Short Story of the Day – The Weight by Anne Enright

The plane cut through a skein of dark-gray cloud, through a layer of liquid light, into another cloud that started as dark as steel wool, then thickened to gray and turned slowly white. In a moment, they would be free of it.

—-Anne Enright, The Weight

Reflecting pool, Arts District, Dallas, Texas

Today’s short short story, a piece of flash fiction.

The Weight by Anne Enright

from The New Yorker

I have flown on airliners a lot, have flown all my life. I have no fear of flying. My fear is driving to the airport, or getting through security, or missing my plane. Once I’m in the seat, I relax. A lot of it is that once I’m in that seat with the belt on – my responsibilities are over. Nothing I do or don’t do will influence the crash-free-ness of the voyage, one way or another. I think that is why so many people are afraid of flying (other than the fact that you are in a metal tube hurtling through the air at an insane speed miles above the earth) is that you are helpless. I don’t feel helpless – I feel relieved that it’s someone else’s responsibility… for a change.

This story captures clearly what it feels like (I suppose) when things don’t go as planned. There is a line you move down from relaxation to unease to fear to terror… when there is turbulence, for example. This flash fiction piece moves a long way down the line in a hurry.

How far does it go? You can find out in a few minutes.

Short Story (flash fiction) of the Day, The Jungle Banshee by Jim Gibson

The oven was thick with grot and whenever you opened it to get your food, it would flood the room with smoke. I’d long ago taken the battery out of the fire alarm to stop that fucker going off whenever I made anything. And then it was back up to my room, to my games.

—-Jim Gibson, the jungle banshee

Old School Video game inspired graffiti, Deep Ellum, Dallas, Texas

Today’s bit of flash fiction is the jungle banshee (not sure if it should be capitalized or not – I like how it looks without caps) by Jim Gibson at 3AM Magazine

the jungle banshee

In the last thirty-odd years I’ve only had two jobs. I only remember once going on an interview and not being offered a job (it turned out they were interviewing me simply to gain information on the company I was working for). But, then again, I never spent that much time shut in playing video games. Of course, Pong showed up my freshman year of college and it cost a quarter and a quarter was a lot of money then. I remember you could get a pint of milk from the dorm vending machine machine for a quarter – I remember that because it was faulty and thought nickles were quarters – for a nickle you’d get a milk and a dime back (which you could take to the front desk and get two nickles for two more milks and two dimes… in theory you could be rich, especially if you could find someone to buy all that milk)… but I digress. I guess my point it that it was tough to get addicted to video games if all you could do was play Pong for a quarter. Pong was fun and in 1974 it was pretty amazing – but it wasn’t exactly addicting.

By the time video games became addicting I was grown and old and had kids and my memory was fading and my fast-twitch abilities were shot. I guess I was lucky.

When I was young people played Poker, Monopoly, or Chess. I did play a lot of chess, but I would get a headache if I played too much – it was never what I’d think of as fun – it was too serious. As I became more than a fairly good chess player I had to quit because it was stressing me too much. I never had enough money to play poker. And Monopoly – well, you couldn’t get addicted to that – that’s like getting addicted to watching paint dry.

The guy in the story has a video game problem. Or maybe it’s something else and the video gaming just falls into the hole.

It’s surprisingly affecting – I really feel sorry for the guy and wish him well. Probably more than I would if I knew him in real life. And I guess that’s a sign of a good story – if you care more about the character than you would if he was actually a real person.

 

 

Short Story (flash fiction) of the Day – The Tired Day by Benjamin Woodward

And in an empty parking lot, Louis, a junkie, dropped his syringe before the heroin could enter his vein, saving his life, if only temporarily.

—-Benjamin Woodward, The Tired Day

Downtown Square, McKinney, Texas

 

Today we have very short piece of flash fiction –

The Tired Day by Benjamin Woodward

from Craft.

I enjoyed this simple little piece of unique fiction. Like all good flash fiction it asks many more questions than it answers. Maybe I liked it because I feel like that all the time.

The Author’s Note is interesting too – he talks of writer’s block and bringing abandoned work back to life.

Short Story of the Day, Sticks by George Saunders

The first time I brought a date over she said: what’s with your dad and that pole? and I sat there blinking.

—- George Saunders, Sticks

Modern Art Museum of Fort Worth
Conjoined, Roxy Paine

George Saunders is a writer that amazes me. If I could write like any one person I would want to write like him (though I have said the same thing about  Raymond Carver… so, well, maybe it’s a tie).

I’ve written about stories by Saunders before:

Today’s short story is a one minute piece of flash fiction that contains an entire life full of frustration and regret. It’s funny and sad, in the terrible way that only funny things can be so sad. It’s called Sticks.

 

You can read it here: Sticks, by George Saunders

In the introduction to the published version in “Story” magazine he explains how he developed the idea for the story (if you follow my link above you can find out for yourself). That short explanation is as amazing as the fiction itself. We all see things along the road, especially along our commute to work, that become part of our lives so intimately that they disappear. Still, your imagination is filled with these things and the stories they generate. Only a genius like George Saunders can imagine something so poignant and unforgettable, so buoyant and unforgivable.

Modern Art Museum of Fort Worth

Short Story of the Day – What Bram Saw by AE Stueve

It was a strong ancestral pull from the phantasmagoric, but curiosity shoved me toward Bram, toward the tapping.

—- AE Stueve, What Bram Saw

Detail from Eyes of the Cat, by Moebius and Alejandro Jodorowsky

Today’s short story – a tasty little nightmare of flash fiction:

What Bram Saw by AE Stueve

From Flash Fiction Magazine

Short Story of the day – Riddle by Ogbewe Amadin

“A witch can never be these things,” she said. “A witch is a paranormal creature that lives between the shadows cast by daylight. They traverse the infinities of a heartbeat, they sail in seas of dreams… they manipulate nature.”

—- Ogbewe Amadin, Riddle

French Quarter, New Orleans

Riddle by Ogbewe Amadin, from Fireside Magazine

Today, we have a tasty little piece of flash fiction. Often things are not what they seem to be, but sometimes they are. It’s just that they don’t mean what we think they do.

 

Author Bio – “Ogbewe Amadin hails from the city of Benin in Nigeria. He is a student of Chemistry at the University of Benin. He is a lover of epic fantasy, sarcasm, sitcoms, and sci fi.”

Short Story of the Day – Marooned, by Edward Wolf

I remember enjoying the peacefulness by floating around on a child’s ducky-tube while sipping on a jigger of a bottom-shelf tequila.

—-Edward Wolf, Marooned

Somewhere in the Caribbean

Marooned, by Edward Wolf

from Flash Fiction Magazine

 

 

Acquiring A Taste

“Keep on acquiring a taste for what is naturally repugnant; this is an unfailing source of pleasure.”

Aleister Crowley, The Book of Lies

 

I’ve stolen something. There is a bar that I visited last year, one that had an old fashioned photo booth back in the back, next to the filthy bathrooms. On the wall by the booth was a torn up cork board. A lot of people thumbtacked their strips of four photos into the cork, leaving them for posterity. I picked up a handful that looked interesting and stole them.

I’ve scanned the strips and I think I’ll take them, one at time, four photos at a time, and write a few words about the people in the photographs. Or, more accurately, what I imagine about the people. This is the last one I have (for now).

Previous:

Two Women

A Guy, His Girlfriend, and His Uncle

Meet in Air

Red Molly in a Leather Jacket

Time’s Relentless Melt

Found by a photobooth,
Molly’s At the Market, French Quarter, New Orleans

They were so excited – the drink had been so ballyhooed they even decided to throw it down in a photobooth and record the wondrous moment for posterity.

Unfortunately the stuff, despite its fame, sucked.

Time’s Relentless Melt

All photographs are memento mori. To take a photograph is to participate in another person’s (or thing’s) mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time’s relentless melt.”
Susan Sontag

I’ve stolen something. There is a bar that I visited last year, one that had an old fashioned photo booth back in the back, next to the filthy bathrooms. On the wall by the booth was a torn up cork board. A lot of people thumbtacked their strips of four photos into the cork, leaving them for posterity. I picked up a handful that looked interesting and stole them.

I’ve scanned the strips and I think I’ll take them, one at time, four photos at a time, and write a few words about the people in the photographs. Or, more accurately, what I imagine about the two people.

Previous:

Two Women

A Guy, His Girlfriend, and His Uncle

Meet in Air

Red Molly in a Leather Jacket

Black and White love

They were in Love. Mad and passionate, unbelievable love – like being lost in a world unimaginable, but with someone else there. There had been a lot of madness and passion and even a little bit of love in that French Quarter bar, but they felt like they were the first and last. Everybody does.

They were both afraid to take the photos. Maybe photographs can’t steal your soul, but maybe they can steal your love. Especially black and white photos, especially machine-made photos. This is dangerous ground.

So they abandoned the little strip after it fell out, threw it on the dirty floor right outside the bathroom. Someone found it and thumbtacked it to the wall. If you could find the person that tacked it up (and you can’t) they wouldn’t be able to tell you why they bent over and picked it up, or why they pushed the rusty old pin through the paper. It fell five more times, the cork was old and brittle, as if it was trying to escape, but someone always put it back.

They shouldn’t have worried. Photographs, especially black and white ones, do steal your soul and do steal your passion. But there is plenty more left – an unending fountain, really, if that is what you want. The photos are only gifts, bits thrown out into the cold night, given away, but never really lost. Never lost.

Time is the real villain – the relentless thief. Time will steal your soul and your passion and your love. Though defeat is inevitable, a photo or two cast out into the pond of the world is one weapon against that inevitable doom of chaos. A small and fleeting victory – but maybe the best you can do. The best they could do.

Short Story of the Day, “Sea Change” by Nancy M. Michael

But those in the mix know what blood tastes like.

—-Nancy M. Michael, Sea Change

Approaching Storm, Dallas, Texas

I used to take a month each year to comment on and link to short stories published online.

Short Story Months:

Day One 2013

Day One 2015

Day One 2017

I haven’t done that for a while, but have been thinking about it. That doesn’t keep me from reviewing them one at a time. Last year, I wrote about Driven Snow by Nancy M. Mitchel. The author commented on my blog entry (with the surprising revelation that the story was true and the woman survived). She mentioned that she had another story on the Akashic book website, Sea Change.

Go read it – a short, pithy read. Then you can come back and read the rest of what I wrote.

It’s of an interesting construction in that the protagonist isn’t directly involved in the action. Stories like that are cool because there are two stories – the main, observed action… and the reaction of the observer. It’s quite a feat to accomplish this in so few words.