Yearly Archives: 2013
Debutantes
You know I don’t understand
Why you don’t treat yourself better
Do the crazy things that you do
‘Cause all the debutantes in Houston baby
Couldn’t hold a candle to you.
—-The Long Run, by the Eagles, Don Henley, Glenn Fry, Bob Seger
I was riding my bicycle through downtown, past the sculpture installation “Borders” and then cruised across the street to the front of the I.M. Pei designed Meyerson Symphony Center, one of the massive buildings designed by various Pritzker Prize winners that line the Dallas Arts District.
There were a cluster of expensive shiny SUVs scuttling around the entrance and a flustered clutch of shiny parents shuttling stuff in and out. I peered in the open doors, curious about what was up, and saw the long double row of professional portraits of young ladies in fanciful gowns. It was time for the Dallas Symphony Debutante Ball.
As I pedaled past, looking like an old overfed homeless man on my “vintage” bike, I snapped a quick photograph, felt the warm, dry air of the opened doors wash past me and I headed on down to the park to get a beer.
One thing that has always fascinated me is how different people exist in such different worlds and how little these worlds intersect. We all breath the same air, walk the surface of the same planet, our atoms obey the same laws of physics, yet the reality of a Dallas Symphony Debutante is so far removed from… well, mine or anyone else’s reality. It is not only a different world – it is a different dimension, a strange reality completely.
Not judging… just sayin’.
These are not only debutantes… these are Texas debutantes. While their lineage and tradition will pale when compared with some of the Northeast families of old wealth they will make up for this with enthusiasm and a dose of the Texas spirit of unapologetic “going for it”.
For example, there is the Texas Dip.
From the New York Times’ blog post on the International Debutante Ball at the Waldorf-Astoria:
The New Yorkers curtsied demurely; the uncharitable might even say their bows were boring. But so were those by debutantes from England, Alabama and Arkansas, though the Arkansan’s bouquet of pink and red roses touched with silver leaves fluttered, hinting at a tremor of fear that the genuflection induced.
And then the Texans swished into the room, across the dance floor and onto the stage. Each handed her bouquet to her collegiate man, who stepped aside for the giant gown — everything, from the ball gowns to the bows, is bigger in Texas, of course — and watched his girl dip.Claire Crenshaw, 18, lowered herself with such subtlety, it was as if hydraulics were hidden underneath her voluminous skirt. Once on the floor, she doubled over and buried her face in her gown like a person inhaling fresh laundry. In short, she milked it.
But the best bow was by Olivia Flores, 20. Her dip was no different from any other scene-stealing Texan’s that night, with one exception: she did it all with a broken collarbone, her arm bound in a raw silk sling. It matched her dress perfectly.
Of course, if all this is too civilized for your taste, there is an alternative Dallas Debutante Ball – women playing rugby in prom dresses. Yee Haaw!
Feed the Dragon
Test Shots for a Morning Dallashenge
Last year I went into downtown Dallas at sunset for Dallashenge.
Dallashenge, for those that never read or can’t remember my entries from over a year ago, is the date when the sun sets directly down one of the vast glittering canyons formed by the reflecting glass-clad rows of skyscrapers lining the streets. It is derived (by me) from the more famous Manhattanhenge, from New York.
Dallas and New York are interesting because their central business district streets don’t run on a direct east-west grid. Those that do, such as Chicago, will have their ‘henge dates on the summer and winter solstices… plus their morning and evening ‘henges will be on the same day. For a city on the bias, you have to calculate the henge dates – luckily the website Suncalc makes all that very easy.
So, last year, I calculated the evening Dallashenge as February 15th, took some test shots, and then went down there at sunset and made some photos. I don’t know if the photos do justice, but it was a fun exercise in research, travel, and photography anyway. It was fun answering questions about why I was running out into a crosswalk with a camera on a tripod at sunset.
I have been thinking about a morning voyage to a Dallashenge. Other than the sheer laziness in avoiding getting up that early, I have put it off because I didn’t have a good spot. I was thinking about a parking garage at the city jail – but it wasn’t perfect and I wasn’t sure if photography would be welcome. Then, one day I was riding the DART line to the Convention Center and as the train crossed over the famous triple underpass I realized that there was a walkway along the rail lines. The sight line went straight down Main street and would be perfect for a morning Dallashenge.
During a downtown bike ride I decided to head over to that end of downtown and do some test shots. The spot turned out to be a perfect view down the street, plus it’s a well known spot – you enter the railroad overpass from the infamous “grassy knoll” and look out over the area where the Kennedy Assassination took place almost fifty years ago.
The morning Dallashenge date will be April 19, with the sun rising at six fifty-three in the morning. Now, I have to get up enough gumption to get up that early and head down to get some photos.

The view east down Main Street from the Triple Underpass. The sun will rise right down the middle of the street on April 19, morning Dallashenge.
Text on the Streets
As you move around, keep an eye out for the mysterious text that surrounds us. Here and there, in the odd corners and foggy backwaters of the city, there are messages. What do they mean? Who know? Who cares.
You are Now! Yes. Is this real? This moment, that you have chosen to co-create? I know not. What I do know is that everything in your life has led you to this exact moment in space and time. Yes your fantastic being of molecular vibrations slipping into the NOW. You, co-creating the awakening of your inner Shazam-Samurai! You, catapulting your nitro-burnin’, fuel-injected, Hootenany, Howlin’ Wolf, Love dance into the future of NOW! Yes! Yes! Yes!
Shazam!
Castin Call
Ride a Blind Camel
Ladies 18+ only
Call 229-9982
To play 4 Dominican Nuns
Boston Bank Job
(CIA Classified)
Libya Gold Assasins
Call Butch Cassidy Detective Agency
What I learned this week, March 08, 2013
The True-Life Horror that Inspired Moby-Dick
What’s on Tap: Proposed laws good for beer – and Texas
I remember looking at a bag of potato chips and seeing the warning “May cause anal leakage.” Yeah, right.
11 Foods You Can’t Buy Anywhere Anymore
and not alltogether a bad thing.
Could the ancient Romans have built a digital computer?
The 10 best restaurants in Dallas-Fort Worth
The 10 Best Gift Shops in Dallas
I would add La Mariposa to the list.
The 5 Best Theater Companies in Dallas
Stuff I want:
Titanium Escape Ring Packs a Shim and a Saw
Cathedonia
Along the walls near the Deep Ellum Green Line DART station are some odd, wonderful, and striking portraits, all marked Cathedonia.
These are the work of a local artist, Cathey Miller. She does a lot of varied work, including professional scene painting and such.
From her online bio:
Since 2001, the subject of my personal artwork has been the mythical planet of Cathedonia, a place I invented and populated with only my closest friends . My amateur studies in particle physics convinced me that I existed simultaneously in a parallel universe, flying around in a spaceship, drinking big gulps, and saving the earth from monsters.
My paintings are portrait based explorations into a symbol rich outer space environment. These images are painterly, colorful, and communicate Cathedonian ideals of truth, beauty, girl power, and heroism in the face of gigantic eagle headed flying intergalactic lobsters.
Entrance on Exposition
Lotus Blossoms
Water, Metal, and Fire
Fair Park, Dallas, Texas
Fountain/Sculpture
“The Gulf Cloud”
Erected 1916
In Memory of
Captain Sydney Smith
First Secretary State Fair of Texas
From 1886 to 1912
Designed by Miss Clyde Chandler
Sculptress
The bronze fountain sculpture is an allegorical composition that depicts four female figures representing the four geographic areas of Texas –the Gulf, the Coastal Plains, the Table Lands and Mountains of West Texas, and the Gulf Breeze. The Gulf lies against the feet of the Coastal Plains who rests in the lap of the Table Lands, while the Gulf Breeze brings nourishing rains to the State. The bottom of the sculpture is encircled with a granite relief depicting a garland of fruit, flowers, grain, and vegetables grown in Texas. The sculpture rests in the center of a circular fountain basin.






















