“I come to a red light, tempted to go through it, then stop once I see a billboard sign that I don’t remember seeing and I look up at it. All it says is ‘Disappear Here’ and even though it’s probably an ad for some resort, it still freaks me out a little and I step on the gas really hard and the car screeches as I leave the light.”
“The ambiguous role of the car crash needs no elaboration—apart from our own deaths, the car crash is probably the most dramatic event in our lives, and in many cases the two will coincide. Aside from the fact that we generally own or are at the controls of the crashing vehicle, the car crash differs from other disasters in that it involves the most powerfully advertised commercial product of this century, an iconic entity that combines the elements of speed, power, dream and freedom within a highly stylized format that defuses any fears we may have of the inherent dangers of these violent and unstable machines.”
“Under the thinning fog the surf curled and creamed, almost without sound, like a thought trying to form itself on the edge of consciousness.”
“We have annexed the future into the present, as merely one of those manifold alternatives open to us. Options multiply around us, and we live in an almost infantile world where any demand, any possibility, whether for life-styles, travel, sexual roles and identities, can be satisfied instantly.”
For me, the most amazing aspect of a car crash – even the simplest fender bender – is the sound. The sharp snap of breaking safety glass, the thud of impact, the groaning of thick bending metal. Behind it all is the sound of entropy increasing, of the inevitable disaster that lies behind the veneer of our day to day lives. The reality forced upon us that there is no going back… time only runs one way.
“If there is a God he’s a great loathsome spider in the darkness.”
Louise Bourgeois, Spider
The Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art
There is a spider living inside the driver’s side rear view mirror on my car. It’s a modern, streamlined plastic capsule that holds, in addition to the mirror, the mechanism for remote adjusting of the view, so there’s plenty of room. Since the mirror moves, there’s a gap around it, so the spider can easily slip in and out. It is pretty much ideal for a spider to live in.
When I say he lives there, I mean he spends the day there. At night he spins a web between the mirror and my driver’s side window. He must catch plenty to eat, because when I first noticed him, he was a tiny little arachnid-ette but now he’s a big fat Shelob-ish thing. I don’t see the spider every day, but it isn’t rare.
You see, the problem is, being a spider, he hasn’t figured out the whole car thing. I notice the spider when I drive to work – he is next to my face, after all, on the other side of the glass but right there. I guess some days, maybe the days I’m running late to work (usually) he takes down his insect-trap and retreats inside the mirror assembly before I come out and start the car. But if I’m early or he’s late he gets caught out there, on his web, while I drive down the road. These are residential streets so I don’t go much faster than forty – but that’s a lot of wind for a spider in a web. He swings and flails and hangs on for dear life.
Does a spider feel pain? Does a spider get dizzy? He must not because he was caught in a certain configuration this morning such that he started to spin in the wind hanging on a strand of web behind the mirror. When I say spin I mean spin. Like a tiny top on a string round and round extremely fast. A little pea sized arachnid blur – his legs held together, disappearing with the speed. But when I came to a stop sign he calmly set about his business of tidying up his web until I took off again – then he spun some more.
That’s the funny thing, during my ragged commute he alternates between swinging or spinning wildly in the wind when I’m moving to working his web remnants at stop signs or red lights. He has a mysterious spider purpose in arranging what’s left of his nightly web. I don’t know why he can’t simply let it go… he’s going to make a new one each night anyway. At any rate – usually about halfway to my work – I’ll stop for a minute and he’ll calmly move up the web and disappear behind the mirror to do spider things the rest of the day.
I don’t know what to do. I can’t really rescue him – and I’m a little afraid of him. But one day soon I won’t be going to work, but will have to drive somewhere on the highway. There’s a difference in the spider world between a forty mile per hour wind and one going, say, eighty.
It’s got a Lincoln motor and it’s really souped up.
That Model A Vitimix makes it look like a pup.
It’s got eight cylinders; uses them all.
It’s got overdrive, just won’t stall.—-Charlie Ryan (also Commander Cody and His Lost Planet Airmen), Hot Rod Lincoln
Ooh baby, watchful lines vibrate soft in brainwave time.
Silver pictures move so slow.
Golden tubes faintly glow.Electric faces seem to merge.
Hidden voices mock your words.
Fade away and radiate.—-Blondie, Fade Away and Radiate