First Anniversary at Deep Ellum Brewing

A Pollinator Bock on the right, Dallas Blonde (I think) on the left.

Saturday was a very busy day – in a good way. There was a lot of stuff going on, stuff I was looking forward to, and I had to pick and choose what I could get into my schedule.

First, at 8 AM, was a bicycle swap meet up in Frisco, in the infield of the Superdrome. I’m beginning to think I might be able to keep my two ancient bicycles running a bit longer, and I could use some cheap used parts and accessories.

Then, at noon, was the 1st Anniversary Party at the Deep Ellum Brewing Company – I’ll write about that today…. Then, there was a Deep Ellum Outdoor Market, which is always fun. And then Candy and I wanted to eat dinner at a place we’ve been eying – Il Cane Rosso, also in Deep Ellum.

I’m not sure exactly when I first had a Deep Ellum Brewing Company beer – perhaps it was at The Foundry, earlier this summer, or maybe at the Gingerman, or Oddfellows in Bishop Arts. This sounds a little silly, but I had almost completely stopped drinking – I simply had lost the taste for it. But I loved the beers… all the beers, from the Deep Ellum Brewing Company and really, try to restrict my patronage to establishments that sell their stuff.

Well, it didn’t take long to find our from their website that they have Saturday beer tours at their brewery, complete with tastings, live music, and cool people. It’s one of the best times in Dallas… really.

So when I read that they were having a big blowout for their 1st anniversary of operation I bought tickets in advance online, knowing that there was going to be a big crowd. I was especially excited about a new beer they were going to debut – Pollenator Bock, with real honey in it.

So once we showed up and waited in line to get our glass and chart showing the beer offerings and tap locations I immediately went to the end of the long line to get a glass of Pollenator.

I am not a beer expert, but that stuff is about the most delicious liquid I’ve ever drank. I couldn’t help but walk around with a stupid grin as I sipped it down.

Now, it isn’t for everybody. I talked to a couple of beer fans that said it was way too sweet for them . I asked them if they were “Real IPA People” and they nodded yes. That might be why I liked it so much – it doesn’t really taste like beer. You can really taste the honey in it, it’s almost sweet. It’s very complex and not like anything I’ve ever had. That’s why I loved it so much.

It’s the sort of thing you will really like if you really like that sort of thing.

What I really like about the tours at Deep Ellum Brewing is the live music. Today they had a double bill. Up first was Cody Foote, who I had seen a couple months back in the same place.

Cody Foote

Then, the O’s came out and played the place dry. I’ve seen the O’s a couple of times – first was down in the Arts District at one of the cool Patio Sessions Concerts that I love.

One of the two O’s.

The O’s must be famous, they have their portrait on the Hall of Fame Wall. And how can you not love a band that sings a song about Tietze Park?

The place was packed – maybe a little more packed than I would have liked – but they had plenty of beer taps going and everybody was having a good time.

So congratulations to Deep Ellum Brewing Company on their first year. I hope I’m able to get a growler full of that Pollenator Bock somewhere – it’s something special. The are starting to bottle now, though I still thing a tap is the only best way to drink a beer. I’m sure there will be a second and third and more and more anniversaries for the brewery – I hope they are able to stay local, though, and stay good and true to their vision.

Otherwise I guess I’ll just have to quit drinking again.

Magazine Street at Sunset

“There is something strange about agony; the memory of it can be terribly short-lived when the contrast of revival and a pretty spring afternoon have dispelled the regrets. One drink of vodka in a cheerful glass, in the company of good poetry and the scent of blossoms and earth might entice the most well intended to forgo promise of atonement until a worse time. I have at times been just less than amazed how one drink merges with the second, where at some unknown point a mental transformation sets in. I have never been able to ascertain at what point that is–not precisely–and I have been conscious of trying to catch that moment, to try and understand it, to try and prevent it from happening, or at least have a fair chance to decide whether or not to cross over into that other realm. Such an elusive thing, this is.”
― Ronald Everett Capps, Off Magazine Street

When you talk to someone that has visited New Orleans, they will tend to say, “Yeah, I’ve been there, I walked up and down Bourbon Street.” On our last trip, we spent a week in New Orleans and I never set foot on Bourbon. It’s all tourist, all the time, in a bad way. Trash tourist.

There is another street that has plenty of tourist in it, but in a good way. Magazine Street. I spent a lot of time on Magazine. Our Guest House was at Magazine and Race, not far out from downtown. But Magazine runs a long way. Decatur street in the French Quarter changes into Magazine as it crosses the neutral ground of Canal and then Magazine follows the curve of the river all the way through the Arts District, Garden District and Uptown until it pierces the gorgeous Audubon Park.

At every major cross street it holds a cluster of restaurants, nightclubs, shops, and everything else. In between are fabulous examples of the amazing New Orleans architecture, from Gothic old mansions to rows of shotgun houses.

A walk down Magazine is a great walk. Be careful, though – it is a long street. I still have memories and pains in my ankles from a stroll we took a couple years ago. Near the beginning, I turned an ankle on a bit of rough sidewalk broken pavement and then hiked too far from the car. The trip back will forever be etched in my mind as the “Magazine Street Death March.”

Magazine Street, New Orleans

 (Click to view a larger version on Flickr)

I saw a bit on television about the uselessness of a college education. The reporter wandered New Orleans interviewing bouncers, bartenders, cooks, and pedicab drivers – even a woman reading tarot cards in Jackson Square. They all had college degrees – some multiple, many graduate degrees – yet they all were working in nightlife in New Orleans. The point of the piece was how useless the college was to these poor dupes – that in spite of their education, the best they could do was work in the New Orleans nightlife.

The main thrust of the concept may be true, but the reporter was missing the whole point. The folks he interviewed were doing what they wanted to do – not a single one of them expressed regret. They didn’t want to be investment bankers, teachers, or engineers; they wanted to be a part of New Orleans, as best as they could.

I guarantee that if you interview a pack of bankers, managers, and businessmen and ask them, if they could, would they want to drive a pedicab through the New Orleans night, tell fortunes under the Cathedral in Jackson Square, or hustle for the strippers on Bourbon, and they probably won’t tell you that they would d’ruther, but there will be a long pause and a wistful look into the air. It’s all a question of who has the courage and who doesn’t.

“there was something about
that city, though
it didn’t let me feel guilty
that I had no feeling for the
things so many others
needed.
it let me alone.”
― Charles Bukowski

“Leaving New Orleans also frightened me considerably. Outside of the city limits the heart of darkness, the true wasteland begins.”
― John Kennedy Toole, A Confederacy of Dunces

“There are only two things: love, all sorts of love, with pretty girls, and the music of New Orleans or Duke Ellington. Everything else ought to go, because everything else is ugly. ”
― Boris Vian

“I’m not going to lay down in words the lure of this place. Every great writer in the land, from Faulkner to Twain to Rice to Ford, has tried to do it and fallen short. It is impossible to capture the essence, tolerance, and spirit of south Louisiana in words and to try is to roll down a road of clichés, bouncing over beignets and beads and brass bands and it just is what it is.

It is home.”
― Chris Rose, 1 Dead in Attic

“People don’t live in New Orleans because it is easy. They live here because they are incapable of living anywhere else in the just same way.”
― Ian McNulty, A Season of Night: New Orleans Life After Katrina

“Jesus just left Chicago, and he’s bound for New Orleans.”
―ZZ Top

Study in the Sculpture Garden

Woman studying on a nice day in the Besthoff Sculpture Garden, New Orleans

Besthoff Sculpture Garden, New Orleans

(Click for a larger and more detailed version on Flickr)

A sculpture garden is a wonderful place… a well-done sculpture garden on a nice day is the best of all possible places – one where the blue sky, crystal humming air, and moving spectators become part of the exhibit and integral to the pure joy of hanging out in such a spot.

A woman sits barefoot, shoes and drink nearby with her backpack not far away, and quietly studies her notebooks in the sun. How is she not as exquisite a work of art as the famous bronzes? The curve of her back, the spherical bun of hair on top of her head, and the sun gleaming from her ankles and toes – these are the simple pleasures the great artists strive for lifetimes to come close to duplicating and have to settle for a second-rate imitation, the best they can do.

The granite chair behind her is Settee, by Scott Burton. His works blur the distinction between furniture and sculpture. I’ve always enjoyed his piece at the Nasher, here in Dallas, Schist Furniture Group (Settee with Two Chairs). I’m never really comfortable sitting on his work – it seems wrong to wear the art like that, even though that’s exactly what he intended.

What sculpture is to a block of marble, education is to the soul.
—-Joseph Addison

When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us.
—-Robert Smithson

Sculpture is the art of the hole and the lump.
—-Auguste Rodin

Sculpture occupies real space like we do… you walk around it and relate to it almost as another person or another object.
—-Chuck Close

There is no substitute for feeling the stone, the metal, the plaster, or the wood in the hand; to feel its weight; to feel its texture; to struggle with it in the world rather than in the mind alone.
—-William M. Dupree

What I learned this week, November 16, 2012

Exclusive: Justin White’s ‘Rated G’ Art Show – Your Favorite Movies Reimagined As Animation Cels


In  preparation to see Skyfall at the theater, I’m watching the two previous Daniel Craig 007’s – which I haven’t seen – first. Not only that, but I rewatched the original Casino Royale, catching it on some odd cable channel – the 1967 comedy with David Niven as 007, Peter Sellers as the hero, Orson Wells as Le Chiffre, and Woody Allen as the evil mastermind. I had forgotten how much fun that silly mess was – especially the msuic by Burt Bacharach, Dusty Springfield, and Herb Alpert & The Tijuana Brass.


Oh, one more James Bond thing… I’m finally reading a few of the original Ian Fleming books, starting with Casino Royale. Not surprisingly, they are very different from the films. The oddest thing is that they are told from James Bond’s point of view, and actually convey exactly what he is thinking. I think one of the most interesting aspects of the films is the fact that 007’s innermost thoughts are a complete mystery.

And, as far as the “Shaken, not stirred,” thing goes. Here’s a quote from Casino Royale:

 “A dry martini,” [Bond] said. “One. In a deep champagne goblet.”

“Oui, monsieur.”

“Just a moment. Three measures of Gordon’s, one of vodka, half a measure of Kina Lillet. Shake it very well until it’s ice-cold, then add a large thin slice of lemon peel. Got it?”

“Certainly, monsieur.” The barman seemed pleased with the idea.

“Gosh, that’s certainly a drink,” said Leiter.

Bond laughed. “When I’m…er…concentrating,” he explained, “I never have more than one drink before dinner. But I do like that one to be large and very strong and very cold and very well-made. I hate small portions of anything, particularly when they taste bad. This drink’s my own invention. I’m going to patent it when I can think of a good name.”

Oh, and here’s another quote from the same book:

It turned out that Leiter was from Texas. While he talked on about his job with the Joint Intelligence Staff of NATO and the difficulty of maintaining security in an organization where so many nationalities were represented, Bond reflected that good Americans were fine people and that most of them seemed to come from Texas.

Ha…. Really can’t think of Daniel Craig’s 007 thinking something like that.


Which 90s Films Are Cult Classics?


I am going to this on Saturday… it is sold out. I am going to drink some of this stuff. Be jealous, be very jealous.


Great Movies With Terrible Endings


Top 10 Films That Shouldn’t Be Remade


Hot Sauce Overdose

Halloween, French Quarter, New Orleans

Tabasco, Crystal, or Louisiana

I don’t think there is such a thing as too much hot sauce, but this guy will disagree. Not even the cool Mardi Gras beads could protect him.

Notice he has all three of the Louisiana Hot Sauces… the Holy Trinity: Tabasco, Crystal, and Louisiana (Red Dot) Brand on the table in front of him. No establishment should have less.

But that means you have to choose. Life is full of tough decisions. Though I have great respect for Tabasco, and like the Red Dot, I am a Crystal man myself.

Travelin’ Light

Travelin’ Light by Alison Saar (detail), Besthoff Sculpture Garden, New Orleans, Louisiana

Travelin’ Light, Alison Saar

Travelin’ Light presents a formally dressed man, hanging by his bare feet, a powerful but dignified reference to torture and abandonment. Saar has made the figure into a bell. When the chain on its back is pulled, a sonorous sound is heard, ringing for all victims of violence and terror.

I looked at Traveln’ Light and walked around it. I read the little nameplate and the blurb in the guidemap and discovered it was a bell. I thought about reaching out to the metal chain inside the hollow of the hanged man’s head and giving it a ring, but my reticence to actually touch artworks on display was greater than my curiosity as to its sound. A few minutes later, while I was a third of the way around the little pond, some guy with a gimme cap on backwards walked up to it and was ringing away with abandon. It had a dolorous sound, not bright like a church bell, more of a dull peal.

No human beings more dangerous than those who have suffered for a belief: the great persecutors are recruited from the martyrs not quite beheaded. Far from diminishing the appetite for power, suffering exasperates it.

—-Emil Cioran

Across the Mississippi

I will not be just a tourist in the world of images, just watching images passing by which I cannot live in, make love to, possess as permanent sources of joy and ecstasy.

—-Anais Nin

The camera makes everyone a tourist in other people’s reality, and eventually in one’s own.

—-Susan Sontag

The traveler sees what he sees, the tourist sees what he has come to see.

—-Gilbert K. Chesterton

Every tourist in New Orleans has their picture taken in front of the St. Louis Cathedral in Jackson Square. Usually, they climb the levee with a lump of sugar-slathered fried dough washed down with bitter coffee sitting in their stomach like the grease of doom to grin at the camera while facing the river.

I prefer this view of the Cathedral, from across the Mississippi at Algiers Point. The water flows by… always different, always the same.

No man ever steps in the same river twice, for it’s not the same river and he’s not the same man.

—-Heraclitus

Time is the substance from which I am made. Time is a river which carries me along, but I am the river; it is a tiger that devours me, but I am the tiger; it is a fire that consumes me, but I am the fire.

—-Jorge Luis Borges

“I thought how lovely and how strange a river is. A river is a river, always there, and yet the water flowing through it is never the same water and is never still. It’s always changing and is always on the move. And over time the river itself changes too. It widens and deepens as it rubs and scours, gnaws and kneads, eats and bores its way through the land. Even the greatest rivers- the Nile and the Ganges, the Yangtze and he Mississippi, the Amazon and the great grey-green greasy Limpopo all set about with fever trees-must have been no more than trickles and flickering streams before they grew into mighty rivers.

Are people like that? I wondered. Am I like that? Always me, like the river itself, always flowing but always different, like the water flowing in the river, sometimes walking steadily along andante, sometimes surging over rapids furioso, sometimes meandering with hardly any visible movement tranquilo, lento, ppp pianissimo, sometimes gurgling giacoso with pleasure, sometimes sparkling brillante in the sun, sometimes lacrimoso, sometimes appassionato, sometimes misterioso, sometimes pesante, sometimes legato, sometimes staccato, sometimes sospirando, sometimes vivace, and always, I hope, amoroso.

Do I change like a river, widening and deepening, eddying back on myself sometimes, bursting my banks sometimes when there’s too much water, too much life in me, and sometimes dried up from lack of rain? Will the I that is me grow and widen and deepen? Or will I stagnate and become an arid riverbed? Will I allow people to dam me up and confine me to wall so that I flow only where they want? Will I allow them to turn me into a canal to use for they own purposes? Or will I make sure I flow freely, coursing my way through the land and ploughing a valley of my own?”

—-Aidan Chambers, This is All: The Pillow Book of Cordelia Kenn

How could drops of water know themselves to be a river? Yet the river flows on.

—- Antoine de Saint-Exupery

Two Archers

Besthoff Sculpture Garden, New Orleans, Louisiana

A good archer is not known by his arrows but his aim.

—-Thomas Fuller

(Click for a larger version on Flickr)

What we want is not freedom but its appearances. It is for these simulacra that man has always striven. And since freedom, as has been said, is no more than a sensation, what difference is there between being free and believing ourselves free?

—-Emil Cioran

(Click for a larger version on Flickr)

Sculptures in the photos:
Henry Moore, Reclining Mother and Child

Pierre Aususte Renoir, Venus Victorius

Augustus Saint-Gaudens, Diana, The Huntress

Antoine Bourdelle, Hercules the Archer

G Force

Einstein’s Principle of Equivalence:

The starting point for general relativity is a statement called the principle of equivalence, which states that a uniform gravitational field in some direction is indistinguishable from a uniform acceleration in the opposite direction.

However, Einstein also said:

You can’t blame gravity for falling in love.
—-Albert Einstein

Tulane Homecoming, New Orleans, Louisiana

Sunday Snippet – New Orleans Writing Marathon

On the morning after Halloween Candy went down to the restaurant in the St. Vincent’s Guest House for breakfast and when I joined her she introduced me to someone she had met at the counter. It was Brant Osborn, an English Teacher from Slidell.

He was at St. Vincent’s for a Writing Marathon organized and sponsored by the Southeastern Louisiana Writing Project. The idea was that a group of about twenty writers would break into groups, either stay at the guest house or walk around the Lower Garden District for the day, stopping and writing as the mood struck them. Periodically, folks would read what they had written – hopefully providing ideas, inspiration and motivation for each other.

He asked me if I wanted to go.

I ran up to my room and grabbed my Moleskine and Varsity Disposable Fountain Pen.

The entire group (mostly English teachers and a few intruders like myself) started in the common room at the guest house, wrote a little and then we took off. There were five of us in my group, myself, Richard Louth (the organizer of the writing marathons), George, and Roman.

We walked down Magazine street, hitting a coffee shop, then po-boys for lunch, a side trip to a park, and then a beer at a table outside a neighborhood bar. We’d write and read at each stop. At the end we met back at St. Vincent’s for a celebration and reading, until darkness fell completely.

Most folks wrote little essays or short works inspired by St. Vincent’s, the history of New Orleans, or the other folks in the writing group. I, as is my wont, struggled to squeeze out some fiction. I didn’t have any of my writing prompt or idea collections with me. The only things I had was the inspiration of the St. Vincent’s hostel, some bits of story the other guys would tell, and a quote from a singer on Frenchman Street the night before, “Folks from small towns get arrested in the big city, folks from the big city get arrested in small towns.”

So I spent a whole day walking around Magazine Street in New Orleans with a group of like-minded folks, writing and reading. It was, for me, a perfect day. I want to publicly thank Richard Louth for putting together this program and for Brant Osborn for inviting me.

It was so much fun that now I want to do a writing marathon in Dallas. I’ve been thinking about it and am putting together a page on my blog to organize my thoughts. Go over to that page and take a look, feel free to leave comments or suggestions. The more the merrier.

So what did I write? Here it is, copied pretty much verbatim from my Moleskine. It’s about a third of a short story… and I’m working on where to take it from here.

Parasol

Chapter 1 Svetlana (I)

Svetlana dragged her backpack up the rickety wooden stairs through a heavy wrought iron gate. A fat man with an eyepatch sat behind a tall desk with paint peeling off the front.

She worried about her English – she had studied for over a decade and always dreamed of this – but now was the first time she actually spoke a complete sentence. She could feel her accent rolling in her mouth like a hot walnut.

The man with the eyepatch didn’t even look up. He flipped a set of keys in front of Svetlana and handed her a half-sheet of paper – cut unevenly with a set of numbered rules. It was handtyped and xeroxed, with a tattoo of hand-written corrections. The top line said, “Rules are non-negotiable – you will be thrown out of the hostel.

The one-eyed man finally spoke, still without looking up. “Down that hall – men on the left, you are on the right.”

Svetlana dragged her pack down the hall. The thin, worn carpet and painted walls were stained with water leaking from somewhere above. Strangely, the passage was lined with fine bronze sculptures of nude men and women – out of place in the worn and tattered building.

She reached the women’s dormitory and pushed the door open.

A quick feeling of panic rose in her throat as she looked down the center of a double row of bunk beds constructed of two by four beams nailed in a grid. In the Ukraine, she had her own wing with a personal servant. She had never slept in a room shared with strangers.

Chapter 2, Russell (I)

Russell never thought, never in a million years, that he could be thrown in jail for pissing on the side of a building. At home, you can pee wherever you want – it is a God-given right. He was no more than a block down the street from the bar when he realized he had forgotten to use the bathroom before he left. There was an unlit alley and he ducked in. He was admiring the patterns of oblique shadow the streetlights made on the rough brick when he noticed the blue and red flashing lights mixed in with the yellowish streetlight.

Just when he broke out into a grin at the interplay of colors and shapes he felt a rough hand on his shoulder.

Russell jumped a bit at the voice yelling in his ear, “Well, now, look who’s going to jail tonight.”

His arms were pulled back and he felt the cold steel click around his wrists.

“Shit, son, you ain’t even zipped up,” the unseen voice said. “Now, don’t you piss on me or I’ll crack your damn head.”

He felt his hands released and as soon as he brought them forward and fixed his pants he was shoved forward. His hand came up to catch himself from falling, his palms against the uneven wall. Boots pushed his feet apart.

Strong hands moved down his sides and between his legs, and finally slid his wallet out of his back pocket.

Chapter 3 Svetlana (II)

She looked down the room and saw a woman with spiked hair and a piercing through the side of her nose rummaging through a pile of plastic grocery sacks. She looked up. Svetlana thought she saw a tiny colorful flickering on the woman’s face.

“Which bed should I take?” Svetlana asked. The woman looked at her for what seemed like a long time then gestured at a lower bunk three beds down from where she was crouched.

“This one honey, it’s right under mine. Throw your pack on the bunk, but don’t leave it there when you’re gone. They got too many thieves ’round here.”

The woman glanced down at the bags at her feet and Svetlana saw a guilty look flash over her face. It didn’t stay there long. Svetlana threw her pack onto the lower bunk the woman had gestured at and then stood at the foot of the bed, stiffly, waiting to see what would happen next.

For most of her life Svetlana had dreamed of this moment – she had escaped. She was halfway around the world, but this was no dream. She realized, for the first time, that she had not actually thought past this very second, and was at a complete loss of what to do now. The panic rose and settled like a hard knot in her chest. She felt paralyzed – her mind blank. She stared at the woman, afraid the two of them would be standing like that forever.

The woman broke the impasse by moving quickly toward her – almost at a run – turning at the last instant in front of the flinching Svetlana and jumping up onto the top bunk. The woman was so close to Svetlana that she could see that her nose piercing was a tiny skull. Inside, a small LED was blinking – making the skull’s eyes flash bright red.

“You’re not from around here, are ya,” the woman said.

“No, the Ukraine. Is my accent that bad?”

“Nah, everybody’s got an accent here.”

“Your nose piercing?”

“Oh yeah, cool, huh. I make these and sell ’em on the corner. People love ’em. Changing the battery’s a bitch though. You want one? I’ll give you a discount.”

“I’m afraid I don’t have a piercing there.”

“Oh, no problema,” the woman said, fingering a large safety pin laced into a leather bracelet on her wrist. “Don’t have to go through your nose anyway. I’ve got a double skull – red and blue – can put that one through a nipple.”

Svetlana started to shake a little, and the knot under her breastbone grew and hardened.

“Not now, I’m sorry. Just off the plane and I’m still,… what do you say? Still on Ukraine time?”

‘Jetlagged.”

“Jet – Lagged,” Svetlana repeated slowly.

“Shit Ukraine,” the woman said, “I’m Joanna.”

“Svetlana.”

“OK Ukraine, whatever. You look like you need a beer. Grab your bag, let’s go.”

Chapter 4 Russell (II)

The concrete pallet had no mattress and the jailhouse orange coveralls were thin so Russell wasn’t really asleep when the noise outside the cell snapped his eyes open. Two huge deputies were dragging a man down the corridor towards the cell. He was wearing a once-whitish suite, covered in thin blue lines – now stained with blood and at least one other substance. The man looked exhausted and one eye was swollen almost shut but he still heaved and wiggled against the thick arms that restrained him.

The two deputies tossed him against a wall where he gathered himself erect and began the useless task of trying to smooth the countless deep wrinkles out of his suit. One deputy turned and began to work the lock on the cell door while the other kept facing the man in the suit.

“Gentlemen, “ the man in the suit began to talk in a surprisingly clear, steady, and controlled voice. “I do not stand to be treated like this. You should know that, not only am I an attorney, I am a member of the New York bar.”

The guard facing the man did not say a thing but gave a sharp shrug of his shoulder and a heavy telescoping rod shot down from his hand about the length of his forearm. At the end of the rod was a small but mean looking black sphere.

The man in the suit said, “Ahhhh,” but before a complete word could form the guard raised the extended truncheon and began wailing away at the man in the suit. His arm moved like a piston while the rod whistled through the air landing on the man with a sickening wet thud. Russell noticed the man had the presence of mind to cover his good eye with both hands and to turn and curl to present the smallest target. Russell had the feeling that this wasn’t the first time he had been beaten.

Russell guessed than swinging a heavy club like that was hard work and within a minute the guard stopped, bent over with his hands on his knees and breathing hard. He caught his breath and asked his partner, “Do you want a go at him, Hubert?”

“Naw, I got my licks in when we picked him up. I got a bottle in my locker, lets drop him here and grab a quick snort.”

They grabbed the man and attempted to throw him into the cell but somehow, he resisted enough to stand and walk through the cell door on his own volition. It shut with a metal clang and the two guards left without a backwards glance.

“They didn’t put you in a jail jumpsuit,” Russell said.

“No they did not,” the man said with a bit of pride in his voice, “That, my friend, is the source of the disagreement I had with those two apes back there. As you see, I’m still wearing my seersucker, and that I won that argument.”

Russell thought that was a definition of the word, “won,” that he had not ever heard before.

“How did you get here from New York?”

“Oh, I’m not really from New York. I was born and raised less than three miles from this very hoosegow. I only said I was from New York to impress those dimwitted thugs back there.”

“Now,” Russell said, “I’m just a country kid, but if I sat up all night thinking of saying something that would guarantee I got a bad beating in here, I don’t think I could do any better than telling them I was a New York lawyer.”

The man went on as if Russell hadn’t said a thing. “Now friend, I am an attorney… or at least I was. The state bar did not take too kindly… and over-reacted to – a trivial incident involving a real estate loan and the District Attorney’s niece. My present plans, however, do include, when they come to fruition, the reinstatement of my lawyerly license.”

“I don’t see how getting beat up in jail is going to help you get your license back,” Russell said. “Oh, and I’m Russell and I guess I’m pleased to meet you.”

The man seemed to think for a minute before giving up his name. “Jameson P. Samuel, at your service, but you can call me Jim.”

Chapter 5 Svetlana (III)

Joana ordered, “Two beers, whatever IPA you’ve got on tap please, and a coffee.”

“”What coffee you want?” the Bartender/Barista asked.

“I like my coffee like I like my women, dark, bitter, and Nicaraguan.” Joana turned to Svetlana, “No offense intended, Ukraine.”

Svetlana had no idea how to react to this but luckily one of her English lessons had covered what to say when someone said, “No offense.”

“None taken,” she replied.

The two women grabbed their drinks and settled into a booth at the end of the bar. Svetlana noticed everyone staring at someone in the booth across from them. She followed their gaze and saw a man in a stained white suit that looked like it had been slept in for a week. Half his face was swollen terribly. He was sipping a Bloody Mary with the paper umbrella stills ticking out of it and was talking loudly to a young man with ruffled hair – nursing a coffee in a foam cup.