Spray Paint

Deep Ellum
Dallas, Texas

“Graffiti is one of the few tools you have if you have almost nothing. And even if you don’t come up with a picture to cure world poverty you can make someone smile while they’re having a piss.”
― Banksy, Banging Your Head Against a Brick Wall

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

“If you hear a voice within you say you cannot paint, then by all means paint and that voice will be silenced.”
― Vincent van Gogh

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

When I was a twelve year old schoolboy I would sit at my little desk and press my fists into my eyes until the most wild and strange patterns would appear against the back of the closed lids. Then I would snap open my eyes. The drab world of the classroom was suddenly bright and life was worth living and the ghosts of the abstract shapes and designs would still be superimposed, for a brief second, over this shimmering simulacrum of reality. It is that moment that I have struggled to paint – every day for the rest of my life. At least.
—-Nestor Fudant, The Ninth Mad Impostor That Understands the Rogue

Sometimes I Do As I Am Told

Deep Ellum
Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Sherlock Holmes: The Final Adventure

The Wyly Theater in the Dallas Arts District

The Wyly Theater in the Dallas Arts District

THE STORY: The world’s greatest detective has seemingly reached the end of his remarkable career when a case presents itself that is too tempting to ignore: The King of Bohemia is about to be blackmailed by a notorious photograph, and the woman at the heart of this crime is the famous opera singer, Irene Adler. With his trusted companion, Doctor Watson, at his side, Sherlock Holmes pursues first the case, and then the affections of Miss Adler—and in doing so, marches right into the lair of his longtime adversary, that malevolent genius of crime: Professor Moriarty. In this spirited, fast-moving and thoroughly theatrical adaptation, Steven Dietz presents Holmes at the height of his powers—surrounded by all the elements that fans of his exploits have come to expect: danger, intrigue, wit, humor and surprise. “The game is afoot, Watson—and it is a dangerous one!”

As I have said before, I remember watching the enormous Borg Cube of the Wyly Theater going up in the shiny new Dallas Arts District and thinking, “What a cool place! Such a shame I’ll never be able to afford to go to a play there.”

The Wyly Theater.

The Wyly Theater.

I was wrong. By judicious actions and careful attention to the Internet – I have been able to find a series of bargains and go to a play down at the Wyly on a fairly regular basis. My most reliable source for affordable seats is the Dallas Theater Center’s Pay What You Can performances. As each play opens, the first performance is open to anyone and the price is what you think you can afford. I guess one way to look at it is that it’s a bargain admission to what really is a final dress rehearsal – but I have really enjoyed all the performances I’ve seen.

This time around it was Sherlock Holmes: The Final Adventure. I logged in exactly at ten – when the tickets went on sale – and I’m glad I did. The show sold out in eight minutes. I managed to snag tickets for myself and a couple friends from my writing group.

The play was a lot of fun. It was nice to see a straight play – nothing special (although the moving sets were ingenious and effective) except a handful of actors standing out there delivering the classic Arthur Conan Doyle lines.

I won’t give away any secrets – although this isn’t so much a whodunit as much as it is a chess game between Holmes and his greatest enemy, Moriarty. The play is faithful, with a little bit of updating (a modern love story, a very strong female character, and an emphasis on Holmes’ drug use) to make it engaging to a 21st century audience, but it keeps the quaint style and innocent entertainment.

Opening night, there were a few hiccups. The opening was delayed by a few minutes with sound board problems, but the crowd entertained itself with the start of a wave. But all was forgiven and a lot of smiles came out at the end.

Now, the next play at the Wyly is Le Mis. I’ll have to have fast fingers, I’m sure it’ll sell out even faster.

Lumbo

Lumbo:

Lumbo, by David Pound, twentyheads.com

Lumbo, by David Pound, twentyheads.com

One reason I always head down to the Deep Ellum Arts Festival as soon as I can after it opens (after work on Friday) every years is so that I can get a look at David Pound’s work before too many are sold.

David Pound, TwentyHeads.com, is a sculptor that makes little monster heads in wooden boxes. I have loved his work ever since I saw it a few years ago and I save up to buy something each year. This would be the fourth.

The First one I bought was Persuasion:

Persuation

Persuation

Then Burrow:

Burrow

Burrow

and last year, I bought Fracture Zone:

Fracture Zone

Fracture Zone

Two years ago, I had David make a commission of a pair of earrings for Candy for Mother’s Day that were modeled on our dog, Rusty.

Earrings I had David Pound make for Candy for Mother's Day.

Earrings I had David Pound make for Candy for Mother’s Day.

They do look like Rusty

They do look like Rusty

As always, he had a large collection of cool little monster heads in boxes. As always, it was tough for me to choose. I think I gravitate to the simpler works – I seem to look for little guys that have interesting expressions on their faces. At any rate, after two visits (I looked for a bit, walked around, and came back to make up my mind) and some input from Candy, I chose Lumbo – a little unhappy looking purple guy with three orange eyes and some delicate bones (mouse bones?) sticking up out of his head.

Now he takes his place with his three buddies on a little shelf over our television (they share their spot with a couple Zulu Coconuts).

If you like David’s work (and who doesn’t) take a look at his website – twentyheads.com. To see more of his stuff, like his facebook page, his DeviantArt Page, or at Nashville’s Smallest Art Gallery.

This year was a good one for growing Monster Heads in little wooden boxes.

This year was a good one for growing Monster Heads in little wooden boxes.

Hard to pick only one.

Hard to pick only one.
(click to enlarge)

I like the heads, I like the titles, and I like the images on the inside of the boxes.

I like the heads, I like the titles, and I like the images on the inside of the boxes.
(click to enlarge)

TunnelVisions

Friday I packed my bike onto the DART train after work and headed downtown – riding over from the station through the heavy Friday/Rushhour/FinalFour/NASCAR/Concert traffic to Deep Ellum. It was the annual Deep Ellum Arts Festival – running all weekend, but I wanted to get in at the beginning.

One of the things (more to come) that I wanted to see was TunnelVisions Mural Tournament.

From the Facebook Page:

The Deep Ellum Community Association is proud to debut the inaugural TunnelVisions 2014 Mural Tournament at the Deep Ellum Village section of the Deep Ellum Arts Festival.

Throughout the weekend, 30 mural artists from across the city will paint 4×8 panels to be attached to a pop-up, walk-through tunnel structure, invoking memories of the TunnelVisions project on Good Latimer. Each artist has exactly 4 hours to paint. 6-8 artists will paint at a time. And it will be pressure-packed, high drama.

Confirmed artists include:
Sour Grapes, Joe Skilz, Hatziel Flores, Judith Lea Perkins, David Rodriguez, Jeff Thornton, Cathey Miller, Isaac Davies, Richard Ross, Tony Slomo, Ben Camillo, Brian Crawford, Michael Lagocki, Patricia Rodriguez, Jerod Davies, Jeff Sheely, Brad Albright, Roxanne Mather, Randy Guthmiller, Dan Colcer, Justin Clumpner, Clint Scism, Jashua Davies, Ixchel Aguilar, and more.

Finished boards are added to the tunnel and over the course of the weekend, the tunnel frame will be transformed into a huge, 12’ wide by 8 foot tall, 32’ deep Mural Tunnel. Artists paint every hour of the Festival until 3pm Sunday, when the last artists finish and judging begins.

Prizes include $1500 for 1st, $750 for second, $250 for third, and a People’s Choice Award. Winners will also receive a package including a night at the Omni Hotel, and Deep Ellum gift certificates.

I especially wanted to get there first thing on Friday because among the first wave of artists were three that I was familiar with. Justin Clumpner had taught the cool Art History class I attended at Kettle Art the other day – Sour Grapes painted a couple of murals we toured on the Dallas Contemporary Street Art Bike Tour – and Richard Ross has a number of Deep Ellum Murals that I’ve admired.

Closeup of the Sour Grapes mural at the Belmont Hotel, Dallas, Texas. (click to enlarge)

Closeup of the Sour Grapes mural at the Belmont Hotel, Dallas, Texas.
(click to enlarge)

Richard Ross Column Deep Ellum Art Park, Dallas, Texas (Click to Enlarge)

Richard Ross Column
Deep Ellum Art Park, Dallas, Texas
(Click to Enlarge)

I made it down there just as they started. It was pretty darn cool.

I’ll try to get by there Saturday to look at some more work… and definitely see if I can see the finished stuff on Sunday. What fun.

The start of a work of art

The start of a work of art

Justin Clumpner starting on his mural

Justin Clumpner starting on his mural

Sour Grapes planning their mural

Sour Grapes planning their mural

Alfredo Pina prepping his panel.

Alfredo Pina prepping his panel.

Sour Grapes

Sour Grapes

Justin Clumpner

Justin Clumpner

Sour Grapes adding detail

Sour Grapes adding detail

Richard Ross

Richard Ross

Richard Ross and Justin Clumpner

Richard Ross and Justin Clumpner

Brain, Thoughts, and a Red Door

Mural by Leighton Autrey
Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas (click to enlarge)

Deep Ellum, Dallas, Texas
(click to enlarge)

“The ugly and stupid have the best of it in this world. They can sit at their ease and gape at the play. If they know nothing of victory, they are at least spared the knowledge of defeat. They live as we all should live– undisturbed, indifferent, and without disquiet. They never bring ruin upon others, nor ever receive it from alien hands. Your rank and wealth, Henry; my brains, such as they are– my art, whatever it may be worth; Dorian Gray’s good looks– we shall all suffer for what the gods have given us, suffer terribly.”
― Oscar Wilde, The Picture of Dorian Gray

Dirk

“…So please, be tolerant of those who describe a sporting moment as their best ever. We do not lack imagination, nor have we had sad and barren lives; it is just that real life is paler, duller, and contains less potential for unexpected delirium.”
― Nick Hornby, Fever Pitch

Deep Ellum, Dallas, Texas

“You have to give 100 percent in the first half of the game. If that isn’t enough, in the second half, you have to give what’s left.”
― Yogi Berra

Hand of Dirk, Deep Ellum, Dallas, Texas

Hand of Dirk, Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas

Deep Ellum, Dallas, Texas (click to enlarge)

Deep Ellum, Dallas, Texas
(click to enlarge)

I’m still working through older photographs – I need some bicycle shots with my new Xootr Swift, instead of my old commuter bike.

“We have to do something about our bad starts because it’s not the first time it’s happened to us all year. Maybe we should get up at 6 o’clock and run around the block.”
—-Dirk Nowitzki

“I sat down in the producer’s office and he handed me a basketball. It had my name on it.”
—-Spalding Gray

Dirk Nowitzki Gives Conan The Texas Citizenship Test

Holding Up the Sun

“By day the banished sun circles the earth like a grieving mother with a lamp.”
― Cormac McCarthy, The Road

Mural by Richard Ross
Deep Ellum, Dallas, Texas

“See,” Sasha muttered, eyeing the sun. “It’s mine.”
― Jennifer Egan, A Visit from the Goon Squad

Richard Ross, Deep Ellum, Dallas, Texas

Richard Ross, Deep Ellum, Dallas, Texas

“Here I came to the very edge
where nothing at all needs saying,
everything is absorbed through weather and the sea,
and the moon swam back,
its rays all silvered,
and time and again the darkness would be broken
by the crash of a wave,
and every day on the balcony of the sea,
wings open, fire is born,
and everything is blue again like morning. ”
― Pablo Neruda

Bulldog

Deep Ellum, Dallas, Texas

Detail of Mural by Cathey Miller/Cathedonia

Deep Ellum, Dallas, Texas Cathey MIller, Cathedonia (click to enlarge)

Deep Ellum, Dallas, Texas
Cathey MIller, Cathedonia
(click to enlarge)

“The marriage of reason and nightmare that dominated the 20th century has given birth to an ever more ambiguous world. Across the communications landscape move the spectres of sinister technologies and the dreams that money can buy. Thermo-nuclear weapons systems and soft-drink commercials coexist in an overlit realm ruled by advertising and pseudo-events, science and pornography. Over our lives preside the great twin leitmotifs of the 20th century – sex and paranoia…In a sense, pornography is the most political form of fiction, dealing with how we use and exploit each other, in the most urgent and ruthless way.”
— J.G. Ballard

Forty Thousand Years of Art in Fifty Eight Minutes

Plaza of the Americas
Dallas, Texas

glass_steel

During the week, after work, I am so tired. All I can think of is getting home and falling into bed. The whole world feels dim and tilted – sloping toward the land of nod.

This is not a good thing – I don’t want to sleep my life away. I try and figure out something to do after work every day. I’m not always successful – but that doesn’t mean I can’t keep trying.

So I saw that tonight was an Art History lecture at Kettle Art in Deep Ellum (this is the gallery where I bought my bargain painting a month ago). Painter and educator Justin Clumpner was giving a talk in BYOB Art History:

Justin Clumpner’s titillating presentation on this-thing-we-call-art kicks off the final weekend of “Love, Death, + The Desert”. Join us tomorrow night at 7 for the first installment of Justin’s behind-the-scenes glimpse into the strange and mysterious world of art through the ages.

That sounded like fun – so I decided to go.

I’ve always had a soft spot for Art History. I took a year of it in college, as a break from my chemistry classes (and in a vain attempt to meet women). It turned out to be a revelation.

My instructor was an interesting person. On the first day of class he said, “We are supposed to go from ancient art to the present, but we are going to stop at 1860, because there hasn’t been anything worthwhile done since.” He lived in a world of his own – a world filled exclusively with the art of yesteryear. He talked about the Roman Colosseum and how it had canvas shades that would extend out over the audience. He asked, “Those astro-dome things nowadays have that too, don’t they?” The man had no idea what a modern sports stadium was.

But he was able to teach. I was fascinated by how, with a little instruction and after looking at thousands of projected 35mm slides from a rotating carousel in a darkened room (these were the days before powerpoint – and possibly better for it) – I could look at a totally unknown painting and tell who had painted it and in what year, give or take a few.

My biggest problem is that I would have four hours of chemistry lab before the art history class. I had to make a difficult left brain-right brain switch in only a few minutes of walking across campus. I remember looking at a slide of a beautiful Byzantine Mosaic and all I could think of was, “What pigment did they use to get that blue?”

One day I left my lab, walked to art history, ate lunch, studied on campus for a few hours, then walked the two miles to my apartment. I started cooking dinner when my roommates came home. They stared at me and said, “Bill, what the hell is that on your face?” I realized I still had my big heavy laboratory goggles on. I was so used to them I forgot to take them off and still felt normal. I can’t believe nobody had said anything to me yet that day – I must have looked like an idiot.

Today, after work, I caught the Red DART line downtown and then transferred to the Green to get to Deep Ellum. The Transit Gods smiled on me and I didn’t have a wait – so I arrived early. The talk was billed as BYOB and I wish I had gone to pick up a growler of local beer – but I settled for a little metal flask loaded with a few draughts of precious Ron Flor de Cana.

The Altamira Bison

The Altamira Bison

The talk was really interesting. Of course, it could only be a quick overview, from cave paintings of forty thousand years ago to post-modernism in one hour is a tough and fast voyage – but Justin Clumpner is a high school art teacher and knows how to bring an audience along with him.

He said he wanted to make the BYOB Art History Talks a regular thing, maybe once a month. I hope so – it will be cool to hear him talk about some themes and topics in a more detailed, comprehensive way. If you want to give it a shot, like Kettle Art and watch their feed – I’ll see ya there.

Maybe I’ll be able to get a growler of beer to bring. Some fresh local beer and an art history lecture… that’s a good way to spend a work night. Better than collapsing at home.