warren Park is one of my favorite spots in the city. It is a quiet, leafy, relaxing spot, with games and stuff to look at. I was there for a few minutes to catch my breath. The powers that be came by and made this woman move her bike (it was leaning against a tree) – but she didn’t seem to be too bothered by it all. I’m afraid that I had already given in to The Man and had my bike locked up on the official bike racks.

So sue me.

Galatyn Park Fountain

Another photo I took as part of the Bicycle Friendly Richardsonbike photo scavenger hunt – Bicycle Ride and Seek.

This is the fountain at Galatyn Park.

Fountain at Galatyn Park, Richardson, TX (click to enlarge)

Fountain at Galatyn Park, Richardson, TX
(click to enlarge)

The War of the End of the World

I finished the first of the really big books I have on my list The War of the End of the World. I read it on the Kindle, but the hardback edition has 576 pages – so it isn’t the longest book in the world, but it’s long enough.

There was a ten-day setback in there when I misplaced my Kindle. I couldn’t find it for over a week and it was driving me crazy. The thing goes with me where ever I go, so I can get a little reading done in the small drips and dregs of time that are sometimes allotted to me – and that’s risky. I’ve come close to losing it twice – leaving it on a train once and on the roof of my car another time (where it fell off along a Frisco road) – but each time a good Samaritan found it, looked me up and contacted me.

This time I was pretty sure I had not left it someplace… but you never know. It turned out it was in the garage where I set it down in a dark, little-used corner when I went back there to get something.

Finding it made me happy and let me finish the book.

Kindle

Call Me Ishmael

Misplacing your portable electronic reading device is a first-world problem. The conflict at the heart of The War of the End of the World is not.

The novel is based on true events at the end of the nineteenth century in a dried up, impoverished, and forgotten stretch of worthless desert in the Brazilian state of Bahia. There, after a horrible drought that kills a good part of the population appeared a wandering preacher, Antônio Conselheiro (“the Counselor”), who went from village to village, collecting a rag-tag group of followers, repairing churches and spreading the word of God.

He eventually gained thousands of converts, and they settled on an old farmstead named Canudos – transforming it into something of a religious commune. At its peak, more that thirty thousand people called Canudos home – making it the second-largest city in Bahia. This attracted the attention of the newly-minted Republic of Brazil which did not agree with the teachings of The Counselor. The central government began sending military expeditions and then…. Well, let’s just say, things do not turn out well.

For anybody.

The book, by Peruvian novelist Mario Vargas Llosa, is a vast kaleidoscope of characters – all pulled into the firestorm of disaster that is the War of Canudos.

It was more than a little confusing at first (about half the male characters seem to have the name João or Antônio) and I put together a little crib sheet listing everybody and their relationship to the story. After a few hundred pages that wasn’t necessary – the list stops growing as fast and the denizens of the pages become burned into the reader’s mind sufficiently.

The theme of the book is the danger and the tragic results of fanaticism. Every character sees the world in an inflexible view – and pays for that in spades. The Counselor is a man of great power and wisdom and is able to attract a huge following – converting the most evil of bandits and incorrigible criminals into paragons of religious virtue and conviction. Yet, he can’t understand the implications of what he has done and the horror that will inevitably befall the faithful.

The central government does not see a religious settlement – they see foreign spies and secret plots – because that is all they are able to see. The wealthy landowners only see land and cattle thieves and can’t comprehend anything else.

It is a sad story with results that are beyond appalling.

That’s the first question that a reader must answer, “Why was Canudos destroyed?” But the answer, when you think about it, is, “How could it not?”

And that’s the mark of a mature work of fiction – the ying-yang pull of hope and the inevitable doom. You only wish that some of these people that you have spent so much time with… even some of the evil ones… are able to find some sort of justice, some closure, some comforting balm in the midst of their endless suffering and hopeless struggle.

And some do.

But it is only temporary.

Bicycle Ride and Seek

The fountain in back of the Richardson Library. (click to enlarge)

The fountain in back of the Richardson Library.
(click to enlarge)

Bike Friendly Richardson has organized a bicycle photo scavenger hunt for October. The idea is to ride a bike around the city and take photos of sculptures or fountains (with your bike in them – to prove you really did it, I guess). There is a list of fourteen sculptures and a map to help you out.

This is a lot of fun and right up my alley. I’ve already taken photos of my bike in front of a lot (maybe most) of these already, though I’ll do it again in October. I rode around the other day and grabbed a few – now I’m working on post-processing the photos… uploaded a few to my Flickr page.

The cylinder sculptures at the Block.

The cylinder sculptures at the Block.

I sort of wanted to use my old Raleigh Technium for the photos – it’s a bit more photogenic than my crunchy commuter bike. But I don’t want to pack my camera crap into a backpack and lug it around the city. I’ve pretty much worked out how to carry my camera in a pannier and my tripod bungee corded to the rack in the back of my commuter bike.

So it’s the commuter in the photos. Which is cool too.

The sculpture in the outdoor reading area at the library.

The sculpture in the outdoor reading area at the library.

A couple older photos I had on here of the Richardson fountain.

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