Crash

A car crash harnesses elements of eroticism, aggression, desire, speed, drama, kinesthetic factors, the stylizing of motion, consumer goods, status — all these in one event. I myself see the car crash as a tremendous sexual event really: a liberation of human and machine libido (if there is such a thing).
—-J. G. Ballard

Deep Ellum, Texas

I saw something very strange on the drive in to work today. To see something, anything, different along the route I drive every morning, have for well over three thousand times now, is strange in and of itself… to see something strange is double strange.

First, I remember moving to Texas. Like anyplace that is of itself, Texas has a few things to get used to – two driving things, for example.

First, people park facing the wrong way on residential streets all the time. Anywhere else – this will get you towed immediately… in Texas, it makes no difference – half the cars are on the left hand side.

Second, people run lights. I remember moving here, hitting a yellow and going, thinking to myself, “Wow, that was close, probably should have stopped.” Then I would look in my mirror and a half dozen cars would be running through after me.

The other side is when that light turns green, don’t jump out right away, wait for everyone to come to a stop.

At any rate, I was on my way to work (had some equipment to haul and was driving instead of riding my bike) and waiting at a long, busy red light… you know the one, the one at Grove and Centennial , with the McDonald’s and the Chilly Mart across from me. The light turned red as I arrived, so I was the first one in the ever-growing line, waiting for the light to change.

The cross light went from red to yellow to green and I looked up to make sure the traffic was stopped. A small black car was approaching on my left with a huge dumptruck behind. I assumed both would run through, so I waited. To my surprise, the small car braked hard and stopped at the light – I think there was a little brake squeal.

The truck behind didn’t expect him to stop, and plowed right into the rear of the car. It had one of those huge steel bumpers, set high, and completely smashed in the trunk of the car. There was that POP-Bang-Crunch of metal rending in a crash. The impact pushed the little car through the intersection like a pebble from a slingshot. As it passed in front of me, I thought, “Good, it is past the intersection, I can drive through, I won’t be late for work.”

Then came the strange part.

The car never stopped. It just kept on driving. Because I was first in line I could see around the bend to the right for quite a distance, maybe half a mile, and the car didn’t slow down – it simply sped away. I guess the high bumper on the truck smashed in the trunk without damaging the wheels or anything important, as far as moving goes.
The car disappeared around the curve and I turned back to see the truck – it didn’t have a scratch. That huge slab of rusty steel bumper looked indestructible. There was a surprisingly small amount of debris in the intersection… my light was green… I couldn’t think of any reason not to… so I drove through and went to work.

So why did the car drive away like that? The accident was 100% the fault of the truck and it was a commercial vehicle – basically, insurance would buy the guy a new car.

I can only think of a few possibilities.

One, the car was stolen… but I don’t think that would happen at that hour of the morning.

The most probable reason was the driver had warrants and didn’t want to deal with the cops.

Or maybe the driver was a complete idiot and didn’t realize the rear of his car was smashed in like that (doesn’t make sense, I know).

All in all, a pretty strange thing to watch on a morning commute.

The Effort of the Frogs

We may know that the work we continue to put off doing will be bad. Worse, however, is the work we never do. A work that’s finished is at least finished. It may be poor, but it exists, like the miserable plant in the lone flowerpot of my neighbour who’s crippled. That plant is her happiness, and sometimes it’s even mine. What I write, bad as it is, may provide some hurt or sad soul a few moments of distraction from something worse. That’s enough for me, or it isn’t enough, but it serves some purpose, and so it is with all of life.
—-Fernando Pessoa, The Book of Disquiet

Frog Fountain, Dallas Arboretum

Day after day, the frogs threw out the water, tirelessly. Mostly for the amusement of children on hot summer days, the water still flowed on overcast afternoons when nobody was there to see it. Only on the rare forecast of freezing did the caretaker turn the brass valve that stopped the arching torrent. On those days, the frogs rested.

Trypophobia

Whenever we feel fear, it means we’re up against some kind of wall … on the other side of the wall is some kind of freedom.
—-Leo Babauta, A Guide to Fear Mastery

Lotus seed head, The Buddhist Center of Dallas – Watdallas

Does this photograph make you uneasy? Does your skin crawl?

Lookout, you might have Trypophobia… the mysterious “fear of holes”

I first heard of Trypophobia talking to a sculptor that I like and how the small holes in his work sometimes set off fear and revulsion in his wife. He even had a little monster head in a box named “Trypophobia.”

Of course, I had to do some web-searching and research. I discovered that the whole “fear of holes” thing is a product of the internet – a mental disease spread (and maybe caused) by people sharing images that made them uneasy. Sure enough, the more I looked at these things, the more uneasy I felt looking at them. I was acquiring my own fear of holes.

Luckily, I stopped looking and the unease went away.

There is some thought that Trypophobia is different than other phobias. The idea is that there is a natural reason behind the fear, that our ancestors had reasons to avoid animals that appeared this way — clusters of holes may cause fear because they share visual cues with animals or objects that humans learned to avoid as a matter of survival.

Is this true? Is Batman a Transvestite? Who knows.

It’s still sort of interesting, though.

from
Are You Afraid of Holes
Scientific American
By William Skaggs on March 1, 2014

In the early 2000s many Internet users bonded over their common aversion to pictures that showed clustered arrays of small holes, such as a beehive or even the popped bubbles on the uncooked top of a pancake. For almost a decade “trypophobia,” literally “fear of holes,” was nothing more than an Internet phenomenon, but finally researchers have found evidence of its validity and investigated its possible cause.

The story begins with the growth of online image sharing; soon many people realized they shared a revulsion that could reach the level of nausea to photographs of clusters of holes. The term “trypophobia” appears to have been coined by an unidentified Irish woman in a post on a Web forum in 2005. The idea went viral: self-identified trypophobics formed a Facebook group, created an eponymous Internet domain and posted informational YouTube videos. A Wikipedia article was repeatedly created and repeatedly deleted for lack of reliable sources.

Four years ago two psychologists at the University of Essex in England, Geoff Cole and Arnold Wilkins, decided to research the phenomenon. They showed a picture of a lotus seed head—anecdotally a potent trigger of the phobia—to 286 adults aged 18 to 55 years old. Eleven percent of men and 18 percent of women described the seed head as “uncomfortable or even repulsive to look at,” indicating a level of revulsion on par with phobia.

Cole and Wilkins theorized that the visual structure of the image causes at least part of the unease. They analyzed a set of aversion-inducing photographs and images of holes that did not trigger trypophobia and found that most of the disagreeable pictures shared an underlying mathematical structure that incorporates small, high-contrast features such as dots or stripes. This spectral pattern is seen in the skin coloration of many species of dangerous or poisonous animals; past studies have found that most people find this pattern uncomfortable to look at. Indeed, a variety of images taken from the Web site trypophobia.com produced discomfort in a group of 20 people who did not have the full-blown phobia.

Our Own Concept

“We never love anyone. What we love is the idea we have of someone. It’s our own concept—our own selves—that we love.”
—- Fernando Pessoa, The Book of Disquiet

Dallas Arboretum

John (thinking to himself) There is nothing to take a picture of around here, especially with this camera. I can’t believe she gave me this thing, it’s got a crop sensor, every pro I’ve read about uses a full frame. And it’s red! What real photographer uses a red camera? Black is so much more professional. All these flowers? Might as well be a tourist with an old IPhone. All those awful colors. A real photographer wants dark and gritty. That’s what’s cool now.

I can’t believe how much it cost to park at this place. We could have stayed home and watched house flipping shows. The weather is so bad, overcast and cold. Who wants to be outside on a terrible day like this.

Jane (thinking to herself) He hasn’t looked at me all day, really looked. I gave him that camera, worked overtime for months to save enough for it. You’d think he’d take a picture of me. I’m wearing my Uggs – he loves it when I wear my Uggs… at least when I wear only my Uggs. Maybe that’s it. And my red scarf, the one that my aunt knitted for me. Wouldn’t it go well with the colorful flowers?

The flowers are so beautiful, especially all the tulips. They remind me of home.

I had hoped this would be a special trip. All he wants to do is to watch other people fix up houses on the television. And the weather is so beautiful, no burning Texas sun and it’s nice and cool. Who can resist a day like today?

Gears

“How in the hell could a man enjoy being awakened at 8:30 a.m. by an alarm clock, leap out of bed, dress, force-feed, shit, piss, brush teeth and hair, and fight traffic to get to a place where essentially you made lots of money for somebody else and were asked to be grateful for the opportunity to do so? ”
—-Charles Bukowski, Factotum

Detail of Barbecue Trailer, Braindead Brewing, Deep Ellum, Dallas, Tx
(click to enlarge)

I was having a nightmare. It wasn’t a horrible nightmare – it wasn’t like I was battling with a giant Adenoid that was devouring London or anything like that – it was a simple nightmare of hopeless frustration, defeat and failure. To my horror, I sudden realized that it wasn’t a nightmare after all – that I had woken up hours before and was simply out and going through my normal day.

Tarts and Tadpoles

“Tarts and tadpoles!…The boy is still alive!”

—-L. Frank Baum, Rinkitink in Oz

Tadpole Pool, Dallas Arboretum

There are few things as fascinating as tadpoles in a jar.

The tail slowly shrinks as the legs – back first, then front – appear and grow.

Does the tadpole understand what is going on? It must be frightening… to wake up in the morning (do tadpoles sleep? do they dream wet tadpole dreams?) only to find fresh, unknown appendages growing out of their body. They have a wonderful fish-like life – their precious gills – until they turn into lungs. Do they understand how they are following the evolution of their ancestors?

Of course they don’t.

Do they imagine what might come next? Do they dream of growing wings? A tadpole, like everyone, must dream of flight. What a blow it must be when they realize that they are stuck with their legs, no matter how muscular and sinewy they feel and how high and graceful their leap.

These Villains Creep

These villains creep - Deep Ellum, Texas

These villains creep – Deep Ellum, Texas

“The possession of knowledge does not kill the sense of wonder and mystery. There is always more mystery.”
― Anaïs Nin

In this brave new world, this best of all possible worlds, I take the Internet to be the entire of all existence. I think that a reflection of everything is in the internet, somewhere. Obviously, I will never be able to prove myself wrong – but sometimes I can’t find what I’m looking for.

For example, I photographed this sticker stuck in Deep Ellum. It says, “These Villains Creep – TVC.” But I can’t find what this means.

The closest possibility that I could find is that it is a subversive ad for a local print shop – TVC One. But that doesn’t feel right.

Oh well, thank goodness for small mysteries.

Molten Glass Christmas Tree

One of my favorite events of the Holiday Season is the Cedars Open Studios Tour. The Cedars is a neighborhood of Dallas south of downtown and is an up-and-coming area. It still has some relatively low cost space and a lot of artists use the neighborhood as studio space (we’ll see how long this lasts – gentrification is a bitch).

In November, the studios open up on one evening for the Cedars Open Studios TourFacebook Link. It’s a fun event and a great way to get some unique Christmas Presents. I always do the tour with some friends on a bicycle, but I guess it would be OK to drive a vehicle, park, and walk. Look for it next year.

The final stop is always Bowman Art Glass (a way-cool place). They have a tree-shaped armature out front. After sunset, they do a skit or two, then, in the dark, the workers bring ladles of hot glass out from the ovens inside and pour the molten liquid over the armature. This makes a glass Christmas Tree.

Glass Christmas Tree at Bowman Art Glass, The Cedars, Texas

Glass Christmas Tree at Bowman Art Glass, The Cedars, Texas

There is always some wood and paper in the armature so the hot glass starts fires.

The only problem is that is is almost impossible to take good photos – the darkness and the contrast of the bright hot glass, plus the large crowd gathered around. But it is a blast and fun to watch. Next year… bet there or be square.

Pouring molten glass onto the Christmas Tree

Pouring molten glass onto the Christmas Tree

Serious Pizza

Cook throwing dough at Serious Pizza, Deep Ellum, Dallas, Texas

Cook throwing dough at Serious Pizza, Deep Ellum, Dallas, Texas

A while back I went on a photowalk with some other folks in Deep Ellum. It was sponsored by a national organization and there was a contest. I wasn’t really interested in entering and didn’t think about it – I was there for the fun.

As we walked around I stepped into Serious Pizza. There was a woman from the Photowalk already standing there, looking at the guy spinning pizza dough. I stood shoulder to shoulder to her as she raised her camera and clicked. About a minute later, I took the above shot.

I’m notoriously slow at processing my photographs and the other woman had hers up first. It was amazing how similar our photos came out, even though they were taken a minute apart (I think it was different dough, for example). She entered hers in the contest, and won first place nationally.

Which is cool with me, she did take her photo first and had it posted first. It is a nice shot – especially with the guy’s tattoo.

I love Deep Ellum, always have. I’ve been living in Dallas long enough now to see the area go up and down several times. I did a search on my laptop for the term “Deep Ellum” and found some entries from my old journal from back in the day.

This one is from an entry called “Monkeys in Space.” I wrote it in 2000, sixteen years ago. It refers to an event that happened fifteen years before that – in the mid eighties – thirty years of Deep Ellum.

The mid-eightes in Dallas were a time of alternative music and gritty nightclubs popping up in the nascent Deep Ellum district. Most of my life, I’ve felt out of step with the times, sometimes ahead, sometimes behind. For a little while in the mid-eighties, while I was in my late twenties, I guess I could be considered to have been fashionable. The Deep Ellum nightclubs were starting and I was among the first people to hang out in the old Video Bar, the original Club Clearview, Theater Gallery, and the Prophet Bar.

Like all the clubs, the Prophet Bar was a converted old brick industrial space. It had two rooms, a front bar with live music and a back room with a suspect kitchen. It was known for watered down drinks, hot music, and walls covered with wild surrealistic murals painted on commission by local artists.

One evening we were at the Prophet Bar for some live music but had arrived early and were sitting around the front room with a smattering of folks all sipping drinks and eyeing the fashions and the figures. They had a jukebox and I had a fistfull of quarters.

The selections were populated by the alternative hits of the day, Siouxie and the Banshees, Teardrop Explodes… but among these familiar tunes were a few songs that even I hadn’t heard of. Wild sounding bands with ridiculous song titles. The one I remember was a band called Monkeys in Space with a song on the jukebox that I can’t recall except that it was a sexually explicit title.

I said to my friend, “I’ve never heard of that band before. Look at that. I wonder what kind of music that could be?”

Of course I couldn’t resist. Thinking how cool and hip I was to play a song nobody had heard of I plunked down my coins and pushed the proper numbers and letters on the buttons – then walked back to the table with the whole bar looking at me.

The bastards that ran the club had thought up a pretty good joke. In the slot that they had earmarked for Monkeys in Space they actually put a copy of Tie a Yellow Ribbon ‘Round the Old Oak Tree, by Tony Orlando and Dawn. It’s hard to describe the horror of that song… that opening hook, those lyrics booming out in that place with the black clad clientele and colorful murals.

I curled up like a sprayed bug.

That incident always stuck in my head. Decades later, I was able to use the Tony Orlando and Dawn song for my own nefarious purposes.

But that’s a story for another day.

Over 99 Billion Served

Over 99 Billion Served - but no more.

Over 99 Billion Served – but no more.

There is a joke in Dallas… it goes like this, “Whenever you ask someone for directions, they always start ‘Get on Beltline…’.” And it’s true.

I live a handful of short blocks north of Beltline, so I know that endless loop well. Less than a mile to the West, on Beltline, of course, is was a McDonald’s. I have been in that place exactly once, when we first moved in, before our internet and water was hooked up. I went in there for coffee and wifi.

Now when my kids were little, we went to McDonald’s (and various other fast-food emporiums) all the time. Not for the food, per se, but for the ball pits and climbing tunnels. My kids were connoisseurs of fast-food ball pits. They would sit around at home discussing the comparative merits of all the local McDonald’s vs. Burger King. They would arrive at a decision and off we would go. When driving long distances they would spot a unique climbing structure out the speeding windows and we would have to stop. Candy would walk to another place, any place, and get food – she could not stand McDonald’s… no matter how fun the ball pit was.

But the kids had outgrown all that before we moved here. Shame, because that McDonald’s had a really nice climbing structure in a huge glass enclosure out front. (Google Maps Streetview from before the demolition). At any rate, I had no reason to go there and had only been there that once.

Still, though, I drove or biked past it at least twice a day for years and years and it had blended into the daily background of my life.

Then, one day, coming home from work, it was gone. There was nothing there except a pile of rubble.

Plastic tunnels and ball pit netting, bulldozed and torn asunder.

Plastic tunnels and ball pit netting, bulldozed and torn asunder.

It was a shock. There were the plastic tunnels all bulldozed and torn asunder. It was like finding a body in the yard – like someone you knew slightly had died. Of course, the neighborhood email list went into a frenzy of indignation and fear – nobody knew what had happened.

Of course, this is Dallas (or at least a suburb), and nothing is allowed to rest for long. The rubble was gone in a couple days and already, concrete is being poured. I assume it will be another McDonald’s – probably bigger and better.

But I bet the food will be the same.

There is another Dallas joke. “There are only two seasons in Dallas, Football and Construction.”