Baritone

Used to tell Ma sometimes
When I see them riding blinds
Gonna make me a home out in the wind
In the wind, Lord in the wind
Make me a home out in the wind

I don’t like it in the wind
Wanna go back home again
But I can’t go home thisaway
Thisaway, Lord Lord Lord
And I can’t go home thisaway

I was young when I left home
And I been out rambling ‘round
And I never wrote a letter to my home
To my home, Lord Lord Lord
And I never wrote a letter to my home
—-Bob Dylan, I Was Young When I Left Home

My little bike ride through the Tulane campus was bittersweet. It was fun but I was filled with a melancholy nostalgia. Lee has graduated – this might be my last visit… or at least it will be the last visit with any connection or significance. I remembered visiting five years ago for parent’s weekend, walking the sidewalks on the guided tour, imagining what it would be like to study at such a beautiful place in such an amazing city.

This last visit – I almost felt more connection than with my own campus… that was long ago and I was just a kid, anyway. Nobody knows the terrible lucidity of nostalgia at a young age – it only comes with the onslaught of incipient dotage.

Baritone
Mia Westerlund Roosen
Tulane Campus
New Orleans, Louisiana

Baritone Mia Westerlund Roosen Tulane Campus, New Orleans (click to enlarge)

Baritone
Mia Westerlund Roosen
Tulane Campus, New Orleans
(click to enlarge)

“The Greek word for “return” is nostos. Algos means “suffering.” So nostalgia is the suffering caused by an unappeased yearning to return.”
― Milan Kundera, Ignorance

Fountain Columns

Irving Arts Center, Irving, Texas

Jesús Bautista Moroles
Fountain Columns, 1998
Dakota Mahogany Granite

Jesús Bautista Moroles Fountain Columns (click to enlarge)

Jesús Bautista Moroles
Fountain Columns
(click to enlarge)

“Elmore Leonard’s Ten Rules of Writing

1. Never open a book with weather.
2. Avoid prologues.
3. Never use a verb other than “said” to carry dialogue.
4. Never use an adverb to modify the verb “said”…he admonished gravely.
5. Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose.
6. Never use the words “suddenly” or “all hell broke loose.”
7. Use regional dialect, patois, sparingly.
8. Avoid detailed descriptions of characters.
9. Don’t go into great detail describing places and things.
10. Try to leave out the part that readers tend to skip.

My most important rule is one that sums up the 10.

If it sounds like writing, I rewrite it.”
― Elmore Leonard

Jesús Bautista Moroles Fountain Columns (click to enlarge)

Jesús Bautista Moroles
Fountain Columns
(click to enlarge)

Dancers, Real and Steel

Dallas Arts District, Dallas, Texas

Dallas Arts District, Dallas, Texas

Frisco, Texas

Frisco, Texas

Dallas Arts District, Dallas, Texas

Dallas Arts District, Dallas, Texas

Frisco, Texas

Frisco, Texas

Audubon Fountain

Audubon Park, New Orleans

“i see you drinking at a fountain with tiny
blue hands, no, your hands are not tiny
they are small, and the fountain is in France
where you write me that last letter and
I answered and never heard from you again.
ANGELS AND GOD, all in uppercase, and you
knew famous artists and most of them
were your lovers, and I wrote back, it’s all right,
go ahead, enter their lives, I’m not jealous
because we’ve never met. we got close once in
New Orleans, one half block, but never met, never
touched. so you went with the famous and wrote
about the famous, and, of course, what you found out
is that the famous are worried about
their fame- not the beautiful young girl in bed
with them, who gives them that, and then awakens
in the morning to write upper case poems about
ANGELS AND GOD.”
—-An Almost Made Up Poem, Charles Bukowski

Audubon Park, New Orleans (click to enlarge)

Audubon Park, New Orleans
(click to enlarge)

Audubon Park, New Orleans (click to enlarge)

Audubon Park, New Orleans
(click to enlarge)

Timber

There are a handful of modern sculptures scattered across the various quads on the Tulane campus in New Orleans. One I noticed the first time, more than four years ago, that we took Lee there for a visit was a construction of wood and a stack of handmade multi-colored glass blocks that stands in front of the Architecture building.

I always like to take a look at it when I visit.

Timber
Glass, Steel, and Wood, 1982
by
Gene Koss, American

Timber, by Gene Koss, Tulane University, New Orleans, Louisiana (click to enlarge)

Timber, by Gene Koss, Tulane University, New Orleans, Louisiana
(click to enlarge)

Timber, by Gene Koss, Tulane University, New Orleans, Louisiana (click to enlarge)

Timber, by Gene Koss, Tulane University, New Orleans, Louisiana
(click to enlarge)

Timber, by Gene Koss, Tulane University, New Orleans, Louisiana (click to enlarge)

Timber, by Gene Koss, Tulane University, New Orleans, Louisiana
(click to enlarge)

Square Deal #2

George Tobolowsky
Square Deal #2
Welded Steel
Irving Arts Center, Irving, Texas

George Tobolowsky Square Deal #2 Irving, Texas (click to enlarge)

George Tobolowsky
Square Deal #2
Irving, Texas
(click to enlarge)

George Tobolowsky Square Deal #2 Irving, Texas (click to enlarge)

George Tobolowsky
Square Deal #2
Irving, Texas
(click to enlarge)

George Tobolowsky Square Deal #2 Irving, Texas

George Tobolowsky
Square Deal #2
Irving, Texas

How Sculptor George Tobolowsky Got ‘The Calling’
Until he was in his 50s, he was just a businessman with a hobby.

Politicized Democracy

Irving Arts Center, Irving, Texas

John Brough Miller
(Argyle, TX)
’03 Politicized Democracy
Mild Steel

democracy2

democracy1

“The inferred kinetic energy is in the mind of the viewer.”
– J. Brough Miller

Performance

From Aurora Dallas 2013

Performance art is about joy, about making something that’s so full of kind of a wild joy that you really can’t put into words.
—-Laurie Anderson

(click to enlarge)

(click to enlarge)

Silhouette

From Aurora Dallas 2013

“Actually, I do happen to resemble a hallucination. Kindly note my silhouette in the moonlight.” The cat climbed into the shaft of moonlight and wanted to keep talking but was asked to be quiet. “Very well, I shall be silent,” he replied, “I shall be a silent hallucination.”
― Mikhail Bulgakov, The Master and Margarita

From Aurora Dallas

From Aurora Dallas

From Aurora Dallas (click to enlarge)

From Aurora Dallas
(click to enlarge)

Dwelling

Irving Arts Center, Irving, Texas
Larry Whiteley
Dwelling, 2005
Painted Steel

Irving artist Larry Whiteley makes flowers and more from steel

Larry Whiteley, Dwelling

Larry Whiteley, Dwelling

Larry Whiteley, Dwelling

Larry Whiteley, Dwelling

Behind Dwelling, you can see Star Flower, by James Surls.