David in Bluestone

“People are so fucking dumb. Nobody reads anymore, nobody goes out and looks and explores the society and culture they were brought up in. People have attention spans of five seconds and as much depth as a glass of water.”
― David Bowie

David, by Boaz Vaadia, 2009, New York, Material: Bronze and Bluestone
Poydras Street, New Orleans

In the City of New Orleans there is a fantastic arrangement of sculpture along Poydras Street. Walking down and back from my son’s apartment to the Running of the Bulls I took photos of a few of them that I’ll share with you.

From the exhibition Label:
ABOUT THE ART”
“David” is a bronze casting of a larger-than-life-size figure that was sculpted in layers of bluestone. The unique style of Vaadia’s work is directly inspired by the natural formation of stone in the earth and other forces of nature. Through the materials he works with and the sculpture he makes, Vaadia explores the primal connection of Man to Mother Earth.”

Down at the river end of Poydras is another sculpture entitled “David” very different than the one by Enrique Alferez that I wrote about the other day. This “David” is by Boaz Vaadia and is an almost-abstract figure of bronze cast from flat layers of stone.

I’m sure thousands of commuters drive by every day on their way to work and thousands more tourists go by on their way to the French quarter or the Casino. None of them notice the giant figure standing there at the intersection. Shame, really.

Seven Points of View

“I assert that the art of sculpture, among all the arts connected with design, is at least seven times greater than any other, for the following reason: why, sir, a statue of true sculpture ought to have seven points of view, which ought all to boast equal excellence.”
― Benvenuto Cellini, The Autobiography Of Benvenuto Cellini

Gymnast, by Enrique Alferez, bronze, Poydras Street, New Orleans

In the City of New Orleans there is a fantastic arrangement of sculpture along Poydras Street. Walking down and back from my son’s apartment to the Running of the Bulls I took photos of a few of them that I’ll share with you.

The first one that I noticed was a beautiful bronze woman in an athletic, dancelike pose, rising above the median only a few feet toward the river from where my son lives. Looking it up, I wasn’t too surprised to find out it was another work by Enrique Alferez like the nearby Lute Player and David – which I wrote about the last two days.

Alferez has work all over the city.I must make a list and try to get to some more the next time I visit.

Beautiful And True

“Why do beautiful songs make you sad?’ ‘Because they aren’t true.’ ‘Never?’ ‘Nothing is beautiful and true.”
― Jonathan Safran Foer, Extremely Loud and Incredibly Close

The Lute Player, Enrique Alferez, New Orleans

On the right side of the entrance to the First Bank & Trust Tower on Poydras street, downtown New Orleans – is the huge statue of David, which I wrote about yesterday. On the other side, also done by Enrique Alferez is “The Lute Player” a softer sculpture, adding a little contrapoint.

Giants Are Not What We Think

“Giants are not what we think they are. The same qualities that appear to give them strength are often the sources of great weakness.”
― Malcolm Gladwell, David and Goliath: Underdogs, Misfits, and the Art of Battling Giants

David, Bronze, Enrique Alferez, New Orleans

Sculpture of David, in front of the First Bank & Trust Tower on Poydras street, downtown New Orleans – Enrique Alferez

A Conversation at Molly’s

“The beauty of Molly’s is that it is not, whether in the daytime or at night, the exclusive preserve of an age or income group. Unlike the sterile night scenes of pretentious San Francisco or New York, Molly’s (and most other New Orleans bars) welcomes all ages, all colors, and all sexual persuasions, provided they are willing to surrender to the atmosphere.”
― Andrei Codrescu, New Orleans, Mon Amour: Twenty Years of Writings from the City




A conversation between my son, Lee, and the bartender at Molly’s, Decatur Street, New Orleans

Eat it Off

“The minute you land in New Orleans, something wet and dark leaps on you and starts humping you like a swamp dog in heat, and the only way to get that aspect of New Orleans off you is to eat it off. That means beignets and crayfish bisque and jambalaya, it means shrimp remoulade, pecan pie, and red beans with rice, it means elegant pompano au papillote, funky file z’herbes, and raw oysters by the dozen, it means grillades for breakfast, a po’ boy with chowchow at bedtime, and tubs of gumbo in between. It is not unusual for a visitor to the city to gain fifteen pounds in a week–yet the alternative is a whole lot worse. If you don’t eat day and night, if you don’t constantly funnel the indigenous flavors into your bloodstream, then the mystery beast will go right on humping you, and you will feel its sordid presence rubbing against you long after you have left town. In fact, like any sex offender, it can leave permanent psychological scars.”
― Tom Robbins, Jitterbug Perfume

When you are on vacation in a city with as varied and variable opportunities as New Orleans there is always a struggle between new experiences and going with what you have known and enjoyed in the past. A balance between the two is best.

I drove from Dallas to New Orleans to stay with my son and attend the 2018 New Orleans Writing Marathon. He lives in a downtown high rise and parking is horribly expensive, so I stashed my car a couple miles away on a side street in the Lower Garden District. It sat there untouched for a week. I took my Xootr Swift folding bike out of the back to ride back to his place on Poydras.

I drive a tiny car – a Toyota Matrix. I always liked it because I could fold the rear seats down and get a bike (barely) into the back of the car (never liked exterior bike racks). I’m always surprised at how small the Xootr Swift folds down. I’m able to fit it easily in the small space behind the rear seat. Now I have a four-passenger car again.

It was hot and I was thirsty and I was hungry so I decided on a stop at one of my favorite and familiar places in the Big EasyThe Avenue Pub.

My folding bike locked up outside of the Avenue Pub in New Orleans

The big black thing on the back of my bike is a Bushwhacker Omaha grocery pannier mounted on a Xootr Crossrack. Very ugly and even more handy.

The beer selection at The Avenue Pub is second to none. It was a hot day and I wanted something cold and lighter and selected an excellent French Saison – Cuvée des Jonquilles from The Baron and Baileux brewery. Really nice on a summer afternoon.

They have a good kitchen in the bar and I ordered something I had before, and will certainly have again – Fried Green Tomatoes with Shrimp Remoulade. Delicious.

Fried Green Tomatoes with Shrimp Remoulade

New Orleans is actually a good city to ride bikes around in. It’s flat and the ancient streets slow the traffic down. Once I finished it only took me seven minutes to ride from The Avenue Pub to my son’s place.

I don’t think I could have driven it in that time.

They Were All Running Together

“Down below the narrow street was empty. All the balconies were crowded with people. Suddenly a crowd came down the street. They were all running, packed close together. They passed along and up the street toward the bull-ring and behind them came more men running faster, and then some stragglers who were really running. Behind them was a little bare space, and then the bulls galloping, tossing their heads up and down. It all went out of sight around the corner. One man fell, rolled to the gutter, and lay quiet. But the bulls went right on and did not notice him. They were all running together.”
—Ernest Hemingway, The Sun Also Rises

New Orleans, Running of the Bulls

New Orleans, Running of the Bulls

Most of the “Bulls” (female Roller Derby team members) in the New Orleans version of Pamplona’s Running of the Bulls wear similar, red-themed, skimpy outfits complete with gaudy decorations – in the New Orleans style.

One Bull dressed in blue – with a bit more class, including a matching plastic bat. She looked great – though she did complain of the heat in her outfit.

Everyone Behaves Badly

“Everyone behaves badly–given the chance.”
—-Ernest Hemingway, The Sun Also Rises

New Orleans

New Orleans

From The Running of the Bulls

The Terrain of the Bull

“In bull-fighting they speak of the terrain of the bull and the terrain of the bull-fighter. As long as a bull-fighter stays in his own terrain he is comparatively safe. Each time he enters into the terrain of the bull he is in great danger. Belmonte, in his best days, worked always in the terrain of the bull. This way he gave the sensation of coming tragedy.”
—- The Sun Also Rises, Ernest Hemingway

Running of the Bulls, New Orleans

From The Running of the Bulls

The Running Of the Bulls

“The stretch of ground from the edge of the town to the bull-ring was muddy. There was a crowd all along the fence that led to the ring, and the outside balconies and the top of the bull-ring were solid with people. I heard the rocket and I knew I could not get into the ring in time to see the bulls come in, so I shoved through the crowd to the fence. I was pushed close against the planks of the fence. Between the two fences of the runway the police were clearing the crowd along. They walked or trotted on into the bull-ring. Then people commenced to come running. A drunk slipped and fell. Two policemen grabbed him and rushed him over to the fence. The crowd were running fast now. There was a great shout from the crowd, and putting my head through between the boards I saw the bulls just coming out of the street into the long running pen. They were going fast and gaining on the crowd. Just then another drunk started out from the fence with a blouse in his hands. He wanted to do capework with the bulls. The two policemen tore out, collared him, one hit him with a club, and they dragged him against the fence and stood flattened out against the fence as the last of the crowd and the bulls went by. There were so many people running ahead of the bulls that the mass thickened and slowed up going through the gate into the ring, and as the bulls passed, galloping together, heavy, muddy-sided, horns swinging, one shot ahead, caught a man in the running crowd in the back and lifted him in the air. Both the man’s arms were by his sides, his head went back as the horn went in, and the bull lifted him and then dropped him. The bull picked another man running in front, but the man disappeared into the crowd, and the crowd was through the gate and into the ring with the bulls behind them. The red door of the ring went shut, the crowd on the outside balconies of the bull-ring were pressing through to the inside, there was a shout, then another shout.

The man who had been gored lay face down in the trampled mud. People climbed over the fence, and I could not see the man because the crowd was so thick around him. From inside the ring came the shouts. Each shout meant a charge by some bull into the crowd. You could tell by the degree of intensity in the shout how bad a thing it was that was happening. Then the rocket went up that meant the steers had gotten the bulls out of the ring and into the corrals. I left the fence and started back toward the town.”
—-Ernest Hemingway, The Sun Also Rises

Running Of the Bulls, New Orleans, Louisiana

Ever since reading The Sun Also Rises and The Drifters as a kid I have wanted to go to Pamplona and see the running of the bulls. Will probably never get to do that – I don’t feel the urge as much as I used to.

On my last trip to New Orleans, I was able to do the second best thing. For over a decade they have had a running of the bulls in the Big Easy. Instead of real bulls – the participants run from a horn wearing women’s roller derby team which chases and smacks the participants with plastic baseball bats.

A bit of fun and a great opportunity for photos.