Cottonwood Art Festival, Richardson, Texas
If the doors of perception were cleansed everything would appear to man as it is, infinite.
—-William Blake
Cottonwood Art Festival, Richardson, Texas
If the doors of perception were cleansed everything would appear to man as it is, infinite.
—-William Blake
When I drove down to the Dallas Arboretum the day after Christmas for one last visit to the Chihuly Exhibit I took a series of photographs of The Dallas Star, the Crepe Myrtle Allee, and the Toad Corners Fountain beyond. They look much different, though still really attractive, in the leafless winter.
“When you’re young you prefer the vulgar months, the fullness of the seasons. As you grow older you learn to like the in-between times, the months that can’t make up their minds. Perhaps it’s a way of admitting that things can’t ever bear the same certainty again.”
― Julian Barnes, Flaubert’s Parrot
I know I’ve said it before, but I’ll say it again. I’m going to miss the Chihuly.
“We say that flowers return every spring, but that is a lie. It is true that the world is renewed. It is also true that that renewal comes at a price, for even if the flower grows from an ancient vine, the flowers of spring are themselves new to the world, untried and untested.
The flower that wilted last year is gone. Petals once fallen are fallen forever. Flowers do not return in the spring, rather they are replaced. It is in this difference between returned and replaced that the price of renewal is paid.
And as it is for spring flowers, so it is for us.”
― Daniel Abraham, The Price of Spring
(Click for a larger and more detailed version on Flickr)
I remember a long, long time ago, talking to a girl. I was talking about how much I liked the life-renewing rains of spring, she replied that she liked the storms of autumn. She liked the excitement, the change, the promise of hard times to come… but not quite here yet. It took me a couple of days of thinking about what she had said to understand that she was right and how unique and interesting her way of looking at things is.
It took me too long, she left me for somebody else. She may be long gone, but I still remember what she said. I will remember it on the day I die.
Expect to have hope rekindled. Expect your prayers to be answered in wondrous ways. The dry seasons in life do not last. The spring rains will come again.
― Sarah Ban Breathnach
(Click for a larger and more detailed version on Flickr)
“That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruin’d choirs, where late the sweet birds sang.
In me thou seest the twilight of such day
As after sunset fadeth in the west,
Which by and by black night doth take away,
Death’s second self, that seals up all in rest.
In me thou see’st the glowing of such fire
That on the ashes of his youth doth lie,
As the death-bed whereon it must expire
Consumed with that which it was nourish’d by.
This thou perceivest, which makes thy love more strong,
To love that well which thou must leave ere long.”― William Shakespeare, Shakespeare’s Sonnets
Nothing is old… it is vintage. And if it is vintage… it is cool. It’s not rust… it’s a patina.
All bicycles weigh fifty pounds. A thirty-pound bicycle needs a twenty-pound lock. A forty-pound bicycle needs a ten-pound lock. A fifty-pound bicycle doesn’t need a lock. ~Author Unknown
After your first day of cycling, one dream is inevitable. A memory of motion lingers in the muscles of your legs, and round and round they seem to go. You ride through Dreamland on wonderful dream bicycles that change and grow.
—-H.G. Wells, The Wheels of Chance
I feel sad that the Chihuly Exhibit at the Dallas Arboretum is now over. They are carefully packing the glass up and loading it on to trucks – I suppose that it will eventually go to some other urban garden somewhere, but I don’t know where. It’s been in a few places over the years and see no reason to quit now. I’d love to visit it in a new home, see what the glass looks like in a different setting, in a different arrangement.
In the meantime, I still have a lot of photographs. I went down to the Arboretum with my camera at least three times (plus a few more with only my eyes). I can dredge through my archives… find some that I like and put them here.
I have become a fan of attending small local (usually free) concerts around town. There is so much talent and passion out there – more than I can ever take in.
At the second Set List on the Green (a lot of fun, I can’t wait until spring and the re-start of the series) down at Klyde Warren Park these three women were sitting near me. They were big fans, but not big enough to stop looking at their phones all the time. That’s cool – as far as I’m concerned, they can do whatever they want.
Welder outside the Plaza of the Americas, Dallas, Texas
Always overlooked is the beauty of work. Every day we walk, move, and live on, under, and around steel welded by unknown men wearing heavy dark masks to protect them from the rays of the arc.
He wields the power that melts steel, joins the strong, flickering and cracking in blinding plasma, high voltage, matter reduced to its most elemental stage.
And all he wants is his paycheck and to go home. And high above, the skyscraper grows higher and higher.
Dry winter water reeds, Dallas Arboretum, Dallas, Texas.
It’s a difficult thing when you see something so subtly beautiful and perfect and you know you can never take a picture that conveys the sublime moment. It’s when you understand what a master of ink and brush is trying for.
You have to be there… but you weren’t.