You Must Keep Going

“Life is like riding a bicycle. To keep your balance, you must keep moving.”
― Albert Einstein

Continental Bridge Park, Dallas, Texas

Continental Bridge Park, Dallas, Texas

Here is What You Have Been Given

“They’re in love. Fuck the war.”
― Thomas Pynchon, Gravity’s Rainbow

Dallas Museum of Art Dallas, Texas

Dallas Museum of Art
Dallas, Texas

The old couple, carved from the earth like the first man, sit there, decade after decade, while people walk by and stare at them. It’s been going on so long, they are getting pretty sick of it. It shows in their faces.

“There is an hour when you realize: here is what you have been given. More than this, you won’t receive. And what this is, what your life has come to, will be taken from you. In time.”
― Joyce Carol Oates, Wild Nights!: Stories About the Last Days of Poe, Dickinson, Twain, James, and Hemingway

Climbing

“I thought climbing the Devil’s Thumb would fix all that was wrong with my life. In the end, of course, it changed almost nothing. But I came to appreciate that mountains make poor receptacles for dreams.”
― Jon Krakauer, Into the Wild

Commerce Street Bridge Park, Dallas, Texas

Commerce Street Bridge Park, Dallas, Texas

“Jumping from boulder to boulder and never falling, with a heavy pack, is easier than it sounds; you just can’t fall when you get into the rhythm of the dance.”
― Jack Kerouac, The Dharma Bums

Cut Him Out in Little Stars

“When he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.”
― William Shakespeare, Romeo and Juliet

(click to enlarge)

(click to enlarge)

Chihuly Glass
Dallas Museum of Art
Dallas, Texas

The Masks We Wear

“Masquerades disclose the reality of souls. As long as no one sees who we are, we can tell the most intimate details of our life. I sometimes muse over this sketch of a story about a man afflicted by one of those personal tragedies born of extreme shyness who one day, while wearing a mask I don’t know where, told another mask all the most personal, most secret, most unthinkable things that could be told about his tragic and serene life. And since no outward detail would give him away, he having disguised even his voice, and since he didn’t take careful note of whoever had listened to him, he could enjoy the ample sensation of knowing that somewhere in the world there was someone who knew him as not even his closest and finest friend did. When he walked down the street he would ask himself if this person, or that one, or that person over there might not be the one to whom he’d once, wearing a mask, told his most private life. Thus would be born in him a new interest in each person, since each person might be his only, unknown confidant.”
― Fernando Pessoa

Dallas Museum of Art Dallas, Texas

Dallas Museum of Art
Dallas, Texas

Syncopated Sycophant

Sometimes I like to go to the Art Museum when there is a jazz combo playing. Most people get a table in the atrium, buy a glass of wine, meet some friends… and sip, chat, and nod their heads.

However, I usually end up walking the galleries, listening to the music and gazing at the art. It’s an interesting intersection of the visual and auditory creative channels. Unfortunately, the sound of jazz doesn’t carry all that well and I am restricted to the nearby areas… mostly ancient sculpture of the Americas.

sync

“If you have to ask what jazz is, you’ll never know.”
― Louis Armstrong

Let’s Do the Time Warp Again

During intermission I was talking to a guy about my age standing in our row at the Wyly – he was standing because the saxophone player was sitting in his seat and refusing to budge until the second act started and I was standing to be polite to him. We were wondering about when The Rocky Horror Show premiered in London – we guessed 1974, and were off by a year (it was born in 1973). The more well-known movie The Rocky Horror Picture Show was made in 1975.

The film famously (and truth be told, deservedly) bombed at the box office upon it initial, conventional release. I saw it about a year later, late ’76 or early ’77, at a special showing at college. It hadn’t hit its big, cult status yet – but it was on the cusp and there was a lot of buzz about it. I barely remember seeing it for the first time – the projection was bad and the sound was worse – it didn’t make much of an impression.

That changed soon enough. I was the right age to fall into the habit of going to midnight movie showings and saw The Rocky Horror Picture Show maybe fifty times. It began to be a habit, like watching the six o’clock news after work.

Then, in the early eighties, I saw a stage production here in Dallas in the West End. That production was specifically designed to mirror the movie as much as possible. It was in a small theater and for one show I was able to get front-row seats (I saw it twice). Dr. Frankenfurter sat in my lap and sang a song – I remember his leather jacket reeked.

The live play was a blast – especially in a small venue. We actually were able to go to a bar with the cast afterward.

I’ve always said that live is the way to see it.

So a while back I was excited to see that the Dallas Theater Center was doing a production of The Rocky Horror Show at the Wyly – and we bought tickets for tonight.

Wow, what a lot of fun!

One nice thing was that they weren’t afraid to stray from the familiar film tropes. Rocky, for example had dark hair. The actor playing Dr. Frankenfurter had the good sense to not channel Tim Curry’s iconic performance and to make the good doctor his own. He was kind of a Texas Frankenfurter… maybe a little, maybe – a bit different at any rate. But really, really good.

The show was not afraid to be quite a bit raunchier that the film. For example (I’ll try to avoid overt spoilers) there is one quick scene involving the Doctor, Brad Majors, a hand-powered egg beater, and the line, “Well, we just lost the Baptists.”

The best thing about the show was the pure action – especially of the first act. There is so much going on – the music is underrated and comes across powerfully live – with dancing, costumes, lights, and rolls of toilet paper being flung from the crowd through the flashing lights like a shower of tissue comets. At the intermission a woman sitting next to me stumbled around a little dizzy, “Oh, I’m having a fangirl moment,” she said.

The Wyly is a perfect venue for this – the flexible space was arranged so that there was no clear demarcation between audience and stage – the performers spent most of their time in the crowd and more than a few spectators ended up dancing with the stars.

Dallas Theater Center Wyly Theater Dallas, Texas

Dallas Theater Center
Wyly Theater
Dallas, Texas

So if you find yourself in Dallas in late September through mid October, see if you can get down to the Wyly for some slightly guilty fun. And if you are a devout Baptist… well, good luck with all that.

City of Cables

It’s a giant factory-state here, a City of the Future full of extrapolated 1930’s swoop-facaded and balconied skyscrapers, lean chrome caryatids with bobbed hairdos, classy airships of all descriptions drifting in the boom and hush of the city abysses, golden lovelies sunning in roof gardens and turning to wave as you pass.
—-Thomas Pynchon, Gravity’s Rainbow

(click to enlarge)

(click to enlarge)

You Can Tickle His Creatures

Proverbs for Paranoids:

  • You may never get to touch the Master, but you can tickle his creatures.
  • The innocence of the creatures is in inverse proportion to the immorality of the Master.
  • If they can get you asking the wrong questions, they don’t have to worry about answers.
  • You hide, they seek.
  • Paranoids are not paranoid because they’re paranoid, but because they keep putting themselves, fucking idiots, deliberately into paranoid situations.

—-Thomas Pynchon, Gravity’s Rainbow

Memorial Figure Papua New Guinea Dallas Museum of Art

Memorial Figure
Papua New Guinea
Dallas Museum of Art

insideout3

insideout2

insideout4

Watchmen of the World’s Edge

What have the watchmen of the world’s edge come tonight to look for? Deepening on now, monumental beings stoical, on toward slag, toward ash the colour the night will stabilize at, tonight… what is there grandiose enough to witness?
—-Thomas Pynchon, Gravity’s Rainbow

Wyly Theater and rebar from the demolition of a parking garage
Dallas Arts District
Dallas, Texas

Construction and Destruction

Construction and Destruction