Red and White

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(click to enlarge)

The aliens of Altair Six developed an interstellar drive – but it required such immense amounts of energy that the probe sent through the time/space vortex could be no larger than a mote of dust and the temporal rift so unstable that only one blurry image could be sent back.

They had established Earth as a good candidate for life and the high priests had blessed the probe (they had long ago abandoned the difference between science and religion – both relied on faith) and were confident that if life existed on the distant rock, it would show up in the image.

They were right. The single image returned showed an ordered collection of what were undoubtedly life forms. But exactly what were they looking at? Why were the individuals on one side all bedecked in bright white, while the others shone blazing red?

The debate raged on Altair Six. The accepted theory is one of racism – the photo showed a border with the white-lighted denizens restricted on one side, the red on the other. There is obviously no mixing of the two races – the apartheid is complete.

Others believed the dichotomy was age-based. Noting that the white creatures shone brighter than the red, the theory was advanced that the red were larval forms, while the white were full-grown. It was thought that they were separated to keep the developed individuals from eating the fry.

One controversial idea, put forth by Professor Yo’rin Cake of the University of Vultur Volans that the objects in the image aren’t actually life forms, but some sort of dwelling. The color of the lighting, red or white, is merely a marker to help delineate different neighborhoods.

This was dismissed by the learned councils out of hand. It was considered impossible to have that many dwellings in the image without capturing any of the life forms themselves.

Still, the debate between these and many other factions, some completely ridiculous, others more studied and mainstream, continued and only grew in intensity and cacophony. In an attempt to find an answer to this question an enormous portion of Altair Six’s economy was dedicated to building a huge power facility and a corresponding time/space vortex generator. The plans were laid to send a larger probe with a better camera and more sensors to finally answer the mysteries of the rock called Earth.

Unfortunately, their reach exceeded their grasp and the interstellar probe complex broke down and exploded. It was a terrible planet-wide disaster and set the society back by millennia. They were reduced to a level of advancement only slightly higher than ours.

Hale’s Speed Shop

Wendy let me in I wanna be your friend
I want to guard your dreams and visions
Just wrap your legs round these velvet rims
And strap your hands across my engines
Together we could break this trap
Well run till we drop, baby we’ll never go back
Will you walk with me out on the wire
`cause baby Im just a scared and lonely rider
But I gotta know how it feels
I want to know if love is wild girl, I want to know if love is real
—-Springsteen, Born to Run

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Majestic Parking

“‘He thinks you need a lobotomy. He told me you’re obsessed by car parks.’”
—-J.G. Ballard, Super-Cannes

parking

“An immense peace seemed to preside over the shabby concrete and untended grass. The glass curtain-walling of the terminal buildings and the multi-storey car-parks behind them belonged to an enchanted domain.”
—-J.G. Ballard, Crash

“At the time he had found himself wishing that Catherine were with him — she would have liked the ziggurat hotels and apartment houses, and the vast, empty parking lots laid down by the planners years before any tourist would arrive to park their cars, like a city abandoned In advance of itself.”
—-J.G. Ballard, Concrete Island

“Wilder pressed on. “I know Charlotte has reservations about life here — the trouble with these places is that they’re not designed for children. The only open space turns out to be someone else’s car-park.”
—-J.G. Ballard, High-Rise

“The town centre consisted of little more than a supermarket and shopping mall, a multi-storey car-park and filling station. Shepperton, known to me only for its film studios, seemed to be the everywhere of suburbia, the paradigm of nowhere.”
—-J.G. Ballard, The Unlimited Dream Company

“The street lamps shone down on the empty car parks, yet there were no cars or people about, no one was playing the countless slot-machines in the stores and arcades.”
—-J.G. Ballard, Hello America

“Two vehicles occupied opposite corners of the car-park, breaking that companionable rule by which drivers arriving at an empty car-park place themselves alongside each other.”
—-J.G. Ballard, The Kindness of Women

“Acres of car parks stretched around me, areas for airline crews, security personnel, business travellers, an almost planetary expanse of waiting vehicles. They sat patiently in the caged pens as their drivers circled the world. Days lost for ever would expire until they dismounted from the courtesy buses and reclaimed their cars.”
—-J.G. Ballard, Millennium People

“I had left the Jensen in the multi-storey car park that dominated the town, a massive concrete edifice of ten canted floors more mysterious in its way than the Minotaur’s labyrinth at Knossos — where, a little perversely, my wife suggested we should spend our honeymoon.”
—-J.G. Ballard, Kingdom Come

“Thousands of inverted buildings hung from street level — car parks, underground cinemas, sub-basements and sub-sub-basements — which now provided tolerable shelter, sealed off from the ravaging wind by the collapsing structures above.”
—-J.G. Ballard, The Wind from Nowhere

“Already, without touching her, he knew intimately the repertory of her body, its anthology of junctions. His eyes turned to the multi-storey car park beside the apartment blocks above the beach. Its inclined floors contained an operating formula for their passage through consciousness.”
—-J.G. Ballard, The Atrocity Exhibition

Car Cooler

When I first saw one of these it was over forty years ago and although I was only, maybe ten years old, I remember it like it was yesterday. It was in the parking lot of the McDonald’s at Fourth and Walnut in Hutchinson, Kansas. There is still one there, but it looks completely different of course. In 1967, the place still was more of a shack with those giant yellow arches. I think its “sold” sign was still in the millions. Once, I saw a guy actually fetching a bag of real potatoes from an outbuilding to cut into fries.

That was a long time ago.

At any rate, there was a car in the parking lot with this galvanized steel contraption attached to its window. I looked at it closely, with the kind of curiosity only a nerdy ten-year-old boy has. It was a big metal tube, closed off at the back, with a coarse screen on the front, and a vent that went through the partially opened window into the interior of the car. I was able to guess its purpose, though it seemed pretty odd.

My father confirmed that it was a crude air-conditioner. You dumped a five pound bag of ice into the tube and when you drove, the air was forced over the ice and into the car. Ordinary air-conditioning was still rare in automobiles, but I have no idea how common this sort of contraption was.

So now I see another one, sort of, at a car show. This one is not as crude as the one in my memory (I’m pretty sure that one was home-made) and, instead of ice, it’s an evaporative cooler – better known in these parts as a swamp cooler. It’s known as a Car Cooler or a Thermador.

Maybe that’s how the one in my memory worked… but I seem to remember a place for ice. No matter, neither one would really work very well. I think I’ll stick with Freon.

Car Cooler

Car Cooler

Nose Art

A screaming comes across the sky. It has happened before, but there is nothing to compare it to now.

It is too late.
—-Thomas Pynchon, Gravity’s Rainbow, opening lines.

Machine gun and pinup girl

Machine gun and pinup girl

The doomed flyboys of WWII painted pinup girls on the noses of their B-17s cementing the fusion of sex and bombs, of beautiful women and annihilation from the sky, of danger and love, of longing and luck, of desire and death.

Image from Wikipedia.

Image from Wikipedia.

This is the (arguably) most famous of all, the “Memphis Belle.”

I give you a reproduction, a homage if you will – painted on a restored old car, a “Rat Rod” – complete with fake machine guns mounted over the exhaust headers.

Rat Rod - Car Show, Deep Ellum, Dallas, Texas

Rat Rod – Car Show, Deep Ellum, Dallas, Texas

Sex and power and death and speed, beauty and doom, lust and destruction – a potent cocktail that tastes like licorice and smells like gasoline.

Pinstriping

“I have an idea that the only thing which makes it possible to regard this world we live in without disgust is the beauty which now and then men create out of the chaos. The pictures they paint, the music they compose, the books they write, and the lives they lead. Of all these the richest in beauty is the beautiful life. That is the perfect work of art.”
—- W. Somerset Maugham, The Painted Veil

Pinstriper at work, Deep Ellum, Dallas, Texas (click to enlarge)

Pinstriper at work, Deep Ellum, Dallas, Texas
(click to enlarge)

To watch someone do something like this is like watching someone doing magic – real magic. I can’t imagine having the eye, the dexterity, most of all the ability to shut everything out of mind other than the brush, the fender, and the paint. Notice how he has the two colors of paint he is using in daubs on his index finger – he picks up what he needs and brushes it in place. It is completely freehand – no masking tape, no guide lines, not even a design done ahead of time.

Yet the result is perfect. It is smooth, faultless, and symmetrical – even though it is applied to a complex curve on a rusty Volkswagen Beetle fender. The sun was beating down – it was about 104 degrees. It was so hot, I could barely think straight.

“I hate to paint portraits! I hope never to paint another portrait in my life…. Portraiture may be all right for a man in his you th, but after forty I believe that manual dexterity deserts one, and, besides, the colour-sense is less acute. Youth can better stand the exactions of a personal kind that are inseparable from portraiture. I have had enough of it”
—- John Singer Sargent

An Object of Beauty

“Advertising has us chasing cars and clothes. working jobs we hate, so we can buy shit we don’t need.”
― Chuck Palahniuk, Fight Club

I have never been a car guy. I am interested in three things in an automobile. One, that it start. Two, that it get to where I want it to go without falling apart. And Three, since I live in Texas, well, air conditioning is important.

Other than that…

On the other hand, this is, without a doubt, a thing of great beauty.

Invasion Car Show Deep Ellum, Dallas, Texas (click to enlarge)

Invasion Car Show
Deep Ellum, Dallas, Texas
(click to enlarge)

Quick! Hang a right…Cut over to G Street. I just saw a vision! I saw a goddess. Come on, you’ve got to catch up to her… This was the most perfect, dazzling creature I’ve ever seen… She spoke to me. She spoke to me right through the window. I think she said, ‘I love you.’ That means nothing to you people? You have no romance, no soul? She – someone wants me. Someone roaming the streets wants me! Will you turn the corner?
—-Curt Henderson, American Graffiti

This is the American dream forged in steel and covered in gloss. The curves, the mass, and the speed. Conceived in that back seat would be the only way to properly start out a real life. It’s painted the color of Angel’s blood and polished until the objects that appear in its coat are more real than life.

And that’s what it looks like standing still. Think of the throaty roar of the engine – the smell of the exhaust – the blare of the radio (I still don’t think digital music sounds right in a car – nothing since the quadraphonic eight track has).

I was looking at this car and a cop walked up, stood beside me, and said, “That is a beautiful car.”
“It sure is,” I replied.

I guess I should have made a note of its make and year, maybe the person or garage that restored it… but I didn’t. I usually do that sort of thing, but I guess I wanted that car to exist simply as it is, as a vision of metal, rubber, glass, and paint – not as an object with a history that was created from nothing by the mind and sweat of men.

Drivers Wanted
Volkswagen

The power of Dreams
Honda

Everything We Do is Driven By You
Ford

Never Follow
Audi

Porsche, There is No Substitute
Porsche

Engineered to move the human spirit
Mercedes-Benz

Born to perform
Jaguar

Baseball, hot dogs, apple pie and Chevrolet
Chevrolet

Sheer driving pleasure.
BMW

Don’t dream it. Drive it.
Jaguar

The Penalty of Leadership
Cadillac

Zoom, Zoom, Zoom
Mazda

The Relentless Pursuit of Perfection
Lexus

Cadillac Ranch

Well there she sits buddy just a-gleaming in the sun
There to greet a working man when his day is done
I’m gonna pack my pa and I’m gonna pack my aunt
I’m gonna take them down to the Cadillac Ranch
Eldorado fins, whitewalls and skirts
Rides just like a little bit of heaven here on earth
Well buddy when I die throw my body in the back
And drive me to the junkyard in my Cadillac
—Bruce Springsteen, Cadillac Ranch

Cadillac Ranch, is west of Amarillo, Texas. I’ve stopped there a few times, mostly on the way back home from Santa Fe. It is an odd place – a modern American Icon of the New West.

Dallas Art Park, Deep Ellum, Dallas, Texas

Dallas Art Park, Deep Ellum, Dallas, Texas

Cadillac Ranch, West of Amarillo, Texas

Cadillac Ranch, West of Amarillo, Texas

Googlemap View

Cadillac Ranch

A crude little sketch I did in watercolor pencil on a postcard at the Cadillac Ranch west of Amarillo.

Cadillac Ranch - Old Guys Rule

Old Guys Rule

Cadillac Ranch

Cadillac Ranch

Fender Bender

Sometimes I sit up in the darkness
And I watch my baby as she sleeps
Then I climb in bed and I hold her tight
I just lay there awake in the middle of the night
Thinking ’bout the wreck on the highway
—-Bruce Springsteen, Wreck on the Highway

I was driving home from the library after having dropped off a stack – the traffic was heavy and jittery in a late rush-hour need to get home right now way. Everyone was driving faster than they should. This is on a neighborhood artery – Arapaho Road – six lanes, lots of stoplights, lots of in-and-out. I’ve seen too many fender benders in this sort of tumult so I took a deep breath, slowed down, and kept my eyes open.

I could see a clot of cars ahead of me forming around the railroad tracks. Behind me, I saw a car coming up fast, winding between the commuters, swerving between lanes. It was an ordinary ambiguous American sedan, some unidentifiable dark color, with a long dent, more like a big scrape, all down the left side. I could see the driver’s smooth round head sticking up – at first I thought they must be very short but I realized they were simply reclined, sitting back, one hand idly resting on the wheel. I noticed the nonchalant aggression of the driving, the macho languid position of the driver, and the evidence of past indiscretions and said to myself, “This person is about to have an accident.”

They pulled up to within inches of my rear bumper and as I touched my brakes to prepare for the stopped traffic ahead the car immediately swung to the right into the parking lane and used it to dash if front of me. I slowed down some more and watched as the car darted back into traffic right in front of me and immediately smashed into the halted cars.

There is the ubiquitous sound of accidents. The sudden screech of brakes, the squeal of rubber sliding on concrete. Then a fateful  BANG! – a concussion wave that pushes against your head and drills into your ears. That is the crossing point when you know an accident, not a near-miss, has actually occurred. The irrevocable forces of chaos and entropy have been unleashed. After that the sound of rending metal as all three of Newton’s Laws of Motion work together to run up huge bills at the body shop. Finally, the tinkling coda as glass falls and shatters onto the unforgiving concrete.

I watched the crumpling as the rear of the car rose and then fell back. The trunk of the car in front flew open, forced straight up like a huge metal surrender flag. It wasn’t that bad of an accident, nothing more than the usual fender bender, thousands happen every day, but it is always such a shame. I’m not a car person, but when I see something like this I always think of the thousands of hours that went in to building the car and the tens of thousands of hours spent working to pay off a car loan. There is that beam of pride smile when someone shows off their new ride.

All torn asunder in a moment of testosterone.

A few years ago I was driving back home from the gym with Nick and Lee in the car. We were coming up Skillman and getting ready to cross the LBJ 635 Interstate. That’s a nasty little intersection, with a half-dozen busy roads all coming together in a confusing, curving snarl. Now that I think about it, it was the same time of day – late, evening starting to set in, not dark yet, everybody tired and in a hurry. Coming up to the light at the frontage road I saw that the green light was beginning to get the slightest hint of yellow. Looking ahead, I saw someone coming the other way in the left turn lane. He was accelerating, obviously going to try and cut me off, run the left turn in front of me before the light turned red. I’m not going to play chicken with my car so I started to brake.

Looking in my rear view mirror I saw a custom souped-up compact speeding up right on my tail. I could read his mind, “Oh shit! don’t tell me that asshole in the crappy mini-van is going to stop on that yellow light. I have places to be, I’m not going to wait.” I knew he was going to dart around me and run the light.

I think Nick had just picked up his learner’s permit and Lee was only a year behind. I told them, “Hey, watch this, there is about to be a car wreck.” They perked up, looking a little confused.

The car behind me roared as his glass-packs spewed exhaust when he stomped the accelerator and squealed around me. Meanwhile, the other car made his left turn toward the frontage road.

It was only a glancing blow. A quick POP! and a grind as the two scraped past each other. But the car from behind me lost his front right tire and careened in a quick curve until he smacked the bridge wall pretty hard. His car climbed the concrete and if it hadn’t hung up on the steel guard rail that ran a foot above the top of the wall he probably would have hurtled over and fallen into the eight lanes of heavy Interstate traffic screaming by thirty feet below.

Nick and Lee were flabbergasted. I glanced – their mouths were hanging open.

“How did you know that was going to happen?” they both said.

I did my fatherly duty and explained how important it is to pay very close attention to what is going on, to always check your mirrors, and to not be too aggressive or too fast.I don’t drive through that intersection very often but when I do I always make note of the bent guard rail about a third of the way across the bridge.

I’m afraid I didn’t stop in either case. I do feel bad about that, I kept on driving like nothing had happened. It was obvious that nobody was hurt – and there were plenty of others around that would be more than willing to get involved in a minor traffic brouhaha.

Plus, I may be going slow, but I have places to be too.

Today, I have to go to work. I hate slaving through the weekend. While I’m there, you can enjoy this video:

http://www.youtube.com/watch?v=NPiUrtbRsbE