New Orleans – an Alternative
Pre-Katrina I biked around New Orleans many times. The city is pretty flat, which makes it easy on the knees. On one trip I discovered a bike path along the top of some of the earthen lebees. It was delightful; one could see the river on one side and the city spread out on the other.
Here there are few of the usual interstates that divide and wound cities. There’s mostly just I-10, on its massive concrete pilings, which snakes into the center of town, desperately trying to stay above most of the funk and humanity below. New Orleans was, and I suspect still is, one of a few large cities across the U.S.A. with character and personality, with its own food, culture, language, and music. It never fails to inspire, though it has clearly flourished despite much neglect and years of abuse that were revealed to the world when the hurricane struck.
I bike along Magazine Street and then on St. Charles where what at first glance appears to be Spanish moss in the trees turns out to be Mardi Gras beads, hanging from the weird branches, block after block – and it’s not even Mardi Gras season.
—- David Byrne, Bicycle Diaries
Tag Archives: woman
Seated Woman
Faces of Deep Ellum – Woman at a Poetry Reading
Faces of Deep Ellum – Woman at a Beat Poetry Reading
Throw Yourself at the Ground and Miss
Willing to be Jaunty
Accidental And Unrepeatable Combination of Features
Anyone With the Sensitivity of an Armadillo, or Even You
“Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist–a master–and that is what Auguste Rodin was–can look at an old woman, portray her exactly as she is . . . and force the viewer to see the pretty girl she used to be . . . and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body.”
—-Robert A. Heinlein, Stranger in a Strange Land
To Photograph People Is To Violate Them
“To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them that they can never have; it turns people into objects that can be symbolically possessed. Just as a camera is a sublimation of the gun, to photograph someone is a subliminal murder – a soft murder, appropriate to a sad, frightened time.”
― Susan Sontag, On Photography
The Sense Of the Beautiful
“A man should hear a little music, read a little poetry, and see a fine picture every day of his life, in order that worldly cares may not obliterate the sense of the beautiful which God has implanted in the human soul.”
― Johann Wolfgang von Goethe









