That Which Cannot Be Put Into Words

“Music expresses that which cannot be put into words and that which cannot remain silent”
Victor Hugo

Lee Harvey’s, Dallas, Texas

He Saw In That Moment the Whole Dim-lit City

“So he bought tickets to the Greyhound and they climbed, painfully, inch by inch and with the knowledge that, once they reached the top, there would be one breath-taking moment when the car would tip precariously into space, over an incline six stories steep and then plunge, like a plunging plane. She buried her head against him, fearing to look at the park spread below. He forced himself to look: thousands of little people and hundreds of bright little stands, and over it all the coal-smoke pall of the river factories and railroad yards. He saw in that moment the whole dim-lit city on the last night of summer; the troubled streets that led to the abandoned beaches, the for-rent signs above overnight hotels and furnished basement rooms, moving trolleys and rising bridges: the cagework city, beneath a coalsmoke sky.”
Nelson Algren, Never Come Morning

Mockingbird Station, Dallas, Texas

You Will Be An Ocean Too

“Here is a good message from the ocean: You will be an ocean too if you let every river, every rain, every flood and every stream flow to you freely!”
Mehmet Murat ildan

 

 

I have written about it before.

All my life I have wanted to live on a creek lot. I remember living in East Dallas and riding my bike along the hilly lanes east of White Rock Lake (back then I was young and thin and fit and I welcomed hills – now I’m afraid of them) and spotted homes along streams – some with little patios down among the trees perched out over the water. They would have a grill, some seats, and I imagined knots of people at sunset enjoying the setting – always wanted that sort of thing.

My wish finally came true, sort of, when we bought our house in Richardson. Technically it is a creek lot – but the creek (which emerges from the flood control ponds in Huffhines Park at the end of our block and runs a short distance beyond where I live to join with Duck Creek) has been manmade wrestled into an arrow-straight path. It’s really more of a ditch lot.

On most days it’s barely an algae and trash encrusted trickle. There are a lot of ducks and turtles (both the friendly box and the prehistoric snappers) with a nighttime cohort of opossums, bobcats, coyotes and an occasional beaver. There are a few trees – but the number is limited by the Corps of Engineers to insure proper flow. They only allow new plantings when an old tree dies. It’s a sleepy stretch, mostly useful to the local kids and cats, feeding and stalking, respectively, the ducks.

That changes with frightening rapidity when a big Texas thunderstorm strikes. The water rises and moves in a symphony of wet muscular gravity.

Last night one hit, hit hard. The ground was already saturated, the flood control ponds already overflowing when the sky dropped six inches of water in a couple hours.

I opened the garage door and looked out through a forest of honey globs of water caterwauling off the roof into the dark. Illuminated only by staccato bolts of lightning like a galvanic Gene Krupa, the bellowing water stilled by the strobing arcs into impossible waves rising above the creek banks and beyond. The usual quiet night lit up by blue thunder. The gleaming fury as millions of gallons of deafening water scream by is frightening and intoxicating. I watched from my house – afraid to get any closer.

This morning I walked around the strip of creek, grass, and trees. The highest water level was marked by a line of twigs and plastic water bottles. In several places the delimitation moved up over the bike trail and almost kissed the alley that runs behind the houses. By then the creek was down to its usual level, having dropped as fast as it rose, with only a little more water flowing by than usual.

The flow was a dozen feet below the level of the detritus line – which was in turn only a couple feet below the level of the houses (though it would take a lot – a lot – more water to raise the flood up that last bit).

I hope.

I did think of those little patios perched in the winding creek lots of East Dallas. I always liked them – but I’m sure they are all gone now.

My folding bike on a bridge over Huffhines Creek.

A line of detritus showing how high the creek had risen the day before.

I wrote that four years ago, but the creek continues to rise with every powerful thunderstorm. On my daily bike ride I stopped on the bridge over Huffhines creek and took a shot of the line of trash that marks yesterday’s high water mark. I’ve seen it quite a bit higher than this.

Not all that spectacular, but imagine what it looks like with all that water roaring down that little space behind my house. The amazing thing is how fast it rises, minutes is all it takes.

Now, I need to get a before and after shot – harder to do than you would think. Especially to do safely.

Very Secure In the Pond That You Are In

“We can’t be afraid of change. You may feel very secure in the pond that you are in, but if you never venture out of it, you will never know that there is such a thing as an ocean, a sea. Holding onto something that is good for you now, may be the very reason why you don’t have something better.”
C. JoyBell C.

Pond at the end of my block, Huffhines Park, Richardson, Texas

Make It Dance

“If you cannot get rid of the family skeleton, you may as well make it dance.”
George Bernard Shaw, Immaturity

Huffhines Creek, Richardson, Texas

I live in the Duck Creek neighborhood – near the confluence of Huffhines and Duck Creek. The sure sign of spring are the clutches of baby ducks waddling along with their parents. There are a lot of them – it’s a dangerous world to be a duck.

The Color Of Love And Spanish Mysteries

“Soon it got dusk, a grapy dusk, a purple dusk over tangerine groves and long melon fields; the sun the color of pressed grapes, slashed with burgandy red, the fields the color of love and Spanish mysteries.”
― Jack Kerouac, On the Road

Caribbean Sea

Life On A Lifeboat Isn’t Much

Life on a lifeboat isn’t much of a life. It is like an end game in chess, a game with few pieces. The elements couldn’t be more simple, nor the stakes higher.
—-Yann Martel

lifeboat propeller

No Drink Was Strong Enough

“He was in Guanajuato, Mexico, he was a writer, and tonight was the Day of the Dead ceremony. He was in a little room on the second floor of a hotel, a room with wide windows and a balcony that overlooked the plaza where the children ran and yelled each morning. He heard them shouting now. And this was Mexico’s Death Day. There was a smell of death all through Mexico you never got away from, no matter how far you went. No matter what you said or did, not even if you laughed or drank, did you ever get away from death in Mexico. No car went fast enough. No drink was strong enough.”

― Ray Bradbury, The Candy Skull

Cozumel, Mexico

Rather Be Exact

“Only I have no luck any more. But who knows? Maybe today. Every day is a new day. It is better to be lucky. But I would rather be exact. Then when luck comes you are ready.”
― Ernest Hemingway, The Old Man and the Sea

Galveston, Texas

The Only Truth Is Creation

There is neither painting, nor sculpture, nor music, nor poetry. The only truth is creation.
—-Umberto Boccioni

Unique Forms of Continuity in Space, by Umberto Boccioni, Cole and Blackburn, Dallas, Texas

I like sculpture. Though I am not picky – I especially like a certain flavor of sculpture. I don’t know what it is called, but I know it when I see it – modern, yet semi-representational, it has to have a certain strength and a feeling of movement.

One example is The Drummer in The Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art.

The Drummer, Michael Sandle

Another is, arguably my favorite sculpture, Large Horse, by Duchamp-Villion.

Horse by Raymond Duchamp-Villon

Large Horse by Raymond Duchamp-Villon

So, that is not the only thing I like, but it is something that I always like.

One day, a while back, I was on a bike ride from downtown through Uptown, Dallas. I was with a fairly large group, riding downhill, riding fast, when out of the corner of my eye I caught an unexpected glimpse of a sculpture. A sculpture I liked. In a flash, it was gone. I didn’t even remember the street I was on – only the general part of town I was in. It took a long session of exploring with Google Maps until I found the sculpture at the corner of Blackburn and Cole.

Today I had to drive Nick down into Uptown to pick up his car and on the way out I stopped and took a couple of photographs. Then I had a web search to find the sculpture – it’s a famous one, Unique Forms of Continuity in Space by Umberto Boccioni. It’s a Futurist sculpture – with a well-known version in The Museum of Art, New York.

From the museum website:

Umberto Boccioni
Unique Forms of Continuity in Space
1913 (cast 1931)

Boccioni, who sought to infuse art with dynamism and energy, exclaimed, “Let us fling open the figure and let it incorporate within itself whatever may surround it.” Breaking with the tradition of self-contained sculpture, Boccioni opens up the silhouette of this marching figure, who forges ahead as if carved by forces such as wind and speed. While born of Futurist aspirations, it also remains evocative of an ancient statue: the wind-swept, striding Victory of Samothrace in the Musée du Louvre in Paris.

I have no idea how this cast (or reproduction) came to be placed in front of a high-end apartment complex in Uptown, Dallas. It’s cool, though I seem to be the only person aware of it.

Unique Forms of Continuity in Space, by Umberto Boccioni, Cole and Blackburn, Dallas, Texas