Godard’s Nana

“Lend yourself to others, but give yourself to yourself.”

—-Michel de Montaigne

Anna Karina as Nana in Vivre sa Vie

When I finish a book – I have a tendency to look around for a movie of the same subject. After finishing Zola’s Nana – I first found a version on Netflix… but it was a Golan-Globus soft core R rated porn piece full of naked girls and leering old Frenchmen. Not that there is necessarily anything wrong with that – but it wasn’t what I was looking for (at the time).

Then I discovered, on the Criterion Channel, a French nouvelle vauge film by Jean-Luc Godard: Vivre sa Vie. The main character (the transcendent Anna Karina) is Nana, a Parisian woman that starts out wanting to be a movie star but ends up  falling into a life of Prostitution. It was obviously inspired by (although very different) the Zola novel. And I watched it.

Susan Sontag called Vivre sa Vie “a perfect film” and “one of the most extraordinary, beautiful and original works of art that I know of”

66307739-godard-s-vivre-sa-vie-sontag-1964-120copy.pdf (wordpress.com)

The movie consists of twelve discrete tableaux – each one featuring a title card announcing what you are about to see. That breaks the film up and allows it to jump around, emphasizing the downward spiral of Nana’s life. In the novel, Nana preys upon the desires of the men around her – destroying them in the process. The movie is the opposite – the men around Godard’s Nana all prey on her desires and dreams, destroying her in the process. In the Novel, the men give Nana their money… in the Film Nana gives her hard earned cash to the men – she is reduced to a piece of property, a capital item that is expected to produce a certain amount.

This dreary, melodramatic story is contrasted with the luminous actress, Anna Karina. She fills almost every frame of the story and her beauty jumps out from the glorious black and white screen. I always have a tough time with the French New Wave, but I think this contrast is part of the appeal. The amazing potential of this beautiful woman reduced to disaster by the vagaries of cruel fortune.

Oh, one more thing… for you fountain pen nerds out there. There is a long scene where she writes out a letter – an application to work as a prostitute for a madame (it is heartbreaking). She is using a Parker “51” – a distinctive pen (hooded nib, arrow clip on the cap) – very popular at the time the film was made, and arguably the greatest pen ever. I’m ashamed of myself for recognizing that – and thinking it is cool.

Vivre sa vie review – quintessential soul-searching from Godard | DVD and video reviews | The Guardian

VERTIGO | Jean-Luc Godard: Vivre sa Vie (closeupfilmcentre.com)

My Life to Live movie review & film summary (1963) | Roger Ebert

Vivre Sa Vie (1962) film review – an analysis of a perfect film — Films to Watch Before you Die

The Oval Portrait by Edgar Allan Poe (poestories.com)

‘I think we’re always responsible for our actions. We’re free. I raise my hand – I’m responsible. I turn my head to the right – I’m responsible. I’m unhappy – I’m responsible. I smoke a cigarette – I’m responsible. I shut my eyes – I’m responsible. I forget that I’m responsible, but I am. I told you escape is a pipe dream. After all, everything is beautiful. You only have to take an interest in things, see their beauty. It’s true. After all, things are just what they are. A face is a face. Plates are plates. Men are men. And life, is life.’

—-Nana (Anna Karina) in Vivre sa Vie

Short Story Of the Day, Nouvelle Vague by Bill Chance

They would take a purposeful minute of silence every now and then. “If there’s nothing to say, let’s have a minute of silence” was their motto.

—-Bill Chance, Nouvelle Vague

 

I have been feeling in a deep hopeless rut lately, and I’m sure a lot of you have too. After writing another Sunday Snippet I decided to set an ambitious goal for myself. I’ll write a short piece of fiction every day and put it up here. Obviously, quality will vary – you get what you get. Length too – I’ll have to write something short on busy days. They will be raw first drafts and full of errors.

I’m not sure how long I can keep it up… I do write quickly, but coming up with an idea every day will be a difficult challenge. So far so good. Maybe a hundred in a row might be a good, achievable, and tough goal.

Here’s another one for today (#15). What do you think? Any comments, criticism, insults, ideas, prompts, abuse … anything is welcome. Feel free to comment or contact me.

Thanks for reading.

 


 

Nouvelle Vague

 

Armando loved cars. And his girlfriend Cecile had a great one. Her father had a bit of cash stashed away and bought her a vintage light blue ’65 Mustang Convertible to drive around while she was at school. She used to say, “I live the top down life.”

The two of them also loved film… or more precisely, movies, because they mostly watched them on tape. The VHS format had recently defeated its deathly adversary, the Betamax, and a rental store for the hard-core movie aficionado had opened up near his apartment. The two of them were renting stacks of tapes and working their way through the French New Wave.

Though they lived in a tumbleweed-blown college town in the middle of the great plains they liked to pretend they were in Paris. A greasy spoon was a pale but workable substitute for a Parisian Cafe – one even had sidewalk tables for those few days where the weather wasn’t blowing ice or baking heat. They watched Godard and talked politics over meals and she cut her hair like Anna Karina.

Like all Nouvelle Vague couples they saved their important, passionate conversations for the times they were driving in the car. She named the Mustang Metal Hurlant. They would drive with the top down, sometimes slowly or sometimes sliding around the gravely corners. They would take turns driving and would imagine a camera on the hood shooting through the windshield as they talked about their dreams, argued, or the passenger would lean against the driver and they would cruise in silence.

They would take a purposeful minute of silence every now and then. “If there’s nothing to say, let’s have a minute of silence” was their motto. A minute of silence can be a long time. A real minute of silence takes forever. But they took pride in being able to pull it off.

It took some effort but they learned to dance The Madison. Never found a place in public they could show off.

There was nothing better than driving around with the top down in the twilight evening after a hot day. The convertible made its own breeze and the world was awash in magical colors once the sun set until it became too dark. They kept a little cooler of iced beer cans under the dash and would sneak sips when they knew the cops weren’t watching. Even the condensation on the curved aluminum was beautiful and delicious.

At the end of one of these perfect evenings the night crept down the sky until they had to think of something else to do.

“I know!” Armando said, “Look over there.”

It was the last drive in theater. The VHS tapes had killed the drive in – but there was one last one, hanging on, out there on the edge of town, at the end of time.

They didn’t even look to see what movie was playing, but paid their money and drove in. They were the only customers – the space vast and empty.

“At least we’ll be able to see close,” said Cecile. She drove down right to the front, with the towering white screen rising above them like a fortification. Cecile looked over the door, confused.

“Hey! Where are all the little speakers on poles?”

“Oh, those are long gone,” said Armando, “People kept stealing them. You just tune in on the radio for the sound.”

“This car doesn’t have a radio.”

They drove all the way back to the one spot, right beside the snack bar that still had a speaker. The single employee (who owned the theater and had taken their money earlier) popping corn and filling sodas could keep an eye on that one. They watched the movie on the tiny, distant screen, with nothing but space between.

Still it was nice. And sitting there in that specific instant in that vintage car with the top down watching the last drive in alone (except for the snack bar guy) in that peculiar slice of time they were happy, content and in the moment – blissful and unaware of the tumult and pandemonium that was bearing down on them… on everybody… like a tsunami of insanity – only a few short decades away.

Short Story of the Day – A Fight With a Cannon by Victor Hugo

A cannon that breaks its moorings suddenly becomes some strange, supernatural beast. It is a machine transformed into a monster. That short mass on wheels moves like a billiard-ball, rolls with the rolling of the ship, plunges with the pitching goes, comes, stops, seems to meditate, starts on its course again, shoots like an arrow from one end of the vessel to the other, whirls around, slips away, dodges, rears, bangs, crashes, kills, exterminates. It is a battering ram capriciously assaulting a wall. Add to this the fact that the ram is of metal, the wall of wood.

—-Victor Hugo, A Fight With a Cannon

Commemorative Air Force, Wings Over Dallas, Dallas, Texas

A FIGHT WITH A CANNON By Victor Hugo

All my life I have heard the phrase “A loose cannon” used to describe a person that, in some way or another, is dangerously out of control. Have heard it, as have you, thousands of times. I have never really thought about what it means.

Today’s short story A Fight With a Cannon by Victor Hugo explains what a loose cannon is and what it means in intricate, desperate, and horrific detail. Imagine a huge cylinder of metal, heavy and hard, on a carriage of wheels set loose unrestrained on a deck of a sailing ship on the high seas. It is a battering ram – full of random destructive motion. This is what a loose cannon is.

But what to do about it? And what to do after that? And after that? The story has the surprising solutions(s). Some people are not what they seem.  There is truly more than one kind of loose cannon.

Some helpful definitions:

Carronade – an obsolete naval gun of short barrel and large bore

Assignat – one of the notes issued as paper currency from 1789 to 1796 by the revolutionary government on the security of confiscated lands.

Chevalier – French History. the lowest title of rank in the old nobility.

Cascabel – a knoblike projection at the rear of the breech of a muzzleloading cannon.

Cross of Saint-Louis – The Royal and Military Order of Saint Louis was founded in 1693. The king would award the Cross of Saint-Louis to reward outstanding service to France. The recipient then became a “knight of Saint Louis”.

Ambuscade – an ambush.

Hammock-shroud – A poetical expression which derives its force from the fact that the bodies of sailors or other persons dying at sea are sewed up in hammocks and committed to the deep.

The Ladies Paradise

“I would rather die of passion than of boredom.”
Émile Zola, The Ladies’ Paradise

Cover of Au Bonheur des Dames by Emile Zola

I am now a good chunk into Emile Zola’s twenty volume Rougon Macquat series of novels. Attacking this pile of books in the recommended reading order:

  • La Fortune des Rougon (1871) (The Fortune of the Rougons)
  • Son Excellence Eugène Rougon (1876) (His Excellency Eugene Rougon/ His Excellency)
  • La Curée (1871-2) (The Kill)
  • L’Argent (1891) (Money)
  • Le Rêve (1888) (The Dream)
  • La Conquête de Plassans (1874) (The Conquest of Plassans/A Priest in the House)
  • Pot-Bouille (1882) (Pot Luck/Restless House/Piping Hot)
  • Au Bonheur des Dames (1883) (The Ladies’ Paradise/Shop Girls of Paris/Ladies’ Delight)
  • La Faute de l’Abbé Mouret (1875) (The Sin of Father Mouret/Abbe Mouret’s Transgression)
  • Une Page d’amour (1878) (A Lesson in Love/A Love Episode/A Page of Love/A Love Affair)
  • Le Ventre de Paris (1873) (The Belly of Paris/The Fat and the Thin/Savage Paris/The Markets of Paris)
  • La Joie de Vivre (1884) (The Joys of Living/Joy of Life/How Jolly Life Is/Zest for Life)
  • L’Assommoir (1877) (The Dram Shop/The Gin Palace/Drink/Drunkard)
  • L’Œuvre (1886) (The Masterpiece/A Masterpiece/His Masterpiece)
  • La Bête Humaine (1890) (The Beast in the Man/The Human Beast/The Monomaniac)
  • Germinal (1885)
  • Nana (1880)
  • La Terre (1887) (The Earth/The Soil)
  • La Débâcle (1892) (The Downfall/The Smash-up/The Debacle)
  • Le Docteur Pascal (1893) (Doctor Pascal)

The next one up was The Ladies Paradise.

The overall story is a very thin romance between a poor, country girl that comes to Paris and finds work in a new, rapidly expanding department store and the owner of the store. He is Octave Mouret, the relentless womanizer of the book before this one – Pot-Bouille. His desire to possess women has now metastasized into the need to dominate them commercially by creating a retail establishment that they cannot resist – literally a ladies’ paradise.

But the real protagonist of the story is the store itself – the eponymous Ladies Paradise. Large swaths of text are dedicated to detailed dreamy descriptions of the store, its wares, and the elaborate displays set up to show off the goods and lure in the women of Paris and, most importantly, to separate them from their money.

As the book progresses the store grows and grows, taking over building after building, until it dominates the area and all retail commerce. There is a heart-tearing description of the woeful ends of the various small shopkeepers of Paris – trying to scrape out a living selling cloth, shoes, or umbrellas – until they are inevitably ground under the heels of the behemoth growing through the streets – their owners are driven into bankruptcy, poverty, and madness.

The book was written a couple of centuries ago – but it is a story that is still going on today. We have all seen small businessmen destroyed by large corporate chains that offer lower prices, bigger selections, and spectacular shopping experiences. It is a story that could take place in the last couple of decades.

Except today, even those huge conglomerates are being driven out of business by a technology that Zola couldn’t even imagine – online shopping. Though, now that I think about it, The Ladies Paradise puts together a company of horse-drawn delivery vans, with advertisements plastered on the side, that resembles today’s fleet of Amazon-Prime vehicles.

The novel’s fictional department store was modeled after a real place – Le Bon Marché in Paris. The store is still open.

This was an enjoyable tome in the series, though the long, detailed descriptions of ranks upon ranks of goods placed on sale went on too long for my taste – but probably necessary to drive home the point of the plot. It was simultaneously a record of the past, an reverse echo of the present, and a warning of the future.

Pot Bouille

“When younger, he had been fun-loving to the point of tedium.”
Émile Zola, Pot Luck (Pot Bouille)

Pot Bouille, by Emile Zola

In September of last year (2018) I began the task of reading all twenty novels in Emile Zola’s Rougon Marquat cycle. There was a three month gap in this reading plan as I plowed through Gravity’s Rainbow with a reading group. But now I’m back at it – though not in too much of a hurry… I am reading other books too.

I finished The Conquest of Plassans (book number six) a week or so ago. It was an interesting read – especially how it began slowly as a story of small-town gossip and intrigue and built into a climax of madness, horror, and death. Now I am onto the seventh (in the recommended reading order), Pot-Bouille.

That title doesn’t translate to English very well. I’ve seen it as Pot Luck and other things. From Wikipedia:

The word pot-bouille is a 19th-century French slang term for a large cooking pot or cauldron used for preparing stews and casseroles and also the foods prepared in it. The title is intended to convey a sense of disparate ingredients, the various inhabitants of the building mixed together, to create a potent and heady mix like a strong stew. The impression is to hint at the greed, ambition and depravity which lies behind the pretentious façade of the outwardly well behaved bourgeois apartment block. There is no equivalent word in English to convey this. The closest English term would probably be an expression such as melting pot.

In the film The Life of Emile Zola, the novel’s title is rendered as Piping Hot.

So, I think of the book as being called “melting pot.”

It seems to be a complicated story about numerous residents in a multi story rental house in the center of Paris – most related to each other in one way or another. To help with the book I spent a few hours and complied a list of characters I could refer to… then discovered somebody else had already done it.

I’m on the road and working hard for the next week, but I should be able to find some slivers of time and finish the book. Then on to the next, Au Bonheur des Dames – a direct sequel to Pot-Bouille.

 

The Dream (Le Reve) by Zola

Le Reve, by Emile Zola

“The vision that had emerged from the invisible was returning to the invisible. It was no more an appearance that was fading away, having created an illusion. All is but a dream. And, at the peak of happiness, Angélique had vanished, in the faint breath of a kiss.”
― Émile Zola, The Dream

Ok, for awhile now I’ve been working my way through Zola’s Rougon-Marquat 20 novel series of French life in the Second Empire – Reading them not in the order that they were written, but in the recommended reading order.

Next is Le Rêve (The Dream). It is a complete departure from the other books in the Rougon-Marquat series. Instead of complex, realistic stories – it is the simple, yet fantastic, romantic tale of an orphan girl Angélique, that falls in love with a wealthy nobleman. She is a descendant of the Rougon family – providing the tenuous connection with the rest of the books. Angélique does suffer from the mental instability of her kin, which provides a window into her obsession with the saints and the idea of a perfect romance.

I have to admit, though, I didn’t like the book very much. It starts out with a lot of promise, the young girl abandoned in the snow near a great cathedral in rural France – it’s a powerful image. But the story spends too many words in cataloging a parade of saints and the stories of The Golden Legend. It become tedious and not very interesting to a modern reader.

In doing research about the book, I did find something I really liked. There are a series of amazing illustrations for the novel by Carlos Schwabe. I was not familiar with the artist and looking around the web there are some really interesting stuff he’s done. I especially like the drawings he did for Baudelaire’s book of poetry, Les Fleurs du mal. Have to look into these some more.

Illustration for Zola’s Le Reve, by Carlos Schwabe

 

 

Carlos Schwabe, Spleen et Idéal (1896)
from Charles Baudelaire, Les Fleurs du Mal

Carlos Schwabe, from Baudelaire’s Les Fleurs du Mal

 

Money (L’Argent) by Zola

Money (L’Argent) by Emile Zola

“In love as as in speculation there is much filth; in love also, people think only of their own gratification; yet without love there would be no life, and the world would come to an end.”
― Émile Zola, L’Argent

 

Ok, for awhile now I’ve been working my way through Zola’s Rougon-Marquat 20 novel series of French life in the Second Empire – Reading them not in the order that they were written, but in the recommended reading order.

Money (L’Argent) is the eighteenth book written, but it is a sequel to La Curée, the 3rd book in the recommended order, so I read Money as the fourth. It has the same cast of characters – a little older but definitely no wiser.

I really enjoyed the book. It is a tale of rivers of money, oceans of gold, all stolen, gambled, speculated on. It is, of course, more relevant today than it was when it was written. I couldn’t help but do some re-research into the latest financial crisis and how similar the disaster was to the greed and insanity described in the novel.

In La Curée Aristide Saccard (he changed his last name from Rougon to avoid embarrassment to his powerful politician brother) rose and fell on naked ambition and audacious financial manipulations. In the sequel he finds himself broke, but with the same greed, reckless daring, and collection of equally devious connections. He sets out to turn the world on its head. The story of speculation and deceit is fascinating and engrossing and worth the careful reading it takes.

The whole adventure comes down to a final cataclysmic battle between Saccard’s bulls and the bears that oppose him. I still don’t completely understand how the bears make money – other than the destruction of Saccard and his allies – I didn’t read much about how they went about short selling for example – but I’m sure it’s in there somewhere.

So now it’s on the the next, The Dream (Le Rêve). I have already taken a look, started it, and it seems to be completely different in style and theme from the rest of the series. We’ll see.

 

La Curée

“This was the time when the rush for the spoils filled a corner of the forest with the yelping of hounds, the cracking of whips, the flaring of torches. The appetites let loose were satisfied at last, shamelessly, amid the sound of crumbling neighbourhoods and fortunes made in six months. The city had become an orgy of gold and women.”
― Émile Zola, La Curée

La Curée (The Kill), Emile Zola

La Curée (The Kill), Emile Zola

A couple days ago I finished the next book in Zola’s Rougon Macquart series,  La Curée – or The Kill in English. It was the 2nd book written but the 3rd in the suggested reading order, which I am following.

The Kill in the title refers to the way the hunting dogs fall upon the remains after a hunt. It’s a good description of a book that describes the corrosive damage of unbridled and unprincipled greed, lust, and decadence set free in a city like Paris. During this time of France’s Second Empire Paris is being torn up and rebuilt with an unlimited opportunity for corruption and graft.

The story concerns the “career” of Aristide Saccard, the brother of Eugene Rougon who was the protagonist of the book before this, Son Excellence Eugène RougonSaccard changed his name from Rougon to avoid dragging his powerful brother down into his own scandals and to disguise the relationship between the two ambitious kinsmen.

It is a story of a certain sort of wealth – wealth born of speculation and borrowing, where the appearance of decadent affluence is more important than actual prosperity. The people in this story live in incredible luxury while having to scramble constantly to maintain the illusion, never sure where the next sous is coming from or when their creditors are going to call their debts in and ruin them.

It is also a story of promiscuity and sex – of debauchery and incest. Surprisingly racy for something written a century and a half ago. It is not pornographic in the modern sense – the actually moment is never described exactly, but there is no doubt about what is going on. It contains pages of description that skirt a little bit around… and that makes it even more effective.

“Endless love and voluptuous appetite pervaded this stifling nave in which settled the ardent sap of the tropics. Renée was wrapped in the powerful bridals of the earth that gave birth to these dark growths, these colossal stamina; and the acrid birth-throes of this hotbed, of this forest growth, of this mass of vegetation aglow with the entrails that nourished it, surrounded her with disturbing odours. At her feet was the steaming tank, its tepid water thickened by the sap from the floating roots, enveloping her shoulders with a mantle of heavy vapours, forming a mist that warmed her skin like the touch of a hand moist with desire. Overhead she could smell the palm trees, whose tall leaves shook down their aroma. And more than the stifling heat, more than the brilliant light, more than the great dazzling flowers, like faces laughing or grimacing between the leaves, it was the odours that overwhelmed her. An indescribable perfume, potent, exciting, composed of a thousand different perfumes, hung about her; human exudation, the breath of women, the scent of hair; and breezes sweet and swooningly faint were blended with breezes coarse and pestilential, laden with poison. But amid this strange music of odours, the dominant melody that constantly returned, stifling the sweetness of the vanilla and the orchids’ pungency, was the penetrating, sensual smell of flesh, the smell of lovemaking escaping in the early morning from the bedroom of newlyweds.”
― Émile Zola, La Curée

Strong stuff. A portrait of a time not unlike our own. Despite the fact there is no character in the book that could be described as sympathetic and the downfall of poor Renée is obvious from the start (though she does have a lot of wicked fun along the way) the book is still worth the read.

I was able to find a modern translation and I wonder how much different the bowdlerized contemporaneous English version was (the English weren’t as open to salacious and shocking prose as the French) – but I still have a lot of books to go in the series.

So next it is on to  L’Argent (Money) – one of the last books in the series written, but the next in the recommended order as it is a direct sequel to La Curée.

 

Eat it Off

“The minute you land in New Orleans, something wet and dark leaps on you and starts humping you like a swamp dog in heat, and the only way to get that aspect of New Orleans off you is to eat it off. That means beignets and crayfish bisque and jambalaya, it means shrimp remoulade, pecan pie, and red beans with rice, it means elegant pompano au papillote, funky file z’herbes, and raw oysters by the dozen, it means grillades for breakfast, a po’ boy with chowchow at bedtime, and tubs of gumbo in between. It is not unusual for a visitor to the city to gain fifteen pounds in a week–yet the alternative is a whole lot worse. If you don’t eat day and night, if you don’t constantly funnel the indigenous flavors into your bloodstream, then the mystery beast will go right on humping you, and you will feel its sordid presence rubbing against you long after you have left town. In fact, like any sex offender, it can leave permanent psychological scars.”
― Tom Robbins, Jitterbug Perfume

When you are on vacation in a city with as varied and variable opportunities as New Orleans there is always a struggle between new experiences and going with what you have known and enjoyed in the past. A balance between the two is best.

I drove from Dallas to New Orleans to stay with my son and attend the 2018 New Orleans Writing Marathon. He lives in a downtown high rise and parking is horribly expensive, so I stashed my car a couple miles away on a side street in the Lower Garden District. It sat there untouched for a week. I took my Xootr Swift folding bike out of the back to ride back to his place on Poydras.

I drive a tiny car – a Toyota Matrix. I always liked it because I could fold the rear seats down and get a bike (barely) into the back of the car (never liked exterior bike racks). I’m always surprised at how small the Xootr Swift folds down. I’m able to fit it easily in the small space behind the rear seat. Now I have a four-passenger car again.

It was hot and I was thirsty and I was hungry so I decided on a stop at one of my favorite and familiar places in the Big EasyThe Avenue Pub.

My folding bike locked up outside of the Avenue Pub in New Orleans

The big black thing on the back of my bike is a Bushwhacker Omaha grocery pannier mounted on a Xootr Crossrack. Very ugly and even more handy.

The beer selection at The Avenue Pub is second to none. It was a hot day and I wanted something cold and lighter and selected an excellent French Saison – Cuvée des Jonquilles from The Baron and Baileux brewery. Really nice on a summer afternoon.

They have a good kitchen in the bar and I ordered something I had before, and will certainly have again – Fried Green Tomatoes with Shrimp Remoulade. Delicious.

Fried Green Tomatoes with Shrimp Remoulade

New Orleans is actually a good city to ride bikes around in. It’s flat and the ancient streets slow the traffic down. Once I finished it only took me seven minutes to ride from The Avenue Pub to my son’s place.

I don’t think I could have driven it in that time.

Flippin’ Out

The other afternoon we were trying to figure out what to do for dinner. Candy asked if there were any places in Dallas that sold crepes. We go to Cafe Brazil all the time, and they have the thin pancakes on the menu, but she meant someplace new. Luckily, there is that internet thingy and a quick search turned up a place in Addison called Flippin’ Out. It was on Beltline Road (isn’t everything?) and a bit of a drive… but it looked different and interesting so we headed out.

It is a tiny place tucked in the parking lot of a strip center… a little to the West of the hopping heart of the Addison Strip. It advertises Crepes and Coffee, so it couldn’t be bad. There is no seating inside, only a tiny room crammed with menu boards and equipment for cooking an brewing.

Out back there is a neat covered patio and someday I’d like to go back there and sit outside, but this day was too damn hot so we ordered our crepes – I had a Gulf coast (Sauteed shrimp, lump crab, roasted Pasilla peppers & Pontchartrain cream sauce)… Candy had a Cuban (Slow roasted pork, pickles & onion topped with Dijon mustard & Swiss cheese) and she also ordered a dessert… I think it was the Honey Badger (Handpicked strawberries, bananas & blueberries topped with honey, yogurt & granola).

We took the food home and it was good. I was impressed with the idea even more, though. Crepes are easy to make, very thin and don’t have a lot of calories, and very versatile. So on a whim, we ordered a Cucina Pro cordless crepe maker off of that internet thing again.

A couple days and there was a box on the doorstep. On Saturday I made up a blender full of crepe batter and stood there cranking out a couple dozen thin little pancakes. We ate a couple and put the rest in the fridge in a bag.

I’m surprised, but it looks like this is going to work out. A bit of fruit, or some leftovers… really anything… and you can roll it up in one of those things and there’s a meal. It’s like a big, thin tortilla… only Frenchier.

Flippin’ Out – it’s not very big, but it’s hard to miss.

The main menu.

Drinks menu… the coffee looks good, but “Treats from the Teat!” – I don’t know if that’s as catchy or as appetizing as they think it is.

Not a lot of room to spare inside.