“At night I dream that you and I are two plants
that grew together, roots entwined,
and that you know the earth and the rain like my mouth,
since we are made of earth and rain.”
― Pablo Neruda, Regalo de un Poeta
“The beauty of Molly’s is that it is not, whether in the daytime or at night, the exclusive preserve of an age or income group. Unlike the sterile night scenes of pretentious San Francisco or New York, Molly’s (and most other New Orleans bars) welcomes all ages, all colors, and all sexual persuasions, provided they are willing to surrender to the atmosphere.”
― Andrei Codrescu, New Orleans, Mon Amour: Twenty Years of Writings from the City
A conversation between my son, Lee, and the bartender at Molly’s, Decatur Street, New Orleans
“The challenge lies in knowing how to bring this sort of day to a close. His mind has been wound to a pitch of concentration by the interactions of the office. Now there are only silence and the flashing of the unset clock on the microwave. He feels as if he had been playing a computer game which remorselessly tested his reflexes, only to have its plug suddenly pulled from the wall. He is impatient and restless, but simultaneously exhausted and fragile. He is in no state to engage with anything significant. It is of course impossible to read, for a sincere book would demand not only time, but also a clear emotional lawn around the text in which associations and anxieties could emerge and be disentangled. He will perhaps only ever do one thing well in his life.
For this particular combination of tiredness and nervous energy, the sole workable solution is wine. Office civilisation could not be feasible without the hard take-offs and landings effected by coffee and alcohol.”
― Alain de Botton, The Pleasures and Sorrows of Work
I was looking forward to an easy day – especially since it was supposed to be my day off. But the phone calls kept rolling in, the emails kept coming, everybody wanted a piece of me. By the time I made it home… there was nothing left. Another day stolen by the man.
Rod-a, he ride him and he jumped a ditch,
He ride-a, he rode him, and the pony did pitch.
The pony, he felt a little bit shy,
‘Cause he’s bitten by that blue-tailed fly.
Jimmy, crack corn, and I don’t care.
Jimmy, crack corn, and I don’t care,
Jimmy, crack corn, and I don’t care,
My mastas gone away.
When I went down in Louisiana,
I stayed a little while in Texarkana.
Every once in a while, I felt a little bit shy
‘Cause I was bitten by that blue-tailed fly.
—-Leadbelly, Blue-Tailed Fly
“ Give up all hope, all illusion, all desire..I’ve tried. I’ve tried and still I desire, I still desire not to desire and hope to be without hope and have the illusion I can be without illusions..Give up, I say. Give up everything, including the desire to be saved.”
― Luke Rhinehart, The Dice Man
“you got all these miserable people with problems you can’t believe…and look, the lights are on.”
I was eating lunch, grabbing a slice, at a place where a lot of tech types eat at (near, but not too near, my work). Mostly men, mostly in groups of four.
One guy at another table was expounding. A bit full of himself, enjoying the attention, I still liked listening to him. I made a note on my phone.
“The diagram looks fractal, like a Mandelbrot set. But nothing worked. It was like a fractal of suck – no matter how much you drilled down or blew it up, it still looked the same. It still sucked.”
“That’s all the motorcycle is, a system of concepts worked out in steel. There’s no part in it, no shape in it, that is not out of someone’s mind […] I’ve noticed that people who have never worked with steel have trouble seeing this—that the motorcycle is primarily a mental phenomenon. They associate metal with given shapes—pipes, rods, girders, tools, parts—all of them fixed and inviolable., and think of it as primarily physical. But a person who does machining or foundry work or forger work or welding sees “steel” as having no shape at all. Steel can be any shape you want if you are skilled enough, and any shape but the one you want if you are not. Shapes, like this tappet, are what you arrive at, what you give to the steel. Steel has no more shape than this old pile of dirt on the engine here. These shapes are all of someone’s mind. That’s important to see. The steel? Hell, even the steel is out of someone’s mind. There’s no steel in nature. Anyone from the Bronze Age could have told you that. All nature has is a potential for steel. There’s nothing else there.”
― Robert M. Pirsig, Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values