That’s part of what motivated Cherry and company to conduct what they call the nation’s first “empirical analysis of rail-grade crossings and single-bicycle crashes.” To them, the problem wasn’t with the cyclists. It was with the roadway design and the fact nobody knows, scientifically speaking, the best way to bike over railroad tracks.

This footage is amazing and very, very hard to watch. It is beyond my imagination that a city could put in a dedicated bike lane that includes a railroad crossing at an angle of less than 30 degrees, and then take so long to try and correct it. Imagine someone building a road that wrecks a good percentage of the cars that drove on it. It would be on the national news.

Nobody gives a damn.

In music, as in film, we have reached a point where every element of every composition can be fully produced and automated by computers. This is a breakthrough that allows producers with little or no musical training the ability to rapidly turn out hits. It also allows talented musicians without access to expensive equipment to record their music with little more than their laptops. But the ease of digital recording technology has encouraged producers, musicians, and engineers at all levels to smooth out every rough edge and correct every mistake, even in recordings of real humans playing old-fashioned analogue instruments. After all, if you could make the drummer play in perfect time every measure, the singer hit every note on key, or the guitarist play every note perfectly, why wouldn’t you?

One answer comes in a succinct quotation from Brian Eno’s Oblique Strategies, which Ted Mills referenced in a recent post here on Miles Davis: “Honor Your Mistakes as a Hidden Intention.” (The advice is similar to that Davis gave to Herbie Hancock, “There are no mistakes, just chances to improvise.”) In the short clip at the top, Eno elaborates in the context of digital production, saying “the temptation of the technology is to smooth everything out.”

The man is a genius.

Munich, Germany resident Benjamin David hated sitting in traffic on his way to his job at a beer garden. So instead of hopping in a car or on a bike, he now puts on a wetsuit and jumps into the River Isar for his daily commute.

This guy is my new hero – I whine so much about riding my bike to work… and this guy swims.

Not only that, but he works in a Munich beer garden.

I moved to Dallas in 1981 – the restaurants I fondly remember from that time that are still open include Campisi’s, The Grape, Spaghetti Warehouse, and, especially, Snuffer’s.

In this blog, the author sets out to ride every street in Kansas City. What an interesting quest. I don’t think it would be possible to ride every street in Dallas, but it would be fairly straightforward to ride all the residential streets in Richardson. Something to think about.

Returning to the American cultural values of the 1950s — thrift, gratitude, temperance, continence, among others — would “significantly reduce society’s pathologies,” says Penn Law School professor Amy Wax in an op-ed published Thursday on Philly.com and co-written with Larry Alexander of the University of San Diego School of Law.

This very interesting and needed op-ed will either create a shit-storm of argument… or, more likely, be completely ignored.

Penn Prof Faces Backlash for Saying “Not All Cultures Are Created Equal

This week’s short film….