Borne Back Ceaselessly

“So we beat on, boats against the current, borne back ceaselessly into the past.”
― F. Scott Fitzgerald, The Great Gatsby

Art Deco Sculpture, Fair Park, Dallas, Texas

A Dog’s Wet Nose

“The universe contains any amount of horrible ways to be woken up, such as the noise of the mob breaking down the front door, the scream of fire engines, or the realization that today is the Monday which on Friday night was a comfortably long way off.

A dog’s wet nose is not strictly speaking the worst of the bunch, but it has its own peculiar dreadfulness which connoisseurs of the ghastly and dog owners everywhere have come to know and dread. It’s like having a small piece of defrosting liver pressed lovingly against you.”
― Terry Pratchett, Moving Pictures

Isaak in the pond at NorthBark Park, Dallas, Texas

I came across an article the other day on favorite Dallas Dog Parks. Reading the list, I realized I had not been to one of them – NorthBark Dog Park in far North Dallas.

Isaak in the water at NorthBark Dog Park, Dallas, Texas

We have had Isaak since February or so. People ask how old he is and I say about a year. He was a rescue from Dallas Animal Control so we don’t know for sure – though I’d bet he is about a year old now. People ask what breed he is and we have no idea. We’ve sent his DNA test off, but haven’t received the results yet.

Isaak as a puppy, when we first picked him up in February.

It’s been fun socializing him – so I’ve been taking him to the Richardson Dog Park whenever I have time.

When he first arrived, he didn’t understand that a leash met go for a walk, not lay down on the ground. So I worked with him along the trail in back of our house. One day, early on, I picked up a book and dragged him to a little bench on the hike/bike trail that runs along the creek behind where we live. I sat there, reading, so he could get used to dog walkers, joggers, and such. He did good, interested in the passersby, but not going nuts.

Then a family of six on bikes came riding up the trail toward me. Two parents, two teens, and two little kids with training wheels in the lead. I heard the little boy say to his sister as they approached, “Don’t worry… it’s just some old man and his dog.”

Oh man… I didn’t like that. I especially didn’t like it because it was true. I was some old man sitting on a park bench with his dog, reading a book.

At any rate, back to today, I decided to take Isaak to the NorthBark Dog Park – since we had never been. It was farther than I anticipated, but after a wrong turn or so, we were there.

I took Isaak into the big dog section first and he had fun doing his usual dog park thing – running and playing dog dominance games with the other dogs there. After a bit he settled down and rested under a tree. I could see next door dogs swimming in the pond in the wet area – chasing after lures and retrieving them – thrown out into the water by their masters.

Isaak had never been in the water but I decided to give it a shot. We moved over to that part of the park and walked around to the back side where the bank was shallow. And, to my surprise, after a bit he jumped in the water and started to play in it. He had a bunch of fun running around on the bank and then plunging in. He would jump up and down, then dash out of the water again. Only one time he ventured deep enough to swim a little and was a bit intimidated by that.

Isaak swimming a little at the NorthBark Dog Park, Dallas, Texas

I walked with him around to where the real water dogs were swimming and retrieving and I talked to a couple of women about how to train a dog to do that. I need to work on teaching Isaak to fetch and return first, then start him off in shallow water. I think he’d enjoy that, I think. What do dogs enjoy anyway?

When we were done I hooked his leash on a pole and gave him a wash with a hose supplied for that purpose.

He didn’t enjoy that.

Down the Rabbit Hole

“Poetry is much more important than the truth, and, if you don’t believe that, try using the two methods to get laid.”
― Mark Forsyth, The Etymologicon: A Circular Stroll through the Hidden Connections of the English Language

“A poet is not somebody who has great thoughts. That is the menial duty of the philosopher. A poet is somebody who expresses his thoughts, however commonplace they may be, exquisitely. That is the one and only difference between the poet and everybody else.”
― Mark Forsyth, The Elements of Eloquence: How to Turn the Perfect English Phrase

The Window at Molly’s, the street (Decatur) unusually quiet, with notebook, vintage Esterbrook pen, and Molly’s frozen Irish Coffee

“Shakespeare was not a genius. He was, without the distant shadow of doubt, the most wonderful writer who ever breathed. But not a genius. No angels handed him his lines, no fairies proofread for him. Instead, he learnt techniques, he learnt tricks, and he learnt them well.”
― Mark Forsyth, The Elements of Eloquence: How to Turn the Perfect English Phrase

I picked up a book at the library – I picked it up by mistake because I was looking for books by John Forsyth (and there weren’t any). I picked up The Elements of Eloquence: Secrets of the Perfect Turn of Phrase by Mark Forsyth. I’m not sure why I stacked it on the checkout kiosk – but it turned out to be crackerjack – I really enjoyed it. The book is simple – forty chapters – each one dedicated to one rhetorical figure, discussing its use in literature, classic and profane, with an emphasis on Shakespeare. The chapter titles are intimidating, mostly Greek terms: Alliteration, Polyptoton, Antithesis, Merism, Blazon, Synaesthesia, Aposiopesis, Hyperbaton, Anadiplosis, Hypotaxis and Parataxis, – are the first few. Sounds like fun, doesn’t it?

Well, it is. Forsyth is a witty (sometimes too witty) writer that makes these ancient Greek mouthfuls entertaining and elucidating. As a writer – it’s like being given a bag of weapons that you can use to slay an unsuspecting reader. Most of these are things that are known to anyone that has spent too much time on the wrong end of a pen or with their nose between the book covers… but listing them, explaining them, exampling them, giving them names, gives them power and makes them easier to pull out of the wordsmith’s quiver and load into his quill.

If you are interested in words, get the book.

Now, once I have discovered something like this, and read it carefully (taking tens of pages of notes) – I can’t stop there. I have to go down the rabbit hole.

Forsyth has a handful of other books for me to read. I suspect I have more books to read than I have time left on this earth, but what the hell. He has a TED talk, and a handful of articles across the web.

And he has a blog.

It’s called Inky Fool – and has a lot of cool stuff in it.

Continuing down the Rabbit Hole, the latest entry (as of this writing) A Measure of Rudeness has a link to an amazing PDF online. It is the work product of a big Marketing Firm hired by, I guess, the British Government to produce a slick study called Attitudes to potentially offensive language and gestures on TV and radio – Quick Reference Guide.

It is an official list of dirty words. It is much more extensive than the only list of broadcast dirty words I had seen before:

So they made a list. The actual list is ten pages long. And this is the Quick Refnerece Guide. It says in the introduction that a lot of older people don’t understand a lot of the new obscenities. It’s also a British list – and some of these haven’t made much inroads in Texas – I don’t think… of course, I’m old and don’t understand a lot of the new obscenities.

There’s Minger and Munter… there’s Nonce and Slapper – good thing I read the list, never knew these were offensive. The short section on Offensive Gestures wasn’t anything new to me. There’s a section on words offensive to old people… Coffin Dodger, FOP, and Old bag. Not bad… I kinda like Coffin Dodger. Could be a good online alias – say CoffinDodger31415.

Not surprising that the Discriminatory language section takes up the biggest part of the list. I’m sure it’s growing exponentially – both in number of words and in categories. Pretty soon this is going to swallow the language whole.

Now I have to tear myself away, dig out of the rabbit hole, and get some work around the house done. Later, I’m sure.

“John Ronald Reuel Tolkien wrote his first story aged seven. It was about a “green great dragon.” He showed it to his mother who told him that you absolutely couldn’t have a green great dragon, and that it had to be a great green one instead. Tolkien was so disheartened that he never wrote another story for years.

The reason for Tolkien’s mistake, since you ask, is that adjectives in English absolutely have to be in this order: opinion-size-age-shape-colour-origin-material-purpose Noun. So you can have a lovely little old rectangular green French silver whittling knife. But if you mess with that word order in the slightest you’ll sound like a maniac. It’s an odd thing that every English speaker uses that list, but almost none of us could write it out. And as size comes before colour, green great dragons can’t exist.”
― Mark Forsyth, The Elements of Eloquence: How to Turn the Perfect English Phrase

Writing in my Moleskine Journal outside the Mojo Lounge, Decatur Street, French Quarter, New Orleans

“Above all, I hope I have dispelled the bleak and imbecilic idea that the aim of writing is to express yourself clearly in plain, simple English using as few words as possible. This is a fiction, a fib, a fallacy, a fantasy, and a falsehood. To write for mere utility is as foolish as to dress for mere utility. … Clothes and language can be things of beauty, I would no more write without art because I didn’t need to than I would wander outdoors naked just because it was warm enough.”
― Mark Forsyth, The Elements of Eloquence: How to Turn the Perfect English Phrase

The Winter’s Tale

“Though I am not naturally honest, I am sometimes so by chance.”
― William Shakespeare, The Winter’s Tale

Dallas Theater Center
Wyly Theater
Dallas, Texas

A couple weeks ago, I received an email notification of tickets being on sale for Shakespear’s The Winter’s Tale at the Wyly in the Dallas Arts District. I am always up for a play at the Wyly so I clicked in. They were almost all gone, but I found two seats together for a Sunday Matinee performance. When I checked out, I discovered that the play was free… better still.

When the Wyly was built I was amazed by the architecture and unique coolness of the venue, but I thought to myself, “Shame I’m poor – I’ll never be able to actually see anything there.”

The Wyly Theater in the Dallas Arts District

I was wrong. Between the “pay what you can” dates (essentially being able to attend a final dress rehearsal) and other special performances I am able to go a few times a year without breaking the bank.

This free performance was put on by The Public Works and was a mix of professional and volunteer actors. I knew nothing about it and The Winter’s Tale was one of the few Shakespeare plays I’ve never seen. So I was excited. It turns out that my son would be up for the weekend, so we decided that he and I would take the DART train downtown, go to the play, and meet up with Candy afterward.

The play was fun. The trained actors were easy to spot – but they were good enough to carry the night (or afternoon). The play had music added – music of every imaginable genre and style – from hoe-down country, to a Mariachi Band, to a New Orleans Second Line, and more. The only performance that seemed a bit too out there was a number by the Dallas Maverick Dancers in their cheerleader outfits. That was a bit strange – but still entertaining.

I had never been to the Wyly for a matinee. At the end of a play, the outer curtains are raised, exposing the outer wall of the Borg-like metal cube. At night this is no big deal, but in the afternoon the sun streamed in, making the top of the building seem to float in the sky.

Nick and I walked outside and started to walk to Deep Ellum, where we would meet Candy. It was about a mile and a half – doable, but a long walk in the heat.

But, there on the corner, was two Lime rental electric scooters. After the lunacy of the invasion of the rental bikes, Dallas has now picked up on the dockless scooter craze – they are all over downtown and Deep Ellum – at certain times there are more people on scooters than in cars.

Nick and I grinned, loaded the apps on our phones and unlocked the scooters. Being a Millenial, he was quicker at this and shot off down Ross. When mine beeped and lit up I thought, “Better go into this parking lot here and practice for a minute.” To the best of my memory I have never been on a scooter in my life – let alone an electric one. But my son was already moving away and I decided, what the hell, and hopped on, kicked twice and pressed the GO button.

We sped down Ross (the scooters go… what? maybe 15 miles per hour, but it feels really fast) and the light was green with no traffic so we turned down Good Latimer towards Deep Ellum. It was a blast. At the end of the block was a big red light and beyond that were the busy lanes of the Highway 75 frontage and the DART train tracks.

And I realized I had no idea how to stop the scooter.

“How do I stop?!” I yelled, while I flailed around.

“On the left!” shouted Nick.

I remembered seeing scooters with brakes in the rear and fished around with my back foot – nothing. Meanwhile, I tried steering back and forth, then dragging a foot. I was slowing, but not fast enough. As I went by, Nick reached out and grabbed me, causing me to skid off the road into the grassy area bordering the train tracks. I stopped and didn’t fall, though it was plenty scary.

I looked at the scooter and, sure enough, there was a brake lever on the left handlebar. I had been so engrossed and then so panicked, I never saw it.

The rest of the ride was easy – a hand brake is a really good idea. We dropped our scooters in front of Braindead and before we were through the door someone else rented them and sped off. We ate at Monkey King and then stopped off at Armoury D.E. (one of my favorite spots – great craft cocktails) and The Anvil Pub. It was only a block or two of walking, but Nick kept renting scooters and going around the block. He thought it was great. They only cost a couple bucks for a short trip.

I never could figure out why I would ride a rental bike in Dallas – I have my own bikes (though I enjoyed riding one in New Orleans) but those scooters are another thing. They are actually a replacement for walking. If you have more than a couple blocks (but less than a couple miles) to cover, especially in the heat, they are a great option.

The next day, the news was covering the story that a young man had died on a scooter in East Dallas over the same weekend (though the story is a bit weird). With this many people riding these, there are sure to be more accidents.

If I was to ride one on a regular basis, say on a commute to work, I would definitely wear a helmet (when you rent one, you agree to wear a helmet, but I’ve never seen anyone actually with head protection).

This is a brave new world, that has such people in it.

“Exit, pursued by a bear.”
― William Shakespeare, The Winter’s Tale

Rumour Is A Pipe

“Rumour is a pipe
Blown by surmises, jealousies, conjectures
And of so easy and so plain a stop
That the blunt monster with uncounted heads,
The still-discordant wavering multitude,
Can play upon it.”

― William Shakespeare, Henry IV, Part 2

Downtown Dallas, Texas

Where do these pipes go to? What do they convey? What comes pouring out of them when they decide it’s time to go to work? What happens if you are on the sidewalk beneath?

Even Though They Soar

“…and there is a Catskill eagle in some souls that can alike dive down into the blackest gorges, and soar out of them again and become invisible in the sunny spaces. And even if he forever flies within the gorge, that gorge is in the mountains; so that even in his lowest swoop the mountain eagle is still higher than the other birds upon the plain, even though they soar.”
― Herman Melville

Poydras Street
New Orleans

Burn Genuinely And With A Free Flame

“There is a love that equals in its power the love of man for woman and reaches inwards as deeply. It is the love of a man or a woman for their world. For the world of their center where their lives burn genuinely and with a free flame.

The love of the diver for his world of wavering light. His world of pearls and tendrils and his breath at his breast. Born as a plunger into the deeps he is at one with every swarm of lime-green fish, with every colored sponge. As he holds himself to the ocean’s faery floor, one hand clasped to a bedded whale’s rib, he is complete and infinite. Pulse, power and universe sway in his body. He is in love.

The love of the painter standing alone and staring, staring at the great colored surface he is making. Standing with him in the room the rearing canvas stares back with tentative shapes halted in their growth, moving in a new rhythm from floor to ceiling. The twisted tubes, the fresh paint squeezed and smeared across the dry on his palette. The dust beneath the easel. The paint has edged along the brushes’ handles. The white light in a northern sky is silent. The window gapes as he inhales his world. His world: a rented room, and turpentine. He moves towards his half-born. He is in Love.

The rich soil crumbles through the yeoman’s fingers. As the pearl diver murmurs, ‘I am home’ as he moves dimly in strange water-lights, and as the painter mutters, ‘I am me’ on his lone raft of floorboards, so the slow landsman on his acre’d marl – says with dark Fuchsia on her twisting staircase, ‘I am home.”
― Mervyn Peake, Titus Groan

Mural on construction fence, Farmer’s Market, Dallas, Texas
Derrick S. Hamm

Derrick S. Hamm

Out Of the Chaos

“I have an idea that the only thing which makes it possible to regard this world we live in without disgust is the beauty which now and then men create out of the chaos. The pictures they paint, the music they compose, the books they write, and the lives they lead. Of all these the richest in beauty is the beautiful life. That is the perfect work of art.”
― W. Somerset Maugham, The Painted Veil

Mural on construction fence, Farmer’s Market, Dallas, Texas
Derrick S. Hamm

Derrick S. Hamm

From the artist’s Instagram.

This piece is based on the previous intaglio print ‘Harbingers’ and is inspired by the works of Botticelli, Caravaggio and Rubens

Go At It At Full Speed

“I began to realize how important it was to be an enthusiast in life. He taught me that if you are interested in something, no matter what it is, go at it at full speed ahead. Embrace it with both arms, hug it, love it and above all become passionate about it. Lukewarm is no good. Hot is no good either. White hot and passionate is the only thing to be.”
― Roald Dahl, My Uncle Oswald

Mural on construction fence, Farmer’s Market, Dallas, Texas

Yesterday, when I was looking at the stream of the Alfred Hitchcock Presents vintage television show – I noticed that one of the episodes that stretched across the top of the screen was “The Man From The South.”

That episode is taken from a Roald Dahl short story. I’ve written about it before – it’s one of my favorite things – both the original story and the television episodes made about it. It is a prime lesson in how to build tension… nothing is better.

It’s been done several times – but this one features two legendary actors, Steve McQueen and Peter Lorre – both at the top of their game.

You can watch it (and believe me, you will want to) here.

The Anticipation of It

“There is no terror in the bang, only in the anticipation of it.”
― Alfred Hitchcock

Mural on Construction Fence
Farmer’s Market
Dallas, Texas
Chris Hoover

I couldn’t sleep last night, so I turned on the television. Tuning around I came across the start of an old Alfred Hitchcock Presents. It caught my eye because it featured a very young Burt Reynolds. It also had Harry Dean Stanton (- who looked like he always looks) and Murray Hamilton (don’t worry, you don’t remember the name but you’ve seen him). The show was from 1960, season 5, episode 37 – “Escape to Sonoita.”

The thing wasn’t perfect, but the story was crackerjack with a nice twist ending. The good guys are good, the bad guys are bad, and the woman in distress was beautiful. What more can you ask for?

If you have a few minutes to spare, you can watch it here.