It’s Impossible

“If you had a million years to do it in, you couldn’t rub out even half the “Fuck you” signs in the world. It’s impossible.”
― J.D. Salinger, The Catcher in the Rye

Shoe remains in crosswalk, Beltline Road, Richardson, Texas

Oblique Strategy: The tape is now the music

When you go around the city, on foot or especially on a pair of spoked wheels – or even when your car is stopped at a light and you look out the window – you see a lot of odd crap strewn about the road. Flotsam and jetsam – cast-off detritus, odd personal items: a shoe, a glove, an old toy, pair of headphones crushed under tires – that sort of shit.

I see this stuff, because I see stuff, and I remember it, because I remember stuff. Most of all, I wonder where the hell did it come from? Who leaves one glove in the road? Whey don’t people pick up their possessions when they drop them?

A week ago, I had a bit of an answer. I contributed to this sea of debris, this ocean of junk, this abundance of rubbish.

It all started out simply. One Saturday afternoon Candy and I wanted to go to Four Bullets, a local brewery, and grab a couple of beers. I intended to put a few miles on my bike – so she drove while I rode my bicycle.

I knew I’d want to walk around the brewery, so I didn’t want to wear my cleated cycling shoes. The pedals tear up the soles of my ordinary footwear, so I dragged an old pair of running shoes out of the depths of a closet, and rode to the brewery.

Walking around, I noticed that one shoe was sort of loose and kind of coming apart. I could see a bit of sole peeking out around the side. – I made a note to throw the pair away for good when I made it home. We were there longer than I intended and it grew dark, but I had packed a good set of lights – so no big deal.

I was riding home on the Glenville trail and crossing Beltline (a busy road that everyone in Dallas uses to get everywhere) on a green light when I felt something come loose. It was the bottom half of my shoe; it had given up the ghost and fallen off right as I crossed the road. The light wouldn’t be green for long, so I couldn’t go back and grab it – the only thing I could do was go on.

The remains of my shoe in the crosswalk at Glenville and Beltline, Richardson, Texas

The problem was that I still had about two miles to go. The rough pedal was now against my almost-bare foot and it hurt like hell. Luckily, it was mostly downhill and I could coast a lot of it.

Still, I limped around for a few days until my foot healed from its unexpected meeting with the sharp metal of the bicycle pedal.

That was pretty much a week ago. I drive past that spot, through that intersection at least twice a day, on the way to work. I ride the Glenville trail any time I’m going someplace West of my house on my bike. It’s been a week, and the piece of my shoe is still there. It’s right in the pedestrian crosswalk, at the edge of the road, where the traffic misses it.

So I have made my own contribution to the conglomeration of bizarre trash that litters our planet. I could ride out there and pick it up – but I’m curious how long it will stay there. I just stopped and took a couple of photographs.

Some women walking by the piece of running shoe – they didn’t pick it up.

This is truly the best of all possible worlds.

The Thud of a Great Beast Stamping

“The waves broke and spread their waters swiftly over the shore. One after another they massed themselves and fell; the spray tossed itself back with the energy of their fall. The waves were steeped deep-blue save for a pattern of diamond-pointed light on their backs which rippled as the backs of great horses ripple with muscles as they move. The waves fell; withdrew and fell again, like the thud of a great beast stamping.”
― Virginia Woolf, The Waves

Children’s Waterpark, Waxahachie, Texas

Oblique Strategy: Would anybody want it?

There’s a button on a stand. The button doesn’t do anything at first – but then the water, a little bit at first, then more and more and more until torrents are spewing from pipes and nozzles. A plastic bucket fills, tilts, and dumps it’s cargo of dihydrogen monoxide out in a foamy amoeba into the hot Texas sun.

Practically Nothing Is Going On

“Artists use frauds to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on.”
― Kurt Vonnegut Jr., Wampeters, Foma and Granfalloons

Downtown Fort Worth, Texas

Oblique Strategy: Retrace your steps

What are the reasons for the modern vertical big city downtown? Maybe there is no reason… maybe they just are, like a mountain or an ocean. Maybe simply the value of a square foot of property.

There is the perceived need to pack a large number of lawyers, accountants, and administrative assistants together in order to foster some sort of symbiotic synergy between them. Think of the three dimensional human density in a fifty story high rise… it is unprecedented. I saw a documentary on The Lost Boys of Sudan – the Africans were brought to Houston and given ordinary apartments. They had never seen a two story building and were constantly afraid of falling through the roof of the first floor. Imagine their reaction in a skyscraper.

With today’s multi-use towers, will we have people born, live, work, and die in the same building? It’s certainly possible. It may be inevitable.

But I think the real reason for skyscrapers is to impress the rubes. To amaze the hayseeds off the farm and in the city for the first time. After all, they are the only ones that look up.

Sublime Is Something You Choke On

“Now tequila may be the favored beverage of outlaws but that doesn’t mean it gives them preferential treatment. In fact, tequila probably has betrayed as many outlaws as has the central nervous system and dissatisfied wives. Tequila, scorpion honey, harsh dew of the doglands, essence of Aztec, crema de cacti; tequila, oily and thermal like the sun in solution; tequila, liquid geometry of passion; Tequila, the buzzard god who copulates in midair with the ascending souls of dying virgins; tequila, firebug in the house of good taste; O tequila, savage water of sorcery, what confusion and mischief your sly, rebellious drops do generate!”
― Tom Robbins, Still Life with Woodpecker

“Sublime is something you choke on after a shot of tequila.”
― Mark Z. Danielewski, House of Leaves

Agave, Dallas Library

Oblique Strategy: Simply a matter of work

There is something gloriously insane about drinks made out of cactus. Do the spines infuse the alcohol?

I don’t know if this is a Blue Agave or not – probably not. That means if you ferment and distill it, you wouldn’t get tequila, you’d get mezcal – which is crazier still. There is a saying in Oaxaca, Para todo mal, mezcal, y para todo bien, también. (For every ill, mezcal, and for every good as well.).

Decades ago, when I was working in St. Louis on the Times Beach Dioxin cleanup I was at a late night party in a hotel corridor – the kind of decadent insanity that you see in a large group of young people that don’t know each other very well, working hard, long hours a long, long way from home. A woman took a bottle of mezcal, stuck it in her mouth and tilted her head back. We watched as she let the worm settle down through the clear liquid, down the neck of the bottle, and into her mouth. Without using her hands, only a gulp, the worm and a healthy helping of mezcal were gone.

For me, watching this, it was love at first sight. Unfortunately, I had no idea who she was and never saw her again.

Now Considered As Normal

I think we all, at times, wonder how it would be if the world were different, that’s the essence of imagination. I don’t think utopian ideas are bound to fail, but quite likely when they become real or succeed they stop being called utopias. Think about the Internet, or women’s rights for example. Some of the things that have been achieved are now considered as normal.
—-Mai-Thu Perret

Sightings: Mai-Thu Perret
Nasher Sculpture Center
Dallas, Texas

Oblique Strategy: Go to an extreme, move back to a more comfortable place

The AK-47 is a frightening thing, an object of terror. I remember traveling through Central America and seeing traffic cops waving their arms, directing vehicles this way and that, with an AK-47 slung over their shoulders. That is scary.

Here, it isn’t unusual to be waiting in line for fast food, noticing a cop in line beside you, and being a little intimidated by that big handgun hanging off his belt, inches away from you. Compared to a guy directing traffic with a machine gun, though, it’s no big deal.

The AK-47 is not frightening because it is beautiful. It is ugly. It is not frightening because it is accurate – a lot of weapons are more accurate. The AK-47 is frightening because it is ugly and cheap, and reliable. It is a very efficient way to kill people.

Would an AK-47 still be frightening if it was made of translucent purple plastic?

Probably. But it would not be as ugly.

Build More Robots and Learn How To Make Them Better

Control Voice: [opening narration] God looked upon his world and called it good. But man was not content. He looked for ways to make it better and built machines to do the work. But in vain we build the world, unless the builder also grows.

Control Voice: [closing narration] Out of every disaster a little progress is made. Man will build more robots and learn how to make them better. And, given enough time, he may learn how to do the same for himself.
—- The Outer Limits, I, Robot [2.09]

Bikes and Giant Robots
Hickory Street
Dallas, Texas

Photo taken on the Hidden Art Bicycle Tour. This is a larger view of the mural I wrote about here, and right next to this one.

Oblique Strategy: Do something boring

If a robot is of sufficient intelligence does it obtain a soul? If it thinks… is it therefore am? What do these robots think of the horde of human supplicants arriving astride simple devices of metal tube, chain, and rubber? They seem to have come a long way to see the robots.

But they aren’t of sufficient intelligence to claim souls. They don’t think, therefore they aren’t. As a matter of fact, they are only paint. Even though they look like giant robots and loom over the world, they are less than one one-hundredth of an inch thick. If you peeled them from the building they would collapse into dust. They aren’t robots in the real world… only in the minds of the observers, the bicycle riders.

And maybe on the internet.

Look Like Chopped Liver

“Don’t start an argument with somebody who has a microphone when you don’t. They’ll make you look like chopped liver.”
― Harlan Ellison

Mural (detail) at Bowls & Tacos, Deep Ellum, Dallas, Texas

Taken on the Friends of the Santa Fe Trail Pub Ride.

Oblique Strategy: Lowest common denominator

Another Snippet: From a short story – Slow Advance by me

I finally kicked down the noisy neighbors’ door to find they had moved out. The place was empty. All that was left was their disembodied voices, still arguing. At an incredible volume.

I had to look around, but finally found the eight track player. My father showed me one of those once and explained the tape inside was a loop. It would never stop. I stood there, gobsmacked, and reacted too slow as a cat ran out of the hallway and dashed out the still-open door.

The sound system, such as it was, was sitting on the floor making a dent in the filthy shag carpet. There wasn’t anything else for me to do but to turn the volume knob down and hit the oversize bright blue led-lit power switch. The light turned to red. I spun around and headed home. I had splintered the jamb with my boot, so the door wouldn’t latch. In the hallway I paused, returned, and pulled the plastic box of the eight track from its hole and quickly strode home.

“So, that was quick,” Jane said as I walked back in, “what the hell is that in your hand.” I set the tape down on the coffee table and she handed me my beer. It was still cold, with an archipelago of condensed moisture droplets sparkling on the amber glass. Jane picked the eight track up and stared at it.

“They weren’t home,” I said.

“No, that’s impossible. We’ve been listening to them both scream at each other all day.”

“It wasn’t them, It was that,” I gestured at the tape.

“Well, at least it’s quiet now,” Jane said. “Hand me the remote, I want to watch Glee.”

He Believes in Miracles

“The Warrior of the Light is a believer.

Because he believes in miracles, miracles begin to happen. Because he is sure that his thoughts can change his life, his life begins to change. Because he is certain that he will find love, love appears.”
― Paulo Coelho, Warrior of the Light

Warrior on the wall of Bowls and Tacos, Dallas, Texas

Taken on the Friends of the Santa Fe Trail Pub Ride.

Oblique Strategy: In total darkness, or in a very large room, very quietly

Snippet – from “The Death of Xaco” by me

The yellow vapors poured down the slope, choking the men. They all had rough masks made from torn T-shirts, but that offered scant protection. The decades of working in the toxic sulfur cloud did not give them any resistance – corrosive is corrosive. The men coughed and shook their heads, struggling to breathe. After a thick cloud passed by, Buelo pulled his hand across his bit of cloth and scraped off the yellow crystals that had condensed there.

The men depended on a network of crude ceramic pipes to channel the molten sulfur down from the vent so it would cool and solidify before it caught fire and burned – then they could break it up into chunks to carry down the mountain. The pipes were always breaking or plugging up and it was a harrowing, awful, dangerous job to climb into the even-thicker fumes and do the needed repairs. Xaco was the only man left crazy-tough enough for the job and Buelo could see his sharp eyes and wild yellow-crusted hair peeking out here and there, now and then, amongst the yellow clouds. There were three tugs on the rope and Buelo tied another section of replacement pipe on and tugged back three times. The rope jerked and the pipe rocked, then disappeared into the fumes.

After a few minutes Buleo could make out Xaco hefting the heavy pipe onto his shoulders and struggle upslope before the drifting clouds hid him from view again. Buelo smiled thinking of Xaco from their childhood. He had known Xaco since his earliest memory, from long before they had known or understood that they would all be sulfur miners.

Old Fashions

“Every generation laughs at the old fashions, but follows religiously the new.”
—- Henry David Thoreau, Walden

Four Corners Brewery
The Cedars
Dallas, Texas

Oblique Strategy: Remove specifics and convert to ambiguities

A young millennial couple – they live in Uptown, of course. Took an Uber to where I was ( I rode the train and then walked… should have brought my bike).

They seem nice enough.

When I was their age, we were into patched jeans. You would buy a pair of jeans and then sandpaper them until they had the proper holes. The patches were cut from old pairs of jeans and had to be hand-stitched, with big crude looping sutures in a contrasting color of heavy thread, usually yellow. I guess it was all a throw-back… and homage to our simpler ancestors, who lived in a simpler time. Iron-on patches were, of course, no good. I couldn’t sew worth beans, and my stitching was wildly uneven… which was perfect.

I Lift My Gaze

All of a sudden, as if a surgical hand of destiny had operated on a long-standing blindness with immediate and sensational results, I lift my gaze from my anonymous life to the clear recognition of how I live. And I see that everything I’ve done, thought or been is a species of delusion or madness. I’m amazed by what I managed not to see. I marvel at all that I was and that I now see I’m not.
—-Fernando Pessoa, The Book of Disquiet

Deep Ellum Brewing Company, Dallas, Texas

Oblique Strategy: Convert a melodic element into a rhythmic element

I sit there with my camera ready to raise and shoot… waiting for the woman to take another sip of beer. Sitting there waiting with my weapon in my hand, ready to raise and shoot, like a big game hunter… or more like a little kid with a BB gun waiting on a sparrow to land within range.