What I learned this week, March 22, 2013


Burgers and Beer

Smashburger and Deep Ellum Brewing Co Pairing Menu


Turandot at the Death Star


Creates Device that Harvests Energy From Air



The 8 Most Incredible Stop-Motion Animation Music Videos From The Past Decade


A Dictionary of Similes


Crunchiness

Crunchiness brings wealth. Wealth leads to sogginess. Sogginess brings poverty. Poverty creates crunchiness. From this immutable cycle we know that to hang on to wealth, you must keep things crunchy.


 

Video: Making a 10,000-Year Clock

Painted Steel Menagerie

Cottonwood Art Festival, Richardson, Texas

The tree which moves some to tears of joy is in the eyes of others only a green thing that stands in the way. Some see nature all ridicule and deformity… and some scarce see nature at all. But to the eyes of the man of imagination, nature is imagination itself.

—-William Blake

Spider

“There are spiders living comfortably in my house while the wind howls outside. They aren’t bothering anybody. If I were a fly, I’d have second thoughts, but I’m not, so I don’t.”
― Richard Brautigan, The Tokyo-Montana Express

Louise Bourgeois, Spider

The Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art

spide_w
(Click for full size version on Flickr)

“Spider venom comes in many forms. It can often take a long while to discover the full effects of the bite. Naturalists have pondered this for years: there are spiders whose bite can cause the place bitten to rot and to die, sometimes more than a year after it was bitten. As to why spiders do this, the answer is simple. It’s because spiders think this is funny, and they don’t want you ever to forget them.”
― Neil Gaiman, Anansi Boys

“There was less than I’d expected in the rainy-day fund that Mom had kept in the bottom of an underwear drawer in a panty hose egg labeled ‘DEAD SPIDERS.’ As if I hadn’t always known it was there. As if I wouldn’t want to look at dead spiders.”
― Adam Rex

Curves of Metal

The Dallas Piece, Dallas City Hall Plaza
Henry Moore
1978

curve

“How important can it be that I suffer and think? My presence in this world will disturb a few tranquil lives and will unsettle the unconscious and pleasant naiveté of others. Although I feel that my tragedy is the greatest in history—greater than the fall of empires—I am nevertheless aware of my total insignificance. I am absolutely persuaded that I am nothing in this universe; yet I feel that mine is the only real existence.”
― Emil Cioran, On the Heights of Despair

curve2

Egg

 
Near the Lover’s Lane DART station, Dallas, TX
 

egg

“If there is a hard, high wall and an egg that breaks against it, no matter how right the wall or how wrong the egg, I will stand on the side of the egg. Why? Because each of us is an egg, a unique soul enclosed in a fragile egg. Each of us is confronting a high wall. The high wall is the system which forces us to do the things we would not ordinarily see fit to do as individuals . . . We are all human beings, individuals, fragile eggs. We have no hope against the wall: it’s too high, too dark, too cold. To fight the wall, we must join our souls together for warmth, strength. We must not let the system control us — create who we are. It is we who created the system. (Jerusalem Prize acceptance speech, JERUSALEM POST, Feb. 15, 2009)”
― Haruki Murakami

egg1

It’s Not Easy Being Green

DART rail station, Dallas Texas, on the way to the St. Patrick’s Day Parade

St. Patrick's Day

Saint Patrick’s Day

I wasn’t going to the parade... or any other drunken St. Patrick’s day stuff. I wanted to go downtown to meet my friends at Klyde Warren Park for a Writer’s Marathon downtown in the Art Museum. My intention was to ride the DART train downtown with my bicycle and then ride home (with the strong south wind at my back) afterward.

There would be big crowds though, so I intended to go early. Unfortunately, I had a late night, so I didn’t get up and around on time and didn’t leave the house until eight thirty AM or so. To save time, I decided to drive to a train station instead of leaving home on my bike. When I pulled into the Forest Lane Dart Station (the Cottonwood bike trail goes through there, so I could ride back) I saw the parking lot almost full and a thick crowd up on the elevated platform. Most of them were hauling coolers, bags of food, and folding chairs So I knew I wouldn’t be able to get on that train with my bike.

I walked up there, a little disappointed, and waited in line at the ticket machines to get my day transit pass. It took forever – the folks in front of me were not experienced train riders and they had a terrible time figuring out the ticket machines… plus a lot of them seemed to be drinking already, at nine-thirty in the morning. When I finally had my pass in hand (I checked, it took me less than thirty seconds to buy mine) I waited in the growing crowd for a train.

The next two trains came through the station and when the doors opened we were presented with the hellish vision of a compressed cube of green covered humanity. The cars were literally packed full. Not a single person from our station could get on the trains.

So I bailed. There was surprisingly little traffic on the highway and I was able to get down to one of my “secret” free parking spots in Deep Ellum. I could ride my bike over to Klyde Warren from there – won’t be able to get very many miles of exercise in and I’d have to make sure and get back to my car by sundown (I didn’t want to risk these streets after dark on a bicycle with all the celebrants driving).

Now, next year I want to go to the parade with my good camera. I am disappointed that I wasn’t at the opening door on the DART train with my camera ready – that was quite something to look at.

A Well Muscled Aztec Warrior

I remember, once upon a time, a long time ago, in a galaxy far, far away, having a conversation with a cow-orker about art. We were in a bullpen-style office, during a break, and talking about buying artworks, where to find affordable paintings, if affordable, original art was worth the cost for poor workin’ stiffs like us or if we were better off with prints or reproductions… that sort of thing.

All of a sudden, a voice broke in. It was from another worker, one that we never thought would be interested in the subject. He was a good guy, bright enough, but not from the city. You can take the boy out of the backwoods, but you can’t take the backwoods out of the boy. His voice was slightly garbled from the giant chaw of tobacco he had stuck in his lower lip.

He said, “Oh, I just bought an original painting, myself.”

We were a little stunned at this admission. After a few seconds, I regained my composure and asked, “Oh, what did you buy?”

He said, “A painting of a well muscled Aztec warrior on black velvet.”

Not that I have anything against black velvet paintings, but at that time I didn’t really consider them art.

In the intervening decades between who I was then and who I am now… I have changed my mind.

Graffiti in Deep Ellum. This warrior is nothing if not well-muscled... plus he is carrying off his prize of war.

Graffiti in Deep Ellum. This warrior is nothing if not well-muscled… plus he is carrying off his prize of war.

What I learned this week, March 15, 2013


The Strangest Beers in America


25 Ways to Use Sriracha

25 New Ways to Use Sriracha


train_animate

Brookville Awarded Contract to Manufacture First American Designed and Produced Off-Wire Capable Modern Streetcars for City of Dallas

petunia3


A List of Dreadful Phrases


What Are Some Strategies for Winning “Rock Paper Scissors”?


Bogus Grammar Errors You Don’t Have To Worry About


belmont9

The 24 Best David Bowie Songs


Perhaps security at DFW airport gets a little lax in the the middle of the night.


9 Ways to Upgrade Your Instant Ramen


12 Great Performances by Non-Professional Actors


From Esquire – a beautiful woman has a funny joke for you.


The Fifteen Worst Make Out Records Ever


Artist Re-Imagines Great Albums as Book Covers


Una Battaglia – Friday Snippet

Una Battaglia (A Battle) – Arnaldo Pomodoro

The Sydney and Walda Besthoff Sculpture Garden – New Orleans Museum of Art

.

city

R’leigh and Sansom started their climb in the pitch black pre-dawn darkness. The lights mounted on their helmets cast yellow ovals that would dim after every few minutes. Then they had to pull them off and crank the little handles in the dark for a new charge. R’leigh would shiver as she felt the cool air off the vastness beyond the cliff blowing her hair and the tension in the unseen ropes holding her to the metal pins Sansom hammered into cracks in the rock while she worked at the generator built into her helmet light.

It seemed like forever, but they had moved about a third of the way on their way to the top when the sky began to glow salmon through the thick clouds. The rising sun itself was hidden but the faint glow of dawn was replaced by the slate-gray light of every day under the globe-girdling smoke cloud that had choked the earth from times before R’leigh was born. At least they could climb without the headlights and R’leigh rested against the rough granite while Sansom pulled their heavy equipment up from the base of the cliff far below. He then reeled in all the extra rope – now that they could be seen, they could not be reached.

The day settled in to a long, exhausting routine of Sansom pounding in pins above, then the two of them moving up in turns, each belaying the other in case one fell, then Sansom pulling up the equipment over the height they had gained.

While R’leigh braced herself safe and still and watched Sansom work she thought of a time three years ago, not long after they had started planning and training for this day. The two of them were on a school outing to a rare grove of trees preserved in a museum on the 598 level. The museum had done its best to duplicate at least a piece of a real forest, distributing the trees in a thick, random pattern over a rolling hill – artificial light streamed down from a ceiling painted an unreal blue.

The teachers had let the students wander around in the trees and told them to try and imagine a time when forests like this covered a large part of the earth – they went on for thousands of miles. R’leigh found that hard to believe and didn’t really understand what the big deal was – but Sansom pulled her into the center of the cluster of trees and then down a little gully away from the crest of the hill. There the grove was at its thickest.

He spent some time looking carefully up and around, until he had satisfied himself that they were hidden from the handful of cameras set up to keep an eye on the precious trees. He had already begun his secret training and was quickly becoming an expert on avoiding the surveillance. Looking straight at R’leigh, he slipped a hand into his jacket and pulled out a small, silver object which unfolded in the center.

“A pocketknife,” he said quietly. “The cell, we all made these out of scraps of cooling duct.”

He turned and moved the knife quickly and surely across the surface of the tree, slicing the bark in confident, sharp lines. R’leigh saw liquid welling up in the cut lines. She didn’t know that trees would bleed. Instead of red blood, though, the sap oozed out in a series of little clear globs, strings of sparkling jewels like a living necklace along the lines that Sansom was carving. The air quickly filled with a sharp smell – the life of the tree leaking into the air. She was so intrigued by the crystal-like sap she didn’t even notice what he was cutting out.

Before she realized what he was doing, he stopped, then stood back and, with a self-satisfied smirk, gestured as his work. He had carved the simple outline of a heart with the initials, SS + RL inscribed within.

“Look quick, hard and close, I want you to remember this. But we need to go before they find us and see what I’ve done.”

R’leigh felt her pulse quicken and she let out a gasp. The risk he was taking; they would scrub the both of them if they were caught damaging anything as precious at that tree. She allowed herself five seconds to memorize the heart, the letters, and the gleaming jewels of sap until it was burned in her mind forever. In the three years since, she had been tempted to return to the museum and the grove of trees and see if the design was still there but neither of them dared – they might be watching to see who comes back.

Her reverie ended when Sansom jerked on the rope and it was time to continue moving upwards. She allowed herself a second to look out over the landscape that was opening up beneath and around them. They were high enough now, almost to the top of the spire, that they could see a vast panorama of dead twisted gray rock reaching up from endless beds of sterile gravel. This was the world that they lived in.

Within another hour they reached the flat top of the rock spire. It had taken half a day of climbing. Their years of training in every spare hour had paid off – her arms were tired but she had enough energy to feel excitement at their accomplishment. Sansom disappeared over the edge above her, and then his head reappeared as he reached down to help her up and over. Then the two of them worked together to pull and wrestle the equipment bags over the edge and spread them out away from the sheer cliff edge that they had just climbed.

Only when the equipment was safe did they walk the few steps to the opposite side of the rock cap and look out at the city. It had been hidden from them by the bulk of the spire while they climbed the opposite side, as the rock had hidden them from the watchers on the high walls. R’leigh had, of course, never seen the city from this vantage point and she gasped at its size and beauty.

The city was made up of two parts. Down below, was the huge and squat old city – burned, torn, and rendered from the war. Enormous hunks had been blasted away from the sloped sides of the square bunker shaped edifice. Great cracks wandered over what was left behind, though they could see the ugly patches that had been applied to keep the remains from crumbling apart.

Above this wreck rose the high shining rectangular tower of the new city. Built after the war on the remains of the old, this gleaming monolith reached upwards beyond the height of even the tallest rock spire which they had climbed, still being built as floors were added to the unseen top.

R’leigh and Sansom set to work quickly, unloading the equipment bags and assembling the heavy tripod first. They had practiced this many times and R’leigh found herself stealing looks at the immense and distant city as they worked; her arms and hands moving with familiarity over the tubing and fasteners almost without her conscious knowledge.

She realized she loved the city. It had been her home her entire life and she could count on one hand how many times she had been outside that gleaming tower before today. Inside, a person could not understand or comprehend its size and simple beauty. It took her breath away to see it like this – she found herself staring at it every second, even taking her eyes off Sansom as he worked alongside her, something she rarely ever did.

Soon, the tripod was complete and using the ropes they had climbed with and a pair of long, strong poles assembled from sections in the equipment bags the two of them lifted and levered the heavy tube onto the tripod and fastened it firmly in place.

R’leigh stepped back while Sansom tightened up all the bolts and began final adjustments of the apparatus. There, in front of her were both Sansom, sweating with effort and concentration while he worked, and in the distance beyond, the lustrous metallic surface of the city. R’leaih’s heart began to race, both at the excitement of what they were about to do and with the sheer beauty of the scene.

She loved what she was looking at, but she thirsted for destruction, and after years of careful planning and preparation, she was about to drink. Sansom had finished and he came back to where she was standing, holding a small metal box trailing a fine wire that spooled out of the apparatus.

He placed his arm around R’leigh’s shoulders and looked like he was trying to think of what to say.

“There’s nothing to say,” said R’leigh, “we’re ready now, it’s time for the completion of all our work.”

“My love, here, push the button,” Sansom said as he handed her the box. It had only a small red circle on one face.

“Are you sure?” she asked.

“Absolutely.”

And with that she pressed the red circle. Immediately the rocket ignited and with a flash and a roar loud enough to make them jump it moved out, surprisingly slowly at first, but gathering speed at a frightening pace. The small rocket soon disappeared in the distance but the mane of black smoke showed its progress as it arced up into the gray sky and unerringly flew into the city.

Within a few minutes it had jumped the long gap between their rock spire and the gleaming city and struck right where it was intended, about a third of the way up along the huge structure. Its initial strike was not much more than a pinprick but the missile was designed to penetrate the skin of the structure and explode within.

The small but efficiently powerful fusion device in the rockets nose cone exploded inside the city and the entire edifice began to shake. Huge cracks appeared in its carefully polished surface, glowing with orange fire as the reaction began wreaking its destruction. The city was now tearing itself apart from the inside, mortally injured by the power of the tiny missile which had started a chain reaction which doomed the gigantic edifice. It took several minutes for the sound to reach them, but the massive explosions would shake the very stone that they were standing on.

R’leigh and Sansom stood together, their arms wrapped around each other as they swayed slightly back and forth, watching the beauty of what they had done.