Remembering the Water Days

“From the dim regions beyond the mountains at the upper end of our encircled domain, there crept out a narrow and deep river, brighter than all save the eyes of Eleonora; and, winding stealthily about in mazy courses, it passed away, at length, through a shadowy gorge, among hills still dimmer than those whence it had issued. We called it the “River of Silence”; for there seemed to be a hushing influence in its flow. No murmur arose from its bed, and so gently it wandered along, that the pearly pebbles upon which we loved to gaze, far down within its bosom, stirred not at all, but lay in a motionless content, each in its own old station, shining on gloriously forever.”
― Edgar Allan Poe, Eleonora

Dallas, Texas

Dallas, Texas

Betty

“It’s better to be hated for who you are, than to be loved for someone you’re not. It’s a sign of your worth sometimes, if you’re hated by the right people.”
― Bette Davis

Betty, the newest streetcar in the McKinney Avenue Trolley system, at the Turntable getting ready to go the other way.

Betty, the newest streetcar in the McKinney Avenue Trolley system, at the Turntable getting ready to go the other way.

I have always had a soft spot for streetcars – especially both the famous New Orleans version and the unknown Dallas version – The McKinney Avenue Trolleys. I’ve written about the trolley line before – and its individual cars – The Green Dragon, Petunia, Rosie, and Matilda.

The trolley line has expanded and has become very popular since the opening of Klyde Warren Park.

Last week, after I finished a tour of the underground tunnels beneath downtown, I walked over to Klyde Warren for a Food Truck lunch then decided to catch the streetcar for a ride to the turntable next to the CityPlace DART station.

I was lucky in that the car that I caught was Betty – a new car that I had never ridden before. Life if made of tiny thrills.

The Conductor driving Betty along McKinney Avenue, Dallas, Texas.

The Conductor driving Betty along McKinney Avenue, Dallas, Texas.

If You Try And Lose

“If you try and lose then it isn’t your fault. But if you don’t try and we lose, then it’s all your fault.”
― Orson Scott Card, Ender’s Game

Munger & Gaston Streets, Dallas, Texas

Munger & Gaston Streets, Dallas, Texas

I was planning on riding my bicycle down to The Lot to meet Nick for his birthday. At first, I was going to ride the train downtown, then out the Santa Fe Trail, but the people on the train were getting on my last nerve, so I took that as an omen and left the train early, from the underground station at Cityplace. After riding the two extensive escalators to the surface, I had to work my way through East Dallas to the lake. That part of town is a confusing maze of angled streets, and more difficult on a bicycle than a car. You have to avoid some busy streets, some killer hills, and a mistake can put you miles out of your way.

However, I’ve been there a few times recently and was able to find my way without any real problems – with an occasional Googlemaps look on my phone.

I did make a little side trip to the intersection of Gaston & Munger. There’s a sculpture there – on the corner of a redone apartment complex of a man and woman pushing a mirrored sphere. I had seen it before, but never able to stop and get a good look.

My camera was in my pack this time, so I took a quick photo of it. I don’t know anything about its title or sculptor or backstory – but I’ll try to get back and get a better shot.

It’s in an unexpected spot – and looks really cool.

That I Might Touch That Cheek

“See how she leans her cheek upon her hand.
O, that I were a glove upon that hand
That I might touch that cheek!”
― William Shakespeare, Romeo and Juliet

Dallas Museum of Art

Dallas Museum of Art

“So she thoroughly taught him that one cannot take pleasure without giving pleasure, and that every gesture, every caress, every touch, every glance, every last bit of the body has its secret, which brings happiness to the person who knows how to wake it. She taught him that after a celebration of love the lovers should not part without admiring each other, without being conquered or having conquered, so that neither is bleak or glutted or has the bad feeling of being used or misused.”
― Hermann Hesse, Siddhartha

Dallas Museum of Art

Dallas Museum of Art

“Touch. It is touch that is the deadliest enemy of chastity, loyalty, monogamy, gentility with its codes and conventions and restraints. By touch we are betrayed and betray others … an accidental brushing of shoulders or touching of hands … hands laid on shoulders in a gesture of comfort that lies like a thief, that takes, not gives, that wants, not offers, that awakes, not pacifies. When one flesh is waiting, there is electricity in the merest contact.”
― Wallace Stegner, Angle of Repose

Dallas Museum of Art

Dallas Museum of Art

Who Was the Labor For?

“The Lord had given them the day and the Lord had given them the strength. And the day and the strength had been dedicated to labor, and the labor was its reward. Who was the labor for? What would be its fruits? These were irrelevant and idle questions.”
― Leo Tolstoy, Anna Karenina

Dallas Museum of Art Dallas, Texas

(click to enlarge)
Dallas Museum of Art
Dallas, Texas

One of my favorite things is the Chihuly Glass window at the Dallas Museum of Art. I know I’ve posted photos of it before (here and here – for example) – but one of the things I like is how it changes with the light. Day and night. It’s always the same, but a little different.

When I Do Not Succeed I Get Mad With Anger

“I am awfully greedy; I want everything from life. I want to be a woman and to be a man, to have many friends and to have loneliness, to work much and write good books, to travel and enjoy myself, to be selfish and to be unselfish… You see, it is difficult to get all which I want. And then when I do not succeed I get mad with anger.”
― Simone de Beauvoir

Streetcar Line Dallas, Texas

Streetcar Line
Dallas, Texas

Give Him A Mask And He’ll Tell You the Truth

“Man is least himself when he talks in his own person. Give him a mask and he’ll tell you the truth”
― Oscar Wilde

Mouth Mask Probably Depicting the Head of a Rooster Indonesia: Southeast Moluccas, Leti, Luhuleli 19th Century Wood, Boar Tusks, Clam Shell, Mother-of-Pearl, buffalo horn, resinous material, and pigment Dallas Museum of Art

Mouth Mask Probably Depicting the Head of a Rooster
Indonesia: Southeast Moluccas, Leti, Luhuleli
19th Century
Wood, Boar Tusks, Clam Shell, Mother-of-Pearl, buffalo horn, resinous material, and pigment
Dallas Museum of Art

Label Text:
Among the rarest of sculptures from the Southeast Moluccas are small masklike objects depicting the head of an animal. The dancer held the masklike object in his mouth by the tab extending from the back of the head. This type of object is thus sometimes referred to as a mouth mask. Only four mouth masks have survived, three of which are in European museum collections and represent pigs. This Dallas mask depicts a bird, probably a rooster. The sculptor imaginatively used boar tusks to create the white feathers that rise above the head and encircle the bird’s face.

Pig mouth masks are associated with a distinctive fertility ritual called porka, which encourages increase and abundance among human beings, animals, and vegetation. The bird mask shown here was used in a war dance that was performed by men and portrayed headhunting.

An Experience Which Surpasses and Upsets the Order of Material Life

“The faithful of Shiva or Dionysus seek contact with those forces which…lead to a refusal of the politics, ambitions and limitations of ordinary social life. This does not involve simply a recognition of world harmony, but also an active participation in an experience which surpasses and upsets the order of material life.”
― Alain Daniélou, Gods of Love and Ecstasy: The Traditions of Shiva and Dionysus

hiva Nataraja, South India, Tamil Nadu, Chola dynasty, 11th century, bronze, Dallas Museum of Art

Shiva Nataraja, South India, Tamil Nadu, Chola dynasty, 11th century, bronze, Dallas Museum of Art

Mayan Frog Sculpture

“The greatest wisdom is in simplicity. Love, respect, tolerance, sharing, gratitude, forgiveness. It’s not complex or elaborate. The real knowledge is free. It’s encoded in your DNA. All you need is within you. Great teachers have said that from the beginning. Find your heart, and you will find your way.”
― Carlos Barrios, Mayan elder and Ajq’ij of the Eagle Clan

Fan admiring Mayan Crouching Frog Sculptures Dallas Museum of Art Dallas, Texas

Fan admiring Mayan Crouching Frog Sculptures
Dallas Museum of Art
Dallas, Texas

Crouching frog (one of pair)

The Voice of Perpetual Becoming

“They both listened silently to the water, which to them was not just water, but the voice of life, the voice of Being, the voice of perpetual Becoming.”
― Hermann Hesse, Siddhartha

One Dallas Cener Downtown Dallas, Texas

One Dallas Cener
Downtown Dallas, Texas