Out at sea a single clarinet begins to play, a droll melody joined in on after a few bars by guitars and mandolins. Birds huddle bright-eyed on the beach. Katje’s heart lightens, a little, at the sound.
—-Thomas Pynchon, Gravity’s Rainbow
“Do we really want to travel in hermetically sealed popemobiles through the rural provinces of France, Mexico and the Far East, eating only in Hard Rock Cafes and McDonalds? Or do we want to eat without fear, tearing into the local stew, the humble taqueria’s mystery meat, the sincerely offered gift of a lightly grilled fish head? I know what I want. I want it all. I want to try everything once.”
― Anthony Bourdain, Kitchen Confidential: Adventures in the Culinary Underbelly
“TO BE A TOURIST is to escape accountability. Errors and failings don’t cling to you the way they do back home. You’re able to drift across continents and languages, suspending the operation of sound thought. Tourism is the march of stupidity. You’re expected to be stupid.
― Don DeLillo, The Names
“Art washes away from the soul the dust of everyday life.”
― Pablo Picasso
Kettle Art is a gallery in Deep Ellum and is known for its unflagging support of local artists. Every February those artists get a shot at returning the favor. The gallery distributes about two hundred identical nine by twelve inch boards to be converted into works of art. They go on sale at seven PM for fifty dollars apiece, and all of the proceeds go toward the gallery (they return the favor a week later with their For the Love of Artists event). The thing is that there are two hundred or so pieces, but three hundred or so folks show up and many buy several works – some up to ten. That’s why they call it a “competitive shopping event.” They open the doors at seven PM sharp and everyone rushes in.
The paintings are numbered and you take the numbers up front and reserve your painting – if nobody else has gotten to it first. Then you pay, then you pick up.
I don’t have a lot of money, but I can come up with fifty dollars. I used to go an hour early so I could get a spot near the front of the line… and get the painting I wanted. I don’t do that any more – now I go an hour and a half early.
The event is at seven and I wanted to get there at five thirty. It takes an hour or so to get downtown on the train, especially since I have to change from the Red line to the Green to get from downtown to Deep Ellum… plus fifteen minutes to get to the train station – I left home right at four fifteen.
Everything went as planned until I got off the train at the Arts District station downtown. On the weekends the trains don’t run very often and the next Green train wouldn’t be there for a half hour. That would not do. My eyes fell on the electric scooters lined up on the sidewalk. I’ve ridden the scooters before (read about an adventure here) so out came my phone and I unlocked one and five minutes and a buck ninety later I was in Deep Ellum. The only problem was that the road I took was rough and the little wheels on the scooter didn’t help that – but I made it in one piece.
Arriving right on time, ninety minutes early, I was fourth in line. The fun thing is that the same people go early every year, so we had a lot to talk about. Mostly, though, we talked about strategy. You see, the line starts immediately at the reserve table, so the question is whether to rush to the table or walk around and look for the painting you really want – at the risk of someone else getting it.
I always stress out about this, stress too much. One year I went on a bike ride and arrived dehydrated and the stress got to me and I wrote down the wrong number – getting a random painting. It was OK – but not the style I wanted… and the artist saw me with it and said, “I can’t believe it sold so fast.” I lied and said, “Oh I wanted it right from the start!”
This year I looked in the window and could clearly see the first paintings with their numbers. I realized that I really liked four of the first five and would be happy with any of those. Talking to the people in line (we all traded our favorites and agreed not to buy each others) they suggested a great strategy. It involved buying two paintings. I would rush to the table and buy a painting I like right away (Painting #1, as a matter of fact) and then I had one that I liked locked up. After that, I could leisurely walk around, writing down any others that looked good and buy one of those later. Many would be bought, but some should still be left.
That was the ticket. I’d spend an extra fifty dollars, but get two paintings… and have fun, with no pressure, because I was guaranteed of at least one that I liked and would probably get two.
The line behind me stretched most of the way around the block… and then the door flew open and I rushed in, went right to the table (I was third, the people in line before me were there first) and bought painting #1.
In this photo you can see a painting by Richard Ross – I bought one of his in 2016.
Happy with my choice, I wandered around looking at all the art, writing down the numbers of about two dozen works that I particularly liked. Then I joined the long line waiting for a painting. When I reached the front, I was surprised at how man numbers I had written down were still available. I chose a colorful Day of the Dead skull that I knew Candy would like.
It was painted by David Pech. Candy really liked it.
Once I had both my paintings picked up it was getting late, though there were still people arriving and buying art. Looking at the board where they crossed numbers off when the paintings were taken I noticed that there were still a couple that I had written down as particularly liking that were not purchased yet. So I guess I don’t really need to go ninety minutes early next year. But I think I will. I’ll definitely save up a hundred and buy two paintings. That strategy is the ticket.
I should have brought a backpack because I couldn’t ride a scooter with two paintings in my hands. So I had to wait thirty minutes for the next train.
There’s only one kind of dance, the robot
And the robo-boogey
Oh and the ro, two kind of dances
But there are no more humans
Finally robotic beings rule the world
—-Flight of the Conchords, Robots
It seems longer ago – but it was only last May that I rode a fun bike ride sponsored by the Friends of the Santa Fe Trail (my favorite bike trail in the Metroplex). Today they were doing another one… and I didn’t want to miss it.
For outdoor stuff – this is the good part of the year here in Dallas – the weather can be iffy, but at least there is a possibility of a comfortable day – unlike the killer summer heat or the bitter winter windy cold. It turned out to be almost perfect – a little overcast (but that’s OK) and the temperature flopped around from cool to warm to cool and back again… but it was nice bike ridin’ weather.
I was planning on riding my commuter bike, but at the last minute I switched to my road bike. As always, going out for a day on a bike makes for some packing decisions and I left my Nikon at home – so my only photographs are from a crappy little point-and-shoot. It’s a lot safer and easier to carry, plus I wanted to enjoy myself and not have to think about taking pictures all the time.
The transit gods were kind today and I made it downtown in plenty of time – rode over to Fair Park where the ride started at Switching Gears Cyclery. We rode through Deep Ellum to the Traveling Man Sculpture, for a quick photo op stop.
Then we wound through near East Dallas – which brought back a lot of memories of riding the Belmont #1 bus through there when I lived on Lower Greenville and worked downtown. A lot of changes to the neighborhood (most of them good). The best… really the only way to see a city is from a bicycle. Walking is too slow and a car… forget about it.
And then we finally hit the trail that the ride was named after. It has so much going for it – an urban hotspot (Deep Ellum with access to downtown and Fair Park) at one end – the greenery of White Rock Lake at the other, with a vibrant urban neighborhood in the middle. Plus, the highest point is in the middle, so you always finish up downhill.
We finished at The Lot – a nice place that has built a bridge over to the trail. It has been an oasis for me more than once when I was riding too much in too much heat and had to stop for refreshments and recovery.
I rode back downtown with some folks, hung out at Klyde Warren for a bit, then caught the DART train back north. The sun was setting for the trip and I was a little worn out. A good day.
The Travelling Man Sculptures have become an instant icon in Deep Ellum.
Up with the sun, gone with the wind
She always said I was lazy
Leavin’ my home, leavin’ my friends
Runnin’ when things get too crazy
Out to the road, out ‘neath the stars
Feelin’ the breeze, passin’ the cars
Women have come, women have gone
Everyone tryin’ to cage me
Oh, some were so sweet, I barely got free
Others they only enrage me
Sometimes at night, I see their faces
I feel the traces they’ve left on my soul
Those are the memories that make me a wealthy soul
Sometimes at night, I see their faces
I feel the traces they’ve left on my soul
But those are the memories that make me a wealthy soul
I tell you those are the memories that make me a wealthy soul
Travelin’ man, yea
—-Bob Segar, Travelin’ Man
Click on any of the photographs for larger versions on Flickr.
I’ll always remember when I went down there and took these. In particular I remember walking backward looking through the viewfinder, tilted up at the tall sculpture looming overhead. Do you see that little green step by the sculpture’s feet?
You don’t forget those kind of falls.
I had a little accident taking these photos. One of his feet is on a bit of an elevated platform – it looks like a green disk. Do you see it?
Stepped off and backwards – did protect my camera, though, as I tumbled into some gravel.
You can see one of the new DART stations across the street. I should have waited until a train was going by. Sometime, I’ll go do that.