Text on the Streets

As you move around, keep an eye out for the mysterious text that surrounds us. Here and there, in the odd corners and foggy backwaters of the city, there are messages. What do they mean? Who know? Who cares.

Stuck on a plywood-covered window. Deep Ellum, Dallas, Texas

Stuck on a plywood-covered window. Deep Ellum, Dallas, Texas

You are Now! Yes. Is this real? This moment, that you have chosen to co-create? I know not. What I do know is that everything in your life has led you to this exact moment in space and time. Yes your fantastic being of molecular vibrations slipping into the NOW. You, co-creating the awakening of your inner Shazam-Samurai! You, catapulting your nitro-burnin’, fuel-injected, Hootenany, Howlin’ Wolf, Love dance into the future of NOW! Yes! Yes! Yes!

Shazam!

Stencil (one of several) on the Santa Fe Bicycle Trail, Dallas, Texas

Stencil (one of several) on the Santa Fe Bicycle Trail, Dallas, Texas

Sign attached to bicycle, French Quarter, New Orleans, Louisiana

Sign attached to bicycle, French Quarter, New Orleans, Louisiana

Castin Call
Ride a Blind Camel
Ladies 18+ only
Call 229-9982
To play 4 Dominican Nuns
Boston Bank Job
(CIA Classified)
Libya Gold Assasins
Call Butch Cassidy Detective Agency

Don’t Shoot Me, I’m Only the Bass Player

New Orleans, French Quarter
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Decked Out

New Orleans, French Quarter, Halloween

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There is something inherently cool about a bicycle with a plastic milk crate strapped to the back.

Faulkner House Books

When I’m lucky enough to visit New Orleans I try to avoid the more obvious tourist traps. I see nothing special about the bitter Joe and greasy dough at Cafe Du Monde, rarely set foot on Bourbon Street, and try to walk out of the Quarter (or at least skirt the edges) whenever possible. Still, there is cool stuff even in the heart of touristland.

One special little spot is Pirate’s Alley. It’s a narrow passage that runs alongside the St. Louis Cathedral, connecting Jackson Square with Royal Street. History drips onto the cobblestones like Spanish Moss from an iron balcony.

Usually I like to aimlessly drift through and see what there is to see. There is usually something interesting. Once, I stumbled across a fashion shoot in the alley.

Fashion Shoot in Pirate's Alley (click to enlarge)

Fashion Shoot in Pirate’s Alley (click to enlarge)

On our last trip – I walked down Decatur from Canal, headed for Pirate’s Alley. This time I was going somewhere in particular – an unusual state for me in the Big Easy. I had realized that I had never visited Faulkner House Books – a tiny bookstore located in the alley.

What makes this store so famous is that it occupies an apartment on the lower floor where William Faulkner once lived. There, in that very space, he hammered out his first novel Soldier’s Pay, begining the transition from unknown poet to Nobel prize winning novelist.

So I crossed Jackson Square – ignoring the thick crowd of artists, musicians, tourists, and fortunetellers – strolled down the alley past the Absinthe House and pushed the doors open to the bookstore.

It’s a small place – not hard to imagine it as a tiny apartment for a young, struggling writer. It’s packed with bookcases, every inch of wall covered, plus a collection of free-standing cases.

“Can I help you?” a woman asked.

“Umm, I’m just looking.”

“Well, the rare and first editions are around the corner, and ask me if you need anything.”

I glanced and saw a well-dressed elderly gentleman delicately thumbing through the case. The woman walked over to him and began to talk about the history of each volume he was examining. I heard him talking about which editions he already had in his collection and what holes he was trying to fill.

Those books were obviously not in my price range so I moved back toward the entrance and began to peruse the ordinary mass market offerings – after all, I had to buy something. I considered picking up a Faulkner novel but decided instead on Same Place, Same Things, a book of short stories by Tim Gautreaux. A South Louisiana writer, I had read another collection of his, Welding With Children, and really liked it.

We had talked about Tim Gautreaux while walking around on our New Orleans Writing Marathon the day before. I had discovered that he had written a story, Waiting for the Evening News, (contained in the book I chose) based on a train derailment in Livingston, Louisiana in 1982. I wanted to read that story because I had worked that train derailment when I was a consultant to the Emergency Response Division of the EPA.

Paperback in hand, I waited while the other man paid for his purchases – two beautiful, large books. His bill came to just under a thousand dollars. After he left, I handed my little trade sale paperback to the woman.

“Sorry, my purchase isn’t quite as big as his,” I said.

She ignored this. “This is very good work, have you read him before?”

I said I had and told her a quick version of the story of the derailment. She smiled and rang me up.

The entrance to Faulkner House Books

The entrance to Faulkner House Books

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Right after I took a photo of the plaque, this guy did the same thing.

Right after I took a photo of the plaque, this guy did the same thing.

He and his wife never went in the store - he just moved along, not even taking his eye out of the viewfinder.

He and his wife never went in the store – he just moved along, not even taking his eye out of the viewfinder.

An old video of the train derailment at Livingston. I worked there for a couple weeks – providing technical assistance and taking samples to help determine when the residents could return home. I’m in the video, though unrecognizable, at about the nine minute mark.

Blur

The Universal view melts things into a blur.
—-Emile Cioran

You must have a colorful fork.

You must have a colorful fork.

New Orleans, French Quarter

I enjoy sitting at a little sidewalk table, sipping something – maybe my notebook is out – watching the world going by. If you move too much, you miss everything. Stay still, and it will come to you… sort of like hunting from a blind. It may not seem so exciting, but it’s how to bag the big game.

Having a camera does ruin things a bit. I don’t like looking at the world through a viewfinder. I don’t like closing my mind so I can think of angles, exposures, ISO.  But if I don’t make that sacrifice I can’t share it all with you, can I… so enjoy what you can… viddy well, my little droogies, viddy well.

Of course, another option is to set the camera on the table and simply reach out, now and then, and tap the shutter.

Then and Now, Lee on Halloween

My youngest son, Lee, on Halloween, then, Mesquite, Texas

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Now, Halloween, French Quarter, New Orleans, Louisiana

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Washboard on Decatur Street

French Quarter, New Orleans

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washboard