As Crazy As Your Conscience Allows

Writer’s block results from too much head. Cut off your head. Pegasus, poetry, was born of Medusa when her head was cut off. You have to be reckless when writing. Be as crazy as your conscience allows.
—-Joseph Campbell

Metal bas-relief in a stairwell at Union Station, Dallas, Texas

There is amazing art all around you, where you least expect it. All you have to do is look.

It was cold and raining tonight as I left the DART train line at Union Station to walk over to the Bishop Arts Streetcar… but I stopped and took a photo of an amazing bas-relief… it looked like aluminum over a concrete wall over a stairwell leading to the underground tunnel under the station platform. It’s an obvious reference to Pegasus – one symbol Dallas uses to refer to itself. I don’t know the history or the artist – will have to do some research.

The Light Along Her Shoes Flows And Checks Like Afternoon Traffic

A single rocket explosion comes thudding across the city, from far east of here, east by southeast. The light along her shoes flows and checks like afternoon traffic. She pauses, reminded of something: the military frock trembling, silk filling-yarns shivering by crowded thousands as the chilly light slides over and off and touching again their unprotected backs. The smells of burning musk and sandalwood, of leather and spilled whisky, thicken in the room.

—-Thomas Pynchon, Gravity’s Rainbow

 

Woodall Rogers Freeway, from Klyde Warren Park, Dallas, Texas

A Streetcar Named Slothrop

Displaced Person’s Song

If you see a train this evening,
Far away, against the sky,
Lie down in your woolen blanket,
Sleep and let the train go by.

Trains have called us, every midnight,
From a thousand miles away,
Trains that pass through empty cities,
Trains that have no place to stay.

No one drives the locomotive,
No one tends the staring light,
Trains have never needed riders,
Trains belong to bitter night.

Railway stations stand deserted,
Rights-of-way lie clear and cold,
What we left them, trains inherit,
Trains go on, and we grow old.

Let them cry like cheated lovers,
Let their cries find only wind,
Trains are meant for night and ruin,
And we are meant for song and sin.”
― Thomas Pynchon, Gravity’s Rainbow

Dallas Streetcar

 

I enjoyed the initial meeting of the group that was to read Gravity’s Rainbow. My only problem was the distance. The drive, on a Wednesday evening, from my work, across town, fighting traffic all the way and back – was no fun at all. It made me doubt my commitment. Plus, one of my goals for the year was to reduce my (for me) already low driving mileage. A there-and-back-again trip across town every week would add to (maybe double) my driving.

But after thinking about it and then a good consultation of the Dallas Area Rapid Transit website I realized that I could leave from the LBJ/Central DART train station near my work, ride downtown on the Red line, and then after walking a couple short blocks, ride the new Dallas Streetcar across the Trinity River Bottoms to Bishop Arts – only a couple more blocks to my destination – The Wild Detectives.

So that’s what I did – I filled my book bag with my tabbed copy of Gravity’s Rainbow and my copy of Zak Smith’s Pictures Showing What Happens on Each Page of Thomas Pynchon’s Novel Gravity’s Rainbow (for reference and grins) and headed for the station.

LBJ Central DART Train Station, looking at my book while waiting for the train.

The ride was enjoyable – or at least better than fighting the million other cars that are going somewhere at the same time as I was. Something about sitting in a train, relaxed, looking out the window at the miles of cars sitting still, on freeway and cross streets, all the white lights lines up on the left and the red ones on the right.

Woodall Rogers Expressway, Dallas, Texas

The streetcar is pretty cool. It crosses the river where there are no overhead power lines, so it is the first streetcar to rely on batteries to bridge an unelectrified stretch.

The trip isn’t fast – it took an hour each way… mostly spent waiting on a train or streetcar. The walks at each end or between stations weren’t bad at all, though.

Oh, and the discussion was enjoyable and cool. And someone brought banana bread.

Their Mission In This World

“The Man has a branch office in each of our brains, his corporate emblem is a white albatross, each local rep has a cover known as the Ego, and their mission in this world is Bad Shit.”
― Thomas Pynchon, Gravity’s Rainbow

New Orleans, Louisiana

They Are In Love. Fuck the War

“The nights are filled with explosion and motor transport, and wind that brings them up over the downs a last smack of the sea. Day begins with a hot cup and a cigarette over a little table with a weak leg that Roger has repaired, provisionally, with brown twine. There’s never much talk but touches and looks, smiles together, curses for parting. It is marginal, hungry, chilly – most times they’re too paranoid to risk a fire – but it’s something they want to keep, so much that to keep it they will take on more than propaganda has ever asked them for. They are in love. Fuck the war.”

― Thomas Pynchon, Gravity’s Rainbow

Arts District, Dallas, Texas

 

He Bought A House

Here lies Walter Fielding. He bought a house, and it killed him.

—-The Money Pit

House Being Remodeled, The Cedars, Dallas, Texas

Mud, Footprints, and Bicycle Tracks

“She made beauty all round her. When she trod on mud, the mud was beautiful; when she ran in the rain, the rain was silver. When she picked up a toad – she had the strangest and, I thought, unchanciest love for all manner of brutes – the toad became beautiful.”
― C.S. Lewis, Till We Have Faces

mud, footprints, bicycle tracks – Trinity River, Dallas, Texas

Go From Dream To Dream

“You go from dream to dream inside me. You have passage to my last shabby corner, and there, among the debris, you’ve found life. I’m no longer sure which of all the words, images, dreams or ghosts are ‘yours’ and which are ‘mine.’ It’s past sorting out. We’re both being someone new now, someone incredible….”
― Thomas Pynchon, Gravity’s Rainbow

Gravity’s Rainbow, marked for reading goals (one marker per week)

So I sat down with my Penguin Paperback edition of Gravity’s Rainbow and put in little tabs for each week’s worth of reading for the Wild Detectives Reading Challenge that I’m doing now. My bookmark is an old Ten Cordoba Note that I laminated.

 

Breakfast Is Saved

“Danger’s over, Banana Breakfast is saved.”
― Thomas Pynchon, Gravity’s Rainbow

Deep Ellum, Dallas, Texas

 

 

A Screaming Comes Across the Sky

Gravity’s Rainbow fractured literature, which previously had been fractured only by Ulysses and which no book has so fractured since. Pynchon’s novel transcends assessment: whatever you think of it, whatever you can even begin to think of it, you can’t resist it, it’s inexorable, the event horizon of contemporary literature.

—-Steve Erickson, introduction to One Picture for Each Page of Thomas Pynchon’s Novel Gravity’s Rainbow, 2004, by Zac Smith

 

A few days ago, some of us were getting together for the holidays and wanted to eat somewhere in the Bishop Arts District. Everybody met at one of my favorite haunts – The Wild Detectives – a bookstore with coffee and beer (right?) and then walked out together to find some vittles.

As we were walking down the front steps, I saw this sign:

Sign at The Wild Detectives bookstore, Dallas, Texas

Wednesday, January 2, Gravity’s Rainbow Reading? What is that?

Then this morning, I received an email inviting me to a three month group reading of Gravity’s Rainbow. Oh hell yea.

I’ve read the book, starting in, say, 1976 – only a few years after it came out. I finished it twenty five years later. I think it’s time to read it again. We’ll be reading about ten pages a day – which doesn’t sound like a lot – but Gravity’s Rainbow is no easy read. We’ll get together every Wednesday at Wild Detectives at 7:30 to discuss what we have read that week. I’ll have to postpone my reading of Zola for the duration, but I wanted a break anyway. It will be a haul to get down to the Bishop Arts District after work on Wednesdays – but I’m already working on mass transit options.

I drove down there tonight for the introduction. There were a good number (maybe 25?) folks ready to dig in. We’ll see how many make it to the end.

What fun!

A screaming comes across the sky. It has happened before, but there is nothing to compare it to now.

—-First Line, Gravity’s Rainbow, by Thomas Pynchon

Swedish Edition of Gravity’s Rainbow