Short Story Of the Day (flash fiction), Band Apart by Bill Chance

She attracted attention in a way that didn’t belong in Nebraska. She wore a thin long-sleeved sweater and a pleated tartan skirt with a large safety-pin that, again, looked stylish and from another place.

—-Bill Chance, Band Apart

Bande à part

I have been feeling in a deep hopeless rut lately, and I’m sure a lot of you have too. After writing another Sunday Snippet I decided to set an ambitious goal for myself. I’ll write a short piece of fiction every day and put it up here. Obviously, quality will vary – you get what you get. Length too – I’ll have to write something short on busy days. They will be raw first drafts and full of errors.

I’m not sure how long I can keep it up… I do write quickly, but coming up with an idea every day will be a difficult challenge. So far so good. Maybe a hundred in a row might be a good, achievable, and tough goal.

Here’s another one for today (#8). What do you think? Any comments, criticism, insults, ideas, prompts, abuse … anything is welcome. Feel free to comment or contact me.

This is adapted from another bit of text I wrote for NanoWriMo a couple of years ago. It’s a sketch based on a very famous scene from a French film (moved to Nebraska).

Thanks for reading.


Band Apart

The first time I saw the three… I always want to refer to them as kids, though they were so much more… kids was in a horrible diner outside Madison, Nebraska.

I was working a job in that remote, tumbleweed choked shithole and hating every minute of it. There were only two places to eat – a greasy spoon hamburger joint on the town square or the diner out on the windswept plains along the highway. I would eat lunch at whichever turned my stomach the least and that day it was the diner.

I was sitting there, washing down a stale Reuben with a cold cup of bitter coffee and watching a young couple, a woman sitting with a man across the aisle. She was stunningly beautiful in a unique way. Tall and rail-thin, with long, black hair tied back behind her head with a green ribbon, large eyes and a tiny-turned up nose. She attracted attention in a way that didn’t belong in Nebraska. She wore a thin long-sleeved sweater and a pleated tartan skirt with a large safety-pin…  that, again, looked stylish and from another place.

The young man with her was more normal looking – a prematurely receding hairline on a round head and ears that stuck out a bit too much above a heavy sweater in diagonal checks. Sitting next to the woman, he looked like he was in black-and-white, washed out by her beauty. They were both chatting to each other and looking down at their hands which were gesticulating between their plates with their fingers hanging down like little legs barely touching the table.

The inane din of the place kept me from hearing what they were saying to each other, but they kept moving their hands and fingers in a certain way and I realized they were working out a movement… maybe a dance, on the table. They came to some sort of agreement, suddenly pushed the table away and stood up. They walked over to an open space on the diner floor next to the jukebox.

There was a slim man already standing at the jukebox picking out a song. He wore a stylish double breasted jacket, thin black tie, and a fedora. A large local, wearing tattered overalls and already a little drunk in the afternoon, stumbled by the three, clapping the first man and the girl on the shoulders, then mumbling something to the man in the Fedora as the first notes of the song began to fight their way out of the jukebox.

The three stared at the big man as he stumbled away and the song began to swell. The man at the jukebox turned and placed his hat on the woman’s head and they both adjusted it until it was just right. Somehow, it looked perfect on her.

And then, as the music caught up to them, they began to dance. It was an old instrumental jazz number, one I don’t think I had heard before, but that still seemed familiar somehow. The drums skittered over a thrumming base line with an organ trembling above. Finally, a horn section punctuated the melody into the sound. It was cyclical and rhythmic and the dancers like it.

They would turn, hop, and clap together in a choreographed line dance. It was obvious that the two were working out the details at the table and the man in the tie somehow already knew it all. As they moved, swayed, and thrust their arms forward, snapping their fingers, the crowded diner continued to move around them, ignoring them, but giving them the space they needed.

The three were serious, like they were thinking hard about how they were, and kept the synchronization up pretty well. They didn’t look like professional dancers, of course, but had their own style and grace and beauty about them.

An electric guitar joined the music from the jukebox and the three began to turn and face each other’s back, then wheel until they were side to side, swaying and clapping.

I was mesmerized. The music was complimented by the chatter of the other diners and the clinking of plates and silverware, but the three seemed to exist in a reality all of their own. They were dancing in the diner but also living outside of it, away from it, beyond it. They did not belong there. They were style, beauty, and grace, and a… cool was the only way to say it.

They were the epitome of cool in the least cool place in the world.

And the diner wasn’t able to understand… to appreciate the miracle that was inside it. Like aliens from a distant planet… no, they weren’t the aliens, they were the real people. The diner was the alien planet and they were the only authentic humans that had ever graced its grimy linoleum floor. And the diner with its oblivious patrons kept on slinging its grease completely oblivious to the miracle moving about the space in front of the jukebox.

Where had they come from? I couldn’t imagine. The music kept playing and they kept dancing. It didn’t look like this was the first time they had danced to this – it was too complex and tricky and they were too good at it. I noticed the way the woman would snap her head a little bit as she shuffled or snapped her fingers or tapped her foot. It was intoxicating.

As they danced they never spoke and rarely even looked at each other. Each was in their own world, but they were all on their own together. The two men began to look tired and a little bored, then stepped aside and walked back to the table. The woman continued the dance on her own.

Only then did she really break out in a smile. As she moved on alone, able to improvise a bit – break the strict choreography of the line dance, did she look like she was having fun. Without the two men, she was free.

My heart sank as the music ended. The few minutes that I sat there, watching the three dance, listening to that mysterious jazz, had been the only ray of light that had pierced the cold gray of my life for months. I felt that the sun had broken through an eternal bank of clouds and now that the music had ended the heavens had closed up again.

 

The Best Backyard

Trammel and Abrams, East Dallas

Big Boy in a Dallas Backyard

Big Boy in a Dallas Backyard

The statue was in the front yard, until the man made him move
Kip’s Big Boy Statue Gone From Abrams Road Lawn, Thanks to City Code Enforcers
…now he’s in the back yard, but sort of visible from the road.

Still, what a great backyard – imagine the picnics you could have with the Big Boy looking over your spread. You would be the coolest dude in the ‘hood.

I have such great memories of sitting around a table in a Kip’s Big Boy (or Shoney’s Big Boy, or Bob’s Big Boy – depending on the state I was living in) late at night… or early in the morning. Sitting around eating some greasy food, tired, talking – especially with people I knew really well, or people I had just met… or best of all, a mixture of both.

Where did the waitresses working in Big Boys at three in the morning come from? They were all the same – middle aged, rode hard and put up wet, brutally efficient. They were their own breed. Imagine the stories they could tell.

Late Night breakfast after three at a Big Boy, or any cheap diner in any town – that is an existence in an entirely separate dimension from the real world. As long as everyone at the table can cough up enough to cover the check – it’s impossible to imagine any troubles from the other hours of the day or the other places in your life being bad enough to intrude on that calm tired orgy of comfort food.