Dallas Skyline Old and New

“Artists use frauds to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on.”
― Kurt Vonnegut, Wampeters, Foma and Granfalloons

Dallas Skyline, Arts District

Dallas Skyline, Arts District

Old and New – El Cathedral Guadalupe and the Eye of Sauron.

I like photographs that I take because I can look at them and they will bring back the sensations and emotions I felt in the instant that I pressed the shutter. In this one I can feel the summer heat still coming off the sidewalk as the evening cools off. I can see the bright “magic hour” preternaturally colored light bouncing off the buildings all around me making the shapes and angles sharper than they otherwise are. I can hear the honking of the Friday evening traffic – office drones desperately trying to get home, delivery trucks dropping off the last loads of the day, the opera patrons heading for the parking garage. I smell the diesel exhaust mixing with the cooking wafting from the local, sidewalk-level restaurants, gearing up for the dinner crowd. I remember the feel of the rough sidewalk under my feet.

I remember the excitement of the workday being over and the anticipation of hearing some live music. I remember the layering of memories as I walked down a familiar street that had changed drastically, completely, since the first day I had set foot – changed almost as much as I had. I remember the slight smile on my face.

Without this photo, these memories are lost in time.

I’ve… seen things you people wouldn’t believe… Attack ships on fire off the shoulder of Orion. I watched c-beams glitter in the dark near the Tannhäuser Gate. All those… moments… will be lost in time, like tears… in… rain. Time… to die…
—-Rutger Hauer, Blade Runner

Grids in the Pool

Reflecting Pool, Arts District, Dallas, Texas (Click To Enlarge)

Reflecting Pool, Arts District, Dallas, Texas
(Click To Enlarge)

Reflecting Pool, Arts District, Dallas, Texas (Click To Enlarge)

Reflecting Pool, Arts District, Dallas, Texas
(Click To Enlarge)

The shallow pool is so still that it becomes a perfect mirror, especially on a calm day. Until someone runs by, children’s little feet, stirring up the water in a series of overlapping sets of concentric ripples, mixing and refracting each other until the image blurs and breaks up. It doesn’t take long to settle down and everything is sharp again. Back to normal. Or… what is normal? surely not the clear reflection. Maybe the confusion of little feet is the normal – only through great effort by the designers, constructors, and maintainors of the vast black stone slab with its thin slip of water… is the illusion of clarity created.

Reflecting Pool, Dallas, Texas (Click To Enlarge)

Reflecting Pool, Dallas, Texas
(Click To Enlarge)

Awning stretching out from the Opera House, Arts District, Dallas, Texas (Click To Enlarge)

Awning stretching out from the Opera House, Arts District, Dallas, Texas
(Click To Enlarge)

This thing is a lot bigger… and a lot higher up in the air than it looks in the photo. During the heat of the day the gigantic aluminum louvers provide relief from the deadly Texas sun. Toward sunset, once the firey orb has descended below the level of the shade… well, it’s just plain cool to look at.

A Place to Gather

I have begun to look everywhere for sculpture and am finding it in unpredictable places. As always, I have a soft spot for artwork that is neglected/forgotten/ignored/abandoned – it becomes an unexpected pleasure. A needed reminder of the fact that art is all around us. We only need to open our eyes.

Near where I work is a campus, Richland College, that I was checking out for outdoor artworks – especially sculpture. I’m familiar with that campus – have been going there for various reasons for decades… and thought I knew everything about its grounds.

But I found a reference to an outdoor sculpture that I knew nothing about. It was called “A Place to Gather” and was done by Linnea Glatt – the sculptor that did “Harrow” in Lubben Plaza downtown (one of my favorites). She also did “A Place to Perform” at the White Rock Bathhouse Cultural Center. I have always enjoyed stopping there on my bike trips around the lake.

What she built at Richland was a small outdoor installation that consisted of a space bounded by two walls, containing a couple of wooden benches. Truly a place to gather.

A photo from The Dallas Art Revue of A Place to Gather when it was first installed.

A photo from The Dallas Art Revue of A Place to Gather when it was first installed.

I had never noticed it. I had a few moments, so I went over there to look for it. I was astounded to find it, overgrown and ignored, between a couple of low earthen ridges in the fields to the east of campus.

There are soccer fields built all around that spot – and I have watched… easily a hundred kid’s soccer games there. Who knows how many times I have walked right by the sculpture, usually hauling a folding chair and a cooler full of drinks for the kids, without ever noticing that it was there. I even remember clearly walking over those little hills in the heat.

The most developed soccer field is right over the little rise to the south – I remember when Nick broke his arm in a game there.

A Place to Gather

A Place to Gather – by Linnea Glatt, with soccer fields nearby

A Place to Gather - by Linnea Glatt. The little benches are still there - it's a peaceful spot.

A Place to Gather – by Linnea Glatt. The little benches are still there – it’s a peaceful spot.

A Place to Gather - by Linnea Glatt. The weeds are taking over.

A Place to Gather – by Linnea Glatt. The weeds are taking over.

A Place to Gather - by Linnea Glatt

A Place to Gather – by Linnea Glatt

I enjoyed checking it out. It’s more than a little overgrown now – with some graffiti sprayed on the concrete and some trash starting to accumulate. I’m sure one of the purposes of the work is to let it settle into the landscape but I wish it could get cleaned up a little.

I’d like to go sit there sometime… sit and write, maybe talk to someone. After all, it is a place to gather.

Six Skycrapers

I took the DART train downtown to a Beer Festival and made my train on time. Because of this, I was an hour early and sat down in Klyde Warren to hang out and wait until the festival opened. The sun was near setting and the sky was glowing – the skyscrapers sharp and elegant.

Looking at the collection of crystal towers, my attention was drawn toward six in particular. Thinking about why these meant something to me; I realized I had watched these (and many others) while they were built. I worked in Downtown Dallas in the early eighties – for a couple years in the Kirby Building (now converted into condominiums) and for a couple more in the historic Dallas Cotton Exchange (I loved that building – unfortunately, it was dynamited in 1994 to make room for a parking garage for the 1st Baptist Church).

http://youtu.be/xYqBhvfx218

The early eighties were a time of frantic building in Texas, especially in downtown Dallas. The giant construction crane was considered the state bird. This all came to a spectacular stop in the Savings and Loan crash of the late eighties – but at the time nobody could see that disaster coming.

I was young and a recent immigrant to the big city and was absolutely fascinated with watching the towers going up. In those pre-internet days detailed news was unavailable to the unwashed masses – so the construction was always a surprise to me. Since it would take, say, two years or more to build these it was like a slow-motion reveal, a mystery unveiled piece by piece, day by day.

A block would be cleared and then a gigantic hole slowly carved deep down into the chalky bedrock. Then the steel, concrete, or combination skeleton would rise, floor by floor, emerging from the scurrying crowds of hard-hatted workers like a living thing.

Finally, the skin would be hung and, only then, would the real shape and color of the building revealed. It was never really what it looked like while it as going up – the architects played with shapes and forms, adding extra corners and geometric sleights of hand. The final form was always a gigantic pleasant surprise.

Those were exciting, innocent days. Now, looking at the buildings bring back those memories. I can see, in my imagination, beyond the glass and stone cladding to the hidden skeleton of these skyscrapers, remember when the supporting framework was fresh and exposed.

Three skyscrapers from Klyde Warren Park, Dallas, Texas

Three skyscrapers from Klyde Warren Park, Dallas, Texas



The three towers to the east

The Chase Tower
2200 Ross – 1987
– I recently took photos of a helicopter making a delivery here.

People call this one the building with a hole in it. On the 40th floor is a skylobby that offers good views of the Uptown area of the city – I haven’t visited this, but would like to. I watched it get started but was working out in Garland before it was finished. The skyscraper was designed by SOM and is 738 feet tall with 55 stories, making it the 4th tallest building in Dallas.

San Jacinto Tower
2121 San Jacinto – 1982

This is the tan triple building in the center. I watched this one go up in detail. While it was being built it was not obvious that it would have that unique, triple structure – the effect was made with add-ons at the end. The building is 456 feet tall and is 33 stories, making it the 20th tallest building in Dallas.

Trammell Crow Center
2001 Ross – 1985

This one was really cool to watch. It was very close to where I worked and was clearly visible outside a window near my cube. Although I left downtown before it opened, I did see all the visible construction right in front of my eyes. The skyscraper is Post Modern in styling and is 686 feet tall with 50 stories. The Trammel Crow Center is the 6th tallest building in Dallas and is named after its principal tenant.

Three more skyscrapers from Klyde Warren Park, Dallas, Texas

Three more skyscrapers from Klyde Warren Park, Dallas, Texas

To the west are three more:

Lincoln Plaza
500 N. Akard – 1984

This triangular building went up on the site of the old YMCA – I watched them implode that building. It has a cool upper-crust restaurant (Dakota’s) in the basement – you go into an elevator sticking up in the sidewalk to get down to it. Lincoln Plaza is 579 feet high with 45 stories, and is the 13th tallest building in Dallas.

These last two flank Thanksgiving Square – one of my favorite spots back in the day. It’s getting a little run-down and forgotten now – but in the early 80’s it was the place to hang out for lunch on a warm spring day.

Energy Plaza
1601 Bryan – 1983

This is another building that I watched with interest – it ended up looking a lot different than I thought. I.M. Pei & Partners designed this 49 story building located on the north side of Thanksgiving Square. On top of the tower is a triangular communications tower that is modeled after the Eiffel Tower — only smaller and three sided. Energy Plaza is the 9th tallest building in Dallas and with a height of 629 feet.

Thanksgiving Tower
1601 Elm – 1982

The rearmost of these three is Thanksgiving Tower. This was was almost finished when I started working in Dallas – I was there when it opened. This 50 story all glass skyscraper faces into Thanksgiving Square. Thanksgiving Tower is 645 feet high and is the 8th tallest building in Dallas. If you look at it you can see the the distinctive reflection of Republic Center Tower – a skyscraper that has been there since 1954 – ancient by Dallas Standards.

Commuter Bike and Reunion Tower

My rebuilt commuter bike,and Reunion Tower. Taken from the abandoned parking garage next to where Reunion Arena used to be. Dallas, Texas

My commuter bicycle with Reunion Tower in the background

My commuter bicycle with Reunion Tower in the background

I think this video is taken from the exact spot that my bicycle is leaning in the photo.

Hyatt at Dawn

Dallas downtown Hyatt Regency and Reunion Tower at dawn – taken during the morning Dallashenge.

Dallas Downtown Hyatt Regency at dawn.

Dallas Downtown Hyatt Regency at dawn.

Magazine Street at Sunset

“There is something strange about agony; the memory of it can be terribly short-lived when the contrast of revival and a pretty spring afternoon have dispelled the regrets. One drink of vodka in a cheerful glass, in the company of good poetry and the scent of blossoms and earth might entice the most well intended to forgo promise of atonement until a worse time. I have at times been just less than amazed how one drink merges with the second, where at some unknown point a mental transformation sets in. I have never been able to ascertain at what point that is–not precisely–and I have been conscious of trying to catch that moment, to try and understand it, to try and prevent it from happening, or at least have a fair chance to decide whether or not to cross over into that other realm. Such an elusive thing, this is.”
― Ronald Everett Capps, Off Magazine Street

When you talk to someone that has visited New Orleans, they will tend to say, “Yeah, I’ve been there, I walked up and down Bourbon Street.” On our last trip, we spent a week in New Orleans and I never set foot on Bourbon. It’s all tourist, all the time, in a bad way. Trash tourist.

There is another street that has plenty of tourist in it, but in a good way. Magazine Street. I spent a lot of time on Magazine. Our Guest House was at Magazine and Race, not far out from downtown. But Magazine runs a long way. Decatur street in the French Quarter changes into Magazine as it crosses the neutral ground of Canal and then Magazine follows the curve of the river all the way through the Arts District, Garden District and Uptown until it pierces the gorgeous Audubon Park.

At every major cross street it holds a cluster of restaurants, nightclubs, shops, and everything else. In between are fabulous examples of the amazing New Orleans architecture, from Gothic old mansions to rows of shotgun houses.

A walk down Magazine is a great walk. Be careful, though – it is a long street. I still have memories and pains in my ankles from a stroll we took a couple years ago. Near the beginning, I turned an ankle on a bit of rough sidewalk broken pavement and then hiked too far from the car. The trip back will forever be etched in my mind as the “Magazine Street Death March.”

Magazine Street, New Orleans

 (Click to view a larger version on Flickr)

I saw a bit on television about the uselessness of a college education. The reporter wandered New Orleans interviewing bouncers, bartenders, cooks, and pedicab drivers – even a woman reading tarot cards in Jackson Square. They all had college degrees – some multiple, many graduate degrees – yet they all were working in nightlife in New Orleans. The point of the piece was how useless the college was to these poor dupes – that in spite of their education, the best they could do was work in the New Orleans nightlife.

The main thrust of the concept may be true, but the reporter was missing the whole point. The folks he interviewed were doing what they wanted to do – not a single one of them expressed regret. They didn’t want to be investment bankers, teachers, or engineers; they wanted to be a part of New Orleans, as best as they could.

I guarantee that if you interview a pack of bankers, managers, and businessmen and ask them, if they could, would they want to drive a pedicab through the New Orleans night, tell fortunes under the Cathedral in Jackson Square, or hustle for the strippers on Bourbon, and they probably won’t tell you that they would d’ruther, but there will be a long pause and a wistful look into the air. It’s all a question of who has the courage and who doesn’t.

“there was something about
that city, though
it didn’t let me feel guilty
that I had no feeling for the
things so many others
needed.
it let me alone.”
― Charles Bukowski

“Leaving New Orleans also frightened me considerably. Outside of the city limits the heart of darkness, the true wasteland begins.”
― John Kennedy Toole, A Confederacy of Dunces

“There are only two things: love, all sorts of love, with pretty girls, and the music of New Orleans or Duke Ellington. Everything else ought to go, because everything else is ugly. ”
― Boris Vian

“I’m not going to lay down in words the lure of this place. Every great writer in the land, from Faulkner to Twain to Rice to Ford, has tried to do it and fallen short. It is impossible to capture the essence, tolerance, and spirit of south Louisiana in words and to try is to roll down a road of clichés, bouncing over beignets and beads and brass bands and it just is what it is.

It is home.”
― Chris Rose, 1 Dead in Attic

“People don’t live in New Orleans because it is easy. They live here because they are incapable of living anywhere else in the just same way.”
― Ian McNulty, A Season of Night: New Orleans Life After Katrina

“Jesus just left Chicago, and he’s bound for New Orleans.”
―ZZ Top

Klyde Warren Park

In its (probably too late) attempt to convert its downtown from a windblown concrete wasteland into a vibrant city center Dallas has designed a series of three signature parks to add a little green space into the vast steel and glass canyons.

This is a good thing. A very good thing.

The first was the Main Street Garden Park, a block of lawn with some amenities surrounding it built upon the ruins of a demolished parking garage. It’s a great space – even if it is mostly used as a dog-walk by the folks that live in the newly converted condominium and apartment space in that formerly neglected stretch of downtown. I’ve gone to the park a few times, both on foot and on my bike

Main Street Garden

People at Main Street Garden Park

Free Tacos

and the space, and the people in it, have brought a smile to my face every time.

The second garden, which only opened a little while ago, is the Belo Garden. It’s a small spot, right in the heart of downtown, but is a beautiful, peaceful retreat. They did a great job of making the place inviting. I especially like the little green hill they built – it’s a rare three dimensional hunk of nature; not very large or imposing, but better than nothing.

Belo Garden

The third, and most impressive park is the Klyde Warren Park on the northern border of downtown, next to the Arts District.

When I first moved to Dallas in 1981 I worked downtown for a few years and watched most of the present skyline go up. It was exciting to me and I feel a connection to a lot of the skyscrapers, having seen their skeletons and guts rising among the cloud of ant-like workers and bird-like cranes putting them together like a giant child’s construction toyset.

One of the largest and most impressive projects was Woodall Rogers, a freeway connector on the north side of downtown, mostly built as an alternate to the always jammed highway complex to the south – called “The Mixmaster” by Dallasites, which is a perfect description of the hell involved in navigating its confused twisting lanes. Woodall Rogers was built in an excavated canyon. I remember there was a lot of controversy in this method, which was much more expensive than an elevated highway.

The answer was that a road below level would present a less formidable obstacle to the expansion of the city center northward. This has happened, the area of Dallas known as Uptown, across the Woodall Rogers, is now ground zero of the hip and well-connected.

So the powers that be hatched a hundred-million dollar plan to further integrate Uptown and Downtown – the Woodall Rogers park. A massive roof would be built over the below grade highway. This concrete structure would then be covered with dirt and trees and a park would be born. This was an expensive and audacious plan – the sort of thing that Dallas does.

As the plans and the construction for the park (renamed the Klyde Warren Park) progressed I became excited. This was such a great idea and such a grand plan. I love exploring Dallas’ downtown, especially the Arts District, and this was one more really cool thing.

It was with great excitement that I circled my calendar for this weekend, for the grand opening of the park. I wanted to go on Saturday, on the first day, but I had to take my son to the airport and I was not able to snag one of the “Free” wristbands for the concert so I wouldn’t be able to get in to the big opening day concert.

That was alright, I went for a long bike ride in Las Colinas instead and decided to go to the park on Sunday. I took the DART train downtown and walked up Saint Paul street to get to the park.

Right off the start, I didn’t like things. I approached the corner of the park, along with a throng of other folks, only to be stopped by a line of orange cones and a surly security guard. “You can’t get in here,” she shouted, “You got to go ’round to the entrance.” The green grass of the park was right there, right on the other side of the cone, but we weren’t allowed to pass.

So we walked around the block and went through the security check. I had a large camera case around around my neck, which the guard never looked at, my pockets were filled with a phone and other metal objects, but the paddle he waved half-heartedly through the air never made a squeak.

So this “public park” has security fences and ineffective searches on its grand opening weekend. That left a bad taste in my mouth before I ever walked in.

So I strolled in and walked the length and breath of the place. It is a wonder to behold – suspended in midair over the roaring traffic of Woodall Rogers freeway is a giant green slab of carefully manicured grass and exquisitely placed trees. The paths are curved just so, the designated areas – dog park, child’s park, reading area, games area… all are carefully marked off and fenced. You can’t go in the child’s park without a kid – you can’t go in the dog park without a pooch. There are games – a long series of bocce ball courts, table tennis, badminton nets, chess tables, a vendor checking out all the supplies – trading silver bocce balls for driver’s licenses.

The park dead ends at both ends in busy cross streets and a drop to the massive highway far below.

A big stage was set up facing a lawn and a series of local arts groups were performing. The streets around the park were blocked off and full of food trucks.

It was obviously a carefully planned and meticulously executed space. An army of architects and corporate planners had spent years and a thousand focus groups mapping out the pathways and benches and little metal green chairs so that not a dollar of the hundred million would go to waste. It bills itself as a park for the future, a place for the city to get together, a centerpiece of the Arts District, a front yard for the million dollar condominiums rising all around.

I hated it.

I didn’t want to hate the place, I was excited, I really wanted to love it. But it is so sterile, so pre-planned. It didn’t feel like a park at all – it felt like the lobby of a corporate headquarters… which, it really is. It’s like a planned entryway – without a roof.

The streets around the park were all closed off for the weekend. Most of the fun stuff was off on those side streets. When they are opened back up the two parts of the park will be isolated in a sea of traffic.

This is a typical scene at the opening. Security guards, steel fencing, and signs keeping the public out of where they don’t belong.

I stayed longer than I wanted to, giving the place a chance, hoping to change my mind. I sat down in the “reading area,” where there were racks of books, chairs, and some nice shade. It is sponsored by the Dallas Morning News, and within seconds of sitting down a representative walked up to me and tried to sell me a subscription. “I haven’t held a real newspaper in my hands for five years and don’t see any reason to start now,” was the only possible response I could give. He glared at me and I left. I didn’t speak to anyone else the time I was there. As a matter of fact, I didn’t see anyone speak to anyone that wasn’t in their own group. So much for bringing the city together.

I guess they should have built a “Speak to a Stranger” pavilion. Then folks would have known what to do.

And above it all loomed the ever present, oppressive Eye of Sauron. I’ve written about this before. A huge upper-crust condominium tower, ironically name The Museum Tower, owned by the City of Dallas’ Fire and Police Union Retirement Fund, has reared its mirrored vastness into the air where it is throwing solar-powered death rays into the Nasher Sculpture Center next door. It also shines its burning beams down onto the Klyde Warren Park.

The deadly solar rays burning down from the Museum Tower onto the Klyde Warren Park. The tower builders say this is not a problem, but take my word for it, it was nasty. In the summer, it will be unbearable.

This bright shadow on the wall of the Nasher sculpture garden is not cast by the sun, but by the reflection off the Museum Tower.

The park is divided into two halves. Today, you could walk between them, but once the streets are opened they will be separated by heavy, smelly traffic. The East Half was behind the death ray, while the West was struck straight on. It was ten degrees warmer on the West Side, I would take my jacket off there, and put it back on once I was out of the tower’s reach. This was a cool autumn day, but in the summer, the park will be uninhabitable when that thing is shining on it. Take my word for it, the last thing you need in Texas is an extra sun.

There was an effort to find a solution, but talks have broken down. Apparently the museum tower and their lawyers didn’t play by the rules (no surprise). The museum tower is touting the park “Just outside Museum Tower’s front door,”to sell their multi-million dollar units. I have a solution. The thing should be torn down.

So I walked around for a few hours, trying to find something I liked, and coming up empty. I kept thinking of my car parked in the DART station – a dozen miles to the north. My bicycle was there and I could get it out and ride it where ever I wanted to. The sense of freedom and choice was palpable. So I walked back to the train station, rode north, dragged my bike out, and went for a nice long ride, until the sun set.

I think what bothers me the most is the lack of trust in the park goers. The people that designed this thing don’t think that the people that use the park can amuse themselves. Dallas doesn’t need more bocce ball courts or badminton nets – it needs green space and a place for people to hang out and interact. I would have liked to see grass, a few trees, and maybe a bench or two. Other than that, let people decide what they want to do in their park. But I guess that isn’t worth a hundred million dollars. Of course the park wasn’t really built for people like me (or you). It was built as a front yard, as a nice view from the balconies of the multi-million dollar condominiums.

I haven’t given up on the park. In a few months, when all the bocce ball sets have been stolen, the little green metal chairs are broken, the badminton nets torn, when the grass is brown from the burning rays of Sauron’s Tower, the signage has all been covered in gangsign, and the only park occupants are the homeless denizens sleeping off their benders on the lawn… then maybe I’ll go back.

I know I’ll like it better.

The Elaborate Entrance of Chad Deity

The Wyly Theater in the Dallas Arts District

When the Wyly theater was constructed I remember being excited about the building and its architecture, even more than the other venues in the Arts District. Its unique design and resemblance to a Borg Cube made it fascinating in my eyes.

But one thought I had was, “This is a cool place – but once it’s finished I’ll never be able to afford to see a play in such an expensive and opulent venue.”

Kids Splashing in front of the Wyly Theater. An HDR image I took on the opening day of the theater.

I was wrong. Sure, there are plenty of expensive seats at the shows at the Wyly, but if you play your cards right you can get in inexpensively. You can get in cheaper than a 3-D movie. We saw The Tempest there a while back for only a few measly bucks. Today, we saw a play that I had never heard of, The Elaborate Entrance of Chad Deity, for… well, for whatever I felt like paying.

The operators of the Wyly, The Dallas Theater Center, have these Pay What You Can Nights – so I logged in and bought a couple tickets. I thought for a minute about how much to pay… and ended up paying less than I should have but more than I could have. There is a thin line between cheap and poor.

At any rate, we took the DART train down to the Arts District. There was a lot going on – the Friday night late night music, food trucks, crowds, and a preview (A Glimpse) of the upcoming Aurora light and sound installation/exhibition (which I do not want to miss again this year).

We walked past the giant floating red/orange jellyfish writhing in the air outside the theater and went in to take our seats.

The play is about wrestling. I have never been a big fan of the “sport” (though it is in my blood, I guess, I’ll post something about that this weekend). The play was a blast, though.

The Wyly can best be described as a theater machine. The entire interior of the building is infinitely reconfigurable. For this play it was set up as seats surrounding a real wrestling ring, and one side would open up, the seats sliding sideways, to allow the wrestlers to enter through a cloud of smoke. High above were four giant video screens showing the wrestler’s publicity films or the output from handheld cameras showing the action in the ring or the announcing outside.

The narrator of the story is the wrestler Macedonio Guerra, known as Mace, who is a professional loser. He is so skilled that he makes the headline wrestler look good, even when he’s lousy. Wrestling has been Mace’s lifelong dream, and although he has a lot of complaints, he is quiet about them. He doesn’t want to upset the apple cart and lose whatever sliver of his dreams he is allowed to keep.

The first half of the play is a colorful, funny exposé of the funhouse mirror world of professional wresting – where money is king, and the performers are a brotherhood dedicated not to winning, but to entertaining, telling a story, and making sure nobody gets hurt.

After the intermission things get more confused and serious and Mace is inevitably faced with the need to make a choice and decide whether he will have to abandon the moral neutral ground he has been hiding in and take some sort of stand. There also is some real wrestling, which is rousing, fast, and exciting, even if it isn’t a real sport.

Every body in the hall had a hell of a good time, learned a little, and left smiling.

The cast of The Elaborate Entrance of Chad Diety

What shocked me was the number of empty seats. The performance was on a pleasant Friday evening, in the midst of an Arts District full of fun things to do, and cost, potentially, pennies. Why wasn’t every seat taken? I never understand why more folks don’t go to live theater. They pay more money than this to go to a crowded suburban googleplex to see the newest remake of some scumsucking hollywood slimebucket and eat stale popcorn while listening to teenagers’ phones going off.

Grow a pair, do something different, go see some live entertainers. You will be glad you did.

Aluminum Tube Skin on the Wyly Theater

Aluminum Tube Skin on the Wyly Theater