“There is a love that equals in its power the love of man for woman and reaches inwards as deeply. It is the love of a man or a woman for their world. For the world of their center where their lives burn genuinely and with a free flame.
The love of the diver for his world of wavering light. His world of pearls and tendrils and his breath at his breast. Born as a plunger into the deeps he is at one with every swarm of lime-green fish, with every colored sponge. As he holds himself to the ocean’s faery floor, one hand clasped to a bedded whale’s rib, he is complete and infinite. Pulse, power and universe sway in his body. He is in love.
The love of the painter standing alone and staring, staring at the great colored surface he is making. Standing with him in the room the rearing canvas stares back with tentative shapes halted in their growth, moving in a new rhythm from floor to ceiling. The twisted tubes, the fresh paint squeezed and smeared across the dry on his palette. The dust beneath the easel. The paint has edged along the brushes’ handles. The white light in a northern sky is silent. The window gapes as he inhales his world. His world: a rented room, and turpentine. He moves towards his half-born. He is in Love.
The rich soil crumbles through the yeoman’s fingers. As the pearl diver murmurs, ‘I am home’ as he moves dimly in strange water-lights, and as the painter mutters, ‘I am me’ on his lone raft of floorboards, so the slow landsman on his acre’d marl – says with dark Fuchsia on her twisting staircase, ‘I am home.”
― Mervyn Peake, Titus Groan
Tag Archives: mural
Out Of the Chaos
“I have an idea that the only thing which makes it possible to regard this world we live in without disgust is the beauty which now and then men create out of the chaos. The pictures they paint, the music they compose, the books they write, and the lives they lead. Of all these the richest in beauty is the beautiful life. That is the perfect work of art.”
― W. Somerset Maugham, The Painted Veil
From the artist’s Instagram.
This piece is based on the previous intaglio print ‘Harbingers’ and is inspired by the works of Botticelli, Caravaggio and Rubens
Go At It At Full Speed
“I began to realize how important it was to be an enthusiast in life. He taught me that if you are interested in something, no matter what it is, go at it at full speed ahead. Embrace it with both arms, hug it, love it and above all become passionate about it. Lukewarm is no good. Hot is no good either. White hot and passionate is the only thing to be.”
― Roald Dahl, My Uncle Oswald
Yesterday, when I was looking at the stream of the Alfred Hitchcock Presents vintage television show – I noticed that one of the episodes that stretched across the top of the screen was “The Man From The South.”
That episode is taken from a Roald Dahl short story. I’ve written about it before – it’s one of my favorite things – both the original story and the television episodes made about it. It is a prime lesson in how to build tension… nothing is better.
It’s been done several times – but this one features two legendary actors, Steve McQueen and Peter Lorre – both at the top of their game.
You can watch it (and believe me, you will want to) here.
The Anticipation of It
“There is no terror in the bang, only in the anticipation of it.”
― Alfred Hitchcock
I couldn’t sleep last night, so I turned on the television. Tuning around I came across the start of an old Alfred Hitchcock Presents. It caught my eye because it featured a very young Burt Reynolds. It also had Harry Dean Stanton (- who looked like he always looks) and Murray Hamilton (don’t worry, you don’t remember the name but you’ve seen him). The show was from 1960, season 5, episode 37 – “Escape to Sonoita.”
The thing wasn’t perfect, but the story was crackerjack with a nice twist ending. The good guys are good, the bad guys are bad, and the woman in distress was beautiful. What more can you ask for?
If you have a few minutes to spare, you can watch it here.
Build More Robots and Learn How To Make Them Better
Control Voice: [opening narration] God looked upon his world and called it good. But man was not content. He looked for ways to make it better and built machines to do the work. But in vain we build the world, unless the builder also grows.
Control Voice: [closing narration] Out of every disaster a little progress is made. Man will build more robots and learn how to make them better. And, given enough time, he may learn how to do the same for himself.
—- The Outer Limits, I, Robot [2.09]
Photo taken on the Hidden Art Bicycle Tour. This is a larger view of the mural I wrote about here, and right next to this one.
Oblique Strategy: Do something boring
If a robot is of sufficient intelligence does it obtain a soul? If it thinks… is it therefore am? What do these robots think of the horde of human supplicants arriving astride simple devices of metal tube, chain, and rubber? They seem to have come a long way to see the robots.
But they aren’t of sufficient intelligence to claim souls. They don’t think, therefore they aren’t. As a matter of fact, they are only paint. Even though they look like giant robots and loom over the world, they are less than one one-hundredth of an inch thick. If you peeled them from the building they would collapse into dust. They aren’t robots in the real world… only in the minds of the observers, the bicycle riders.
And maybe on the internet.
Look Like Chopped Liver
“Don’t start an argument with somebody who has a microphone when you don’t. They’ll make you look like chopped liver.”
― Harlan Ellison
Taken on the Friends of the Santa Fe Trail Pub Ride.
Oblique Strategy: Lowest common denominator
Another Snippet: From a short story – Slow Advance by me
I finally kicked down the noisy neighbors’ door to find they had moved out. The place was empty. All that was left was their disembodied voices, still arguing. At an incredible volume.
I had to look around, but finally found the eight track player. My father showed me one of those once and explained the tape inside was a loop. It would never stop. I stood there, gobsmacked, and reacted too slow as a cat ran out of the hallway and dashed out the still-open door.
The sound system, such as it was, was sitting on the floor making a dent in the filthy shag carpet. There wasn’t anything else for me to do but to turn the volume knob down and hit the oversize bright blue led-lit power switch. The light turned to red. I spun around and headed home. I had splintered the jamb with my boot, so the door wouldn’t latch. In the hallway I paused, returned, and pulled the plastic box of the eight track from its hole and quickly strode home.
“So, that was quick,” Jane said as I walked back in, “what the hell is that in your hand.” I set the tape down on the coffee table and she handed me my beer. It was still cold, with an archipelago of condensed moisture droplets sparkling on the amber glass. Jane picked the eight track up and stared at it.
“They weren’t home,” I said.
“No, that’s impossible. We’ve been listening to them both scream at each other all day.”
“It wasn’t them, It was that,” I gestured at the tape.
“Well, at least it’s quiet now,” Jane said. “Hand me the remote, I want to watch Glee.”
He Believes in Miracles
“The Warrior of the Light is a believer.
Because he believes in miracles, miracles begin to happen. Because he is sure that his thoughts can change his life, his life begins to change. Because he is certain that he will find love, love appears.”
― Paulo Coelho, Warrior of the Light
Taken on the Friends of the Santa Fe Trail Pub Ride.
Oblique Strategy: In total darkness, or in a very large room, very quietly
Snippet – from “The Death of Xaco” by me
The yellow vapors poured down the slope, choking the men. They all had rough masks made from torn T-shirts, but that offered scant protection. The decades of working in the toxic sulfur cloud did not give them any resistance – corrosive is corrosive. The men coughed and shook their heads, struggling to breathe. After a thick cloud passed by, Buelo pulled his hand across his bit of cloth and scraped off the yellow crystals that had condensed there.
The men depended on a network of crude ceramic pipes to channel the molten sulfur down from the vent so it would cool and solidify before it caught fire and burned – then they could break it up into chunks to carry down the mountain. The pipes were always breaking or plugging up and it was a harrowing, awful, dangerous job to climb into the even-thicker fumes and do the needed repairs. Xaco was the only man left crazy-tough enough for the job and Buelo could see his sharp eyes and wild yellow-crusted hair peeking out here and there, now and then, amongst the yellow clouds. There were three tugs on the rope and Buelo tied another section of replacement pipe on and tugged back three times. The rope jerked and the pipe rocked, then disappeared into the fumes.
After a few minutes Buleo could make out Xaco hefting the heavy pipe onto his shoulders and struggle upslope before the drifting clouds hid him from view again. Buelo smiled thinking of Xaco from their childhood. He had known Xaco since his earliest memory, from long before they had known or understood that they would all be sulfur miners.
Tempt Us To Destroy
“People are always shouting they want to create a better future. It’s not true. The future is an apathetic void of no interest to anyone. The past is full of life, eager to irritate us, provoke and insult us, tempt us to destroy or repaint it. The only reason people want to be masters of the future is to change the past.”
― Milan Kundera
A Great Nerve Vibrating
Not the Invisible
“The true mystery of the world is the visible, not the invisible.”
― Oscar Wilde










