Decorated Dumpsters

Why is the dumpster decorated? Who is that in the photo?

Design District Dallas, Texas

Design District
Dallas, Texas
(click to enlarge)

Art is where you find it.

You will never see stuff like this from a car (is that a good thing? maybe) – you are moving too fast and, hopefully, looking where you are going. On a bicycle you move slow (but, unlike walking, you can cover quite a bit of area) enough to see around, to notice things, and to stop and smell the dumpsters whenever you feel like it.

If you look on google maps street view, the dumpsters are there, but they aren’t decorated.

It’s right around the corner from the Faded Sign from the other day.

BTW, that Faded Sign – it wasn’t hard to figure out – it actually says, “Grandale Galleries”

Design District, Dallas, Texas (click to enlarge)

Grandale
(click to enlarge)

Galleries

Galleries

Grandale Galleries Warehouse is a recently defunct discount furniture store… as best as I can figure out.

Ad Astra

Northpark Center, Dallas, Texas (click to enlarge)

Northpark Center, Dallas, Texas
(click to enlarge)

Mark di Suvero
Ad Astra, 2005
Painted Steel
48 x 25 feet

Other works by di Suvero in the Dallas area – Proverb and Ave

Pamela Nelson and Robert A. Wilson
Color Equations, 2007
4′ x4′ Placards (aluminum with glossy vinyl Surface

I took the train to the Park Lane station and walked across Central Expressway to Northpark Center to look at one of the Nasher Xchange sculptures there. To walk to Northpark is a subversive act in itself. It is the epitome of car culture, of consumer culture, of upper crust shopping culture.

I felt like I was an alien, a barbarian spy infiltrating a pecunious fortress.

Of course Northpark is more than a mere shopping experience. It is the heart of Raymond Nasher’s real estate empire and the main source of the funds he used to build his incredible collection of sculpture and his museums, including Dallas’s Nasher Sculpture Center. There are some incredible artworks installed in the mall.

So I had to walk around and look at them. It is a very odd and unique setting for some amazing art. To be there looking at sculpture and not toting little bags with designer names or logos on them…. it was surreal.

Ad Astra, Mark di Suvero Northpark Center Dallas, Texas

Ad Astra, Mark di Suvero
Northpark Center
Dallas, Texas

Ad Astra, Mark di Suvero Northpark Center Dallas, Texas (click to enlarge)

Ad Astra, Mark di Suvero
Northpark Center
Dallas, Texas
(click to enlarge)

Faded Sign

I an old man,
A dull head among windy spaces.

Signs are taken for wonders. “We would see a sign”:
The word within a word, unable to speak a word,
Swaddled with darkness.

—-from Gerontion, by T.S. Eliot

Design District, Dallas, Texas (click to enlarge)

Design District,
Dallas, Texas
(click to enlarge)

There was a sign here once, on this very wall. I’m sure I must have seen it long ago when I passed this way before, when it was here, when it was whole, when it was relevant… to something. But what was it? What did it mean? Why is it gone now?

What terrible disaster befell the owners of the sign? It might have been a sudden death, an unexpected and unprepared tragedy. Most likely though, it was a slow dissolution over time, a deliberate failing covering decades, sluggish yet inexorable. Like the frog in cool water I imagine the involved never really felt the change, the lazily rising boil, an unseen poach of doom. Or maybe they felt a shadow of cataclysm, a hidden fear, dismissed as paranoia or lack of confidence, or deliberately ignored out of a fearful inability to face the inevitable.

Was it a proud name? A bit of art? Bright colors? A splash of neon phosphorescence? Clever typography?

It doesn’t matter, really. What is gone is gone. Dust is dust.

What you see now is all there is: cracked plaster, empty mounting holes circled with spall, streaks of rust stain on dusty stucco. The cold wind howls by.

Some might look at the bright side – maybe the missing sign is simply an indication that success was so sudden and bountiful the denizens were able to depart for greener shores.

I doubt it, though. This looks like a place that you visit on the way down, not heavenward.

The remains hint at letters, but are indecipherable. The past does not fit well with literacy. Entropy is not lucid.

Then I am on my way again. Maybe some day another sign will grace the wall.

Or at least a fresh coat of paint.

Poppies from the back

Poppies, by W. Stanley Proctor Liberty Plaza Farmer's Branch, Texas (click to enlarge)

Poppies, by W. Stanley Proctor
Liberty Plaza
Farmer’s Branch, Texas
(click to enlarge)

I was riding the DART Green line that runs out from Downtown Dallas Northwest, roughly following I35, and had a nice window seat. I was looking out at an area I don’t get to visit very often, looking for something… anything… interesting. Of course, one thing I always look for is public sculpture.

It was only a quick glimpse and I wasn’t sure what I saw. It looked like a nice little park with a nice little concrete walking trail around it. On the side facing the train tracks it looked like a sculpture, but I couldn’t be sure. Made of dark bronze metal, it spread out in a triangular shape, almost like a draped fabric.

In the split second I had, it almost looked like Batman sitting on a bench.

Since I didn’t know where I was, I memorized the next cross street and then looked it up on Google Maps. It was a new Farmer’s Branch park called Liberty Plaza.

I made a note.

The other day I was in the area for something else and decided to swing by and to get a closer look at what I had seen. I wondered if I had imagined the whole thing.

I wasn’t too far wrong. It was a sculpture called Poppies, by W. Stanley Proctor. It was not Batman, but a World War Two veteran. He had a long flowing coat and I had seen it from behind.

I have always been interested in art that looks completely different from a different direction. The classic example is the San Francisco de Asis Church in Taos, New Mexico – made famous by Georgia O’keeffe. I’ll never forget visiting it – I was surprised at how cool it looked from the front.

Front
Back

Mending Postboxes

Design District, Dallas, Texas (click to enlarge)

Design District,
Dallas, Texas
(click to enlarge)

Something there is that doesn’t love a postman,
That sends the cardinal steel twisting willy nilly.
And spills the upper hemicycle lines akimbo,
And makes the lid lean for two arms too bent.
The work of welders is another thing:
I have come after them and tried to make repair,
To find their fiery alchemy is too staunch,
Where they have left not one steel plate on plate,
But they would have the parcels and pouches out of hiding, exposed to the rain and sleet.
To please the yelping dogs.

And all know dogs don’t love a postman.

I think I’ll send an email.