Sushi and Georgia O’Keeffe

Crazy Fish Sushi and a book of Georgia O'Keeffe paintings (Click to Enlarge)

Crazy Fish Sushi and a book of Georgia O’Keeffe paintings
(Click to Enlarge)

It was way too hot. The mercury was rising well past the century mark and the Texas sun was beating down, roasting the world with its searing incandescence – still, I wanted to get out and do a bike ride – get some mobile urban photography done – for fun and fodder for blog entries. I packed up, rode to the station, took the DART train downtown and started wandering around.

The night before I had ridden some similar streets with a lot of other folks – the Critical Mass Dallas last-friday-of-the-month ride. I had a blast. We rode from Main Street Garden Park, through downtown, past the Hyatt Regency and across into Oak Cliff, down to Bishop Arts, and then on to a Cuban-Themed party on a rooftop along Jefferson Street (a few doors down from the Texas Theater).

A lot of cool folks, a good time. We rode back across the Jefferson Street Viaduct bike lane – which was spectacular at night. I’m going to have to repeat some of that ride with a camera and a bit of time.

At any rate – one nice thing about a night ride is the cool air.

By noon the next day – cool air was only found inside.

I locked up my bike in Deep Ellum and started walking around, but the heat was getting to me. I was feeling dizzy and my mind was fuzzing up like an old slice of bread. So I thought about bailing and heading home to flop around in the air conditioning, but I had brought two liters of iced water in the cooler that straps to the back of my commuter bike. I’ve learned that I can take the heat pretty well as long as I keep moving and drink as much cold water as possible.

I drank some water, rode a bit, drank some more, found some shade… and felt a lot better.

A week ago, I had been in Klyde Warren park, killing a few minutes, and had thumbed through a book of Georgia O’Keeffe paintings that was set out in the reading room in the park. One quote from the book was still rattling around in my head – but I couldn’t remember it exactly and without the exact words couldn’t find it on the Internet. I wanted to use the quotation for a bit of writing/photography. The mystery quote was bothering me like an unscratched itch so I decided to ride back there and take another look at the book.

While I was there I bought a sushi roll from the Crazy Fish Truck (plus more cold water and a diet coke ). Then I was able to get a little green table in some dappled shade and sit down with the paintings and my food and hang.

Oh, I did misremember the quote a little bit. I am happy to set the record straight – but I’m thinking that my misremembered version might be… if not better, more useful for my purposes.

Crazy Fish Sushi Roll, and a Georgia O'Keeffe

Crazy Fish Sushi Roll, and a Georgia O’Keeffe

Music Video

Filming a Mexican Music Video in Klyde Warren Park.

Filming a Mexican Music Video in Klyde Warren Park.

One of the nice things about living in the big evil city is that – if you keep your eyes open – you can see a lot of interesting things.

While I was walking around downtown I crossed from the crowded west section of Klyde Warren Park over into the less-used eastern part. A small group was filming a Mexican Music Video.

It was not a big operation – a guy playing an acoustic guitar wearing sunglasses and a huge blue fake mohawk. There was a photographer with a tiny handheld camera. An assistant with a boombox on a little cart – this was cranking out a tinny version of the tune so the signer could lip-sync along. There was also a video babe in a tight spandex dress and a bright red wig.

She wasn’t in the shot when I passed by – I imagine she does some wiggling at some point.

Six Skycrapers

I took the DART train downtown to a Beer Festival and made my train on time. Because of this, I was an hour early and sat down in Klyde Warren to hang out and wait until the festival opened. The sun was near setting and the sky was glowing – the skyscrapers sharp and elegant.

Looking at the collection of crystal towers, my attention was drawn toward six in particular. Thinking about why these meant something to me; I realized I had watched these (and many others) while they were built. I worked in Downtown Dallas in the early eighties – for a couple years in the Kirby Building (now converted into condominiums) and for a couple more in the historic Dallas Cotton Exchange (I loved that building – unfortunately, it was dynamited in 1994 to make room for a parking garage for the 1st Baptist Church).

http://youtu.be/xYqBhvfx218

The early eighties were a time of frantic building in Texas, especially in downtown Dallas. The giant construction crane was considered the state bird. This all came to a spectacular stop in the Savings and Loan crash of the late eighties – but at the time nobody could see that disaster coming.

I was young and a recent immigrant to the big city and was absolutely fascinated with watching the towers going up. In those pre-internet days detailed news was unavailable to the unwashed masses – so the construction was always a surprise to me. Since it would take, say, two years or more to build these it was like a slow-motion reveal, a mystery unveiled piece by piece, day by day.

A block would be cleared and then a gigantic hole slowly carved deep down into the chalky bedrock. Then the steel, concrete, or combination skeleton would rise, floor by floor, emerging from the scurrying crowds of hard-hatted workers like a living thing.

Finally, the skin would be hung and, only then, would the real shape and color of the building revealed. It was never really what it looked like while it as going up – the architects played with shapes and forms, adding extra corners and geometric sleights of hand. The final form was always a gigantic pleasant surprise.

Those were exciting, innocent days. Now, looking at the buildings bring back those memories. I can see, in my imagination, beyond the glass and stone cladding to the hidden skeleton of these skyscrapers, remember when the supporting framework was fresh and exposed.

Three skyscrapers from Klyde Warren Park, Dallas, Texas

Three skyscrapers from Klyde Warren Park, Dallas, Texas



The three towers to the east

The Chase Tower
2200 Ross – 1987
– I recently took photos of a helicopter making a delivery here.

People call this one the building with a hole in it. On the 40th floor is a skylobby that offers good views of the Uptown area of the city – I haven’t visited this, but would like to. I watched it get started but was working out in Garland before it was finished. The skyscraper was designed by SOM and is 738 feet tall with 55 stories, making it the 4th tallest building in Dallas.

San Jacinto Tower
2121 San Jacinto – 1982

This is the tan triple building in the center. I watched this one go up in detail. While it was being built it was not obvious that it would have that unique, triple structure – the effect was made with add-ons at the end. The building is 456 feet tall and is 33 stories, making it the 20th tallest building in Dallas.

Trammell Crow Center
2001 Ross – 1985

This one was really cool to watch. It was very close to where I worked and was clearly visible outside a window near my cube. Although I left downtown before it opened, I did see all the visible construction right in front of my eyes. The skyscraper is Post Modern in styling and is 686 feet tall with 50 stories. The Trammel Crow Center is the 6th tallest building in Dallas and is named after its principal tenant.

Three more skyscrapers from Klyde Warren Park, Dallas, Texas

Three more skyscrapers from Klyde Warren Park, Dallas, Texas

To the west are three more:

Lincoln Plaza
500 N. Akard – 1984

This triangular building went up on the site of the old YMCA – I watched them implode that building. It has a cool upper-crust restaurant (Dakota’s) in the basement – you go into an elevator sticking up in the sidewalk to get down to it. Lincoln Plaza is 579 feet high with 45 stories, and is the 13th tallest building in Dallas.

These last two flank Thanksgiving Square – one of my favorite spots back in the day. It’s getting a little run-down and forgotten now – but in the early 80’s it was the place to hang out for lunch on a warm spring day.

Energy Plaza
1601 Bryan – 1983

This is another building that I watched with interest – it ended up looking a lot different than I thought. I.M. Pei & Partners designed this 49 story building located on the north side of Thanksgiving Square. On top of the tower is a triangular communications tower that is modeled after the Eiffel Tower — only smaller and three sided. Energy Plaza is the 9th tallest building in Dallas and with a height of 629 feet.

Thanksgiving Tower
1601 Elm – 1982

The rearmost of these three is Thanksgiving Tower. This was was almost finished when I started working in Dallas – I was there when it opened. This 50 story all glass skyscraper faces into Thanksgiving Square. Thanksgiving Tower is 645 feet high and is the 8th tallest building in Dallas. If you look at it you can see the the distinctive reflection of Republic Center Tower – a skyscraper that has been there since 1954 – ancient by Dallas Standards.

Southwest Jet in the sky over Klyde Warren Park

I like to take pictures of the jets flying over downtown Dallas.

I’ve done it before.

I’ve done it now.

Southwest Jet from Love Field over Klyde Warren Park.

Southwest Jet from Love Field over Klyde Warren Park.

(Click for a larger version on Flickr)

I’ll probably do it again.

Five Friends

“Don’t walk behind me; I may not lead. Don’t walk in front of me; I may not follow. Just walk beside me and be my friend.”
― Albert Camus

Klyde Warren Park, Dallas, Texas

“Is it possible, in the final analysis, for one human being to achieve perfect understanding of another?
We can invest enormous time and energy in serious efforts to know another person, but in the end, how close can we come to that person’s essence? We convince ourselves that we know the other person well, but do we really know anything important about anyone?”
― Haruki Murakami, The Wind-Up Bird Chronicle

five_friends

(click for a larger version on Flickr)

“Don’t flatter yourself that friendship authorizes you to say disagreeable things to your intimates. The nearer you come into relation with a person, the more necessary do tact and courtesy become. Except in cases of necessity, which are rare, leave your friend to learn unpleasant things from his enemies; they are ready enough to tell them.”
― Oliver Wendell Holmes Sr.

The Sky

The sky above Klyde Warren Park, Dallas, Texas (click for a larger version on Flickr)

The sky above Klyde Warren Park, Dallas, Texas

(click for a larger version on Flickr)

When I was a little kid, I had a paint-by-number kit… you know, one of those bilious hunks of cheap canvas board with numbered areas printed in blue ink that corresponded with little plastic tubs of oil paint. Now, I imagine they come with some sort of water-based acrylic – safer and easier for children – but this one had real slow-drying artists’ oil paint.

I might have been six years old… maybe seven. Fifty years ago.

I sat at the kitchen table, wielding the cheap brush that came with the kit, carefully cleaning it after each color and moving across the canvas matching the numbers with the proper paint. It amazed me… that I could create an actual work of art (unfortunately, my skills have advanced little since).

It didn’t seem too hard to me to make the leap beyond the preprinted canvas – surely it wouldn’t be that hard to do yourself. I was a little kid, what did I know? Nothing about composition, blending… and nothing about mixing colors.

What I especially remember is the sky above the sailboat. The scene had the boat fighting against a headwind on a dramatic tumbling, mostly overcast day – with the heavens filled with irregular patches of brown, beige, gray, and a little blue peeking through here and there. It was beautiful to me.

Now, whenever I have a sky like that… like this, my subconscious conjures up the by-the-mumbers painting of the sailboat from the distant cobwebby recesses of the past. Before I realize what I am thinking about, weather like this, fills my nose with the unmistakable odor of linseed oil and turpentine. Only then do I pause, look up, and remember the sailboat.

Home by Hovercraft

It was time for another Setlist on the Green in Klyde Warren Park – I had been to the first and second ones last season, and the one last week was rained out (though the weather didn’t seem so bad to me). I really have enjoyed these, so I rode the DART train downtown after work and bought myself a sushi roll from a food truck, a beer from the beer trailer, and sat down with my camera down front, ready to rock.

What’s cool about the Setlist on the Green is that, with six different folks playing only a half hour each, you get a variety of styles and attitudes – and if there is one that does not fit your fancy, well, wait a minute and there will be another one. The park is a unique gorgeous urban setting, – even if the stage area and the restaurant site next door seems to be in a perpetual state of construction.

TreyChick at Setlist on the Green

TreyChick at Setlist on the Green

The festivities started with TreyChick (Trey Pendergrass and Natalie Young) who brought a nice sense of humor to their performance. They also were the first band I’ve ever seen using iPads for setlist and lyric sheets. I made a note of one of their lyrics – “I”m not good enough to love you, only good enough to fix your car.” I know that feeling.

Then Luna Matto, Johnny Beuford, and Becky Middleton (from Ishi) did their sets – and they were really cool. As each performer performed and the evening went on, the sun setting, the clouds skidding by overhead between the skyscrapers like oil paints smeared on the sky, behind the stage the distant cars on the busy road shooting down into the buried highway under the park, the crowd slowly growing… it was a great time.

The crowd slowly grows in Klyde Warren Park.

The crowd slowly grows in Klyde Warren Park.

But, I have to admit, almost everyone, me included, were there to hear the last performer, Home by Hovercraft.

First of all… what a damn cool name for a band. I remember, back in the early days of the world (1981) sitting down with another music fanboy and systematically deciding on the best band names. We even made a bracket and voted and such. In the end, he had Talking Heads as the best band name – and I agreed, though I thought The Teardrop Explodes was a hair better. This was thirty years before I had heard of Home by Hovercraft… which would give those titans of the time a run for the money.

Second, there is a lot of buzz about this band and I wanted to see them in the worst way. When the news of something hot and new reaches me, the least cool and hip person on the planet, you know it must be worthwhile.

Home by Hovercraft is greatness. The first thing that strikes you is the instrumentation. The lead singer plays a tarnished euphonium when he isn’t singing. The backup singer (his wife) plays keyboards plus there’s another singer with a mandolin or harmonica. Tonight they added a cello player. There’s a drummer on a kit, but he is assisted in the rhythm section by an Irish Dancer (the lead singer’s sister), stomping out beats on a hunk of basketball court hardwood. When she isn’t dancing, she plays a small glockenspiel.

Home by Hovercraft

Home by Hovercraft

Lead Singer with Euphonium

Lead Singer with Euphonium

Drums and Mandolin

Drums and Mandolin

Irish Dancing Rhythm Section

Irish Dancing Rhythm Section

Keyboards

Keyboards

Home by Hovercraft

Home by Hovercraft

Despite the odd instruments, this isn’t a novelty band. They are very tight and extremely talented. The vocals are strong and unique.

I have no idea what genre their music falls into (other than that awful moniker, “indie,” which means nothing)… I guess it can be best described as sounding like Home by Hovercraft.

Home by Hovercraft has a strong theatrical background which comes through on stage – they are very entertaining and confident up there. They have done a musical On the Eve which will be produced by Theater Three later on this year. I have got to see that. I think a lot of the music on their album Are We Chameleons? (I downloaded it from Amazon) is from the musical.

They will be performing at the Deep Ellum Arts Festival (Sunday, April 7, 12:30PM) – we’re going there anyway so Candy can see the pet parade and I can buy a little head in a little wooden box. Looking forward to it.

Next week’s Setlist on the Green will be classical performers… which should be something interesting.

Big Fans

I have become a fan of attending small local (usually free) concerts around town. There is so much talent and passion out there – more than I can ever take in.

At the second Set List on the Green (a lot of fun, I can’t wait until spring and the re-start of the series) down at Klyde Warren Park these three women were sitting near me. They were big fans, but not big enough to stop looking at their phones all the time. That’s cool – as far as I’m concerned, they can do whatever they want.

audience

audience1.

Dog and Master

 

“Outside of a dog, a book is man’s best friend. Inside of a dog it’s too dark to read.”
—- Groucho Marx