Short Story Day Eighteen – The Landlady

18. The Landlady
Roald Dahl
http://www.nexuslearning.net/books/holt-eol2/collection%203/landlady.htm

This is day Eighteen of my Month of Short Stories – a story a day for June.

Everybody is familiar with Roald Dahl‘s children’s books and the movies made from them: Charlie and the Chocolate Factory (Willy Wonka), James and the Giant Peach, The Fantastic Mr. Fox. What makes his children’s books so good, other than the crackerjack storytelling, is the element of subversive evil that lurks, sometimes just beneath the surface… sometimes a bit above. I think all great children’s literature has this dark side to it – at least anything that’s readable by adults.

Not quite as many people nowadays read his short, adult fiction. In these, he takes the evil and runs with it. His stories are the opposite of a lot of the modern fiction (the New Yorker fiction) that you read. The characters are cardboard, there is no character development, no fancy descriptions or clever word-play. It’s all a simple story, short, spare, straightforward right up the the twist reveal ending.

This sort of thing has fallen a bit out of favor today – which is a shame. As much as I like a complex tale of existential angst, complete with extensive interior monologues – there is something to be said for a quick simple plot. It’s satisfying if done well – it’s hard to do well, and Roald Dahl is the best.

Of course, the other thing is that this sort of work is very well adapted for television, especially the anthology series that were so popular during my childhood (and now can be found all over the internet). Dahl’s stories were the core of the various famous Hitchcock anthology shows, the underrated Tales of the Unexpected, or the forgotten Way Out.

Today, we have The Landlady. It’s a horror story, though you don’t know that until you get to the end. I like stuff like this and would love to be able to write it. It was first published in the New Yorker in 1959… where it would never get a second look today.

One word to the wise: as a chemist I can tell you… if you are drinking tea with a stranger and the beverage smells of bitter almonds, it’s time to leave. If you’ve had as much as a sip – time to call 911.

Billy was seventeen years old. He was wearing a new navy-blue overcoat, a new brown trilby hat, and a new brown suit, and he was feeling fine. He walked briskly down the street. He was trying to do everything briskly these days. Briskness, he had decided, was the one common characteristic of all successful businessmen. The big shots up at the head office were absolutely fantastically brisk all the time. They were amazing.

There were no shops on this wide street that he was walking along, only a line of tall houses on each side, all of them identical. They had porches and pillars and four or five steps going up to their front doors, and it was obvious that once upon a time they had been very swanky residences. But now, even in the darkness, he could see that the paint was peeling from the woodwork on their doors and windows and that the handsome white facades were cracked and blotchy from neglect.
—- The Landlady, Roald Dahl

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Man From the South
http://www.americanliterature.com/author/roald-dahl/short-story/man-from-the-south

If I’m going to put something up by Roald Dahl, I have to link to his story, Man from the South, in case you have never seen it before. I read it years and years ago, and always refer to it as an example of how to control rising tension – building until it becomes almost unbearable. This is true both of the written story and the television versions.

There are three versions on Youtube – one, the classic from Alfred Hitchcock, with Steve McQueen and Peter Lorre. It was also done in 1979 and 1985 – those versions are very good too.

I think I might like the Jose Ferrer version the best (I think it has the best crazy woman).

If you are as big a fan of Man from the South as I am – then you should check out the last segment of an otherwise terrible movie called Four Rooms. It’s a short riff by Quentin Tarantino on the whole deal – with a completely different, very Tarantino ending.

Here’s a clip (complete with money shot):

Short Story Day Twelve – Paladin of the Lost Hour

12. Paladin of the Lost Hour
Harlan Ellison
http://harlanellison.com/iwrite/paladin.htm

This is day Twelve of my Month of Short Stories – a story a day for June.

Some stories are hard to put in a category – Science Fiction? Fantasy? Speculative Fiction? – I have a category I like to use for stories like today’s – Crackerjack. It’s a bit longer than the ones I’ve been linking to this month – but please read it… it’s worth it.

Paladin of the Lost Hour has an interesting history. The text fiction was written simultaneously with a screenplay of the same name for the new (1985) version of The Twilight Zone. When the story editor and a producer saw the script they liked it but suggested a change for the ending (the penultimate scene, apparently). Ellison immediately rejected the idea and an argument resulted. After a few days of thinking about it, the author realized they were right and rewrote the ending. Now, he admits the change made the story much better. Now, the revised version is the preferred one, and the one that is in print.

I would like to find the original… but haven’t yet.

I’ve been a fan of Harlan Ellison for as long as I can remember. His short stories, screenplays (remember, he wrote The City on the Edge of Forever, the best Star Trek episode ever)… even his anthologies (I think the reading the Philip José Farmer tale, Riders of the Purple Wage, from Ellision’s groundbreaking original Dangerous Visions is one of the highlights of my life) embody a courage that is lacking in so much… and something I would like to emulate.

Courage… something so rare, difficult, and always ephemeral.

Like the wind crying endlessly through the universe, Time carries away the names and the deeds of conquerors and commoners alike. And all that we are, all that remains, is in the memories of those who cared we came this way for a brief moment.
—- Harlan Ellison, Paladin of the Lost Hour

Here is a youtube video of the Twilight Zone Episode. It’s one of Danny Kaye’s last performances. I’d recommend reading it first – there is an interesting mystery in the text that, obviously, has to be spelled out in the television performance.

Una Battaglia – Friday Snippet

Una Battaglia (A Battle) – Arnaldo Pomodoro

The Sydney and Walda Besthoff Sculpture Garden – New Orleans Museum of Art

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city

R’leigh and Sansom started their climb in the pitch black pre-dawn darkness. The lights mounted on their helmets cast yellow ovals that would dim after every few minutes. Then they had to pull them off and crank the little handles in the dark for a new charge. R’leigh would shiver as she felt the cool air off the vastness beyond the cliff blowing her hair and the tension in the unseen ropes holding her to the metal pins Sansom hammered into cracks in the rock while she worked at the generator built into her helmet light.

It seemed like forever, but they had moved about a third of the way on their way to the top when the sky began to glow salmon through the thick clouds. The rising sun itself was hidden but the faint glow of dawn was replaced by the slate-gray light of every day under the globe-girdling smoke cloud that had choked the earth from times before R’leigh was born. At least they could climb without the headlights and R’leigh rested against the rough granite while Sansom pulled their heavy equipment up from the base of the cliff far below. He then reeled in all the extra rope – now that they could be seen, they could not be reached.

The day settled in to a long, exhausting routine of Sansom pounding in pins above, then the two of them moving up in turns, each belaying the other in case one fell, then Sansom pulling up the equipment over the height they had gained.

While R’leigh braced herself safe and still and watched Sansom work she thought of a time three years ago, not long after they had started planning and training for this day. The two of them were on a school outing to a rare grove of trees preserved in a museum on the 598 level. The museum had done its best to duplicate at least a piece of a real forest, distributing the trees in a thick, random pattern over a rolling hill – artificial light streamed down from a ceiling painted an unreal blue.

The teachers had let the students wander around in the trees and told them to try and imagine a time when forests like this covered a large part of the earth – they went on for thousands of miles. R’leigh found that hard to believe and didn’t really understand what the big deal was – but Sansom pulled her into the center of the cluster of trees and then down a little gully away from the crest of the hill. There the grove was at its thickest.

He spent some time looking carefully up and around, until he had satisfied himself that they were hidden from the handful of cameras set up to keep an eye on the precious trees. He had already begun his secret training and was quickly becoming an expert on avoiding the surveillance. Looking straight at R’leigh, he slipped a hand into his jacket and pulled out a small, silver object which unfolded in the center.

“A pocketknife,” he said quietly. “The cell, we all made these out of scraps of cooling duct.”

He turned and moved the knife quickly and surely across the surface of the tree, slicing the bark in confident, sharp lines. R’leigh saw liquid welling up in the cut lines. She didn’t know that trees would bleed. Instead of red blood, though, the sap oozed out in a series of little clear globs, strings of sparkling jewels like a living necklace along the lines that Sansom was carving. The air quickly filled with a sharp smell – the life of the tree leaking into the air. She was so intrigued by the crystal-like sap she didn’t even notice what he was cutting out.

Before she realized what he was doing, he stopped, then stood back and, with a self-satisfied smirk, gestured as his work. He had carved the simple outline of a heart with the initials, SS + RL inscribed within.

“Look quick, hard and close, I want you to remember this. But we need to go before they find us and see what I’ve done.”

R’leigh felt her pulse quicken and she let out a gasp. The risk he was taking; they would scrub the both of them if they were caught damaging anything as precious at that tree. She allowed herself five seconds to memorize the heart, the letters, and the gleaming jewels of sap until it was burned in her mind forever. In the three years since, she had been tempted to return to the museum and the grove of trees and see if the design was still there but neither of them dared – they might be watching to see who comes back.

Her reverie ended when Sansom jerked on the rope and it was time to continue moving upwards. She allowed herself a second to look out over the landscape that was opening up beneath and around them. They were high enough now, almost to the top of the spire, that they could see a vast panorama of dead twisted gray rock reaching up from endless beds of sterile gravel. This was the world that they lived in.

Within another hour they reached the flat top of the rock spire. It had taken half a day of climbing. Their years of training in every spare hour had paid off – her arms were tired but she had enough energy to feel excitement at their accomplishment. Sansom disappeared over the edge above her, and then his head reappeared as he reached down to help her up and over. Then the two of them worked together to pull and wrestle the equipment bags over the edge and spread them out away from the sheer cliff edge that they had just climbed.

Only when the equipment was safe did they walk the few steps to the opposite side of the rock cap and look out at the city. It had been hidden from them by the bulk of the spire while they climbed the opposite side, as the rock had hidden them from the watchers on the high walls. R’leigh had, of course, never seen the city from this vantage point and she gasped at its size and beauty.

The city was made up of two parts. Down below, was the huge and squat old city – burned, torn, and rendered from the war. Enormous hunks had been blasted away from the sloped sides of the square bunker shaped edifice. Great cracks wandered over what was left behind, though they could see the ugly patches that had been applied to keep the remains from crumbling apart.

Above this wreck rose the high shining rectangular tower of the new city. Built after the war on the remains of the old, this gleaming monolith reached upwards beyond the height of even the tallest rock spire which they had climbed, still being built as floors were added to the unseen top.

R’leigh and Sansom set to work quickly, unloading the equipment bags and assembling the heavy tripod first. They had practiced this many times and R’leigh found herself stealing looks at the immense and distant city as they worked; her arms and hands moving with familiarity over the tubing and fasteners almost without her conscious knowledge.

She realized she loved the city. It had been her home her entire life and she could count on one hand how many times she had been outside that gleaming tower before today. Inside, a person could not understand or comprehend its size and simple beauty. It took her breath away to see it like this – she found herself staring at it every second, even taking her eyes off Sansom as he worked alongside her, something she rarely ever did.

Soon, the tripod was complete and using the ropes they had climbed with and a pair of long, strong poles assembled from sections in the equipment bags the two of them lifted and levered the heavy tube onto the tripod and fastened it firmly in place.

R’leigh stepped back while Sansom tightened up all the bolts and began final adjustments of the apparatus. There, in front of her were both Sansom, sweating with effort and concentration while he worked, and in the distance beyond, the lustrous metallic surface of the city. R’leaih’s heart began to race, both at the excitement of what they were about to do and with the sheer beauty of the scene.

She loved what she was looking at, but she thirsted for destruction, and after years of careful planning and preparation, she was about to drink. Sansom had finished and he came back to where she was standing, holding a small metal box trailing a fine wire that spooled out of the apparatus.

He placed his arm around R’leigh’s shoulders and looked like he was trying to think of what to say.

“There’s nothing to say,” said R’leigh, “we’re ready now, it’s time for the completion of all our work.”

“My love, here, push the button,” Sansom said as he handed her the box. It had only a small red circle on one face.

“Are you sure?” she asked.

“Absolutely.”

And with that she pressed the red circle. Immediately the rocket ignited and with a flash and a roar loud enough to make them jump it moved out, surprisingly slowly at first, but gathering speed at a frightening pace. The small rocket soon disappeared in the distance but the mane of black smoke showed its progress as it arced up into the gray sky and unerringly flew into the city.

Within a few minutes it had jumped the long gap between their rock spire and the gleaming city and struck right where it was intended, about a third of the way up along the huge structure. Its initial strike was not much more than a pinprick but the missile was designed to penetrate the skin of the structure and explode within.

The small but efficiently powerful fusion device in the rockets nose cone exploded inside the city and the entire edifice began to shake. Huge cracks appeared in its carefully polished surface, glowing with orange fire as the reaction began wreaking its destruction. The city was now tearing itself apart from the inside, mortally injured by the power of the tiny missile which had started a chain reaction which doomed the gigantic edifice. It took several minutes for the sound to reach them, but the massive explosions would shake the very stone that they were standing on.

R’leigh and Sansom stood together, their arms wrapped around each other as they swayed slightly back and forth, watching the beauty of what they had done.

Sunday Snippet – New Orleans Writing Marathon

On the morning after Halloween Candy went down to the restaurant in the St. Vincent’s Guest House for breakfast and when I joined her she introduced me to someone she had met at the counter. It was Brant Osborn, an English Teacher from Slidell.

He was at St. Vincent’s for a Writing Marathon organized and sponsored by the Southeastern Louisiana Writing Project. The idea was that a group of about twenty writers would break into groups, either stay at the guest house or walk around the Lower Garden District for the day, stopping and writing as the mood struck them. Periodically, folks would read what they had written – hopefully providing ideas, inspiration and motivation for each other.

He asked me if I wanted to go.

I ran up to my room and grabbed my Moleskine and Varsity Disposable Fountain Pen.

The entire group (mostly English teachers and a few intruders like myself) started in the common room at the guest house, wrote a little and then we took off. There were five of us in my group, myself, Richard Louth (the organizer of the writing marathons), George, and Roman.

We walked down Magazine street, hitting a coffee shop, then po-boys for lunch, a side trip to a park, and then a beer at a table outside a neighborhood bar. We’d write and read at each stop. At the end we met back at St. Vincent’s for a celebration and reading, until darkness fell completely.

Most folks wrote little essays or short works inspired by St. Vincent’s, the history of New Orleans, or the other folks in the writing group. I, as is my wont, struggled to squeeze out some fiction. I didn’t have any of my writing prompt or idea collections with me. The only things I had was the inspiration of the St. Vincent’s hostel, some bits of story the other guys would tell, and a quote from a singer on Frenchman Street the night before, “Folks from small towns get arrested in the big city, folks from the big city get arrested in small towns.”

So I spent a whole day walking around Magazine Street in New Orleans with a group of like-minded folks, writing and reading. It was, for me, a perfect day. I want to publicly thank Richard Louth for putting together this program and for Brant Osborn for inviting me.

It was so much fun that now I want to do a writing marathon in Dallas. I’ve been thinking about it and am putting together a page on my blog to organize my thoughts. Go over to that page and take a look, feel free to leave comments or suggestions. The more the merrier.

So what did I write? Here it is, copied pretty much verbatim from my Moleskine. It’s about a third of a short story… and I’m working on where to take it from here.

Parasol

Chapter 1 Svetlana (I)

Svetlana dragged her backpack up the rickety wooden stairs through a heavy wrought iron gate. A fat man with an eyepatch sat behind a tall desk with paint peeling off the front.

She worried about her English – she had studied for over a decade and always dreamed of this – but now was the first time she actually spoke a complete sentence. She could feel her accent rolling in her mouth like a hot walnut.

The man with the eyepatch didn’t even look up. He flipped a set of keys in front of Svetlana and handed her a half-sheet of paper – cut unevenly with a set of numbered rules. It was handtyped and xeroxed, with a tattoo of hand-written corrections. The top line said, “Rules are non-negotiable – you will be thrown out of the hostel.

The one-eyed man finally spoke, still without looking up. “Down that hall – men on the left, you are on the right.”

Svetlana dragged her pack down the hall. The thin, worn carpet and painted walls were stained with water leaking from somewhere above. Strangely, the passage was lined with fine bronze sculptures of nude men and women – out of place in the worn and tattered building.

She reached the women’s dormitory and pushed the door open.

A quick feeling of panic rose in her throat as she looked down the center of a double row of bunk beds constructed of two by four beams nailed in a grid. In the Ukraine, she had her own wing with a personal servant. She had never slept in a room shared with strangers.

Chapter 2, Russell (I)

Russell never thought, never in a million years, that he could be thrown in jail for pissing on the side of a building. At home, you can pee wherever you want – it is a God-given right. He was no more than a block down the street from the bar when he realized he had forgotten to use the bathroom before he left. There was an unlit alley and he ducked in. He was admiring the patterns of oblique shadow the streetlights made on the rough brick when he noticed the blue and red flashing lights mixed in with the yellowish streetlight.

Just when he broke out into a grin at the interplay of colors and shapes he felt a rough hand on his shoulder.

Russell jumped a bit at the voice yelling in his ear, “Well, now, look who’s going to jail tonight.”

His arms were pulled back and he felt the cold steel click around his wrists.

“Shit, son, you ain’t even zipped up,” the unseen voice said. “Now, don’t you piss on me or I’ll crack your damn head.”

He felt his hands released and as soon as he brought them forward and fixed his pants he was shoved forward. His hand came up to catch himself from falling, his palms against the uneven wall. Boots pushed his feet apart.

Strong hands moved down his sides and between his legs, and finally slid his wallet out of his back pocket.

Chapter 3 Svetlana (II)

She looked down the room and saw a woman with spiked hair and a piercing through the side of her nose rummaging through a pile of plastic grocery sacks. She looked up. Svetlana thought she saw a tiny colorful flickering on the woman’s face.

“Which bed should I take?” Svetlana asked. The woman looked at her for what seemed like a long time then gestured at a lower bunk three beds down from where she was crouched.

“This one honey, it’s right under mine. Throw your pack on the bunk, but don’t leave it there when you’re gone. They got too many thieves ’round here.”

The woman glanced down at the bags at her feet and Svetlana saw a guilty look flash over her face. It didn’t stay there long. Svetlana threw her pack onto the lower bunk the woman had gestured at and then stood at the foot of the bed, stiffly, waiting to see what would happen next.

For most of her life Svetlana had dreamed of this moment – she had escaped. She was halfway around the world, but this was no dream. She realized, for the first time, that she had not actually thought past this very second, and was at a complete loss of what to do now. The panic rose and settled like a hard knot in her chest. She felt paralyzed – her mind blank. She stared at the woman, afraid the two of them would be standing like that forever.

The woman broke the impasse by moving quickly toward her – almost at a run – turning at the last instant in front of the flinching Svetlana and jumping up onto the top bunk. The woman was so close to Svetlana that she could see that her nose piercing was a tiny skull. Inside, a small LED was blinking – making the skull’s eyes flash bright red.

“You’re not from around here, are ya,” the woman said.

“No, the Ukraine. Is my accent that bad?”

“Nah, everybody’s got an accent here.”

“Your nose piercing?”

“Oh yeah, cool, huh. I make these and sell ’em on the corner. People love ’em. Changing the battery’s a bitch though. You want one? I’ll give you a discount.”

“I’m afraid I don’t have a piercing there.”

“Oh, no problema,” the woman said, fingering a large safety pin laced into a leather bracelet on her wrist. “Don’t have to go through your nose anyway. I’ve got a double skull – red and blue – can put that one through a nipple.”

Svetlana started to shake a little, and the knot under her breastbone grew and hardened.

“Not now, I’m sorry. Just off the plane and I’m still,… what do you say? Still on Ukraine time?”

‘Jetlagged.”

“Jet – Lagged,” Svetlana repeated slowly.

“Shit Ukraine,” the woman said, “I’m Joanna.”

“Svetlana.”

“OK Ukraine, whatever. You look like you need a beer. Grab your bag, let’s go.”

Chapter 4 Russell (II)

The concrete pallet had no mattress and the jailhouse orange coveralls were thin so Russell wasn’t really asleep when the noise outside the cell snapped his eyes open. Two huge deputies were dragging a man down the corridor towards the cell. He was wearing a once-whitish suite, covered in thin blue lines – now stained with blood and at least one other substance. The man looked exhausted and one eye was swollen almost shut but he still heaved and wiggled against the thick arms that restrained him.

The two deputies tossed him against a wall where he gathered himself erect and began the useless task of trying to smooth the countless deep wrinkles out of his suit. One deputy turned and began to work the lock on the cell door while the other kept facing the man in the suit.

“Gentlemen, “ the man in the suit began to talk in a surprisingly clear, steady, and controlled voice. “I do not stand to be treated like this. You should know that, not only am I an attorney, I am a member of the New York bar.”

The guard facing the man did not say a thing but gave a sharp shrug of his shoulder and a heavy telescoping rod shot down from his hand about the length of his forearm. At the end of the rod was a small but mean looking black sphere.

The man in the suit said, “Ahhhh,” but before a complete word could form the guard raised the extended truncheon and began wailing away at the man in the suit. His arm moved like a piston while the rod whistled through the air landing on the man with a sickening wet thud. Russell noticed the man had the presence of mind to cover his good eye with both hands and to turn and curl to present the smallest target. Russell had the feeling that this wasn’t the first time he had been beaten.

Russell guessed than swinging a heavy club like that was hard work and within a minute the guard stopped, bent over with his hands on his knees and breathing hard. He caught his breath and asked his partner, “Do you want a go at him, Hubert?”

“Naw, I got my licks in when we picked him up. I got a bottle in my locker, lets drop him here and grab a quick snort.”

They grabbed the man and attempted to throw him into the cell but somehow, he resisted enough to stand and walk through the cell door on his own volition. It shut with a metal clang and the two guards left without a backwards glance.

“They didn’t put you in a jail jumpsuit,” Russell said.

“No they did not,” the man said with a bit of pride in his voice, “That, my friend, is the source of the disagreement I had with those two apes back there. As you see, I’m still wearing my seersucker, and that I won that argument.”

Russell thought that was a definition of the word, “won,” that he had not ever heard before.

“How did you get here from New York?”

“Oh, I’m not really from New York. I was born and raised less than three miles from this very hoosegow. I only said I was from New York to impress those dimwitted thugs back there.”

“Now,” Russell said, “I’m just a country kid, but if I sat up all night thinking of saying something that would guarantee I got a bad beating in here, I don’t think I could do any better than telling them I was a New York lawyer.”

The man went on as if Russell hadn’t said a thing. “Now friend, I am an attorney… or at least I was. The state bar did not take too kindly… and over-reacted to – a trivial incident involving a real estate loan and the District Attorney’s niece. My present plans, however, do include, when they come to fruition, the reinstatement of my lawyerly license.”

“I don’t see how getting beat up in jail is going to help you get your license back,” Russell said. “Oh, and I’m Russell and I guess I’m pleased to meet you.”

The man seemed to think for a minute before giving up his name. “Jameson P. Samuel, at your service, but you can call me Jim.”

Chapter 5 Svetlana (III)

Joana ordered, “Two beers, whatever IPA you’ve got on tap please, and a coffee.”

“”What coffee you want?” the Bartender/Barista asked.

“I like my coffee like I like my women, dark, bitter, and Nicaraguan.” Joana turned to Svetlana, “No offense intended, Ukraine.”

Svetlana had no idea how to react to this but luckily one of her English lessons had covered what to say when someone said, “No offense.”

“None taken,” she replied.

The two women grabbed their drinks and settled into a booth at the end of the bar. Svetlana noticed everyone staring at someone in the booth across from them. She followed their gaze and saw a man in a stained white suit that looked like it had been slept in for a week. Half his face was swollen terribly. He was sipping a Bloody Mary with the paper umbrella stills ticking out of it and was talking loudly to a young man with ruffled hair – nursing a coffee in a foam cup.

Brief Encounters with Che Guevara

There’s so little in the world we can be sure of, and maybe it’s that lack, that flaw or deficiency, if you will, that drives our strongest compulsions.

—- Ben Fountain, Brief Encounters with Che Guevara

After finishing the massive collection of J. G. Ballard’s fiction, I’m cruising my Kindle, finishing off some fiction that I have started and slacked off on.

From the first time I stumbled across a description of it – I was irresistibly drawn to Ben Fountain’s collection Brief Encounters With Che Guevara. First, he is an author that shares a city with me. Originally, from North Carolina (I was born there – in the first of many burgs I lived in with the word “Fort” as its prefix) he has a law degree from Duke (where my son goes to school) and then moved to Dallas to practice real estate law.

He struggled for years before he finally was able to publish this book. Malcolm Gladwell even wrote about his delayed genius. Finally he is recognized as a great writer and has gained additional fame for articles published in the aftermath of the Haitian Earthquake (I know a little about Latin American Third World Earthquakes).

There are eight stories in the book:

  • Near-Extinct Birds of the Central Cordillera (my favorite)
  • Rêve Haitien
  • The Good Ones are Already Taken
  • Asian Tiger
  • Bouki and the Cocaine
  • The Lion’s Mouth (really excellent story of Sierra Leone and the compulsions of aid workers)
  • Brief Encounters with Che Guevara
  • Fantasy for Eleven Fingers (odd story… reminds me of Campion’s “The Piano” – even before the end)

I absolutely loved the first story – Near-Extinct Birds of the Central Cordillera – set in Columbia, a country Fountain has no experience with.

He says in an interview:

“It’s better to go. It would have been better if I had gone to Colombia, it would have been better if I had gone to Sierra Leone. You never know what you’re missing. You never know what you don’t know until you go. But you can’t always go. You don’t have unlimited time and unlimited money. And so you do the next best thing—you try to imagine yourself into these places. The way I did it was to read everything I could get my hands on and to talk to other people who might have information. If there were helpful movies or documentaries, I sought those out. I was just trying to soak it all up and imagine my way into it using that basic research and my own experience in similar places or similar situations.

I actually think his distance from Colombia helped the story. It’s the story of an ornithologist kidnapped by Colombian rebels. While in captivity he discovers a natural prize of infinite value – though nobody else really understands. In the end, it is he who does not understand. It is the confusion of the ornithologist when confronted with the fatal mysteries of the third world that forms the backbone of the story.

It is this discord between the first and third worlds… this frission when confronted with something that is older, more passionate, and raw than anything you have ever thought possible – and then the dawning of the realization that this jewel of wonder is wrapped in impenetrable layers of horror and death, doom and madness… and there isn’t anything you can do about it – that’s what it likes to be exposed to the third world.

Believe me, I know.

Fountain seems to feel this in his stories and skirts it without completely diving in – but he comes closer than most anything I’ve read since the simple Ray Bradbury story, The Highway.

I would love to read his work as it continues to mature… to see him dig closer to the heart of darkness. Unfortunately he seems to be seduced by politics and moving more away from what I want to read. We’ll see, I won’t give up on him. I won’t give up looking for what I want.

On the other hand, I guess if you want something done, if you want to read something different, maybe you have to do just dig in and do it yourself.

Addicted to Haiti by Ben Fountain

After the Earthquake, but Before the Flood  by Ben Fountain

 What to Read? Ben Fountain Recommends

Brief Encounters with Che Guevara, Ben Fountain

Hot Zones

Better Late Than Never: A Review of Ben Fountain’s Brief Encounters With Che Guevara

Finally Finished

Well, one thing about writing this thing is that I can get dates. Let’s see here it is, September 17, 2011 is when I started reading the Complete Stories of J. G. Ballard. I finished it this week… so it took me about ten months to get through the whole thing.

By no means is that the only thing I’ve read in the last year. I’d read a few stories and then jump to something else… only to return when that was done. The last week or so, though, I made a concentrated push to get through to the end.

It is a massive tome. Ninety Eight short stories, novellas, and novelettes, ending up one short of one thousand two hundred pages. The paper version weighs about four pounds and would be a real pain to carry around. Inside my Kindle, though, the weight of all those bytes is barely noticeable.

I had read a lot of these stories before. In high school, in the 1970’s I discovered his short fiction and gobbled up what I could get my paws on. What was cool about reading this now is that the stories were arranged in chronological order – so I revisited what I remembered and then continued to cruise right on past, on into the future (which now is the relatively recent past). I would look at the dates on the later stories and think of myself sitting there in 1973, and realizing what I was reading wouldn’t be written for another decade.

Since this is his complete body of work, in order, you can’t help but notice the continuing themes. The lonely, wealthy woman living alone in a crumbling estate, exerting an inexorable influence on the protagonist and the people living around him. The abandoned decadent tourist destination. The desiccated sea with dry sand waves and coral canyons. Empty swimming pools. Nature, time, and technology intersecting and reacting in unexpected, beautiful, and horrific ways…. And many more.

Near the end there are three longer works: News from the Sun, Memories of the Space Age, and Myths of the Near Future. These three, read consecutively, are fascinating companions to each other. They are essentially the same story, told with tiny shifts in attitude and points of view. They deal with the theory that man’s ventures into outer space have set loose a change in the very nature of time itself and the entire human race, in a series of events centered on the now long-abandoned Florida NASA launch sites is becoming unstuck in time. It is never clear whether this is a disaster – a punishment for shaking off our bonds, or a further leap in evolution where the human race is able to exist within and without time itself. The strong impression is that it is both.

Fascinating. Especially powerful in that, within these vast movements of irresistible forces the central theme of the stories remains the human relationships of the protagonists and how they struggle to maintain their place, their loves, their very lives.

Ballard writes:

I just tend to write whatever comes mentally to hand, and what I find interesting at a particular time. These decisions as to what one’s going to write tend to be made somewhere at the back of one’s mind, so one can’t consciously say: ‘that’s what I’m going to write’. It doesn’t work out like that! (interview in ‘J. G. Ballard: The First Twenty Years’, 1976).

I’m barely aware of what is going on. Recurrent ideas assemble themselves, obsessions solidify themselves … (interview in ‘The Paris Review’, 1984).

I feel that the writer of fantasy has a marked tendency to select images and ideas which directly reflect the internal landscapes of his mind, and the reader of fantasy must interpret them on this level, distinguishing between the manifest content, which may seen obscure, meaningless or nightmarish, and the latent content, the private vocabulary of symbols drawn by the narrative from the writer’s mind (‘Time, Memory and Inner Space’, 1963).

Some of the stories, especially some of the later ones are more experimental pieces… a skilled author showing off what he can do – pushing the boundaries of fiction. Some of these work better than others.

Vermilion Sands

Vermilion Sands

Still, I think my favorite are the Vermilion Sands stores – especially The Cloud-Sculptors of Coral D. Something about that decadent vacation spot really gets to me.

Now, the tough question. What to read next?

  • 1 • Prima Belladonna • [Vermilion Sands] • (1956) • shortstory
  • 12 • Escapement • (1956) • shortstory
  • 23 • The Concentration City • (1957) • shortstory (aka Build-Up)
  • 39 • Venus Smiles • [Vermilion Sands] • (1957) • shortstory
  • 50 • Manhole 69 • (1957) • shortstory
  • 68 • Track 12 • (1958) • shortstory
  • 72 • The Waiting Grounds • (1959) • novelette
  • 96 • Now: Zero • (1959) • shortstory
  • 106 • The Sound-Sweep • (1959) • novelette
  • 137 • Zone of Terror • (1960) • shortstory
  • 150 • Chronopolis • (1960) • novelette
  • 169 • The Voices of Time • (1960) • novelette
  • 196 • The Last World of Mr. Goddard • (1960) • shortstory
  • 208 • Studio 5, The Stars • [Vermilion Sands] • (1961) • novelette
  • 235 • Deep End • (1961) • shortstory
  • 244 • The Overloaded Man • (1961) • shortstory
  • 255 • Mr F. is Mr F. • (1961) • shortstory
  • 267 • Billennium • (1961) • shortstory
  • 279 • The Gentle Assassin • (1961) • shortstory
  • 289 • The Insane Ones • (1962) • shortstory
  • 298 • The Garden of Time • (1962) • shortstory
  • 305 • The Thousand Dreams of Stellavista • [Vermilion Sands] • (1962) • shortstory
  • 321 • Thirteen to Centaurus • (1962) • novelette
  • 339 • Passport to Eternity • (1962) • shortstory
  • 355 • The Cage of Sand • (1962) • novelette
  • 373 • The Watch-Towers • (1962) • novelette
  • 395 • The Singing Statues • [Vermilion Sands] • (1962) • shortstory
  • 405 • The Man on the 99th Floor • (1962) • shortstory
  • 412 • The Subliminal Man • (1963) • shortstory
  • 426 • The Reptile Enclosure • (1963) • shortstory
  • 435 • A Question of Re-Entry • (1963) • novelette
  • 459 • The Time-Tombs • (1963) • novelette
  • 472 • Now Wakes the Sea • (1963) • shortstory
  • 480 • The Venus Hunters • (1963) • novelette
  • 504 • End-Game • (1963) • novelette
  • 521 • Minus One • (1963) • shortstory
  • 530 • The Sudden Afternoon • (1963) • shortstory
  • 541 • The Screen Game • [Vermilion Sands] • (1963) • novelette
  • 559 • Time of Passage • (1964) • shortstory
  • 569 • Prisoner of the Coral Deep • (1964) • shortstory
  • 574 • The Lost Leonardo • (1964) • shortstory
  • 589 • The Terminal Beach • (1964) • novelette
  • 605 • The Illuminated Man • (1964) • novelette
  • 628 • The Delta at Sunset • (1964) • shortstory
  • 641 • The Drowned Giant • (1964) • shortstory
  • 650 • The Gioconda of the Twilight Noon • (1964) • shortstory
  • 658 • The Volcano Dances • (1964) • shortstory
  • 663 • The Beach Murders • (1969) • shortstory
  • 669 • The Day of Forever • (1966) • shortstory
  • 683 • The Impossible Man • (1966) • shortstory
  • 697 • Storm-Bird, Storm-Dreamer • (1966) • shortstory
  • 711 • Tomorrow is a Million Years • (1966) • shortstory
  • 720 • The Assassination of John Fitzgerald Kennedy Considered as a Downhill Motor Race • (1966) • shortstory
  • 722 • Cry Hope, Cry Fury! • [Vermilion Sands] • (1967) • shortstory
  • 735 • The Recognition • (1967) • shortstory
  • 755 • The Cloud-Sculptors of Coral D • [Vermilion Sands] • (1967) • shortstory
  • 757 • Why I Want to Fuck Ronald Reagan • (1968) • shortstory
  • 760 • The Dead Astronaut • (1968) • shortstory
  • 769 • The Comsat Angels • (1968) • shortstory
  • 781 • The Killing Ground • (1969) • shortstory
  • 788 • A Place and a Time to Die • (1969) • shortstory
  • 795 • Say Goodbye to the Wind • [Vermilion Sands] • (1970) • shortstory
  • 806 • The Greatest Television Show on Earth • (1972) • shortstory
  • 811 • My Dream of Flying to Wake Island • (1974) • shortstory
  • 820 • The Air Disaster • (1975) • shortstory
  • 828 • Low-Flying Aircraft • (1975) • shortstory
  • 841 • The Life and Death of God • (1976) • shortstory
  • 849 • Notes Towards a Mental Breakdown (1976 version) • (1976) • shortstory
  • 856 • The 60 Minute Zoom • (1976) • shortstory
  • 864 • The Smile • (1976) • shortstory
  • 873 • The Ultimate City • (1976) • novella
  • 925 • The Dead Time • (1977) • novelette
  • 940 • The Index • (1977) • shortstory
  • 946 • The Intensive Care Unit • (1977) • shortstory
  • 953 • Theatre of War • (1977) • novelette
  • 968 • Having a Wonderful Time • (1978) • shortstory
  • 972 • One Afternoon at Utah Beach • (1978) • shortstory
  • 982 • Zodiac 2000 • (1978) • shortstory
  • 989 • Motel Architecture • (1978) • shortstory
  • 1000 • A Host of Furious Fancies • (1980) • shortstory
  • 1010 • News from the Sun • (1981) • novelette
  • 1037 • Memories of the Space Age • (1982) • novelette
  • 1061 • Myths of the Near Future • (1982) • novelette
  • 1085 • Report on an Unidentified Space Station • (1982) • shortstory
  • 1090 • The Object of the Attack • (1984) • shortstory
  • 1101 • Answers to a Questionnaire • (1985) • shortstory
  • 1105 • The Man Who Walked on the Moon • (1985) • shortstory
  • 1116 • The Secret History of World War 3 • (1988) • shortstory
  • 1124 • Love in a Colder Climate • (1989) • shortstory
  • 1130 • The Enormous Space • (1989) • shortstory
  • 1139 • The Largest Theme Park in the World • (1989) • shortstory
  • 1145 • War Fever • (1989) • novelette
  • 1161 • Dream Cargoes • (1990) • shortstory
  • 1173 • A Guide to Virtual Death • (1992) • shortfiction
  • 1175 • The Message from Mars • (1992) • shortstory
  • 1184 • Report from an Obscure Planet • (1992) • shortstory
  • 1189 • The Secret Autobiography of J.G.B. • (1981) • shortstory (aka The Secret Autobiography of J. G. B******)
  • 1192 • The Dying Fall • (1996) • shortstory

The Action of Grace in Territory Held Largely by the Devil

I have been working my way through the stories in Knockemstiff, a collection by Donald Ray Pollock. The characters in the tales are unrelenting losers – it’s harrowing. You would never want to meet these people and shouldn’t care when they meet their inevitable doom. The stories are not for the faint of heart (I’ll write about the book itself in a few days).

Yet, you do care. The stories do work.

In researching the literature I came across a quote from Flannery O’Connor. This make sense, she was a master of the grotesque and the sacrificial outsider. Knockemstiff is in Ohio, not the South of O’Connor’s milieu – but there is a kinship.

The piece I read had a quote:

From my own experience in trying to make stories “work,” I have discovered that what is needed is an action that is totally unexpected, yet totally believable, and I have found that, for me, this is always an action that indicates that grace has been offered. And frequently it is an action in which the devil has been the unwilling instrument of grace. This is not a piece of knowledge that I consciously put into my stories; it is a discovery that I get out of them. 

And this is it in a nutshell. That’s some of the best advice on fiction I’ve read in a long time.

The quote came from a book, Mystery and Manners – Occasional Prose, Selected and Edited by Sallay and Robert Fitzgerald.

An expanded selection reads:

To insure our sense of mystery, we need a sense of evil which sees the devil as a real spirit who must be made to name himself, and not simply to name himself as vague evil, but to name himself with his specific personality for every occasion. Literature, like virtue, does not thrive in an atmosphere where the devil is not recognized as existing both in himself and as a dramatic necessity for the writer. 

We are now living in an age which doubts both fact and value. It is the life of this age that we wish to see and judge. The novelist can no longer reflect a balance from the world he sees around him; instead, he has to try to create one. It is the way of drama that with one stroke the writer has both to mirror and to judge. When such a writer has a freak for his hero, he is not simply showing us what we are, but what we have been and what we could become. His prophet-freak is an image of himself. 

In such a picture, grace, in the theological sense, is not lacking. There is a moment in every great story in which the presence of grace can be felt as it waits to be accepted or rejected, even though the reader may not recognize this moment. 

Story-writers are always talking about what makes a story “work.” From my own experience in trying to make stories “work,” I have discovered that what is needed is an action that is totally unexpected, yet totally believable, and I have found that, for me, this is always an action that indicates that grace has been offered. And frequently it is an action in which the devil has been the unwilling instrument of grace. This is not a piece of knowledge that I consciously put into my stories; it is a discovery that I get out of them. 

I have found, in short, from reading my own writing, that my subject in fiction is the action of grace in territory held largely by the devil. 

I have also found that what I write is read by an audience which puts little stock either in grace or the devil. You discover your audience at the same time and in the same way that you discover your subject; but it is an added blow.

There is another sentence in there that I had to think about, think about hard….

There is a moment in every great story in which the presence of grace can be felt as it waits to be accepted or rejected, even though the reader may not recognize this moment. 

And there is the lesson for a writer. Even in the most terrible of circumstances and even with the most degenerate of characters there is a moment where grace is offered, and the story happens in the next split second… when the offer is accepted or rejected.

I have been digging through stories that I have read, looking for that moment… and usually finding it.

I have added, right at the top, of the notes I use to develop a story idea, “Where is the grace offered, how is it felt, and why is it accepted or rejected.”

There is always more to be learned. That’s why we get out of bed in the morning.

Sunday Snippet – Benjamin

I’m doing more editing now than writing. The worst part of editing is trying to decide if something you wrote some time ago is worth rescuing… or finishing… or should be plopped in the digital dumper.

Here’s a piece of text that I was enthusiastic about when I wrote it… but now, not so much.

I don’t know, there might be something here or there might not.

Benjamin

With a resigned expression and a clumsy attempt at a dramatic flourish, Beauregard Evans slapped a crisp new bill down on the linoleum table. The small motley group that had gathered around leaned over for a good look. There was a collective sigh followed by a sucking in of breath as the implications began to sink in. Sam pushed between Sally Pumpernickel and Joshua Jones to get a better view of the fat aging hairy hippy, Beauregard, leaning over the table so far his belly pushed out under his dirty tie died T-shirt onto the table, almost touching the bill itself.

“Benjamin,” Sam mumbled to himself.

“A brand spankin’ new one hundred dolla bill,” Beauregard began his spiel, “Raught ‘dere. It goes to the first one to try the thing out. I needs ah test pilot. I need someone with the balls to ride da wild horse. Come on ya pussies! Who’s gonna give ‘er a shot.”

“Man, a hundred dollars won’t buy enough beer to wipe the horror of ridin’ that thing out ‘yer brain, that’s for sure,” said Jimbo. He stood off to the side, smelling of grease and ozone, still wearing his thick leather gloves, his welding helmet tipped up on top of his head, like some sort of degenerate knight, resting after a joust that had gone terrible bad.

Sally Pumpernickel said, “Well a hundred dollars will buy something more powerful than a sinkful of that cheap horse piss you call beer… that’s for sure too.” She blurted out a dizzy giggle at the thought of whatever she could plunk the c-note down on. She wriggled a bit as she imagined it hitting her bloodstream.

Sam broke away from the others as they were beginning to get restless, churning and murmuring, and crossed the room to the open porch, feeling the rough floorboards give with an aching creak as he walked. He looked out over the porch to the slopes beyond. Bits of the morning mist was still tumbling down the mountain, giving the park a surreal, blurred look. But the mist couldn’t hide it – there it was, blue as blue could be… right in front of his nose. The bright artificial blue of fresh paint, still giving off the soybean and solvent smell of drying enamel – the brushes tilted up from drying pools of leftover paint at the bottom of the abandoned open cans.

It was basically a huge iron tube, running down the side of the mountain. A sluice gate had been installed at the top, diverting a strong stream of the ice-cold water from the high spring-fed pool they called “The Dragon’s Cave” into the top of the steep metal pipe.

Sam tried to think it through. Really it was only an enclosed water ride, nothing much more. They had a half dozen just like it already. Jimbo and his crew had taught themselves how to weld the surplus plate steel, boiler iron, and ancient drill pipe they had scrapped and salvaged together into twisting and turning water-courses. The drunk, high, and poverty-stricken customers that on hot summer weekends enjoyed the cut-rate aqueous entertainment the park offered would throw themselves with abandon into the dark sewers – the longer, faster, twistier, scarier… the better.

The most popular enclosed slide was a real piece of work called, “The Devil’s Backbone.” It ended right behind the crude cabin that served as a workshop. The crew liked to hang out on the porch, drink, pass the bong and watch the customers tumble into the pool at the end of the ride. A particularly violent and unexpected isosceles twist right at the end tended to yank suit bottoms down and dislodge all but the most tightly secured bikini tops. It was great. Everybody, even the customers… especially the customers… loved it.

It had taken Jimbo a year to get the proper hang of the welding, and a lot of customers had been sent down the mountain to the emergency room while he was learning. He had been showing signs of mellowing… but now, this.

They had not named the new ride, the one that Sam was staring at, the one they were offering all the cash for the first one stupid and desperate enough to leap into. It was so simple. A simple tube running straight down the mountain at a very steep angle for about three hundred feet. It needed the run, it needed the speed, for at the bottom was a simple, elegant, round loop in the tube, shooting up about thirty feet in the air before looping back down and discharging into a generous pool at the bottom.

“Are you thinking about taking that thing?” asked Joshua Jones. He and Sally had followed Sam out on to the porch and leaned on the railing beside him.

“Yup.”

“You know what happened to the test dummies that the ran down there?”

“Yup.”

Jimbo had gone into Trinidad for a salvage sale at the “Platform Fashion Boutique” bankruptcy and bought their entire stock of realistic mannequins to use in testing out new rides. The water would wash them out of the bottom of the looping tube with their arms and legs detached, their necks bent at unnatural angles.

“Not a good test,” Beauregard Evans had said. “Those dummies don’t have no brains, no muscles, no reflexes. A human bean can wiggle through no problema. We’ll grease ’em up with Crisco to get em over the hump and make sure they keep their arms crossed over their chests.”

Now Sam, Joshua, and Sally leaned on the rail, looked at the tube, and thought of the crisp currency on the table and on the pieces of old mannequin stacked up behind some bushes.

“You still thinkin’?” Joshua asked Sam again.

“Yup.”

“You’ll never ride that thing,” Sally Pumpernickel said. “You don’t have the guts.”

Sam let out a sigh. No use thinking any more; now he had no choice. There was no way he could live the rest of his years… no matter how short, with Sally Pumpernickel thinking and saying he was a chicken. He pushed away from the railing, turned and walked briskly into the maintenance shed. He had to push the crowd aside – but he didn’t have to say anything – just reach out onto the table and snatch up the hundred dollar bill.

The Best American Noir of the Century

The Kindle is like crack. Every day I get an email with the “Deal of the Day,” and every day I need to figure out how I am going to resist. It isn’t the money – these books go from ninety nine cents up to, say four bucks. It isn’t the space, either. My Kindle can hold a small library in its memory and what it won’t hold Amazon will store out in the clouds. It’s simply time. There are too many books and life is too short and time is running out too fast.

Sometimes, though, I can’t resist. I buy and I read.

One temptation given in to was a big book that came in for a one-day sale… I think it was $1.99 or so.

I love big, thick anthologies of short stories. Especially with time so short and life so mixed-up and confusing, the ability to scrape up a few spare minutes and read a whole story – complete in and of itself – no remembering galaxies of characters, confused clusters of settings, and subtle plot threads that weave and waft through the delicate tapestry of a novel… one shot, simple, fast, powerful. Give me a tome with twenty or thirty or more of these miniature jewels and I’m a happy camper.

The buck ninety-nine deal came in over the ether for purchase of the Best American Noir of the Century. Couldn’t resist – hit the “buy with one click” button and it was mine.

Reading it took a little longer. It had 39 stories, so it took a few days to plow through. The stories covered about 83 years and were in chronological order. Noir isn’t really a genre, more like an attitude, and you could feel how the stories changed over time.

The book is 800 pages… which made me glad that it was only some bits stored in the Kindle memory. That’s a lot lighter.

There is a lot of criticism of this anthology… mostly concerning the meaning of the term Noir. A lot of folks take Noir to be a hardboiled detective novel. They are disappointed because, although there are some classics in the collection, it takes a broader view of Noir and includes some stories with supernatural elements and other borderline tales.

That’s fine with me. I was surprised to find that I liked some of the more offbeat, longer, and modern riffs. I recommend the anthology highly… it’s the kind of thing you will like if you like that kind of thing.

Like any group of thirty nine tales, the offerings can be a little uneven. Some folks will like stories I didn’t… but here are a few that stood out in my mind:

Harlan Ellison: 1993: Mefisto in Onyx – Harlan Ellison, not surprisingly, comes up with a loose, weird, caterwauling tale that isn’t what it seems to be and then it turns out not to be that either. Surprising and entertaining.

Ed Gorman: 1995: Out There in the Darkness – Inspired the book and film, “The Poker Club.” The opposite of Mefisto in Onyx… a tale of four ordinary guys, folks you know and love trapped in a cycle of escalating violence.

Elmore Leonard: 2002: When The Women Come Out to Dance – Fantastic tale about a relationship between two women that turns out to be the opposite of what it seems.

Christopher Coake: 2003: All Through the House – One of the best stories I’ve read in a while. A unique structure, told in a series of short, clear scenes in reverse chronological order. Despite it descending into the past, every new section brings an unknown revelation. At the end, you are left devastated by what you know will come to destroy the innocent doomed characters.

Steve Fisher: 1938 You’ll Always Remember Me – Probably my favorite of the older works. A classic Noir.

Joyce Carol Oates: 1997: Faithless – A dark tale that, not surprisingly, reads like the best literature.

Oh, and there is a lot more, famous authors: James M. Cain, Mickey Spillane, Jim Thompson, Patricia Highsmith, James Ellroy, James Lee Burke. Each story is prefaced with a biography of the author – these can be as great a revelation as the fiction.

It makes me want to read more from some of these folks. Thats more like heroin.

Sunday Snippet – The Revenge of the “Blank Claveringi”

Yesterday, I wrote about my quest to find a short story that I remembered from my childhood about a scientist eaten by a giant snail. It turned out to be a story called The Quest for the “Blank Claveringi” by Patricia Highsmith. I found two versions of the story, one, in a 1967 edition of The Saturday Evening Post and another in a plethora of horror short story anthologies.

I could not get the tale out of my noggin’ so I realized that I had no choice for my Sunday Snippet entry other than to write a sequel. So, I give you the first rough draft of the first scene in my homage to Patricia Highsmith and her tale of ravenous snails the size of Volkswagens.

Since I read two versions of the story, I tried to craft my sequel so that it would fit either one – though I had the Saturday Evening Post version in my head. I put in enough backstory that you can read mine without knowing the Highsmith version – though of course, mine will contain many spoilers if you read it first. Sorry. If you want, go to your library and read the Highsmith story first. It’s worth it. You can find it anthologized in a number of books.

I left the story so I can continue on with more if I get the druthers. My idea for the next scene would take place a few years later on the I10 bridge over the Atchafalaya Swamp in Louisiana.

I’ll leave the action there to your imagination.


The Revenge of the “Blank Claveringi”

Doctor William Stead braced himself as he thrust his hands into the thick rubber gauntlets of the glove box. He did not have any dexterity to spare as he used forceps to pull the yielding bodies of six Zebra Snails out of their shells and snip off samples with a tiny pair of scissors. He was seventy five years old, felt even older, and the gloves made his work that much more difficult. Still, his license to work with invasive species carefully stipulated that he work under strict procedures to keep any of his subjects from escaping into the wild.

After collecting enough sample material he transferred the bits of brownish gray tissue into a small mortar, added a few drops of solvent from a pipette and began to grind the sample into a paste. Almost immediately his hands began to cramp and he set his work down and pulled out of the glove box to massage his fingers. He wished he had an assistant to help but he didn’t trust anyone with some of the work he was doing.

Stead was the most celebrated expert in malacology, with his expertise in snails. He had spent a third of his life looking for the giant snails of Kuva Island in the isolated Matusas group west of Hawaii. The natives there told of legends of enormous man-eating mollusks that once lived on Kuva until brave warriors had fought to exterminate them. Decades of futility had made him the laughing stock of the small community of scientists that shared his field of expertise.

Then, suddenly, and unexpectedly, Stead had been vindicated with the discovery of the species Carnivorous Steadi, the giant snail of Kuva. He was filled with pride when the snails were named after him. Two full-grown specimens had been discovered, one alive and one dead, along with a large group of smaller, immature specimens. The snails were monsters, with shells fifteen feet across and bodies twice as long.

The snails were omnivorous. At that size, the natives’ claims that they were man-eaters certainly could be right, although they could not move more than twenty feet in a minute. Doctor Stead was starting to put the plans that he had dreamed of for a quarter century into motion, building a massive, stout crate to bring the giant specimen back to the mainland for study, when the military stepped in and halted his work.

The public story was that the Matusas had been contaminated by a secret, early atomic bomb experiment and that had caused the strange mutations in the snail population. The natives were forcibly relocated and the entire area quarantined.

Stead, of course, knew this to be poppycock, and was quiet only under severe threats from some very powerful people. His research was taken from him and he was dragged back to the mainland. To further insure his silence, he was reimbursed to a generous degree, enough to establish his present laboratory in his original hometown of Kittanning, perched directly on the Allegheny river. He was even given a sizable grant to continue his research into mutations in the snail population. The government was sure he would be quiet and cooperative, laboring away in obscurity during the last few years of his life.

What the military and the government did not know is that Stead had managed in the short time that he was able to study the Carnivorous Steadi, the giant man-eating snails of Kuva, to learn the secrets of the mollusks’ complex and unique reproductive cycle. In addition, he had managed to secret a small vial containing several dozen fertilized eggs, each no bigger than a grain of rice, onto his person and brought them to this very laboratory on the banks of the Allegheny.

Stead had hatched these eggs and was studying the small larval form of the giant snails. These were voracious shell-less tiny forms of the species, able to thrive on land and in fresh water, eat both plant matter and animal flesh, and seemed to be able to reproduce on their own. Stead had always wondered why he had never been able to find any of the giant snails on the small almost featureless Kuva island for decades – then, after he had given up looking for two years, the massive mollusks suddenly made an appearance. There seemed to be a trigger that would cause these small leech-like larvae to suddenly metamorphose into the giant form, growing quickly to a gigantic size in a surprisingly short time.

He wasn’t sure exactly what circumstances would cause this dramatic change, but he was beginning to suspect it was a combination of brackish water and warm temperatures. It was this ability to hide as a tiny form for long periods of time, even decades, and then reappear as the monstrous form that had made survival of the species possible. The natives of the islands had many legends about heroic expeditions to exterminate the snails. That was also how they had managed to elude him for so long.

The doctor turned back to his work, using the thick gloves to apply small patches of the material he had prepared to long strips of electrophoresis gel and then clamp electrodes to the end of each strip. He had begun to suspect that the Carnivorous Steadi were able to interbreed with other local species of snails. Would these hybrids be able to grow under the proper conditions? If so, to what size? Stead knew it was vitally important to find out.

As this stage of his work neared completion, he heard the insistent buzzer at the door. “Just a minute,” he said as he withdrew from the glove box, assuming it was another routine delivery of equipment. He was surprised when he opened the door to see a strong-looking young woman enter the laboratory with long, firm strides.

“Doctor William Stead?” she asked with the attitude of someone that already knew the answer.

“Yes,” said Stead. He was sure he had never met her although something about the structure of her face looked familiar.

“Doctor, my name is Wanda Clavering. I believe you were the last person to see my father, Avery, alive.”

Stead stood in front of the woman stunned, until with a great effort he regained his composure and said simply, “I am so sorry for your loss.”

“You know that he left me and my mother waiting in Hawaii while he went off to visit you and to look for those horrible giant snails don’t you. We were stranded there for months before we were able to find out what had happened. My mother has never recovered from the shock and it has fallen on my shoulders to find out the truth about what happened out there.”

“Well, again I am so sorry. Your father came to see me in the Matusas Islands and I warned him of the expedition to Kuva. I did my best to discourage him from making the trip. He was an inexperienced sailor and must have fallen overboard as his boat was found drifting and abandoned. It was the height of irony when I traveled to Kuva to insure he wasn’t there that I finally discovered the creatures that I had so long sought after.”

“He was looking for them too.”

“Yes, but he was only a neophyte. Again, I feel terrible for your loss, but he was new to the quest, while I had been working for decades.”

The young woman turned away, opened her purse, and seemed to clutch a tiny object in her palm. Her jaw was set and she seemed to be trembling slightly, with rage or sadness… Stead couldn’t tell.

“Doctor Stead, do you know a Lieutenant Barnes?”

Now it was Stead’s turn to seethe. “Yes, I know him. He’s that upstart that the military sent out into the Pacific to take over my studies. He is an usurper.”

“I was able to meet with him and he was able to impart some information to me about my father,” Wanda Clavering said.

“He must have been infatuated with you to give up any information,” Stead replied. “I found him to be very stingy with the facts.”

“I assure you his only motivation was to set the record straight, no matter what you may think.”

“The record?”

“Yes, your story, Doctor Stead, is well known, but Lieutenant Barnes had educated me to the existence of some serious inconsistencies in that tale,” said Wanda.

“That’s ridiculous.”

“First of all, I’m sure you are aware that one of the two giant snails on Kuva was already dead when you and the natives arrived in the catamaran canoe. The natives have testified that it had been done in with a crude wooden spear.”

“What does that have to do with me?”

“It means that my father was alive on Kuva when you reached it and you fed him to the snail to take the glory of discovery for yourself. You have said that you had been searching for decades while he was only a mere neophyte. That must have driven you mad.”

“A mollusk with a stick in it does not convict me of that crime, my dear.”

Wanda continued on as if Stead had not spoken. “You know that after a terrible accident that cost the life of three soldiers, eaten in their sleep, that the second snail was put to death.”

“No, I did not know that. It doesn’t surprise me, though, those military buffoons would be ones to be surprised by something as slothful as a snail.”

“After the specimen was dispatched,” Wanda said, “A complete autopsy was done. Inside the snail’s digestive tract… this was found.”

Wanda Clavering extended her palm and exposed the item she had picked out of her purse. It was a simple gold band.

“My father’s wedding ring.”

Doctor William Stead exploded. “Your father was an imbecile. He did not even understand that the snails would eat through the mooring ropes of his sailboat. The minute I saw the boat adrift and examined the ends of the anchor lines I knew they had been chewed through by mollusk teeth – enormous ones. He told me he thought of the snails as Blank Claveringi with his name as the species and an unknown genus. Snail food was too good an end for him, believe me. It was an undeserved honor to be devoured by the glorious  Carnivorous Steadi.”

Wanda Clavering let out a horrendous scream and moved forward as if to strike the frail old man. Stead knew he could not stand up to her youth and fury and turned to flee out the door of the laboratory. As he moved through the opening, he turned and saw Wanda looking about for a weapon. Her eyes fell on a heavy glass cylinder containing a mass of green plant matter with a thick lid clamped shut. Stead recognized this as a container with maybe twenty of the precious immature giant snail larvae within.

He paused in his flight right outside the door, standing on the little strip of concrete that ran along the bank of the river.

“No! Not that!” he shouted to no avail as Wanda Clavering threw the container with all her might and it struck Stead on the head with a sickening thunk. Dazed, he turned and fell to the ground amongst the shattered glass shards of the container, which had fallen and broke open on the concrete after cracking his skull.

Stead could not move, paralyzed by the head wound, but could see the steady stream of blood pouring out onto the ground. Greedily lapping at the blood were the larvae, freed of their glass prison and eager to eat something other than the sprigs and leaves that Stead would drop into the jar.

He realized that his left arm was still moving under his control. In the periphery of his vision he saw that Wanda Clavering had found a heavy shovel leaning against the wall of the laboratory and was quickly walking over with the obvious intent of avenging her father. Stead used his last ounce of strength to sweep as many of the larvae as he could off the grass. Some bit his arm and held on but he saw a few slide down the bank and squirm, flipping into the quickly moving stream of the Allegheny river.

“Swim, swim, my children, swim fast and far, swim to the sea,” Doctor William Stead mumbled as Wanda Clavering brought the blade of the shovel down on the back of his neck.